let me be the first to congratulate you on a job well done, and you should be proud. This mix is well balanced and a very good listen. Downloaded (tks) and fav'd
Cru
Pet shop Boys meets High N er G movement of the eighties. Nice work, good use of vocals. awesome stereo mix of the synth stabs. Myself I have been awash in eighties nostalgia listening to early Dead or Alive lately. So this is a welcomed listen.
good work.
Steve
Ahh that piano loop. I have used it as well and it's just brilliant. You have made a beautiful interpretation to lead to dubstep. good work. I agree the end needs to be fixed. Awesome production BTW.
Cru
Somebody had a little too much time today ehh? It gets breathtakingly scary in the second half in a brilliant way. Those synth stabs and orchestra hits mon dieu! This is what nations need to play too each others militaries at the front line to discourage them from fighting.
great creativity, I think you have found the trouble you have been looking for!
Cru
Thanks dear Cruce, hope you know why I put this on weird XD
the Stabs sounds is from Mortal kombat and the stab melody is from a deep place in my brain I have to admit this is pretty confusing having those persistent stabs and the Nyan cat melody in background.
I think this will be the most overpowered weapon to force them to listen this days and nights could make them crazy.
And I was a bit raging about Razing Time concept so I made that one to relax XD.
So I played this last night and needed a few hours to absorb what I just listened too. Fantastic work. The arrangement, the instruments the production, the composition itself, the instrument choices all brilliant in there execution. The sustained low piano notes lend a nice ominous effect on the tune. I liked that as well as the space (rotary?) Hammond organ. Reverse guitars reminded me a bit of Phil Manzanera and your Bass was sublime and funky. Fav'd and downloaded (TY)
Steve
Hey Steve thanks man!..I'm not sure exactly what vst's Zappo uses with his midi keyboard,though I'm thinking your spot on with the Hammond rotary....I always really dig his instrumentation especially the horn parts he plays,you'd be stretching to improve on them with a real horn section!...thanks again for your kind words mate..cheers Dave and Detlef. :)
There is an almost zeppelin (acoustic) like quality to the opening of this. Then it goes into "riverdance" territory...not that's a bad thing. It certainly got my Irish blood boiling for a fight. I like the guitar treatments at 2:00 on. Good use of delay as well. 3:00 on has a repeating synth sound that is cool and dominates the extro until the flanged guitar sayonara!
Nice work overall. made me want to eat some Lucky charms but dammit, I live in Canada and they are not in my local grocery!
Peace
Crudirection
That is one of the finest things ever said about one of my measly tracks. Thank you. It's not mandolin, but it's some pretty high acoustic stuff.
"3:00 on has a repeating synth sound"
Those are guitar notes that are processed on my pedal, doubled, then one double was lowered an octave. I like how it worked. I also liked how it sounded reversed in the outro.
No Lucky Charms?!?! That is criminal! Not a huge fan, but liked them when I was a kid. I buy "Total" now, but if I do want something sweet from the kids section, I get "Honeycombs". Loved them since I was a kid,(Thanks to my Great-Grandmother).
Awesome...You captured the ethos of a traffic jam perfectly. Back in the U.K. in the late seventies, Many of the early synth pioneers doing music like this were drawn to themes of Cars and dystopian urban features in there music. Many read a book or two from the author J.G Ballard. http://www.jgballard.ca/
He predicted in the future people would get so bored with technology and the dystopian environment that they would get sexual satisfaction from participating in car crashes. This struck a chord with those early Synth Pioneers. https://www.youtube.com/watch?v=zo7ONZlN5Zg&html5=1
Awesome Work Pat.
