StaticNomadder, man I been trying to listen to this track for a few days now but keep getting interrupted each time! Finally got the chance today to give it a thorough listen. Its quite an ##### kickin, nut bustin track bro. I dig how you ease into it and again its amazing to think there's no guitar in there. Sounds like a bunch of layered b##### as it begins. That groove is mighty cool man. Your doing a fair share of plucking strings here as well as using the bow. You just kind of ride it along there for a bit, filtering in some dreamy synth pads all the while keeping it interesting with the varied drums. Its a very smooth and relaxing groove that is easy to get into, lazy and swanky. Then onto the mid section it builds some intensity, up to crescendo and then drops off to a floating b##### interlude. Ahhh, I found myself on a purple cloud with a velvet pillow at that point and just as I was about to fall off into psychedelic slumber you rolled me off into a storm cloud amid thunderous percussion and a super heavy downpour of some nasty electronic distortion ! Uhhh, a bit scary it was, but I reveled in the bad#####ery of it !
I recommend shutting out all other possible interruptions when choosing to imbibe the Nomad grooves. Perhaps wear headphones in a sensory deprivation tank. Or go out into the wilderness and listen away, hoping bears or snakes don't interrupt you. If they do, blast the track at them on speakers and they'll surely also get into it.
Anyway:
"a bunch of layered bass as it begins"
Yes. There are certain issues with using cello as a bass instrument - mostly because it's not a double bass. But it seems to work OK here though I did have to add an octave effect to some section just to give a more solid low end.
"That groove is mighty cool man"
Yeah, I think it's fun and addictive.
"a fair share of plucking strings here"
Yes, I think I began this one the day after having my first cello lesson last year. But I've sat on it for ages as I didn't have a clue where to take it and felt rather limited with my riff capabilities. There's more plucking (pizzicato) in it than bowing.
"some dreamy synth pads"
Just one violin patch that I've used in loads of tracks. Sounds like a pad because of the chain of effects (eg automated swept EQ) on it. A lovely sound.
"I found myself on a purple cloud with a velvet pillow at that point"
That's a wonderful place to be. My pleasure to take you there.
"you rolled me off into a storm cloud amid thunderous percussion and a super heavy downpour of some nasty electronic distortion"
Yes - that's just one cello riff at the end. It was sitting on the timeline in this project file and didn't know what to do with it. I thought it was some fairly average, stock hard riffage and considered getting rid of it. Then I realised I might as well tack it onto the end of this track as a final flourish.
"a bit scary it was"
Surely not for someone who makes Meshuggah covers?
Good to hear your detailed thoughts. Another track coming within a couple of weeks.
Wow, what a powerful piece. You are a true composer my friend! Stuff like this just blows me away. Its beautiful, its sad, its tender, its bright, its dark. Extremely well played keys and strings throughout. The intensity of the final movement is nothing short of incredible, I was nearly brought to tears. Inexplicably and totally... brilliant.
wow right back. that is a huge compliment. this is my first emotional piece.it has gotten so many comments I started on anouther. hopfully it will be recieved as well. thank you
I did a pop track recently and decided to check out a few others being featured. This is a very slick track bro. I like the swanky dark vibe of it and your low register vocal is not only a nicely subdued match for the music it is also damn good ! My only suggestion would be, as a few others have eluded to, maybe invest a little more time to work on some dynamics. Since its a bit minimal musically and as great as your voice is, it has a monotone nature, so you have to be careful of it sounding stale or boring. Please don't take that the wrong way. I think you definitely have some major potential here.
I don't understand the comment "this site wont let you replace it"? Just go into edit and upload the cropped version, OR delete the track entirely and repost the new version.
Nice sinister sounding groove here Crypt. Some pretty awesome variations and electro elements. I kinda wish there was a key change somewhere but its cool as is. I can picture this cranking high Db's at a Vampire rave!
