Zep like in it's intro and then the synth bass gives us something else. Drums are a banging. Yeah I hear the resonator but this has a purpose. Like an Anger approach of "LISTEN TO ME I"VE GOT SOMETHING TO SAY" but then you gently cradle us into the tune. It's a pure Dichotomy in it's execution. Fun to listen too.. Upset the wife so I know were on to something here. So what is the message here..4:50 you get all apocalyptic with your of sounds. And I love the Ending as well And you reign in your draft of destruction for some wildly achromatic sounds of synths and cool guitars. I feel this is a more or less contrived tune as it is a balls out emotional release. Would I be correct in that synopsis. It's f**cking Brilliant. And I love it.And I love the Ending as well with the ambient sounds is glorious in it's execution you should be proud.
Cru.
It has been quite a while since your Crumagnificence has graced the comments section of one of my tracks. So Crudos to you for stopping by.
"the synth bass gives us something else"
Yes, exactly. I'm not totally sure it fits but it is interesting and unusual and that's exactly what I pretty much demand from myself in every track I make. How many stoner rock bands would incorporate dance/dancey synth elements in one of their tracks? I can only think of one and they're a brilliant, obscure Dutch band called Astrosoniq. Check this shit out:
Anyway, that synth bass arp is used quite a bit in this track, most prominently at 2:14 plus some distortion etc. 6:14-6:47 it also adds something a bit different as it backs up the lead distorted resonator playing.
Drums are indeed a bangin' most of the time though 5:10 for a while they seem more laidback and funky. I thought that might be your fave section, with the triplet, clean guitar on top.
Always nice to upset your wife with some banging riffage. But you can calm her down with one of my chillout tracks if she can't take the intensity of these riffs of glory.
"4:50 you get all apocalyptic with your of sounds."
Yes, a little apocalyptic, with that huge sound. What you're hearing there is slide guitar parts 800% slower, which often adds a vocal-like quality to the sound. A bit incongruous having deep ambient in this banging track but I like to think it gives some unusual character.
No, the ambient end doesn't feature any synth - that's all guitar, even that 7:47 female sort of voice. That's just timestretched slide. Weird end result, eh? I'm half considering extending that ambient ending by 30 or so seconds as it seems too short and I could happily listen to it for much longer. It will be Promenade's favourite section and favourite sound in the track.
In terms of instrument playing, this wasn't really "balls out emotional release" but much more of a contrived sampling and processing job. Most of the guitar parts are clean (undistorted) resonator parts played whilst making other tracks, so not really rocking out at all. I just recycled these leftover parts and totally changed their vibe by adding dirty, yet smooth distortion.
See 6:15 as that killer distorted lead is just the gentle triplet playing from the previous section plus distortion, turning it into something wildly different.
"So what is the message here"
As always - nothing at all! It's just me having fun and trying to layer things up in interesting ways that I hope no one else has done before.
See you around, Mr Cru Dawg, and thanks for the thoughts.
I love Lisa Stansfield, I feel that you took her style (80's retro 70's and mixed it like this song belonged in the seventies. Cool idea Richie, Cool Listen.
Cru
Thank you ever so much for your kind comments. It's particularly rewarding to hear comments on the way the track was arranged and mixed. Really appreciate that very much.
What I liked about this was the usage of synths as percussion like instruments, the reverse synth reminded me of Peter Gabriel's usage in his song "Shock The Monkey". Very Creative and good work.
Cru
Ahh Ed and I are Canadian and I thought you were referring to that dog & pony Show which we just had october 28th up here in the Great White North. So I was being sarcastic related to that election...silly me.
Cru
Man , I have been away for a long time . Didn't see this reply. I'll be glad when the whole election thing is done. Have a belated Happy holidays. Peace.. PDMuzak
I enjoyed listening to this as a chill tune with some hip hop intentions. I could easily hear a guitar solo (Tumbleweed style) or a saxophone over the top of this one. good work.
Cru
Evan..ohh what have you done. @1:15 it gets very interesting. You have elevated yourself as a composer. very nice ideas presented here all based on a common theme. You build tension in very inventive ways using synths and your bass. And you cut it off at 2:54 to add some nice filtered piano's and weird vox sounds. but your command of percussion is really good on this one. It's an exercise in scales but just amazing arrangement of percussion and instruments. great job I loved this one.
Cru
Thanks Crucethus..Did something different with this track and I really loved the way you say its a "Modern twist to such a traditional folk music" I really appreciate your kind comments.. Thanks my friend..
