Sintheticrecords, Has the best drums ehh? This is a wild ride indeed. This is also you going back a little bit into your familiar territory. I can hear your axe splitting the helium atoms to make hydrogen Fusing another star.
Nice work
Cru
Ah, yes. I added no VIs, nor did I even turn on the midi controller. Could still happen as I'm not married to the ending. Sintheticrecord's drums are great, but I wish I had them without all the cymbals, even though they added quite a bit to this track.
I won't bug you with the weather,.... but I will let you in on a secret. I used to be a necrophiliac till a rotten bitch split on me.
What I like about it: Great R & B music well composed, awesome spoken word delivery, reminds me of a cross between Robbie Robertson and Grace Jones.
what I would like to see worked on:. I think for the chorus you are using a vocal harmonizer, I had one back in the day, I stopped using it years ago except for the reverb as it sounds too weird in the mix. I would love to hear you do your own harmonies line by line with the main melody being a little more out in the mix as you have a great voice. Allen V's guitar is very good. This is one that if you work at it would be an incredible song my dear.
Cru
Hey Cru, thank you for your appreciation and critique. Believe or not, I am singing all of the vocals. I am not using a harmonizer. My husband frequently tells me that my harmonies are so close they do not sound real.
I spent many years in school and church choirs and I would always sing along with each section as they were learning their parts, from first soprano to second tenor. That was how I challenged myself vocally and developed my range.
I am currently working on the levels. An update is coming soon.
First of all, gorgeous dynamics and mixing in this one. It feels to me as if you have been expanding on D&B since it fell out of the popular trends of the late nineties early 2000's but you have kept plodding along adding new technology and sounds to push it's evolution. Bravo I enjoyed this listen.
Cru
Ez cruc
yep dnb in my blood mate followed its evolution from rave uk breakbeat thru to jungle and now drum n bass i like all styles particularly dnb and electronica but as they say it would be a boring world listening to one type of music when i listen to other styles it gives me different ideas to go to the drawing board with
this was a track that kinda wrote itself
glad ya feeling our brand of techno infused dnb
big ups
Nice work. Has cool edges of hip hop and blues, and then that seventies synth solo was perfect. I love how the arrangement builds on itself. This is sublime. (BTW guitar work was spectacular)
Cru
Love the opening dissonance after what sounds like you stomping a frog. how did I miss this one? The wubba wubba with the maniacal spoken word is also effective as well. Love the synth choices on this one as it chomps down on your soul as you listen to it. Very Square wave oriented. But the beats get the head swayin. Or more like the grave digger would be timing his diggings to this beat. I am picturing a tongue in cheek video you could produce with famous monsters of the big screen over the years dancing out bling style. You know the bass progression reminds me of this recent Grace Jones diddy..(Yes I said Grace Jones!) called Corporate Cannibal. https://www.youtube.com/watch?v=FgMn2OJmx3w
and the dubstep remix https://www.youtube.com/watch?v=54Kodlt-Tg8
would be more relative to what you are doing here my friend.
great job
Cru
I think the video should be all the old classic monsters, (pre 1990's.), in tux-n-tails doing some old Fred Astaire and Gene Kelly numbers WHILE the grave digger is in the background diggin' a dirtnap bunkbed.
Once I finish my dinner, I will be clicking on the links. I've always found Grace Jones to be a very interesting individual. I'm very curious to see what's behind curtain #1 and 2! Thanks for stopping by.
Cruciverbalist:
a person skilful in creating or solving crossword puzzles
or a person who uses Reverb correctly ;-)
You choose.
I went to use one of my vouchers, but my wife said no..:-(
I'm really pleased with the 5:09 Conscious Key Change
your not doing as much of a key change as you think,what you are doing is using different chords that fit the key you already established. In most of your works you work off of 2 chords in a key. In this you use a few more chords, but stay within the boundaries of a key, which to me is amazing progress for your work. Someday we will skype and I will teach you the circle of 5ths. A great book you could pick up is the Guitar Grimoire (I use a Keyboard Grimoire) It will show you everything, but it may take your soul.
