Um....##### !
This is like Heavy Metal House !
Definitely NOT disco. More like some really really Deep House. I gotta tell you I'm just laughing my ass off here right now because this is not at all what I was expecting from someone with an Avatar like yours. Please forgive me for making such a big jack ass male chauvinistic statement such as that but its the honest truth. I mean the track got my attention right off with the crazy syncopation intro and very clever progression but when you hit those first few power chords I thought "no ##### way" ! Is she she gonna lay some heavy guitar in this thing? The next thought was, ah no way, I'm dreaming. And then you did !!
Man you kicked my ass girl, I love it !
The suggestions by Steve and Aaron are noteworthy, my only added critique is the abrupt ending. It kind of left me hanging...with my mouth open and drool running out. I seriously like what you did here and it definitely got my attention. Very cool track. I could become a huge fan of the Ladyinred !
yes I'm agree with deep house ,
thank you for the comment and attention .
about ending , I should design a better ending , you're right .
I appreciate your comment .
Pretty awesome slide guitar chillout Katz. It conjures up memory of trip I took to a little town outside New Orleans back around 1990. Chalmette, Louisiana, a real nice place, south of the French quarter. A friend and co-worker at the time was raised there. I never had been to Mardi Gras so he offered to take me down there to check it out. Long story short, while we were there we drove out to his grandparents place which was located in the bayou area right on the Mississippi River. I ended up in small boat night fishing with a spotlight in the swamp with snakes and alligators all around and getting nearly eaten alive by mosquitoes. I was freakin terrified ! This song would have been a perfect sound track to the experience. I certainly dig the track think the sound effects add a nice cinematic element to it. Maybe a bit too much walking through the mud though. I would probably like it better from a pure song point of view if the effects were limited to the intro /outro. I was toying around the other night and got into some Pink Floyd sounding stuff and decided to record a bit of it. I may end up trying to work up a track with the material and was wondering if you would you mind if I used a bit of your CBG on it? It may fit right into what I'm working with. I would certainly give you cred for it. Sorry to ask you in the middle of your track comments like this but I don't do it when it comes to mind, I would probably forget the idea later. Again, good stuff here bro, and yes I hope your serious about putting that album together. Keep us posted on that for sure man !
Damn 1990! Seems a few lifetimes ago! That would be quite terrifying! I've never been further south of North Carolina, too hot, humid and busy for me!! I like Maine, we get cold enough so there's no poisonous snakes, insects and alot of the tropical germs can't survive the winters. I'll take the cold over the heat! It's funny when people ask Maine? Where's that? People actually live there, it's not all pine trees? I love the maine woods! Less that will kill you here hahaha Listening to some tracks in my car I realized how much I do use footsteps in stuff. Maybe the next one will be fishing for catfish from a boat instead of walking. I actaully had the thought to add rowing instead. I love the cbg songs on you tube that's one guitar solo playing slide, telling it's tale. I played along with a drum groove for timing, then cut out the drums to keep it guitar and sounds of nature only. When it come to mind that's the best time to ask! Sent you a message with the stems wet and dry, have a blast with them :D The wife said sounds like pink floyd as well, but did David Gilmore play a cbg? Billy Gibbons did :p https://www.youtube.com/watch?v=rHzeNW_nJVY My work schedule has been a bit crazy switching nights to days and back, but I am working on getting together the songs I think will go together for a cbg album, making sure they're mixed acceptably ect. All played on cbgs and maybe bass guitar since I haven't yet built a bass, I have the parts though. I do have some stuff mixed with 6 string playing too. Started experimenting with open tunings on 6 string from what I've learned this past year. Thanks NeoGillian :D
With an "I dare you to piss me off" killer stare avatar and a ground pounding coordinated strategic assault of a track that literally cuts a path between your ears big enough to drive a tank through !
I love every inch of this thing bro and I'll be damned if you haven't done it again. It isn't dubstep, and it ain't drum and bass. Its a whole new animal, a whole new breed, and it's out for blood. Right from the gate you realize this things got attitude and its all bad. The drums pound out a relentless cadence that's a combination of a viking ship row master and a ##### tommy gun. Wicked dubstep wobbles and growls leap from one side to the other in a distorted mechanized frenzy amid some of the most sinister and prime-evil sounding synth I've heard in quite awhile. Its a suicide roller coaster ride that the only way off is to jump. But who wants to take the easy way out? If i'm going out, i'm going out sreamin' !