OK yes there it is. Nice panning , nice spatial sounds, better control on the Piano re-verbs. Vocals sound nice, bass is better and the percussion fits well. Minimalist perfection. Only thing I would do different is at $;$7 drop the piano and let the vox go accapella and only at the very end do that nice synth thing to end it with the final vocal (sting) Great job though very nice
Steve
Hi Steve and thanks again for the feedback! I'm really not satisfied with this one, I accidently compressed away all the dynamics, at least in my ears. But it was a great lesson to try to fix it anyway.
And I'm glad you enjoyed it!
Maybe I'll have an other go some day and tweak it even more.
Cheers!
Beautiful work between you and your daughter you must be so proud. both your voices are amazing. In this one your voice reminds me of Tobias Sammet of Edguy,Avantasia. I am linking a clip of his avantasia work which is progressive metal meets opera. https://www.youtube.com/watch?v=Lof3r-R_i-M
It reminds me slightly of the duet style you are creating.
Great job.
Cru
Hey, So I listened and I think you actually remind me more of Geoff Tate than Axl Rose, and I think those vocals need to be more in the forefront of this mix as the synergy of the two would make this song sound amazing. Great Work
Cru
Thank you my friend. I'm just a humble dude who loves music. I can't do much with GarageBand or I really need to work hard on mixing my vocals.
Either way i truly appreciate your comment....
Peace
Hey SJ
What I like: 1. The intro is very eclectic and what I like in a song that I personally like to listen too.
2. You have started to develop a better sense for arranging in a tasteful way. To explain that I still hear your distinctive piano sound with the slap delay but it sits much better in the mix now and it adds to the composition and doesn't overwhelm it as in some of your earlier creations, bravo, you kept a distinctive trait and made it a strength in your work now.
3. You fit the vocals in perfectly timing wise and in the mix.
What I would like to see different:
1. There is a lot of dynamic compression which hurts the delicate musical sounds you have placed in the piece. like that sweet oboe sounds a bit choppy with the delay of the piano and such.
2. Though getting better I would like to hear more distinctive bass-lines throughout the piece. I heard some sub bass and hints of bass here and there.
3. Your choice of vocals is not very inspiring to me, but that's just my personal taste I guess. I think for your style of composing I want to hear a vocalist who can belt it out of the park, but I realize that we won't find that easily on the pella pages. (no offense to Virginia slimm)
Over all it's a great job you did on this one and just a pleasure to hear your sounds and choices getting better and better. Good Work.
Cru
Thanks Steve for the advice!
Yes there is big issue with some of the sounds overwhelming all the others, and the bass line is totally underneath everything else and nonexisting at the moment. I'll try to fix this!
Oh What have you done! The elephant in the room is smiling. Because he/she knows you have made a brilliant minimalist tune with awesome melody and percussion and arrangement and just the slightest touch of cinematic drama. The clarinets are brilliant at 2:13. it's at this point I realize I am the Elephant. And I should just enjoy the brilliance of the piece. Marimbas at 3:04 with a distant flute morphing into an oboe. Then a freaking Piano....
Awesome job. I loved this one Orlando...
Cruvation...standing cruvation
Many many thanks for this friendly and generous feedback! I'm really glad you liked it! This one was originally also
intended as a kind of intermezzo thing (again), but as it often happens during the process the goal was becoming a bit more ambitious....and yes, I think I partly succeeded to pull some nice combinations out of it here and there and thanks alot for recognizing that .....
I must say my favourite work so far. Great mastery of Midi as it sounds amazing. But what I really love is the percussion work you did. Amazing!. Keep it up my Quebecoise Amigo!
Cru
From you its like platinum. thanks for this amazing feedback and feel free to use your imagination to write down a story you could win pretty everything about Mora.
btw since im a male not female you had to write " Keep it up my québécois"
Don't change a thing, it's a really nice piece of work. I like the layers of guitar and all works very well together plus there are many directions this tune takes which makes it fun to listen too.
Cru
hey hello Cru.
thank you very much , this is so good to see you think this doesn't need to change , now I feel sure about this arrangement .
nice to meet you here again .
:) Elena
Beautiful Version. You know this is not a love song per say, but a cheeky (Machismo) song bout sex and the coercion young men (Foppy faux metal hair band singer-gutarists from the eighties) do to young women to "get some" as we say.
The more we know.
Cru
Hello Cru :)
Well, now that you tell me that, I guess that's a possible interpretation which I wasn't aware of at all, haha.
