Description : First track using Superior Drummer, and a return back to the glorious bass guitar. We start off with acoustic pleasantries, and build to darker things. Frog guiro, darkish choir, legato strings, flute and a weebit of bit-crushed guitar make appearances. Let me know what you think of it. I'm open to thoughts, criticism and ideas.
Description : Hello People, hows it goin? Well here I am with my new cover and yes, you read it right... its 'THING CALLED LOVE' by one of my favourite EDM artists Above & Beyond. Its a fusion of Lounge, Ambient & Indian Ethnic elements and some experimental sounds too. I just hope you like my rendition.
And yes, There is a thing called Share that we all forget, So if you genuinely like my cover, Please share!
Cheers! :D
Description : If you've ever got into surfing you'll understand this track. The horizon is the future, gravity is the engine and nature is the focus.
Arrangement, instrumentation, production
Planetjazzbass
Description : This track contains only free loops from several Looperman artists. Inspired by the excellent anime series "Durarara!!".
Applied loops of: Danke (2), Slapjohnson (2), Drofon (2), DjGreen (2), Mirsi, RogueAI, Psychotropic_Circle, Centrist, TheHumps, ImproveWithError, Bonsanhavoc, Orangon, Realstrings, OneByOne, MrWolf14, Ngsbb, Trancefer, Djole94hns, Ebaby8119, Spivkurl.
Description : The process of continual improvement. This is a fusion of jazz and funk. Enjoy.
Mark
Description : Enigmatically entitled and questionable in chosen genre...I hope it can't get worse than that..:-)
Description : My first track this year is a bluesy one. Did not dare to upload to the "blues" genre because... well, you will find it. :)
Contains only free loops from several Looperman artists.
Applied loops (fully or partially):
SLAPJOHNSON: 0067443-0003147 (Slap guitar A major), 0067443-0003149 (Slap guitar E minor), 0067443-0003148 (Slap guitar G Major), 0067443-0003146 (Slap guitar D minor),
NIGHTINGALE: 0207475-0034672 (Slownfast), 0207475-0034170 (Swee Test Sorrow),
0207475-0033264 (Good is Good Co Lean),
MWRATRIDGE: 0631933-0053365 (Bluestown), 0631933-0053369 (Perpetuating),
MINOR2GO: 0159051-0031466 (Power Rap T7 - Grunchy Guitar), 0159051-0032660 (Goodbye my Dear - Guitar),
MEGAPAUL: 0448131-0060978 (Spucken Kratzen Beissen 100 Hminor), 0448131-0067922 (Dark Times 65bpm A Pads),
DANKE: 0671112-0094643 (Drum groovy with fade out hihats), 0671112-0094651 (Illogical drum loop),
YAMPAJA: 0539214-0049219 (Dobro Guitar Drone 1),
JOSEPHRODZ: 0486517-0056696 (Ballad guitar2),
MCHN: 0141901-0050294 (Bmaj Groove),
XYILENT: 1247377-0095052 (Xyilent - Little Devil Hats),
RICHARDBUTLER: 1659834-0094763 (Grime Hatz),
JADRIAN26: 0776383-0073394 (Travesty 5),
PHATCATZ4: 0828980-0089741 (AHH AA EE OOH Choir B 60 bpm),
ESHAR: 0583767-0049556 (1 Kurzbeats 130 1),
PLANETJAZZBASS: 0111346-0036936 (Clown Orchestra),
SPIVKURL: 0186161-0065464 (Acid House Drums),
KRISTIJANN: 0711069-0071946 (LOOK AT ME),
CG5MUSIC: 1024367-0078049 (STOP Distorted Shouts),
RASPUTIN1963: 1564425-0090050-rasputin1963-hooked-on-you (removed loop?),
DAVIDMACKNH (deleted or renamed user): 1094884-0074378-davidmacknh-100-bpm.
Description : This funny little track contains only free loops from several Looperman artists. Not sure about genre, but i think it's a child's song... NYAAAAAAAN! :)
Applied loops (fully or partially):
7VENTH12: 1528225-0084065 (Future Bass Lead 1),
1528225-0084066 (Future Bass Lead 2),
NILOOY: 1133527-0070652 (Nilooy Guitar Rhythm Gm ASharp Cm),
NICLAS199: 0104618-0038253 (Dubstep drums),
KAZM: 0148541-0011627 (Dubstep Drumbeat 1),
SLAPJOHNSON: 0067443-0007309 (McSylva trust loops flute solo),
RELLZIBEATS: 1370471-0083736 (Dark Panned Trap),
JENSMUSE: 1352219-0087018 (REGGAE Feeling),
CKDEPAUL13: 0878670-0084292 (Bass GITAR 130bpm),
ENSAM: 0605220-0048621 (Bass Harmonics),
DANKE: 0671112-0082642 (Dirty war drums).