Steve
Hey Steve, thank you for the kind in inspirational comment! You have made me curious to experience JG Ballard books, though my book reading back log is a far more serious situation than my songs or my electronic projects... haven't even finished my father's book yet! It's interesting to me that many people are hearing vehicular traffic in this song. There was absolutely no conscious effort in this direction when working on the song, and in fact the title was the last thing to appear, as was I believe the sample in the outro referring to a traffic jam. It's more about the two sides of the idea; people getting in eachothers' way; and people stepping aside to allow for advancement and progress. I'm sure you understand what I mean. Thank you for that song link as well, I think I may have heard this a while back. Cool stuff. I don't think I'm bored of technology, but I am sick to the heart at what people do with it. People no longer need to think or lift a finger, people don't need to learn. If their phone can't do something for them, it doesn't get done. That's how it seems around here now. I can see the appeal of a car crash, but I'd rather cause one than be in one... ha ha. Thanks for reminding me of this performance... Love Peter Murphy, and of course Reznor! Talk to you soon!
yes sir my friend you have a good ear upon creating the track it needed that feel good element and that sample fit the bill thanks for checking out my track one love fam
Grüezi:
So Louis CK does a great bit on the pronunciation of Vagina in Boston as Vaginer.. about 6 min in. https://www.youtube.com/watch?v=obaljnK6Qnk&html5=1
My grandmother spoke with a massive Brooklyn accent. She used to call a toilet a terlet, and Oil earl. Myself I love the Tidewater accent, which is two isolated islands off the Virginia coast whose speakers sometimes drift into the only form of Elizabethan (maybe, maybe not) English known to exist. This is the Accent the founding fathers of the U.S. most likely spoke. A weird construct of Southern Dialect and Midlands English. https://vimeo.com/4037124
Peace.
Crunalinguist
Louis CK is funny as hell. Jizzanthipuss is probably my favorite from him. Never thought of the word "Vagina" being a verb, but I guess "Dick" is, so why not? I've heard "Dick this bitch up" several times.
Archie Bunker was great with the accent, though I believe his character was living in Queens.
The Tidewater accent is nearly the Arkansas accent when combined with whiskey and the already prevalent inbreeding and rapid tooth loss.
nice pads. Then the beat comes in, but perfect for the chill lounge, I think if you filtered out the pads, but bring them back up with the arpeggios you will have a winner. Very clever tune you have made. I like it a lot. Maybe from 4:39 on a cool synth solo. Just some ideas. Great work!
Cru
nice pads. Then the beat comes in, but perfect for the chill lounge, I think if you filtered out the pads, but bring them back up with the arpeggios you will have a winner. Very clever tune you have made. I like it a lot. Maybe from 4:39 on a cool synth solo. Just some ideas. Great work!
Cru
Yeah im working on filter on the pads, see if i can get it sounding cool.
A synth solo could be a good idea, was looking to get an another melody in here somewhere and that would be a good way to do it, so yeah ill prob do that :)
Yep that's, classic deep house circa 2000 NYC Tenaglia or Calderone would be spinning that. Could have even ended up on Twisted records. You nailed the essence of it with that remix, great Job.
Cru
Cheers Cru,
Real happy you like it ,and great praise to say it could be on twisted !
ime quite new on here an ive a few more you should like . watch this space
Regreetings:
Billy and Jimmy had a mutual admiration for each other at that time. Hendrix took him out on tour because of that, I'm sure a bit of each of them rubbed off.
"Comanche" is from the Ute name for them, kɨmantsi (enemy) They broke from the Shoshone after acquiring horses from the Pueblo.
How do you get a drummer off your porch?
Pay him for the pizza. (Ouch)
First Time I heard ZZ Top. Glad U asked....I was young and my parents had a cable box with a dial on it. I found if I manoeuvred the dial ever so carefully between the channels I would evade the scrambling resistor and I could watch the playboy channel. They had some video with some playmates to the awesome tune of cheap sunglasses, ahh the innocence of youth.
Thanks for the re-greet Cru.
I happen to have a lil relative story of my own that I've decided to lay on you...
Several years ago I worked for a company here in Dallas called Showco, that designed and built sound stage set ups for concerts. Later I also worked on the development of an off-shoot venture of theirs that spawned Vari-Lite, which revolutionized stage lighting. One of the first bands to take interest in Vari-Lite was ZZ Top. My boss at the time, lets call him "Happy", grew up in Houston and went to school with Billy. "Hap" had a few acres of land south of big D, and well...had him a nice bumper crop of home grown. One day Billy and Frank showed up at the facility to approve the lighting designs for their upcoming "Eliminator" tour. Billy came in wearing this flamboyant baby blue satin jumpsuit with a white cowboy hat and brand new Tony Lama ostrich skin cowboy boots. Long story short, Hap jumped in a limo with the boys and retreated to his south 40 for a brief respite. When they returned, in walks Billy with his boots covered in red Texas mud and the whole ass end of his pants ripped out. "WTF happened !", we all asked. Billy just said "A little mishap with security down at Rancho Texacano". Translation: His muddy boots lost their grip while crossing the barbed wire fence that bordered a special portion of Haps property. We all laughed till we cried, and was glad he was sporting underwear! They later named one of their best-of albums after Hap's Hacienda. Lots of craziness and fun times back then. Maybe I will recount a few more when the time is right - only here on Looperman.