Still, the artless girl in me still likes to have a first degree look upon it. Sthg like "showing your love to me is as important as speaking it". That's how I sang it and feel about the "message". Arf... what a noodle I am sometimes! (most of the time, but sshh...).
Anyway, thx for your visit and for enlightening me, Sir.
Peace,
Carole.
Totally agree with you, this is a mix of hip hop and cinematic. needs some sort of vocals and a cleansing of the midi strings but a nice work overall.
Cru
I believe the Day after Halloween is All Saints Day in the Catholic Mythology. This is a creepy jazz like tune that incorporates some D&B which works wonderfully together. our usage of dissonance is fantastic as well. Great job on this one.
I love the emotion of this. I love the spoken word, but the musical arrangement is so good in this one. Perfect use of minimal bass and guitars. Bluesy and yet progressive. Awesome work my friend. Though Billy's Vox of utopia(paradise) lost is unrealistic to reality, (we are actually improving the Human condition not regressing) it's still a great listen.
Cru
Thanks for the kind words Cru.
Actually I also think that we are improving our condition, despite what a lot of people cry. I find it a bit strange: elder people are stating that 40 years back everything was better ... of course it was! they were 40 years younger!
Nevertheless I find Billy's poem on the idea of a "lost paradise" very romantic.
on Roar Stone by StaticNomad
Cru.
It has been quite a while since your Crumagnificence has graced the comments section of one of my tracks. So Crudos to you for stopping by.
"the synth bass gives us something else"
Yes, exactly. I'm not totally sure it fits but it is interesting and unusual and that's exactly what I pretty much demand from myself in every track I make. How many stoner rock bands would incorporate dance/dancey synth elements in one of their tracks? I can only think of one and they're a brilliant, obscure Dutch band called Astrosoniq. Check this shit out:
Astrosoniq - Quadrant(2009)[Full Album]
https://www.youtube.com/watch?v=BlMDF4zasH4
Anyway, that synth bass arp is used quite a bit in this track, most prominently at 2:14 plus some distortion etc. 6:14-6:47 it also adds something a bit different as it backs up the lead distorted resonator playing.
Drums are indeed a bangin' most of the time though 5:10 for a while they seem more laidback and funky. I thought that might be your fave section, with the triplet, clean guitar on top.
Always nice to upset your wife with some banging riffage. But you can calm her down with one of my chillout tracks if she can't take the intensity of these riffs of glory.
"4:50 you get all apocalyptic with your of sounds."
Yes, a little apocalyptic, with that huge sound. What you're hearing there is slide guitar parts 800% slower, which often adds a vocal-like quality to the sound. A bit incongruous having deep ambient in this banging track but I like to think it gives some unusual character.
No, the ambient end doesn't feature any synth - that's all guitar, even that 7:47 female sort of voice. That's just timestretched slide. Weird end result, eh? I'm half considering extending that ambient ending by 30 or so seconds as it seems too short and I could happily listen to it for much longer. It will be Promenade's favourite section and favourite sound in the track.
In terms of instrument playing, this wasn't really "balls out emotional release" but much more of a contrived sampling and processing job. Most of the guitar parts are clean (undistorted) resonator parts played whilst making other tracks, so not really rocking out at all. I just recycled these leftover parts and totally changed their vibe by adding dirty, yet smooth distortion.
See 6:15 as that killer distorted lead is just the gentle triplet playing from the previous section plus distortion, turning it into something wildly different.
"So what is the message here"
As always - nothing at all! It's just me having fun and trying to layer things up in interesting ways that I hope no one else has done before.
See you around, Mr Cru Dawg, and thanks for the thoughts.
on All Woman featuring Lisa Worth by RichieWinn
Cru
Thank you ever so much for your kind comments. It's particularly rewarding to hear comments on the way the track was arranged and mixed. Really appreciate that very much.
Glad you enjoyed it.
Best
Richie
on Benghazi by Penga
Cru
Stay tuned. Another track should be coming to Looperman soon ^.^
on Election Sigh Call FT Tumbleweed by PDMuzak
Cru
on Blue Sky Instrumental by NitramBeatS
Cru
on Election Sigh Call FT Tumbleweed by PDMuzak
on Constellation by Evisma
Cru
Very deep appreciation for the kind words. I'm glad this one came out as well as it did. I need to work on mixing with more dynamics.
I hope you are doing well up in the frostiness. Thinsulate is the shit!