Haha, in case it isn't obvious, I'm pretty ##### happy to see you back bro. Nice tune.
That avatar picture is from a set of portraits, (not selfies, but actual portraits with an actual camera), I did a couple years ago. It's subject was the ugly, dirty, gritty side of life. This one had the ficused drive that seemed to fit my approach toward my new life, and my music.
"a combination of a viking ship row master and a ##### tommy gun."
That's a great analogy!
I also love the idea of a suicide rollercoaster. If you haven't used that for a track title yet, you should now!
Thanks for the warm welcome, my friend. It's good to be producing again.
StaticNomadder, man I been trying to listen to this track for a few days now but keep getting interrupted each time! Finally got the chance today to give it a thorough listen. Its quite an ass kickin, nut bustin track bro. I dig how you ease into it and again its amazing to think there's no guitar in there. Sounds like a bunch of layered bass as it begins. That groove is mighty cool man. Your doing a fair share of plucking strings here as well as using the bow. You just kind of ride it along there for a bit, filtering in some dreamy synth pads all the while keeping it interesting with the varied drums. Its a very smooth and relaxing groove that is easy to get into, lazy and swanky. Then onto the mid section it builds some intensity, up to crescendo and then drops off to a floating bass interlude. Ahhh, I found myself on a purple cloud with a velvet pillow at that point and just as I was about to fall off into psychedelic slumber you rolled me off into a storm cloud amid thunderous percussion and a super heavy downpour of some nasty electronic distortion ! Uhhh, a bit scary it was, but I reveled in the badassery of it !
I recommend shutting out all other possible interruptions when choosing to imbibe the Nomad grooves. Perhaps wear headphones in a sensory deprivation tank. Or go out into the wilderness and listen away, hoping bears or snakes don't interrupt you. If they do, blast the track at them on speakers and they'll surely also get into it.
Anyway:
"a bunch of layered bass as it begins"
Yes. There are certain issues with using cello as a bass instrument - mostly because it's not a double bass. But it seems to work OK here though I did have to add an octave effect to some section just to give a more solid low end.
"That groove is mighty cool man"
Yeah, I think it's fun and addictive.
"a fair share of plucking strings here"
Yes, I think I began this one the day after having my first cello lesson last year. But I've sat on it for ages as I didn't have a clue where to take it and felt rather limited with my riff capabilities. There's more plucking (pizzicato) in it than bowing.
"some dreamy synth pads"
Just one violin patch that I've used in loads of tracks. Sounds like a pad because of the chain of effects (eg automated swept EQ) on it. A lovely sound.
"I found myself on a purple cloud with a velvet pillow at that point"
That's a wonderful place to be. My pleasure to take you there.
"you rolled me off into a storm cloud amid thunderous percussion and a super heavy downpour of some nasty electronic distortion"
Yes - that's just one cello riff at the end. It was sitting on the timeline in this project file and didn't know what to do with it. I thought it was some fairly average, stock hard riffage and considered getting rid of it. Then I realised I might as well tack it onto the end of this track as a final flourish.
"a bit scary it was"
Surely not for someone who makes Meshuggah covers?
Good to hear your detailed thoughts. Another track coming within a couple of weeks.
Wow, what a powerful piece. You are a true composer my friend! Stuff like this just blows me away. Its beautiful, its sad, its tender, its bright, its dark. Extremely well played keys and strings throughout. The intensity of the final movement is nothing short of incredible, I was nearly brought to tears. Inexplicably and totally... brilliant.
wow right back. that is a huge compliment. this is my first emotional piece.it has gotten so many comments I started on anouther. hopfully it will be recieved as well. thank you
Hey bro, I normally avoid spoken word tracks because they are usually pretty lame. You've changed my view with this one. I really dig the two voice track idea here. Not sure if its the intent or not but I relate it to the voice in your head that in this case seems to be your inner demon, who is obviously using your bit of hard luck to convince you that life is not worth living. Its a pretty heavy issue that is a reality struggle that a lot of people deal with at some point in their life. The message here is simple, Life is not easy for most people, its meant to be a challenge. If your going to survive you have to be strong, you have to be tough, and you have to believe you can overcome adversity. As hard as life seems to be sometimes, its still wonderful. Listening to this made me reflect back on some real bad times in my life and I'm so thankful that I had faith, pushed through it and didn't listen to that inner demon. Great pieNice work man, I love the music arrangement and your voice track is really superb. I could feel the emotion. Your super talented bro. Good things are in store for you, believe in yourself and make it happen.
