Description : DAW: Studio One Pro v7 I'm playing drums on this track using Aerodrums to trigger EZD 2. This is the first draft on this tune. A haunting love song w/ lush keyboard parts
Description : Hard hitting and powerful, with bold vocals and a slight edm quality. Im trying out some new synths with this project. Lyrics are posted. Enjoy
Description : We all have something we wish for in life. This right here is kinda like a prayer asking God to give me my portion, but recognizing that everyone has a different prayer and sometimes they may crush
Description : This is my first ever melodic dubstep song, Positive feedback is appreciated! You can sing on this, BUT PLEASE message me about it first! Thank you!
Description : Enjoying creating with Silver Bella's (here on Looperman) a capella tracks so much I did this one. Hours and hours and brain power used and it was sooo fun! Her vocal tracks are amazing with such energy and polish! It's like her vocals dance on top of the music. Silver Bella can be found here on Looperman under vocals offerings. Check her out!
Description : Oh yes, Odarka again ..... !!!
Just an other pop song, but I really enjoyed it until the last touch !!!
Many thanks to Odarka for sharing her wonderful acapellas !
Hope you like it...
Description : skip to 1:34 for best (at least my favorite) part of this song
At first i was just playing around with voice samples from fl library and then it started to sound like crystal castles/pastel ghost inspired song.
(might remake it someday)
Lmk what you think about it
Description : This musical style is built on a foundation of extreme dynamic contrast, The beat begins with a dark and cinematic orchestral intro, featuring a haunting, ethereal female vocal that acts as a core melodic element of the instrumental, This serene, atmospheric section then abruptly flips into a hard and chaotic Rage Trap beat, defined by massive, heavily distorted 808s, frantic hi-hats, and abrasive, buzzy synthesizers that create an overwhelming and disorienting wall of sound.
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