I'm really impressed with the production on this. You have always shown excellent skills in playing and composing but your really getting too good! Have to say I thoroughly enjoyed the acoustic intro. Awesome articulation there bro and and I dig the subtle delays that are timed just perfectly. I differ from sford because the piano accompanyment is in my opinion the icing on this cake. I had to re-play it 4 or 5 times before listening to the rest of the song. Sorry. Quite honestly it's fairly easy to work up a few riffs, throw some chords together, pipe it through some effects, drop in some bass and drums and viola. I'm always more impressed musically with lyrical composition than anything else. Lyrical in the sense of the artistically beautiful or expressive quality of a piece. Having said that I don't mean to understate the rest of this track. I really dig it as well. I think you and I both have similar interest in the more technical structures so I'm definitely grooving on your time signature and poly rhythmic stuff here. And yeah I'm still trying to decode the subliminal message contained in that outro! Very intellectual but also a lot of fun.
Really dig this one Dave. Brings back some memories of hanging with a few old band members and checking out different guitar music. I was never much into Reggae but one of the guys was always trying to get us to do some and was always playing us tunes from Marley, Dennis Brown, Mikey Dread and others. This undoubtedly has a fair amount of Jazz flavoring which I really enjoyed. Such a pleasant groove all the way through. Great listen , great track.
Hey Neo thanks man! a little bit of reggae always goes down well with a band...but playing too much will lead to the fire brigade knocking on your door! lol...all the best Dave :)
I like the quirky nature of this track, works well as background audio for the video. I have noticed Pete Jon Tebar also had a track used for one of your art projects here a while back. How are you associated with the art works if you dont mind my asking?
Thanks Neomorpheus for checking this out with the video. I discover the art online and ask artists for permission to promote their work with music on my website. I have sold a few prints this way for the artists. I am trying to get more composers involved in writing music for the art and selling the art. It is a way for composers to use their music as part of a business - at least that is the idea! Regards - Dan
"I'm Eighteen and I don't know what I want", Ooops, sorry bro. It's just that I'm reminded of the Alice Cooper song "Eighteen" when I see your name. Ever heard it? Yeah man, like the others I'm really digging this sound of yours and as mentioned I have never heard stuff like this before. In listening to this I was able to notice a little clipping which I think certain areas of the vocal section is pushing the ceiling too much. I love the track though and think you really have a unique thing going on. The vocaloid combined with the chip tune / Arcade video game sound effects really gets me thinking of Japanese Anime. Very cool stuff bro.
Beautifully composed track Orlando. I can definitely pick up Eds signature sound and structuring. He's a master of smooth ! I love the feeling and beauty that this track instills on my soul. Thanks for such an experience.
Great suspensful and high anxiety mood mix here lAVel. I would say this is more Cinematic than Ambient but it can qualify as either I guess. Certainly provides us the mental window for some nice sinister imagery, as some of which you mention in the description. I totally dig the ending. Good stuff !
"for the late night walks down a dark alley" or through orc infested black lands on the outskirts of Mordor! LOTR dream sequence-esque for sure, which is waaay cool man. Yeah I agree with Wobbin who agreed with Cru. Also the ending is a bit abrupt. Sounds like you were going for a reverse but it didnt quite finish. Good stuff nonetheless bro.
Hey Wobbin, really groovy Halloween track here bro. The intro synth melody is classic cinematic horror theme. A lot of production work in here that takes us on quite a fun little journey through a managerie of scary soundscapes and effects. Looking forward to hearing the completed version.
Thanks Neomorpheus!
Classic intro indeed. I can not play piano actually so I was just messing around sketching idea's until i've found out that this small and very simply tone ladder actually had the perfect effect and tonality.Pretty sure it might not be original, but it works :)
I hope to finish the piece within a few days!
- Wobbin
Hey Katz, yeah man I'm just now getting to the Halloween tracks and find you and I both took a similar direction this year. Certain blues can be pretty haunting and you nailed the vibe here for sure. Some really sweet slide bro, The guitar sounds awesome, and great job with the bass and drums as well. The Doom Blues are happnin, this Halloween !