I did a pop track recently and decided to check out a few others being featured. This is a very slick track bro. I like the swanky dark vibe of it and your low register vocal is not only a nicely subdued match for the music it is also damn good ! My only suggestion would be, as a few others have eluded to, maybe invest a little more time to work on some dynamics. Since its a bit minimal musically and as great as your voice is, it has a monotone nature, so you have to be careful of it sounding stale or boring. Please don't take that the wrong way. I think you definitely have some major potential here.
This is a killer track Evan, so the name is very appropriate. I love the Celtic flavoring you are able to produce. The acoustic intro is so Renaissance festival, I'm instantly picturing the ample bouncing breasted wenches and smelling the Turkey Legs and mead. But then this quickly melds into a shifting cacophony of suspenseful interlude which is quite masterfully composed. That sharply toned bass is so wicked along with the flute and (are those guitar?) plucks. Nice tension building here and then the addition of percussion and choir really pumps up the production value. The second half continues the bass driving groove with some segmented percussion to sustain the tension. I have to complement you on the drum work through out the track bro. It really put this on a much higher level percussion wise than I believe you have been before. My only critique with the track would be to point out there at 2:43 the guitar and bass are seemingly battling for space a bit, not sure if its volume or separation that's the issue, and its a very minor one to say the least. The orchestrated synth that kicks in to start the outtro is very cool and just puts the finishing touch on this amazing piece. Your really raising the bar with stuff like this Evan. Seriously.
I'm very happy you liked this one. Sorry for my late response. Ah, my track evokes ##### and intoxicating beverages in the mind. These things are all good.
"...(are those guitar?) plucks."
Yes, high up on the neck of the acoustic I'm about to part with. I don't record much with my mic, but my crappy little acoustic Squier has been in several things.
"....there at 2:43 the guitar and bass are seemingly battling for space a bit...."
Here is where I call complete and total bs on you,.... because it's all bass. (I win!) The lead and the backing are both bass guitars, and I'll bet they're going through the same pickup configuration on both parts. Good ears. They don't get along because I usually roll the blend pot on my bass a touch for recording different parts to separate their tone. So yes, you are correct. They probably are fighting for space since they're the same instrument.
Thanks for the listen, and the feedback. I've got a new one now that is heavier and lighter. Using amp sims out the wazoo!
I don't understand the comment "this site wont let you replace it"? Just go into edit and upload the cropped version, OR delete the track entirely and repost the new version.
Nice sinister sounding groove here Crypt. Some pretty awesome variations and electro elements. I kinda wish there was a key change somewhere but its cool as is. I can picture this cranking high Db's at a Vampire rave!
I'm really impressed with the production on this. You have always shown excellent skills in playing and composing but your really getting too good! Have to say I thoroughly enjoyed the acoustic intro. Awesome articulation there bro and and I dig the subtle delays that are timed just perfectly. I differ from sford because the piano accompanyment is in my opinion the icing on this cake. I had to re-play it 4 or 5 times before listening to the rest of the song. Sorry. Quite honestly it's fairly easy to work up a few riffs, throw some chords together, pipe it through some effects, drop in some bass and drums and viola. I'm always more impressed musically with lyrical composition than anything else. Lyrical in the sense of the artistically beautiful or expressive quality of a piece. Having said that I don't mean to understate the rest of this track. I really dig it as well. I think you and I both have similar interest in the more technical structures so I'm definitely grooving on your time signature and poly rhythmic stuff here. And yeah I'm still trying to decode the subliminal message contained in that outro! Very intellectual but also a lot of fun.
Really dig this one Dave. Brings back some memories of hanging with a few old band members and checking out different guitar music. I was never much into Reggae but one of the guys was always trying to get us to do some and was always playing us tunes from Marley, Dennis Brown, Mikey Dread and others. This undoubtedly has a fair amount of Jazz flavoring which I really enjoyed. Such a pleasant groove all the way through. Great listen , great track.