Crunode
Wow, cruciverbalist really is a word. I thought that was just you making up fun Cru- stuff.
I'm not sure quite how much I think I'm changing key in this. However, there is a huge difference between the first and last few mins, even though I'm using mostly the same instruments/sounds (for consistency). So, I must be using some quite different modes or scales or something.
"you use a few more chords, but stay within the boundaries of a key, which to me is amazing progress for your work."
This one seems to sound more mature and musical than some of my other tracks, though no disrespect intended towards them. Perhaps the extensive use of the piano made me feel like more of a proper, classical composer or something.
Yes, Skype chat could be cool. I've still never ever done it. You could explain the circle of fifths to me and do a faux g MS20 wah pornning performance. Perhaps with one hand while we chat.
I don't want any book to take my soul but maybe I will check out your suggested grimoire.
You should be able to use the vouchers on your wife. So, you get free sex with no strings attached ie you don't have to in return take out the trash, mow the lawn or fix stuff around the house. Explain it to her and I'm sure she'll understand.
Next week's upload is pretty much ready to go - dance/bass funk/hard rock/ambient chill that you may well enjoy.
Ahh such a sweet sweet collage of sounds. Where in Africa are you. I hear the Senegalese stringed instruments. North African beats.The voice of the Wolof, The ghosts of Tomboctu as the Tuareg cross the Sahara, the Fulani, the Morrocan traders. The secret Mauritanians moving there slaves. I hear it all in this song.
cru
This deserves a proper critique. I love the intro, dark and light intertwining. a simple bass drum, the reverse pads have a nice chord progression, and a very nice drop @ :48 leads to faux cellos and some faux pipes. Again a dark underbelly but a light exterior which I can appreciate quite a bit. 1:45 we are bringing in harps and than pan flutes. 2:30 we bring it back down again. I agree this needs some vocals, I can hear in my head a mezzo-soprano ranged singer who can sing soft and then bring on the heat when you bring the pan pipes in, because you need the contrast. Musically there is not enough of a contrast in the instrumentation. To give you an idea on the dance-house spectrum where this song belongs you need to go back and listen to this classic from Limahl (giorgio moroder) to understand possibly what to do with the lyrics. https://www.youtube.com/watch?v=Gf1WT8VEZxk
All the best,
This is a good one.
Cru
Thanks so much crucethus! I'm glad that you enjoyed the track. I will take that song's vocals into account when I try to get some vocals for my own track. Thanks again for the kind words!
Very Dark and Foreboding in the beginning,( love the drum roll) funeral is a perfect description. Candlemass...not quite doom metal but a unique description from Phats. Dminor to F major is the beginning chord progression. 5:09 nice key change. 8:40 on has a nice moaning synth sound. Overall a nice cinematic experience and as you described the ending is more pleasant than the beginning. To me the ending is more melancholy. 9:20 has an almost reggae guitar rhythm. There is a lot of subtle sounds in this one that one listen alone will not allow all to be discovered.
Nice work.
This track has the most piano of any track I've ever made. Some of the low notes are pretty badass eg 4:22.
"love the drum roll"
Yes, a few kettle drum rolls. Some are very subtle, others intentionally less so. A sound I should use more. Another big one 9:43.
"Dminor to F major is the beginning chord progression"
I just thought it was D to F - that's how litle I know. I guess the minor is obvious though the major isn't.
I'm really pleased with the 5:09 Conscious Key Change. Nice notes there and rising progression. So, it took me 5 mins to change key, as I knew I had to. But the first 5 mins didn't sound monotonous to me. That's what I don't get about this key change business.
7:39 I merge the two different keys to create a new mood for the last few mins . No idea what's happening there but it sounds great.
8:40 slow attack zither sound that has a lovely, soaring, wailing quality.