Description : Guitars by me, every other things are loops from the site only.
Update: 2017.jun.19: fixed some minor bug in drums.
Applied loops (fully or partially):
POKERFACE06: 1468951-0083117 (Ryan Deshawn - And We Have Lift Off),
THECOSMICEFFECT: 1772500-0095842(808 Mafia Siren FX),
WCKD: 1718863-0091433 (Experimental Neuro Trap Drop Buildup),
BEYODPEACE: 0848088-0064971 (Progressive Space FX),
DJERC7: 0251397-0017658 (rat attack),
PLANETJAZZBASS: 0111346-0046875 (Labour Day),
AGP: 0783771-0053724 (Dance of the Angels),
YAPPY: 1172494-0084402 (Cracking the code drum 95bpm),
DRMISTERSIR: 0208341-0082686 (4 those of us x2),
SOVEREIGNKONCEPTZ: 0213464-0061626 (Flavored Drums - SK),
FLOWCAPN: 0691889-0053353 (Heavy Rave Drums and Bass),
JEFFBOCK: 0744903-0065519 (oldschool acid break-135bpm),
CHRISTOSPAROGLOU: 0128032-0023634 (Akoustic windy),
MCHN: 0141901-0037098 (Scary Fx).
Description : hi guys this is my biggest production so far all the music and beats were written by me and all played by me on my midi keyboard
self-biographical its raw its powerful, its positive, this is dimestop all dressed up in his Sunday best, a subject i know all about, its real life its genuine a cause i support and promote the lyric sheet is available
listen with a headset close your eyes look at it as a private consultation from me, shed a tear if you have to it starts with you
Description : Music and sounds you hear has you slowly drift into the Mars atmosphere. Are we all aliens on this planet we all call Earth? So put the headphones on and take a trip home to the red planet.
Description : A song of dedication...kind of a ballad thing and not really a fusion, at least not in classical sense...:)
Description : A test drive..:)
UPDATE - 20th Apr 2017...Not anymore..-:)
Description : A fat groove journey incorporating hip hop, jazz, rock and more. Chilled out and rocking, with some big riffs and basslines. The main instruments are saxophone, piano and cello plus some resonator guitar and banjo. Sax is the only instrument not played by me as the parts here were contributed a few years ago by a guy I know. Anything that sounds like distorted guitar is actually distorted cello. Loads of that, including solos, in the second half. No electric guitar or bass guitar. Not much synth work but there are two synth basses and an organ. Otherwise, it's quite an acoustic "played instruments" kind of sound. Lots of drums, including loops, multiple programmed acoustic kits and drum hits. I know Radiohead have an excellent song called Everything In Its Right Place but I still like my title and there's a story behind it (nothing to do with music). Interesting feedback appreciated. Do you have any favourite or least favourite sections? Details are appreciated...
Description : happy new year to all the looperman community!
here my last track! i wrote several tracks since my last passage in this place, i all published them on my soundcloud
Can follow me in this place here: soundcloud.com/bleep64/poker-life-joker-wife
Description : Electronic fusion of Dubstep/Trap/Hip hop hybrid. Big ups to Danke,Neezle,and Joe Funktastic for the use of some of their loops. The majority of this track is my creativity. Hope you like it and comments are welcome.
Heavily delayed regreetings.
But you can't be surprised as you know I'm rather into delay. With the setting I'm using here, it takes about two weeks to hear any repeated notes. So it's best suited to tracks at least a few weeks in length.
Excellent 'Nomad destruction' answer. One of your very finest lengthy bits of creative writing. Thoughts:
1) Shit To Death could be a track title.
2) The butler will accept the hand-job but probably won't go through with the offing.
3) That might work. Well, it would if I didn't have various delay plugins.
4) I probably don't actually smell of Guiness or honey mango so the carefully trained attack rats will probably just head for a Guiness factory. Or mango plantation.
5) I can't say how many scruffy white Alexes there are in the UK. I'm sure we get about so probably many more than 7. Bring lots of ammo as it's damn hard to get over here.