Hey Jamid, I don't hear the distortion AsidRN is hearing. I am listening in the studio on a pair of Bose 2.4's from 1986, which reproduce natural sounds awesome. Overall though very nice work, I like the bass lines on this one.
Cru
Cru
Hello mate,
How you doing, thanks for your feedback mate.
Yes, he had me doubting my hearing.
I could not detect any distortion at all.
Thanks again
Jamid
Hi Cruce, thank you for giving your valuable feedback on this track! Totally prepared to admit a fondness for New Order... in fact their records and tapes are some of my prized possessions. Been listening to my "Brotherhood" tape since 1990. I have mixed feeling about their very early stuff, when still in mourning from Ian Curtis's death... it seemed like they were still trying to be Joy Division, and it's a bit sad... but then you could say the same thing about me. Even more frustrating is that Hook has left the band now... The other groups you mentioned, I only have a fleeting impression of their work, and do not own any of it. I think I do realize the capturing of an era you speak of, but I'm trying to take it in a different direction... Such as the musical results of performer who was meant to die in their 20's, but somehow arose from all the risky situations alive still. Borrowed time, borrowed money, freedom to do what shouldn't have been possible. I think you get it. Thank you again!
Wow that takes me back, those drums were so late eighties early nineties. And that DX7 Mod wheel sound. I remember playing in a High School band playing the keys for Jody Watleys "looking for a New Love". Also The Latin Rascals Remixes used these drum styles heavily. Great Guitar sound and solo. Awesome job guys!
Cru
Thanks for the positive feedback. It really means a lot when we here people like our tunes. I wish I could take all the credit on this but My03 was the originator on this. I just did the guitar since he is a master on keyboards.
I stopped by your lopperman link I like your tunes you play keys well.
Pleasant tune you made there my friend. I like the softness of it. our voice treatments are very seventies sounding (folk groups) which is perfect. I like the synth melody after the verses. Nice structuring. I would pull it out of Drum and bass and put it in folk music. yes the drums are a little D&B like but the overall feel of the song belongs in folk.
Good job
Steve
I had the same in my mind - folk - thats why i wrote "Drum and Chill Folk" but i believed that the first comment would be a - this isn´t folk, it has a d&b drumset - :)
"our voice treatments are very seventies sounding"
this is realy cool, ´cause you know that i am normaly more a 80´s child.
Nice to know that you like the song and this little synth melody.
So the first listen and eview will be about the emotional feeling this track evokes and not the technical terms which will come later. I think what makes your music so interesting is that the bass is always moving , the drums are not overpowering or underwhelming but like goldilocks said to the third of everything.."it's just right". That being said golidlocks is a bitch sometimes for just taking other peoples stuff. You don't really take other peoples stuff, you invent your own sounds that are very unique to you. And thats hats off to yah for that, though I don't wear hats, if I had one...you know what I mean. tHis song starts out in Cminor. I just came up with a Pad sound that I added distortion too that actually fits so well with this tune. I should Share. Ahh I just entered the key change to D minor. very subtle actually. You may not have the years of musical training behind you but your musical instinct is in the genius level. Nice Fuzzy guitar solo BTW. End on that last note, the extra quiet sounds are not needed.
Always a fun listen my friend.
cruiserweights
I'll be honest and say that I kind of re-featured it as you hadn't commented and I wondered what you made of it. No new tracks from me currently as I'm struggling over a few (and going through a very fallow musical period) so thought this was a good one to re-feature.
"the bass is always moving"
Note all the lead bass g in this (hence the Evisma dedication) though there's always synth bass underneath as that lead bass is way too thin so bottom end is needed to beef this up.