"ending is more pleasant than the beginning"
I like dark vibes but I'm more into beauty so I was always going to progress to that. Quite bright and euphoric towards the end with the synth arp at 9:44.
"9:20 has an almost reggae guitar rhythm."
Agreed. That's just the groove my little fingers naturally settled into. Main drum kit in this (after 3:37) is a reggae kit but it never really plays reggae. That guitar part is the closest thing to that genre here.
"There is a lot of subtle sounds in this"
Yes, I've used quite a few similar and complementary sounds that are subtly layered so that it's hard to tell which is which. Keep listening and you'll discover more and more. I like to think one listen is never enough for my gargantuan sonic trips.
I don't know what a "cruciverbalist" is.
You, I guess.
I am sending you some free sex vouchers. Use them wisely.
Musically the song is awesome. (Neil young like). Mixing wise it could use a slightly different touch. The guitars are well panned, but I think there could be a bit more stereo seperation or widening. I agree with static about the kick. (maybe eq the kick by lowering the mid range) I think with the vocals I would double them with a bit of chorus for strength. But as a song this song is beautiful.
Cru
could be a fun tune (not beat) to jam too. Key of A major, nice 7th chord usage. Needs a bit more diversity but otherwise a nice start for a 15 year old.
Cru
I like the bass line. The strings sound a bit midi (fake) to me. As an arrangement it's brilliant, especially in it's progression and the staccato drums. Would be interesting if you replaced the strings with an oboe. BTW the plucked low strings sound fine. the bass solo at 2:40 is sweet. I love that its in minor, I was jammin a solo on my keys to this in the studio.
Well Done
cru
Hey Crucethus, thanks for your honest and thorough review. I really appreciate it. Im glad you liked the bass it took a while before I became satisfied with it.
Strings (and any from of guitars) are some of the hardest instruments to make sound legit without the real thing but I do my best to make it genuine.
Again, I appreciate the time you took to share your input. Thanks.
There is some great depth in this tune. I feel and hear Depeche Mode, New Order, OMD , in this approach to a tune. I love the percussion and the merging of disco and technology and the constant reminder of a clock. Arpeggios are spot on. This has more in common with Tresor techno than Detroit techno but is it's own unique animal in it's own right.
5:52 brings on a new sense of urgency that's enjoyable to listen too. C minor is a nice key to compose in.
great work and nice sub bass drop at the end.
Cru
I must preface this to acknowledge your musical aptitudes. Brilliant mix, great use of 3 outstanding vocalists on this site.
Im laughing to myself listening to this though. So this is where pop music has degenerated too, no more lyrics, just vocal grunts and ooohs and ahhs...lol You have captured the ethos of popular music perfectly with what you did. and though you may not see the irony you fantastically have created what in pop is amazing to young listeners now!
Bravo...or Oooh to the ahhh!
Cru
y
Musically it's a nice modern hymn. good sound and mixing no complaints from the production standpoint.
Lyrically I challenge you this as you so eloquently stated to Static Nomad "I understand that there are many different viewpoints in this world and I'm just sharing mine"
Fair enough. Lyrically I would just question an Omniscient and omnipresent god who created "everything" would take away evil and unjustness when that very God created all of that in the first place. Seems a bit weird logically from a lyrical standpoint? But these are the questions that keep me up at night ;-)
Cru
"Omniscient and omnipresent god who created "everything" would take away evil and unjustness when that very God created all of that in the first place."
It is believed in Christian tradition that evil first entered creation when Satan, once known as Lucifer (the greatest of all angels) decided he would rebel against God and His plan for the human race.
Maybe it would have been more concise to say God created "all things good" since God, being perfect cannot create evil. We through our own decisions can do evil(just like the angels), but that's a whole other story.
What this song is saying is that God will one day return to eliminate all the dischord caused by us and Satan.
I'll try and explain more later! Off to Nashville!