Hey Neo thanks man! a little bit of reggae always goes down well with a band...but playing too much will lead to the fire brigade knocking on your door! lol...all the best Dave :)
Man for your sake I hope Hogan Howe isn't a fan of Looperman. Scotland Yard might not approve of such an unmitigated display of drum brutality as this !! My arms and legs hurt just listening to it.
Haha, great track here bro and yes unbelievable no synths. Aside from it's Epic-ness level of super-human drumming the guitars aren't to be overlooked. They are pretty much wailing like Banshees throughout. I really dig the end groove starting around 4:40, very cool guitar riffs and double bass quad kicks. Just a completely intense track from start to finish that showcases some blistering guitar (possibly your heaviest work to date) and some criminally insane drumming, the likes of which might not ever be allowed to be produced again without an adult rating. Way too brutal for young ears, as well as dead Grandmothers ears!
You initially confused me with your Hogan Howe reference. "Who the hell is that?", I thought. Then I worked out that you mean Bernard Hogan-Howe, head of the Met Police in London. How do you know about that guy? Is he well known in Texas?
Anyway, yes, I may end uop being arrested for excessive drum brutality. I am willing to face my punishment and make no apology for such a criminally insane display of thunderous, swinging metal madness.
You're totally right about the super-human drumming as that's exactly what some of it is. Multiple kits are often playing simultaneously though if you listen to just one of those kits, you'll find that one drummer would not have enough limbs to pull off that playing, eg when the toms are banging away there's also hats and crash, kick and snare so probably sometimes 5 or 6 simultaneous hits. The drummer would have to attach sticks to his head and ##### to manage it all.
"the guitars aren't to be overlooked"
That's right - never overlook the guitars in a heavy track containing only bass, drums and guitar. My main guitar regret is the lack of a continuing solo around 2:27. There it sounds like a cool, high solo should happen but it doesn't, instead just fading away. I should probably go back and try adding around 10-15 secs of soloing there to make it feel complete.
Yes, this track should probably have a high Looperman brutality rating and warning. Imagine if small children logged on and listened to this. That could be very dangerous.
End riffage around 4:40 is just a return to my previous "chorus" riff, which is easily the best one in the whole thing. That's why you hear it many times.
This may be unsuitable for dead grandmothers' ears but can you believe that my little old mum actually likes this track? She mostly likes jazz, classical and choral music, nothing heavy or aggressive whatsoever. I gave her a lot of warning about how brutal and intense it was but she was amused by the title so said she'd like to hear it. I said I expected her to hate it but she instead like the exuberance, the joy and the swing. "Sorry to disappoint you", she said, as I was surprised she even listened to the whole thing. Mother's metal!
I'm pleased she liked it as I think it shows that, for all its power, it still has some melodic merit and some cool grooves. It's fun brutal rather than evil or depressing brutal. I don't make that sort of music and always look for cool grooves and melody and stuff.
I like the quirky nature of this track, works well as background audio for the video. I have noticed Pete Jon Tebar also had a track used for one of your art projects here a while back. How are you associated with the art works if you dont mind my asking?
Thanks Neomorpheus for checking this out with the video. I discover the art online and ask artists for permission to promote their work with music on my website. I have sold a few prints this way for the artists. I am trying to get more composers involved in writing music for the art and selling the art. It is a way for composers to use their music as part of a business - at least that is the idea! Regards - Dan
"I'm Eighteen and I don't know what I want", Ooops, sorry bro. It's just that I'm reminded of the Alice Cooper song "Eighteen" when I see your name. Ever heard it? Yeah man, like the others I'm really digging this sound of yours and as mentioned I have never heard stuff like this before. In listening to this I was able to notice a little clipping which I think certain areas of the vocal section is pushing the ceiling too much. I love the track though and think you really have a unique thing going on. The vocaloid combined with the chip tune / Arcade video game sound effects really gets me thinking of Japanese Anime. Very cool stuff bro.
Beautifully composed track Orlando. I can definitely pick up Eds signature sound and structuring. He's a master of smooth ! I love the feeling and beauty that this track instills on my soul. Thanks for such an experience.