"I don't wear hats"
I do (one at a time) so I'm taking mine off right now and doffing it towards myself to save you the bother.
"you invent your own sounds that are very unique to you"
Yes and no. I use a shitload of presets (remember: almost all my synth work comes from Reason) and never start with only a basic patch and make it more elaborate. I'm good at controlling a few synth parameters and using them effectively though I'm not at all knowledgeable about synths and their programming.
I guess I also come up with some unique bass, guitar, and banj sounds through my processing of them but would say the main sounds I "invent" are the combination of all of these different sounds into what sometimes sounds like a single, layered sound. Difficult to explain.
Subtle key change to D minor was me realising a key change was required as the track was starting to feel a bit monotonous. D is my main key so very easy to slip back into.
"Nice Fuzzy guitar solo"
I guess that would be the bass guitar with distortion plugin turned on at around 9:24. It's just the same sort of playing as the section before but with added distortion and crashing drums. All part of me extending things more and more but I've made it sound like it's a new part
"your musical instinct is in the genius level"
Hard to know quite what to say to that except thanks. I don't know what I'm doing but I'm able to listen and hear quite deeply within riffs and grooves and then find interesting ways to work off them. So many limitations and failures but with enough time and editing I can come up with things that make me sound better than I really am.
"End on that last note, the extra quiet sounds are not needed"
Sousa like intro melds into a cool ambient dissonant beginning. 1:25 says hello to us with bass delights and then some deviant pads. Piano at 2:20 is a light touch. I love the light percussive elements as well, well thought out. 2:52 has a Floyd like guitar approach. I love the sound of a fret-less bass. I wish more musicians use them on modern music. I have tried to emulate them using synths and a healthy working of the pitch bend but you can't mistake that unique sound. @4:48 we get some synth (g-tar?) sounds that emulate radio waves and whale song, cool. The arrangements are sublime. our music is giving me a nice feeling of Zen this evening. I can discuss the technical issues all night, but to describe how a certain piece effects you emotionally is the real test. 7:09 is a nice feedback sound which you subtly add but at a lesser gain in the next 30 seconds of the piece. And we End with Sousa...like Sousa took acid and saw the future....anyhow hats off to yah, A jar of Vegemite to you Dave, and a Jar of Marmite (Cenovis, Vitam-R) to Detlef.
Great work
Steve
Not a big fan of hardstyle, but your voice sounds good in this. reminds me of. Tony Hadley (Spandau Ballet). Marc et Claude.... https://www.youtube.com/watch?v=eWWNTCyc1aE&html5=1
Your voice would work with many genres.
Cru
Why your a serious musician now..because when your given constraints..you make something out of it due to your obsession to music. If I had a badge I would give you one.
cru
on Skwish Fish - Codera -GoldenOokami DanceHop Remix- by GoldenOokami
Cru
~GO
on Floor Killer by Mark Jeffries by larrywiggles1
good work.
Steve
on Letters by Livingsoulsdie
Cru
on Dead and gone unfinished by larrybarrow31
Cru
on The Future Cat by Byleth
great creativity, I think you have found the trouble you have been looking for!
Cru
the Stabs sounds is from Mortal kombat and the stab melody is from a deep place in my brain I have to admit this is pretty confusing having those persistent stabs and the Nyan cat melody in background.
I think this will be the most overpowered weapon to force them to listen this days and nights could make them crazy.
And I was a bit raging about Razing Time concept so I made that one to relax XD.
Hope you somewhat enjoy that remix of nyan cat !
Peace
on IMAGES OF THE PAST by Planetjazzbass
Steve
on Tripwire Valley by Evisma
Nice work overall. made me want to eat some Lucky charms but dammit, I live in Canada and they are not in my local grocery!
Peace
Crudirection
"an almost zeppelin...like quality"
That is one of the finest things ever said about one of my measly tracks. Thank you. It's not mandolin, but it's some pretty high acoustic stuff.
"3:00 on has a repeating synth sound"
Those are guitar notes that are processed on my pedal, doubled, then one double was lowered an octave. I like how it worked. I also liked how it sounded reversed in the outro.