Hey Alex.
Sublimely awesome this track is.
Ferry Terry is such a talented musician with his loops and you have mixed his guitar work in masterfully. the keyboards are so soft and subtle but perfect as you showcase the awesome guitar work. It almost sounds like a live recording.
Awesome work my friend
Steve
thank you so much for your kind words. you can't imagine how much time and energy I put to reach out some excellent musicians from the site personally these last months. this one is simply a result of the work I am doing with ferryterry for quite a long time now. Indeed I started with only mixing his loops few months ago but this one is an entirely new and original project. I gave him backing track and he made great guitar recordings so I could produce this track. I am really happy you liked my keyboard work (I played bass guitar from the keys as well), drums are EZdrummer performances.
I played the first line and I immediately thought of Ultravox!, and then I read your description...wow... https://www.youtube.com/watch?v=tp_2ClC4eME
and a the album mix..https://www.youtube.com/watch?v=T5EEqpkgES4
Back when John Foxx was the Lead singer. Even a little Hiroshima mon amour like as well. Most people don't know this version of Ultravox!, they only know the Ultravox Midge Ure years. But you also captured those years as well by a melodic homage too Reap the Wild Wind. very cool and love this composition.
so I will keep listening and shut up now. great job
Cru
You're absolutely right...for most people Ultravox is Midge Ure and the lads who were in the band at that time. I first heard of them when they released Vienna, but I was soon aware of the earlier lineup cause I took some interest in them. Great band they were in all of their incarnations...I'm really curious how many people on Looperman are familiar with them...I'm glad you're one of them:)
well stick me with a "Carnegiea gigantea".
I agree with Val-d first thing I thought of when listening to this is how far you have come and how diverse your song-writing is becoming.
Crutaegus.
Never heard that botanical name. Missouri has zero cacti, besides the prickley pear. We have a lot of Yucca, but they don't really earn their keep.
"how far you have come and how diverse your song-writing is becoming"
I started here a few months before getting my own DAW, and only then was I able to do stuff myself. My friend Jeff had Cubase, and then Garageband, wanted to play music and record, but our styles didn't really mesh well. I was more dark/melodic, he was more bouncy/bluesy. He is good at what he does, we just weren't the right mix, so when I could, I broke off. Turns out I was doing nearly all of the writing, and he was adding guitar. There is an unfinished project that he started a long time ago called "Smokestack Hero" that is still sitting in Dropbox, waiting for him to do some kind of update.
Anyway, I wish I had found a way, back in the day, to record myself. I would probably be quite a ways ahead of where I am now. Looperman has been a part of every bit of it. There are some tracks still on here from when I was playing with Jeff. You can tell I wrote them, for the most part.
Thanks for the listen, it means so much to have people like what I make. I'm pretty alone at nights, and the music is what gets me through each one. Your kindness means a lot.
I think based on the intro that this would also work well with a Dub reggae beat as the synth sounds like a steel drum. Nice work though, I enjoyed!
Cru
This is Doobielicious. Nice minimalistic approach to the work, but the bass line fits perfectly. I like the chord progression. In this one I think you have strived for the sound and the composition too be perfect and not to solo out one instrument or too showcase your talented bass playing. the seemless mix makes this one special indeed.
I see you gravitating towards better compositional in your last few releases. I really enjoyed this one complicated and simple all in one tune.
Keep it coming.
Crunodes
Steve
I appreciate the kind words. I've been trying to spend more time with each track and not be too repetitive. More parts and layers.
I'm slowly learning how to integrate the six-string into what I do, along with the virtual instruments. I've been creating about 95 percent of the drum patterns lately, with only maybe one loop or midi pattern used in each track.
"complicated and simple all in one tune."