Great suspensful and high anxiety mood mix here lAVel. I would say this is more Cinematic than Ambient but it can qualify as either I guess. Certainly provides us the mental window for some nice sinister imagery, as some of which you mention in the description. I totally dig the ending. Good stuff !
"for the late night walks down a dark alley" or through orc infested black lands on the outskirts of Mordor! LOTR dream sequence-esque for sure, which is waaay cool man. Yeah I agree with Wobbin who agreed with Cru. Also the ending is a bit abrupt. Sounds like you were going for a reverse but it didnt quite finish. Good stuff nonetheless bro.
StaticBromad, another cellatious track here man. I really dig the transition at the half into the techno groove and especially how you chugged to the beat with the bow there. Pretty cool! As always you concocted quite a sonically charged linear mixture of sounds and elements that my audioception sense found quite pleasing. It is a bit long maybe, which is the only criticism I have.
Besides Kargalar I have noticed other people comment that your tracks sound cinematic which probably relates to the cello and that orchestration is so prevalent in movie soundtracks. Hey as far as your question though regarding others using cello I ran across a couple of bands that you might be interested in checking out.
##### of cello here, and in yet another style for me, which is surely a bit of a progression.
"the techno groove and especially how you chugged to the beat with the bow there"
Yes - that bowed chugging is called spiccato and I think it's really funky playing along with the solid drum loop and synth arp bass. Cello does not obviously go with techno so I had to spend a while trying out loads of things. This was, at many different points, really quite difficult to make and I'm not done yet as I agree that it's probably a bit too long. I will go back and try to remove some sections from the last 2 mins though it may not be a simple task.
Thanks for letting me know about The Green Children as that band looks quite interesting. 2 Cellos I know very well and they are up there as some of my favourite musicians on the planet. Their skill and accuracy is exceptional and I swear they rock as hard as the very hardest rocking of bands anywhere in the world. Their cover of Voodoo People is totally badass though they don't actually play it as a techno cello track - it mostly sounds like a straight ahead rock song. Live it's just two cellos plus a drummer so no techno elements.
I went to see them in concert a few months ago in Greenwich, in London. They were playing in a very picturesque location - the Old Royal Naval College. They both studied music there and their cello teacher was in the audience. The building has some serious history and has been used in loads of films, some of which I bet you've seen (Patriot Games, Bond films, Tomb Raider etc). Have a look at their full list here:
Hey Wobbin, really groovy Halloween track here bro. The intro synth melody is classic cinematic horror theme. A lot of production work in here that takes us on quite a fun little journey through a managerie of scary soundscapes and effects. Looking forward to hearing the completed version.
Thanks Neomorpheus!
Classic intro indeed. I can not play piano actually so I was just messing around sketching idea's until i've found out that this small and very simply tone ladder actually had the perfect effect and tonality.Pretty sure it might not be original, but it works :)
I hope to finish the piece within a few days!
- Wobbin
Hey Cru, definitely diggin this this track, its an awesome club mix for sure. I will download and try to get it in the hands of some friends who DJ at some of the most happing clubs here in "Big D". Cant wait to hear it crankin at the Lizard Lounge!
Thanks for that. I would love to hear this track on a club sound system and see the reaction of the people as they hear and dance to it. That would be awesome. Lizard lounge has a great reputation, i even know of it up here in Canada.Thanks for the props and help.
Steve
Hey Katz, yeah man I'm just now getting to the Halloween tracks and find you and I both took a similar direction this year. Certain blues can be pretty haunting and you nailed the vibe here for sure. Some really sweet slide bro, The guitar sounds awesome, and great job with the bass and drums as well. The Doom Blues are happnin, this Halloween !
YAAAYY!!Doom blues \m/ I love how haunting the delta slide blues can be, so full of soul and emotion. Thanks Neo B-D I'm going to make some more halloween tunes, wouldn't be right without a zombie and witch one! Both almost complete.
Wow, that's some tight mood music PJB, very film noir. The bass track is so f'n swanky, sounds like is it played on a fretless ? Such a killer production wise, you really schooled us with this one bro. I know we don't get to see stuff from you so frequent so this is really a treat. Big props and much thanks for the DL !
Hey Neo thanks man!..yeah the bass is played on my acoustic electric fretless 5 which I built, black nylon tapewound strings give it a not quite but close upright sound, thanks for the support mate very much appreciated!..cheers Dave :)
on Explosion by ElenaSatine
This is like Heavy Metal House !
