Overmyth I - Inception Of The Truth - ValveDriver
11th Mar 2017 12:29 - 9 years ago
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Description : Part one of three.
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All three were fun to listen to. I see you are making some new stuff after a pretty good gap. Looking forward to it.
If you ever want to collaborate, I can go the death metal rout all day, and my drummer's nickname is "makes everything metal." He'll do double bass on a ZZTop cover :)
Creepy, entangling and an evocative piece of work Aaron. oh and damn good!
Steve
The spaghetti western thing was totally unintentional, but once it was pointed out, I liked it, and ran with it.
Ah yes. The angsty nineties Seattle sound. One of my favorite genres. Not only because I plunged head first into music during the nineties, but because Seattle is just a couple hours from here, and I was heavily exposed to it. So, much like I said in my reply to Evan, I'm sure the influence bled in.
Sabbath has been one of my favorites ever since I was about 5 years old. there were 4 songs from back then that I credit as the door way to my love for metal. Iron Man, Another Brick In the Wall pt.2, Tom Sawyer, and Black Dog. Whenever I heard them on the radio, I would stop what I was doing and just listen.
" I also feel the soul of our Neanderthal ancestors battling the cold and Grey glaciers for a morsel of food"
It's cool that you said this. This is the first part of three "Overmyth" tracks. It's supposed to be like the beginning of a darkness that comes over early man. Parts 2 and 3 are still in the works. I'm kind of jumping back and forth between them. Hopefully part two is finished first. You know, chronology and all.
Growing up in the plains of the midwest america, I not only knew, but am related to a lot of farmers. I don't think they would be such assholes if it weren't for the bankers. So, I can jump on board with the being angry at bankers, but farmers hold a spot in my heart, and bloodline.
"Anti-industrial" elaborate on that. I'd really like to know how you came to this.
I'm glad you liked this one. There is a select handful of people here that I always look forward to hearing feedback from while I'm making tracks. You, sir, are one of them.
Take care up there.
Aaron.
Opening swells reminds me of "The Creature Lives" off Once More 'Round The Sun. Goes a bit different with some effective drums. Distortion kicking in makes me think of "No Quarter".
Goddamn impressive guitars here. Cannot lie. Great job making it sound like actual guitar lines. Listening to this, I know I would have EQ'd and mixed the life right out of this track. I've got it cranked in headphones and there is a bit of high end I would take out of the distortion, but I never know when to stop and wind up killing energy with several cuts.
Outro is epic and finalizing. Got no advice or thoughts on improvements. Good heaviness with awesome tones. Beefy.
I hope all is well and getting wellerer with you.
Evan
I'm doing ok. Things are a bit still at the moment, but tha's better than a decline. Right?
"Opening swells reminds me of "The Creature Lives"
Now that you mention it, it does. It would make sense. They are one of my top tier favorite bands. Not as much as Floyd, but they're up there.
" Distortion kicking in makes me think of "No Quarter".
Are you thinking the Crowbar cover, or the original Zep version? I honestly don't hear it. Either way, I've always liked that song. I know it's blasphemous in some circles, but I like Crowbar's version better.
" there is a bit of high end I would take out of the distortion"
Yeah. It might be a little too sizzly. I was trying to go for a razors edge on a sledgehammer sound. I may have just added too much high end.
Things are getting wellerer, I guess. Just very, very slowly.
Take care, my friend.
Aaron.
Compliments and respect______Orlando
That's some pretty high praise, my friend. I thank you for that!
I think you may be right about it being one of my best yet. I really like the way this one turned out. Which is a good thing. This is the first track of the Overmyth Trilogy. It would have sucked if I didn't like it!
I'm glad the ValveDriver calling card sound is still present. I was afraid it may have gotten lost in the lack of synths.
Again, sir, I thank you for your kind words!
Skol!
Aaron
Yes. This is all virtual software. The guitar, the drums, the Bass guitar and the synths.
Take care.
V.
I'm glad you enjoyed it. I know you're an old-school kind of guy, so for you to be so accepting of a totally new school method, means that much more.
Thanks again, man.
Skol.
Aaron.
I'm impressed , very welldone .
Thank you.
V.
Thanks, man! I'm glad you liked this one. Based on your description of the image you got, I'm guessing you're probably a fellow Fallot fan. May the steel be with you!
Skol.
V.
Its like Quentin Taratinos Heavy Metal version of the Good Bad and the Ugly ! I really dig the spaghetti western guitar picking in the beginning segment but that soon gives way to a nice heavy chord groove. I really dig those chord changes and, oh yeah, that's some real tasty lead. Man this is all done in Shreddage? Unbelievable. You throw in some real ominous breakdown and then a nice return to the western vibe guitar twang and those peaking single coils. Real slick transitioning. The last section really amps things up to another high level of intensity, some real edgy progression with guitar and drums laying down a heavy triplet cadence. This is wicked man, and I love the build to the abrupt hanging note ending.
Yeah, I'm all smiles right now bro. So happy to see and hear the Valvedriver cranking it out once more!!!
I didn't really shoot for the spaghetti wedtern sound, but now that you mention it, it totally is! Works for me!
I'm glad you liked the chord changes and leads. Those were a couple of things I wasn't 100% confident with. Especially the leads. I'm really more of a rythym guy, so I tend to feel like my leads are severely kacking. Nit only in content, but structure as well. So hearing from a guitar man that I'm doing alright is encouraging. Thanjs fir that, man!
Yes. This is entirely done with Shreddage. Around the time I first got it, I saw a comment here in a forum post that someone else made, saying that the virtual guitars are good for back up, or accents, but can never be used for a complete track. I took that as a silent challenge. Honestly, though, I'm still not fully satisfied, so expect more where I've pushed myself even harder.
Funny thing is, about the triplet cadence...I didn't even realize I was doing it, so again, more encouraging words that I'm doing something right!
Hey, man, you take care, and thanks again for the positive feedback. It's truly appreciated.
Skol!
Aaron