Evan
on laxed by pseudonym43
Cru
on Gods of Eden Remastered by HunterFoxzAC
Cru!
on Janis71 Disco snippet by Rasputin
on Update Needle In The Hay Ft VSlimm FAnalysis by SeriouslyJoking
Steve
And I'm glad you enjoyed it!
Maybe I'll have an other go some day and tweak it even more.
Cheers!
on We Are Never Alone - Like You by cyberbugBOB
https://www.youtube.com/watch?v=Lof3r-R_i-M
It reminds me slightly of the duet style you are creating.
Great job.
Cru
on Woven by cyberbugBOB
Cru
Either way i truly appreciate your comment....
Peace
on Update Needle In The Hay Ft VSlimm FAnalysis by SeriouslyJoking
What I like: 1. The intro is very eclectic and what I like in a song that I personally like to listen too.
2. You have started to develop a better sense for arranging in a tasteful way. To explain that I still hear your distinctive piano sound with the slap delay but it sits much better in the mix now and it adds to the composition and doesn't overwhelm it as in some of your earlier creations, bravo, you kept a distinctive trait and made it a strength in your work now.
3. You fit the vocals in perfectly timing wise and in the mix.
What I would like to see different:
1. There is a lot of dynamic compression which hurts the delicate musical sounds you have placed in the piece. like that sweet oboe sounds a bit choppy with the delay of the piano and such.
2. Though getting better I would like to hear more distinctive bass-lines throughout the piece. I heard some sub bass and hints of bass here and there.
3. Your choice of vocals is not very inspiring to me, but that's just my personal taste I guess. I think for your style of composing I want to hear a vocalist who can belt it out of the park, but I realize that we won't find that easily on the pella pages. (no offense to Virginia slimm)
Over all it's a great job you did on this one and just a pleasure to hear your sounds and choices getting better and better. Good Work.
Cru
Yes there is big issue with some of the sounds overwhelming all the others, and the bass line is totally underneath everything else and nonexisting at the moment. I'll try to fix this!
Cheers =)
on Elephant by Orlando51
Awesome job. I loved this one Orlando...
Cruvation...standing cruvation
Many many thanks for this friendly and generous feedback! I'm really glad you liked it! This one was originally also
intended as a kind of intermezzo thing (again), but as it often happens during the process the goal was becoming a bit more ambitious....and yes, I think I partly succeeded to pull some nice combinations out of it here and there and thanks alot for recognizing that .....
......and for the cruvations ofcourse !:)
With much appreciation________Orlando
on You have to fly away by joecramer
all the best
Cru
"Hauntingly Teutonic in a terrifyingly beautiful way" That sounds realy cool :) maybe i will use that later.
.... Bowie mmmmmm are you sure?
Thanks for listen and the time to write something
stay tuned
joe
on Mora Done by Byleth
Cru
btw since im a male not female you had to write " Keep it up my québécois"
Peace and Handshakes from Byleth in Apocrypha.
on again by ElenaSatine
Cru
thank you very much , this is so good to see you think this doesn't need to change , now I feel sure about this arrangement .
nice to meet you here again .
:) Elena
on More Than Words -cover by janis71
The more we know.
Cru
Well, now that you tell me that, I guess that's a possible interpretation which I wasn't aware of at all, haha.
Still, the artless girl in me still likes to have a first degree look upon it. Sthg like "showing your love to me is as important as speaking it". That's how I sang it and feel about the "message". Arf... what a noodle I am sometimes! (most of the time, but sshh...).
Anyway, thx for your visit and for enlightening me, Sir.
Peace,
Carole.
on Premonator with Spivkurl Promenade Mix by promenade2239
Steve
There were many versions - now I want to make an retrograde update and post one of those less organic. No problem with remixing at all.
I will post more electronic tracks for sure somwhere in the near future.
Thank you for good words! I am really happy you liked what I did.
Alex
on As Life Goes On by OmarMuk
Cru
Your time (and ears) are much appreciated.
on The day after by traz75
Cru
Regards, traz
on Halloween Entry Song by Asuna by Asuna
Cru
on Darknezz by DubstepMiddle
Cru.
on Trouble in Paradise Feat Billy Dragon by mrwolf14
Cru
Actually I also think that we are improving our condition, despite what a lot of people cry. I find it a bit strange: elder people are stating that 40 years back everything was better ... of course it was! they were 40 years younger!
Nevertheless I find Billy's poem on the idea of a "lost paradise" very romantic.
Thanks again for the kind words.
Ciao, Domenico