Definitely NOT disco. More like some really really Deep House. I gotta tell you I'm just laughing my ass off here right now because this is not at all what I was expecting from someone with an Avatar like yours. Please forgive me for making such a big jack ass male chauvinistic statement such as that but its the honest truth. I mean the track got my attention right off with the crazy syncopation intro and very clever progression but when you hit those first few power chords I thought "no ##### way" ! Is she she gonna lay some heavy guitar in this thing? The next thought was, ah no way, I'm dreaming. And then you did !!
Man you kicked my ass girl, I love it !
The suggestions by Steve and Aaron are noteworthy, my only added critique is the abrupt ending. It kind of left me hanging...with my mouth open and drool running out. I seriously like what you did here and it definitely got my attention. Very cool track. I could become a huge fan of the Ladyinred !
thank you for the comment and attention .
about ending , I should design a better ending , you're right .
I appreciate your comment .
on Bottomlands by Burtsbluesboxes
on Onward Toward Golgotha by ValveDriver
He has risen !
With an "I dare you to piss me off" killer stare avatar and a ground pounding coordinated strategic assault of a track that literally cuts a path between your ears big enough to drive a tank through !
I love every inch of this thing bro and I'll be damned if you haven't done it again. It isn't dubstep, and it ain't drum and bass. Its a whole new animal, a whole new breed, and it's out for blood. Right from the gate you realize this things got attitude and its all bad. The drums pound out a relentless cadence that's a combination of a viking ship row master and a ##### tommy gun. Wicked dubstep wobbles and growls leap from one side to the other in a distorted mechanized frenzy amid some of the most sinister and prime-evil sounding synth I've heard in quite awhile. Its a suicide roller coaster ride that the only way off is to jump. But who wants to take the easy way out? If i'm going out, i'm going out sreamin' !
Haha, in case it isn't obvious, I'm pretty ##### happy to see you back bro. Nice tune.
That avatar picture is from a set of portraits, (not selfies, but actual portraits with an actual camera), I did a couple years ago. It's subject was the ugly, dirty, gritty side of life. This one had the ficused drive that seemed to fit my approach toward my new life, and my music.
"a combination of a viking ship row master and a ##### tommy gun."
That's a great analogy!
I also love the idea of a suicide rollercoaster. If you haven't used that for a track title yet, you should now!
Thanks for the warm welcome, my friend. It's good to be producing again.
Take care, man
Aaron
on The Last Rite by Tinka0
on Skyscaper by StaticNomad
I recommend shutting out all other possible interruptions when choosing to imbibe the Nomad grooves. Perhaps wear headphones in a sensory deprivation tank. Or go out into the wilderness and listen away, hoping bears or snakes don't interrupt you. If they do, blast the track at them on speakers and they'll surely also get into it.
Anyway:
"a bunch of layered bass as it begins"
Yes. There are certain issues with using cello as a bass instrument - mostly because it's not a double bass. But it seems to work OK here though I did have to add an octave effect to some section just to give a more solid low end.
"That groove is mighty cool man"
Yeah, I think it's fun and addictive.
"a fair share of plucking strings here"
Yes, I think I began this one the day after having my first cello lesson last year. But I've sat on it for ages as I didn't have a clue where to take it and felt rather limited with my riff capabilities. There's more plucking (pizzicato) in it than bowing.
"some dreamy synth pads"
Just one violin patch that I've used in loads of tracks. Sounds like a pad because of the chain of effects (eg automated swept EQ) on it. A lovely sound.
"I found myself on a purple cloud with a velvet pillow at that point"
That's a wonderful place to be. My pleasure to take you there.
"you rolled me off into a storm cloud amid thunderous percussion and a super heavy downpour of some nasty electronic distortion"
Yes - that's just one cello riff at the end. It was sitting on the timeline in this project file and didn't know what to do with it. I thought it was some fairly average, stock hard riffage and considered getting rid of it. Then I realised I might as well tack it onto the end of this track as a final flourish.
"a bit scary it was"
Surely not for someone who makes Meshuggah covers?
Good to hear your detailed thoughts. Another track coming within a couple of weeks.