YAAAYY!!Doom blues \m/ I love how haunting the delta slide blues can be, so full of soul and emotion. Thanks Neo B-D I'm going to make some more halloween tunes, wouldn't be right without a zombie and witch one! Both almost complete.
Wow, that's some tight mood music PJB, very film noir. The bass track is so f'n swanky, sounds like is it played on a fretless ? Such a killer production wise, you really schooled us with this one bro. I know we don't get to see stuff from you so frequent so this is really a treat. Big props and much thanks for the DL !
Hey Neo thanks man!..yeah the bass is played on my acoustic electric fretless 5 which I built, black nylon tapewound strings give it a not quite but close upright sound, thanks for the support mate very much appreciated!..cheers Dave :)
DP I have a feeling you are going to gain instant Looperman hero status with this release. Members here with any significant amount of time will undoubtedly raise a glass in your honor today bro.
Its definitely got great potential bro. I dig the music but also feel the vocals need some work from the EQ side. Kyle hits the nail with his suggestions regarding the high pass filtering and mixed buss compression. I listened to a few of your other tracks that contain vocals and you obviously know how to dial this stuff in. So yeah, give it another once over and let us hear the final version. There's only a handful of head banger's on here so I'm always exited to see some Metal submissions.
Thank you for your generous comment. My mixing skills are so rusty I am having to learn all over again. Hoping this one is better than the first one you heard. I re-uploaded the track so have another listen please.
Very reminiscent of the 80's hair band ballads. The chord progression is pretty close to poisons "Every Rose has its Thorn". Yeah bro, I like this a lot. Like the others have pointed out its very raw and clean. I imagine you on a classic episode of MTV's Head bangers ball playing this live! And then Bret Michaels walks on stage !!!! \m/
I actually kind of had a ##### and Roses idea when I did this. I just wanted something slowed down and not too cluttered to do some lead guitars over. Was diggin the Synths so made them a little more prominent.
This is great Beats, real swanky mix.
It easy to imagine this as the soundtrack of some 20's gangster movie, or maybe more appropriately something like Sin City which is more film noir.
I dig it man.
Hey TD,
Props on the vox bro. This track reminds me of some of the great old gospel motown hits, Aaron Neville is the first that comes to mind. I Dig the emotion and conviction in your voice. Great job bro, keep em coming.
on Skyscaper by StaticNomad
I recommend shutting out all other possible interruptions when choosing to imbibe the Nomad grooves. Perhaps wear headphones in a sensory deprivation tank. Or go out into the wilderness and listen away, hoping bears or snakes don't interrupt you. If they do, blast the track at them on speakers and they'll surely also get into it.
Anyway:
"a bunch of layered bass as it begins"
Yes. There are certain issues with using cello as a bass instrument - mostly because it's not a double bass. But it seems to work OK here though I did have to add an octave effect to some section just to give a more solid low end.
"That groove is mighty cool man"
Yeah, I think it's fun and addictive.
"a fair share of plucking strings here"
Yes, I think I began this one the day after having my first cello lesson last year. But I've sat on it for ages as I didn't have a clue where to take it and felt rather limited with my riff capabilities. There's more plucking (pizzicato) in it than bowing.
"some dreamy synth pads"
Just one violin patch that I've used in loads of tracks. Sounds like a pad because of the chain of effects (eg automated swept EQ) on it. A lovely sound.
"I found myself on a purple cloud with a velvet pillow at that point"
That's a wonderful place to be. My pleasure to take you there.
"you rolled me off into a storm cloud amid thunderous percussion and a super heavy downpour of some nasty electronic distortion"
Yes - that's just one cello riff at the end. It was sitting on the timeline in this project file and didn't know what to do with it. I thought it was some fairly average, stock hard riffage and considered getting rid of it. Then I realised I might as well tack it onto the end of this track as a final flourish.
"a bit scary it was"
Surely not for someone who makes Meshuggah covers?