Yes, each line is simple, but it's finding several lead lines that work together that is tough. I'm not 'chords' guy, nor a rhythm guitarist. A "leadist" I be.
on Star Forge by Evisma
Nice work
Cru
Ah, yes. I added no VIs, nor did I even turn on the midi controller. Could still happen as I'm not married to the ending. Sintheticrecord's drums are great, but I wish I had them without all the cymbals, even though they added quite a bit to this track.
I won't bug you with the weather,.... but I will let you in on a secret. I used to be a necrophiliac till a rotten bitch split on me.
Evan
on 07 Smooth As Me by Eighteen
Cru
Cheers!
~Eighteen
on Love Is A Verb by Twanna1
what I would like to see worked on:. I think for the chorus you are using a vocal harmonizer, I had one back in the day, I stopped using it years ago except for the reverb as it sounds too weird in the mix. I would love to hear you do your own harmonies line by line with the main melody being a little more out in the mix as you have a great voice. Allen V's guitar is very good. This is one that if you work at it would be an incredible song my dear.
Cru
I spent many years in school and church choirs and I would always sing along with each section as they were learning their parts, from first soprano to second tenor. That was how I challenged myself vocally and developed my range.
I am currently working on the levels. An update is coming soon.
Thank you again.
on Klandestyne and Searo K Outbreak by Klandestyne
Cru
yep dnb in my blood mate followed its evolution from rave uk breakbeat thru to jungle and now drum n bass i like all styles particularly dnb and electronica but as they say it would be a boring world listening to one type of music when i listen to other styles it gives me different ideas to go to the drawing board with
this was a track that kinda wrote itself
glad ya feeling our brand of techno infused dnb
big ups
on Mad As Hell by soundhound
Cru
Just a project out here that could turn into something, you just
never know...
Thanks for stopping in and leaving a sold comment...
Peace...TG.
on Labyrinth Of The Absurd by ValveDriver
https://www.youtube.com/watch?v=FgMn2OJmx3w
and the dubstep remix
https://www.youtube.com/watch?v=54Kodlt-Tg8
would be more relative to what you are doing here my friend.
great job
Cru
I think the video should be all the old classic monsters, (pre 1990's.), in tux-n-tails doing some old Fred Astaire and Gene Kelly numbers WHILE the grave digger is in the background diggin' a dirtnap bunkbed.
Once I finish my dinner, I will be clicking on the links. I've always found Grace Jones to be a very interesting individual. I'm very curious to see what's behind curtain #1 and 2! Thanks for stopping by.
Take care.
V.
on We Invade The Night by StaticNomad
a person skilful in creating or solving crossword puzzles
or a person who uses Reverb correctly ;-)
You choose.
I went to use one of my vouchers, but my wife said no..:-(
I'm really pleased with the 5:09 Conscious Key Change
your not doing as much of a key change as you think,what you are doing is using different chords that fit the key you already established. In most of your works you work off of 2 chords in a key. In this you use a few more chords, but stay within the boundaries of a key, which to me is amazing progress for your work. Someday we will skype and I will teach you the circle of 5ths. A great book you could pick up is the Guitar Grimoire (I use a Keyboard Grimoire) It will show you everything, but it may take your soul.
Crunode
I'm not sure quite how much I think I'm changing key in this. However, there is a huge difference between the first and last few mins, even though I'm using mostly the same instruments/sounds (for consistency). So, I must be using some quite different modes or scales or something.
"you use a few more chords, but stay within the boundaries of a key, which to me is amazing progress for your work."
This one seems to sound more mature and musical than some of my other tracks, though no disrespect intended towards them. Perhaps the extensive use of the piano made me feel like more of a proper, classical composer or something.
Yes, Skype chat could be cool. I've still never ever done it. You could explain the circle of fifths to me and do a faux g MS20 wah pornning performance. Perhaps with one hand while we chat.
I don't want any book to take my soul but maybe I will check out your suggested grimoire.
You should be able to use the vouchers on your wife. So, you get free sex with no strings attached ie you don't have to in return take out the trash, mow the lawn or fix stuff around the house. Explain it to her and I'm sure she'll understand.