Hang tight till then...
on lost love -the lonely road- by mindhiest
on Outside by MOONLYTE
on My first Indie Rock and first Track on Looperman by Alabafruit
on Wise Man by austinmusic
on I Will Have You Destroyed by Evisma
I'm very happy you liked this one. Sorry for my late response. Ah, my track evokes ##### and intoxicating beverages in the mind. These things are all good.
"...(are those guitar?) plucks."
Yes, high up on the neck of the acoustic I'm about to part with. I don't record much with my mic, but my crappy little acoustic Squier has been in several things.
"....there at 2:43 the guitar and bass are seemingly battling for space a bit...."
Here is where I call complete and total bs on you,.... because it's all bass. (I win!) The lead and the backing are both bass guitars, and I'll bet they're going through the same pickup configuration on both parts. Good ears. They don't get along because I usually roll the blend pot on my bass a touch for recording different parts to separate their tone. So yes, you are correct. They probably are fighting for space since they're the same instrument.
Thanks for the listen, and the feedback. I've got a new one now that is heavier and lighter. Using amp sims out the wazoo!
Take care.
Evan
on Titan by kingmadi
on Desolate by Crypt
on Eyes Run Aground by Evisma
I'm really impressed with the production on this. You have always shown excellent skills in playing and composing but your really getting too good! Have to say I thoroughly enjoyed the acoustic intro. Awesome articulation there bro and and I dig the subtle delays that are timed just perfectly. I differ from sford because the piano accompanyment is in my opinion the icing on this cake. I had to re-play it 4 or 5 times before listening to the rest of the song. Sorry. Quite honestly it's fairly easy to work up a few riffs, throw some chords together, pipe it through some effects, drop in some bass and drums and viola. I'm always more impressed musically with lyrical composition than anything else. Lyrical in the sense of the artistically beautiful or expressive quality of a piece. Having said that I don't mean to understate the rest of this track. I really dig it as well. I think you and I both have similar interest in the more technical structures so I'm definitely grooving on your time signature and poly rhythmic stuff here. And yeah I'm still trying to decode the subliminal message contained in that outro! Very intellectual but also a lot of fun.
Glad you liked the acoustic intro. I don't memorize how to play my songs, but some guitar lines stay with you. I liked this one.
I like the piano lines I write, but not my piano sound, really. I'll be looking into EZKeys at some point.
Ah, yes. The track went to heavier stuff because I really like using contrast as a way to make up for having no vocals to listen to and follow.
Very kind and generous words from you, good sir. I thank you.
Take care.
Evan
on LITTLE DREAD by Planetjazzbass
"You be schoolin us reel goode mon !"
on Fist Bumps Of Fury by StaticNomad
Man for your sake I hope Hogan Howe isn't a fan of Looperman. Scotland Yard might not approve of such an unmitigated display of drum brutality as this !! My arms and legs hurt just listening to it.
Haha, great track here bro and yes unbelievable no synths. Aside from it's Epic-ness level of super-human drumming the guitars aren't to be overlooked. They are pretty much wailing like Banshees throughout. I really dig the end groove starting around 4:40, very cool guitar riffs and double bass quad kicks. Just a completely intense track from start to finish that showcases some blistering guitar (possibly your heaviest work to date) and some criminally insane drumming, the likes of which might not ever be allowed to be produced again without an adult rating. Way too brutal for young ears, as well as dead Grandmothers ears!
You initially confused me with your Hogan Howe reference. "Who the hell is that?", I thought. Then I worked out that you mean Bernard Hogan-Howe, head of the Met Police in London. How do you know about that guy? Is he well known in Texas?
Anyway, yes, I may end uop being arrested for excessive drum brutality. I am willing to face my punishment and make no apology for such a criminally insane display of thunderous, swinging metal madness.
You're totally right about the super-human drumming as that's exactly what some of it is. Multiple kits are often playing simultaneously though if you listen to just one of those kits, you'll find that one drummer would not have enough limbs to pull off that playing, eg when the toms are banging away there's also hats and crash, kick and snare so probably sometimes 5 or 6 simultaneous hits. The drummer would have to attach sticks to his head and ##### to manage it all.
"the guitars aren't to be overlooked"
That's right - never overlook the guitars in a heavy track containing only bass, drums and guitar. My main guitar regret is the lack of a continuing solo around 2:27. There it sounds like a cool, high solo should happen but it doesn't, instead just fading away. I should probably go back and try adding around 10-15 secs of soloing there to make it feel complete.