Good to hear your detailed thoughts. Another track coming within a couple of weeks.
Hang tight till then...
on lost love -the lonely road- by mindhiest
on My first Indie Rock and first Track on Looperman by Alabafruit
on Wise Man by austinmusic
on I Will Have You Destroyed by Evisma
on Titan by kingmadi
on Desolate by Crypt
on Eyes Run Aground by Evisma
I'm really impressed with the production on this. You have always shown excellent skills in playing and composing but your really getting too good! Have to say I thoroughly enjoyed the acoustic intro. Awesome articulation there bro and and I dig the subtle delays that are timed just perfectly. I differ from sford because the piano accompanyment is in my opinion the icing on this cake. I had to re-play it 4 or 5 times before listening to the rest of the song. Sorry. Quite honestly it's fairly easy to work up a few riffs, throw some chords together, pipe it through some effects, drop in some bass and drums and viola. I'm always more impressed musically with lyrical composition than anything else. Lyrical in the sense of the artistically beautiful or expressive quality of a piece. Having said that I don't mean to understate the rest of this track. I really dig it as well. I think you and I both have similar interest in the more technical structures so I'm definitely grooving on your time signature and poly rhythmic stuff here. And yeah I'm still trying to decode the subliminal message contained in that outro! Very intellectual but also a lot of fun.
Glad you liked the acoustic intro. I don't memorize how to play my songs, but some guitar lines stay with you. I liked this one.
I like the piano lines I write, but not my piano sound, really. I'll be looking into EZKeys at some point.
Ah, yes. The track went to heavier stuff because I really like using contrast as a way to make up for having no vocals to listen to and follow.
Very kind and generous words from you, good sir. I thank you.
Take care.
Evan
on LITTLE DREAD by Planetjazzbass
"You be schoolin us reel goode mon !"
on Fist Bumps Of Fury by StaticNomad
on Scarecrows for the Birds by DanGoldstein
I like the quirky nature of this track, works well as background audio for the video. I have noticed Pete Jon Tebar also had a track used for one of your art projects here a while back. How are you associated with the art works if you dont mind my asking?
on No More Never by Eighteen
I'm happy to hear everyone keeps saying they never heard stuff like this before, its what I aim for and am very pleased to hear it so often.
yeah the voices clipped indeed, I lowered it a lot with EQing, I put a sine on the voice, and I guess it was a bit too high frequenty.
haha yeah I love anime sounds, so it might be that I have some ideas from what I have heard in the past.
Arcade game sounds I got those ideas from kanye.
Thanks for the nice comment man!
~Eighteen
on Highland Homecoming by Orlando51
With much appreciation_____Orlando
on His Hell by lAVel
on haunting regrets by mindhiest
on Dangerous Spaces by StaticNomad
on Wobbin - HELLoween Themed techno mini-mix by Wobbin
Classic intro indeed. I can not play piano actually so I was just messing around sketching idea's until i've found out that this small and very simply tone ladder actually had the perfect effect and tonality.Pretty sure it might not be original, but it works :)
I hope to finish the piece within a few days!
- Wobbin
on Ghost of a guitar by Burtsbluesboxes
on NARCOS by Planetjazzbass
on Kids On Soundcloud by DoctorPyro
on We Met Under The Sun by NateJMusic
Your gonna have to put me on to what that is
on Andriella Demo Remixed by projectjehobith
on A New Day Dawns by topvega
Thanks for the listen and feedback.
tv
on Trappin with Capone by EazyBeatz
It easy to imagine this as the soundtrack of some 20's gangster movie, or maybe more appropriately something like Sin City which is more film noir.
I dig it man.
on FREE WILL - I Cry - Blues-Pop mix by TuneDef
Props on the vox bro. This track reminds me of some of the great old gospel motown hits, Aaron Neville is the first that comes to mind. I Dig the emotion and conviction in your voice. Great job bro, keep em coming.
Neo
TD