No Lucky Charms?!?! That is criminal! Not a huge fan, but liked them when I was a kid. I buy "Total" now, but if I do want something sweet from the kids section, I get "Honeycombs". Loved them since I was a kid,(Thanks to my Great-Grandmother).
Thanks for the listen and the feedback.
Evan
on Traffic Jam by Spivkurl
http://www.jgballard.ca/
He predicted in the future people would get so bored with technology and the dystopian environment that they would get sexual satisfaction from participating in car crashes. This struck a chord with those early Synth Pioneers.
https://www.youtube.com/watch?v=zo7ONZlN5Zg&html5=1
Awesome Work Pat.
Steve
on BIRTHDAY ANTHEM by njb4music
on Star Forge by Evisma
So Louis CK does a great bit on the pronunciation of Vagina in Boston as Vaginer.. about 6 min in.
https://www.youtube.com/watch?v=obaljnK6Qnk&html5=1
My grandmother spoke with a massive Brooklyn accent. She used to call a toilet a terlet, and Oil earl. Myself I love the Tidewater accent, which is two isolated islands off the Virginia coast whose speakers sometimes drift into the only form of Elizabethan (maybe, maybe not) English known to exist. This is the Accent the founding fathers of the U.S. most likely spoke. A weird construct of Southern Dialect and Midlands English.
https://vimeo.com/4037124
Peace.
Crunalinguist
Louis CK is funny as hell. Jizzanthipuss is probably my favorite from him. Never thought of the word "Vagina" being a verb, but I guess "Dick" is, so why not? I've heard "Dick this bitch up" several times.
Archie Bunker was great with the accent, though I believe his character was living in Queens.
The Tidewater accent is nearly the Arkansas accent when combined with whiskey and the already prevalent inbreeding and rapid tooth loss.
Evan
on Xyilent - Hours by XyIlent
Cru
on Xyilent - Hours by XyIlent
Cru
A synth solo could be a good idea, was looking to get an another melody in here somewhere and that would be a good way to do it, so yeah ill prob do that :)
Thanks man! :)
on Bosswalk by donnorris
Cru
Real happy you like it ,and great praise to say it could be on twisted !
ime quite new on here an ive a few more you should like . watch this space
on Comanchera by Neomorpheus
Billy and Jimmy had a mutual admiration for each other at that time. Hendrix took him out on tour because of that, I'm sure a bit of each of them rubbed off.
"Comanche" is from the Ute name for them, kɨmantsi (enemy) They broke from the Shoshone after acquiring horses from the Pueblo.
How do you get a drummer off your porch?
Pay him for the pizza. (Ouch)
First Time I heard ZZ Top. Glad U asked....I was young and my parents had a cable box with a dial on it. I found if I manoeuvred the dial ever so carefully between the channels I would evade the scrambling resistor and I could watch the playboy channel. They had some video with some playmates to the awesome tune of cheap sunglasses, ahh the innocence of youth.
I happen to have a lil relative story of my own that I've decided to lay on you...
Several years ago I worked for a company here in Dallas called Showco, that designed and built sound stage set ups for concerts. Later I also worked on the development of an off-shoot venture of theirs that spawned Vari-Lite, which revolutionized stage lighting. One of the first bands to take interest in Vari-Lite was ZZ Top. My boss at the time, lets call him "Happy", grew up in Houston and went to school with Billy. "Hap" had a few acres of land south of big D, and well...had him a nice bumper crop of home grown. One day Billy and Frank showed up at the facility to approve the lighting designs for their upcoming "Eliminator" tour. Billy came in wearing this flamboyant baby blue satin jumpsuit with a white cowboy hat and brand new Tony Lama ostrich skin cowboy boots. Long story short, Hap jumped in a limo with the boys and retreated to his south 40 for a brief respite. When they returned, in walks Billy with his boots covered in red Texas mud and the whole ass end of his pants ripped out. "WTF happened !", we all asked. Billy just said "A little mishap with security down at Rancho Texacano". Translation: His muddy boots lost their grip while crossing the barbed wire fence that bordered a special portion of Haps property. We all laughed till we cried, and was glad he was sporting underwear! They later named one of their best-of albums after Hap's Hacienda. Lots of craziness and fun times back then. Maybe I will recount a few more when the time is right - only here on Looperman.
on Waiting by DijamMusic
Cru
Hello mate,
How you doing, thanks for your feedback mate.