6) That's a cunning plan. I guess this means that if/when I do meet some fantastic, Nomad-completing female, I will always be suspicious that she's really just an Evanator agent. In your cruelty, you will always deny it if I ask. Sorry to hear something like that happened to you. But that's what you get if you date Tally Pruit so it's also kind of your own fault.
Back to the track:
1:40 has an odd, metallic, rubbing bass tone. Pretty cool.
2:11 sounds like a synth but I doubt it. Aha - maybe that's bitcrushed guitar.
2:42 good, huge reverbed bass tone.
This is sitting, grooving away nicely. Irish prog chill jig is the genre name.
3:13 nice legato strings to add some depth.
Watery fadeout ending is good. No complaints.
Still Intact Nomad, smiling and dropping the cliche
This is a killer track Evan, so the name is very appropriate. I love the Celtic flavoring you are able to produce. The acoustic intro is so Renaissance festival, I'm instantly picturing the ample bouncing breasted wenches and smelling the Turkey Legs and mead. But then this quickly melds into a shifting cacophony of suspenseful interlude which is quite masterfully composed. That sharply toned bass is so wicked along with the flute and (are those guitar?) plucks. Nice tension building here and then the addition of percussion and choir really pumps up the production value. The second half continues the bass driving groove with some segmented percussion to sustain the tension. I have to complement you on the drum work through out the track bro. It really put this on a much higher level percussion wise than I believe you have been before. My only critique with the track would be to point out there at 2:43 the guitar and bass are seemingly battling for space a bit, not sure if its volume or separation that's the issue, and its a very minor one to say the least. The orchestrated synth that kicks in to start the outtro is very cool and just puts the finishing touch on this amazing piece. Your really raising the bar with stuff like this Evan. Seriously.
Destructive greetings, glorious bass g wielder.
I will have you know that you will not have me destroyed. But it's interesting that you're so confident about it. For a start, I doubt you'll be able to find my secret lair. But if you were to manage it, how do you think you'd do it? Just destroying my good name in the media or actually obliterating my fantastic body? Would you toss me in a car crusher? Brush hog me till I disintegrate? Dynamite up the ass while I sleep?
Now let's get down to mothafuckin' business:
Intro is jaunty, acoustic Irish jigging stuff that maybe fades in a bit too much ie should start at a higher level.
0:15 and we're totally rocking with addition of fat bass and drums. This is good shit.
0:46 that little riff is too cool. It's actually pretty hard to tell what it is. I guess bass g. And the frog guiro is amusing and adds some unusual character.
Some lower bass g gets effectively added and now 1:09 comes the coolest addition, the "darkish choir". That's the kind of additional flavour you need to add to your music.
1:33 I see why ToastMan says Fantasia. Because it's some dreamy, far out soundtrack music. A bit like something Danny Elfman might come up with. You know - the composer who's done loads of scores for Tim Burton. And The Simpsons.
Drums sound great, as I suspected they would. Spivkurl recently said that he wished Superior didn't exist and that it "always sounds like phasing noisy junk". But let's not worry about that negative, weird and irrelevant opinion.
I knew your first track using Superior would have good drums because you've been putting in the practice these last few years with lesser software. Now you can do some nice "phasing noisy junk", your drum quality has gone up a notch. Or three. Actually, hearing this makes me wonder if I should get the Progressive EZX. I now know partly what it sounds like. Good reverb on the drums. It's just a fat sound.
Anyway, I'm running out of words so I'm going to run now and return when you reply to review the second half of this nice track bro.
Undestroyed Nomad, unable to focus on anything but your surrender.
epic track, with a fascinating progress!
your bass line is awesome: for me it's the track spine.
really good work
Hello mate,
Sorry I havn't been around to enjoy more gems like this track.
The guitar the bass the drum are wow.
Great job great track mate.
Happy christmas and have a wonderful new year.
Well done
Jamid
This is pure, beautiful insanity! It's like Tool rescored Fantasia. The different motifs are so expertly blended that new images are conjured to the mind with ease. It's carnivalesque at first, then the ghostly choral comes in before the bass growls a low warning of the dangers ahead.
The tension holds as all begins to fade into the distance. We are left to wonder what horrific wonders we have just witnessed. Then silence.
This is really incredible stuff. Fav'd
TA
Damn i love that guitar.
Also love how the theme changes trough the song.