Next week's upload is pretty much ready to go - dance/bass funk/hard rock/ambient chill that you may well enjoy.
Multiple key regards...
on The African Moon Lullaby - For Danke by Orlando51
cru
With appreciation_______Orlando
on Solstice by 15ludwicke
https://www.youtube.com/watch?v=Gf1WT8VEZxk
All the best,
This is a good one.
Cru
Rico L.
on We Invade The Night by StaticNomad
Nice work.
cruciverbalist
This track has the most piano of any track I've ever made. Some of the low notes are pretty badass eg 4:22.
"love the drum roll"
Yes, a few kettle drum rolls. Some are very subtle, others intentionally less so. A sound I should use more. Another big one 9:43.
"Dminor to F major is the beginning chord progression"
I just thought it was D to F - that's how litle I know. I guess the minor is obvious though the major isn't.
I'm really pleased with the 5:09 Conscious Key Change. Nice notes there and rising progression. So, it took me 5 mins to change key, as I knew I had to. But the first 5 mins didn't sound monotonous to me. That's what I don't get about this key change business.
7:39 I merge the two different keys to create a new mood for the last few mins . No idea what's happening there but it sounds great.
8:40 slow attack zither sound that has a lovely, soaring, wailing quality.
"ending is more pleasant than the beginning"
I like dark vibes but I'm more into beauty so I was always going to progress to that. Quite bright and euphoric towards the end with the synth arp at 9:44.
"9:20 has an almost reggae guitar rhythm."
Agreed. That's just the groove my little fingers naturally settled into. Main drum kit in this (after 3:37) is a reggae kit but it never really plays reggae. That guitar part is the closest thing to that genre here.
"There is a lot of subtle sounds in this"
Yes, I've used quite a few similar and complementary sounds that are subtly layered so that it's hard to tell which is which. Keep listening and you'll discover more and more. I like to think one listen is never enough for my gargantuan sonic trips.
I don't know what a "cruciverbalist" is.
You, I guess.
I am sending you some free sex vouchers. Use them wisely.
on Girl in Indiana by ImproveWithError
Cru
on Wax on Wax by GRIMLOOPS
Cru
on Shot Down by MisterBloodworth
Cru
~GO
on 01 Back by OmarMuk
Well Done
cru
Strings (and any from of guitars) are some of the hardest instruments to make sound legit without the real thing but I do my best to make it genuine.
Again, I appreciate the time you took to share your input. Thanks.
on Cooler than me Remix by Jmano300
cru
on times passing by silverman
5:52 brings on a new sense of urgency that's enjoyable to listen too. C minor is a nice key to compose in.
great work and nice sub bass drop at the end.
Cru
If Pink Floyd can have a clock .....
on Less is more - more or less by aelmen
Im laughing to myself listening to this though. So this is where pop music has degenerated too, no more lyrics, just vocal grunts and ooohs and ahhs...lol You have captured the ethos of popular music perfectly with what you did. and though you may not see the irony you fantastically have created what in pop is amazing to young listeners now!
Bravo...or Oooh to the ahhh!
Cru
y
on God Shall Rule by BradoSanz
Lyrically I challenge you this as you so eloquently stated to Static Nomad "I understand that there are many different viewpoints in this world and I'm just sharing mine"
Fair enough. Lyrically I would just question an Omniscient and omnipresent god who created "everything" would take away evil and unjustness when that very God created all of that in the first place. Seems a bit weird logically from a lyrical standpoint? But these are the questions that keep me up at night ;-)
Cru
It is believed in Christian tradition that evil first entered creation when Satan, once known as Lucifer (the greatest of all angels) decided he would rebel against God and His plan for the human race.
Maybe it would have been more concise to say God created "all things good" since God, being perfect cannot create evil. We through our own decisions can do evil(just like the angels), but that's a whole other story.
What this song is saying is that God will one day return to eliminate all the dischord caused by us and Satan.