Yes, he had me doubting my hearing.
I could not detect any distortion at all.
Thanks again
Jamid
on Embers ft Ed Cunningham Tumbleweed by PDMuzak
Great work. Sax is mixed nicely in the background.
good work.
Cru
on Cant Even by Cestevens1783
Good Work.
Cru
on Snake In The Past by Spivkurl
Captured early New Order, Vice Versa, This:
https://www.youtube.com/watch?v=2qV33b9DGlo&html5=1
Miss Kitten and the Hacker. Early Berlin (Sex I'm a)
I was mixing this tune as I was listening to yours:
https://www.youtube.com/watch?v=3PbNrsDUyho&html5=1
Your really capturing an era nicely without I think realizing that. It's almost like your re-inventing the sound again. Great work a fav.
Steve
on My03 - Midiman007 - Stereophonic Sounds 80 and 90 by midiman007
Cru
I stopped by your lopperman link I like your tunes you play keys well.
on Hey Komm doch mit by joecramer
Good job
Steve
Thanks for your listen and your comment.
I had the same in my mind - folk - thats why i wrote "Drum and Chill Folk" but i believed that the first comment would be a - this isn´t folk, it has a d&b drumset - :)
"our voice treatments are very seventies sounding"
this is realy cool, ´cause you know that i am normaly more a 80´s child.
Nice to know that you like the song and this little synth melody.
stay tuned
joe
on 9000 Years Too Young by StaticNomad
Always a fun listen my friend.
cruiserweights
Thanks for Cruising by my little pop tune.
I'll be honest and say that I kind of re-featured it as you hadn't commented and I wondered what you made of it. No new tracks from me currently as I'm struggling over a few (and going through a very fallow musical period) so thought this was a good one to re-feature.
"the bass is always moving"
Note all the lead bass g in this (hence the Evisma dedication) though there's always synth bass underneath as that lead bass is way too thin so bottom end is needed to beef this up.
"I don't wear hats"
I do (one at a time) so I'm taking mine off right now and doffing it towards myself to save you the bother.
"you invent your own sounds that are very unique to you"
Yes and no. I use a shitload of presets (remember: almost all my synth work comes from Reason) and never start with only a basic patch and make it more elaborate. I'm good at controlling a few synth parameters and using them effectively though I'm not at all knowledgeable about synths and their programming.
I guess I also come up with some unique bass, guitar, and banj sounds through my processing of them but would say the main sounds I "invent" are the combination of all of these different sounds into what sometimes sounds like a single, layered sound. Difficult to explain.
Subtle key change to D minor was me realising a key change was required as the track was starting to feel a bit monotonous. D is my main key so very easy to slip back into.
"Nice Fuzzy guitar solo"
I guess that would be the bass guitar with distortion plugin turned on at around 9:24. It's just the same sort of playing as the section before but with added distortion and crashing drums. All part of me extending things more and more but I've made it sound like it's a new part
"your musical instinct is in the genius level"
Hard to know quite what to say to that except thanks. I don't know what I'm doing but I'm able to listen and hear quite deeply within riffs and grooves and then find interesting ways to work off them. So many limitations and failures but with enough time and editing I can come up with things that make me sound better than I really am.
"End on that last note, the extra quiet sounds are not needed"
I will have a good think about that.
Take care of thyself.
on Future in the Past by Planetjazzbass
Great work
Steve
on DJ Lady Faith Ft Esteban - Break Free EDC Master by BradoSanz
https://www.youtube.com/watch?v=eWWNTCyc1aE&html5=1
Your voice would work with many genres.
Cru
on When The Fight Starts by MOONLYTE
https://www.youtube.com/watch?v=GXFSK0ogeg4&html5=1
https://www.youtube.com/watch?v=aSTV99Uy8hk&html5=1
But ultimately this is very good.
Cru
on Needle In The Hay Ft VSlimm and FAnalysis by SeriouslyJoking
cru
I'm proudly accepting the imaginary badge, thank you!
=D
Have a great summer and take care/ SJ =)