Yes, this track should probably have a high Looperman brutality rating and warning. Imagine if small children logged on and listened to this. That could be very dangerous.
End riffage around 4:40 is just a return to my previous "chorus" riff, which is easily the best one in the whole thing. That's why you hear it many times.
This may be unsuitable for dead grandmothers' ears but can you believe that my little old mum actually likes this track? She mostly likes jazz, classical and choral music, nothing heavy or aggressive whatsoever. I gave her a lot of warning about how brutal and intense it was but she was amused by the title so said she'd like to hear it. I said I expected her to hate it but she instead like the exuberance, the joy and the swing. "Sorry to disappoint you", she said, as I was surprised she even listened to the whole thing. Mother's metal!
I'm pleased she liked it as I think it shows that, for all its power, it still has some melodic merit and some cool grooves. It's fun brutal rather than evil or depressing brutal. I don't make that sort of music and always look for cool grooves and melody and stuff.
Superhuman Swinging Nomad
on Scarecrows for the Birds by DanGoldstein
I like the quirky nature of this track, works well as background audio for the video. I have noticed Pete Jon Tebar also had a track used for one of your art projects here a while back. How are you associated with the art works if you dont mind my asking?
on No More Never by Eighteen
I'm happy to hear everyone keeps saying they never heard stuff like this before, its what I aim for and am very pleased to hear it so often.
yeah the voices clipped indeed, I lowered it a lot with EQing, I put a sine on the voice, and I guess it was a bit too high frequenty.
haha yeah I love anime sounds, so it might be that I have some ideas from what I have heard in the past.
Arcade game sounds I got those ideas from kanye.
Thanks for the nice comment man!
~Eighteen
on Highland Homecoming by Orlando51
With much appreciation_____Orlando
on His Hell by lAVel
on haunting regrets by mindhiest
on Dangerous Spaces by StaticNomad
Besides Kargalar I have noticed other people comment that your tracks sound cinematic which probably relates to the cello and that orchestration is so prevalent in movie soundtracks. Hey as far as your question though regarding others using cello I ran across a couple of bands that you might be interested in checking out.
2 cellos - Voodoo People
https://www.youtube.com/watch?v=Bil1ceJNZDo
The Green Children
http://thegreenchildren.com/home
Later.
Neo
##### of cello here, and in yet another style for me, which is surely a bit of a progression.
"the techno groove and especially how you chugged to the beat with the bow there"
Yes - that bowed chugging is called spiccato and I think it's really funky playing along with the solid drum loop and synth arp bass. Cello does not obviously go with techno so I had to spend a while trying out loads of things. This was, at many different points, really quite difficult to make and I'm not done yet as I agree that it's probably a bit too long. I will go back and try to remove some sections from the last 2 mins though it may not be a simple task.
Thanks for letting me know about The Green Children as that band looks quite interesting. 2 Cellos I know very well and they are up there as some of my favourite musicians on the planet. Their skill and accuracy is exceptional and I swear they rock as hard as the very hardest rocking of bands anywhere in the world. Their cover of Voodoo People is totally badass though they don't actually play it as a techno cello track - it mostly sounds like a straight ahead rock song. Live it's just two cellos plus a drummer so no techno elements.
I went to see them in concert a few months ago in Greenwich, in London. They were playing in a very picturesque location - the Old Royal Naval College. They both studied music there and their cello teacher was in the audience. The building has some serious history and has been used in loads of films, some of which I bet you've seen (Patriot Games, Bond films, Tomb Raider etc). Have a look at their full list here:
https://www.ornc.org/past-features
Good to hear you enjoyed my techno cello explorations. More cello tracks coming soon...
on Wobbin - HELLoween Themed techno mini-mix by Wobbin
Classic intro indeed. I can not play piano actually so I was just messing around sketching idea's until i've found out that this small and very simply tone ladder actually had the perfect effect and tonality.Pretty sure it might not be original, but it works :)
I hope to finish the piece within a few days!
- Wobbin
on Shadowless by crucethus
Steve
on Ghost of a guitar by Burtsbluesboxes
on NARCOS by Planetjazzbass