I'll try and explain more later! Off to Nashville!
ER
on You can call it freedom feat ferryterry by promenade2239
Sublimely awesome this track is.
Ferry Terry is such a talented musician with his loops and you have mixed his guitar work in masterfully. the keyboards are so soft and subtle but perfect as you showcase the awesome guitar work. It almost sounds like a live recording.
Awesome work my friend
Steve
thank you so much for your kind words. you can't imagine how much time and energy I put to reach out some excellent musicians from the site personally these last months. this one is simply a result of the work I am doing with ferryterry for quite a long time now. Indeed I started with only mixing his loops few months ago but this one is an entirely new and original project. I gave him backing track and he made great guitar recordings so I could produce this track. I am really happy you liked my keyboard work (I played bass guitar from the keys as well), drums are EZdrummer performances.
Thank you again for such a nice review.
All the best, Alex
on Pax Europea by Orlando51
https://www.youtube.com/watch?v=tp_2ClC4eME
and a the album mix..https://www.youtube.com/watch?v=T5EEqpkgES4
Back when John Foxx was the Lead singer. Even a little Hiroshima mon amour like as well. Most people don't know this version of Ultravox!, they only know the Ultravox Midge Ure years. But you also captured those years as well by a melodic homage too Reap the Wild Wind. very cool and love this composition.
so I will keep listening and shut up now. great job
Cru
Thanks alot for this lovely feedback!
With much appreciation_____Orlando
on Xyilent - Nyan by XyIlent
Cru
:)
on A Quercus Among Acers by Evisma
I agree with Val-d first thing I thought of when listening to this is how far you have come and how diverse your song-writing is becoming.
Crutaegus.
Never heard that botanical name. Missouri has zero cacti, besides the prickley pear. We have a lot of Yucca, but they don't really earn their keep.
"how far you have come and how diverse your song-writing is becoming"
I started here a few months before getting my own DAW, and only then was I able to do stuff myself. My friend Jeff had Cubase, and then Garageband, wanted to play music and record, but our styles didn't really mesh well. I was more dark/melodic, he was more bouncy/bluesy. He is good at what he does, we just weren't the right mix, so when I could, I broke off. Turns out I was doing nearly all of the writing, and he was adding guitar. There is an unfinished project that he started a long time ago called "Smokestack Hero" that is still sitting in Dropbox, waiting for him to do some kind of update.
Anyway, I wish I had found a way, back in the day, to record myself. I would probably be quite a ways ahead of where I am now. Looperman has been a part of every bit of it. There are some tracks still on here from when I was playing with Jeff. You can tell I wrote them, for the most part.
Thanks for the listen, it means so much to have people like what I make. I'm pretty alone at nights, and the music is what gets me through each one. Your kindness means a lot.
Evan
on Demonic Teemo 3001 by Byleth
Cru
on Sicily Farewell 1906 by Orlando51
Steve
Cheers_____Orlando
on Doobie Juice by Evisma
This is Doobielicious. Nice minimalistic approach to the work, but the bass line fits perfectly. I like the chord progression. In this one I think you have strived for the sound and the composition too be perfect and not to solo out one instrument or too showcase your talented bass playing. the seemless mix makes this one special indeed.
I see you gravitating towards better compositional in your last few releases. I really enjoyed this one complicated and simple all in one tune.
Keep it coming.
Crunodes
Steve
I appreciate the kind words. I've been trying to spend more time with each track and not be too repetitive. More parts and layers.
I'm slowly learning how to integrate the six-string into what I do, along with the virtual instruments. I've been creating about 95 percent of the drum patterns lately, with only maybe one loop or midi pattern used in each track.
"complicated and simple all in one tune."
Yes, each line is simple, but it's finding several lead lines that work together that is tough. I'm not 'chords' guy, nor a rhythm guitarist. A "leadist" I be.
I hope all is well up north!
Evan