That is some old school funk indeed. Great use of loops. I agree with silverman as on this site I tend to post songs mostly of loops, but I do also play instruments as well and like the freedom to be able to both. But there is an art to arranging music, and looping like this leads to an arrangers ear. This is great stuff.
Cru
Like an old timey carbureted engine starting, is the intro. there is a weird sound at the end of each measure that sounds like Japanese words that someone is saying in stereo. Or I am just losing it finally!. Cool tune so far. I think you are advancing this sound well beyond apocalyptica ever did. Strings at 3.25 are exquisite. and then you hang them out to dry in the neversphere. hmmm sounds like a familiar plan. Then we get funky until 4:44. Then the clodding drums come back. I christen this genre Cellosludge. That Bubble an Squeak synth was cool until the ending pad says..enough!.
Dirty old engine intro with a morphing filter applied to it is a kind of chugging, chilled way to start things off. I really still think all this dirty cello riffage sounds just like guitar and I'm certain no one would be able to guess they're hearing a cello if I hadn't disclosed that. There are some other, undistorted cello parts in this but it overall really doesn't sound like cello music.
"a weird sound at the end of each measure that sounds like Japanese words that someone is saying in stereo"
That is a surprising comment and I will have to go back and listen hard for that. It would be fun if that was somehow in there. More likely is that you have indeed lost it. But did you ever really have it?
"you are advancing this sound well beyond apocalyptica ever did"
The difference between me and them is that they can really play the cello and I can't. Not yet. Well, I'm good at plucking (pizzicato) but the bowing is so hard and I can't really play consistently fluent riffs. I hit the wrong string(s), hit crap tones, get lots of shitty, whingey, scrapey sounds and so on. I have to do loads of editing of my playing to end up with something decent. Adding the heavy distortion really helps mask my fuckups. No distortion and they are very exposed.
I once saw Apocalyptica at a music festival in Czech Republic. Worst festival I have ever been to! Quite a story as to why it was so awful. I'll leave that for another time.
Did you like the addition of delayed Rhodes in the second heavy movement? I think that's an unusual instrument for a heavy track. Later on, going into the third heavy movement, the Rhodes gets funky and distorted.
"Strings at 3.25 are exquisite. and then you hang them out to dry in the neversphere. hmmm sounds like a familiar plan. "
The "neversphere" is a nice term I may find some use for. Is this being too familiar a criticism? Sure, I've done stuff like that before but sometimes you just do whatever you have to to bridge sections together. The stringy pad chill helps break things up and I'm really quite pleased with the arrangement of this and the variety between the sections and the length. Seems just about right, without me trying to do too much.
" I christen this genre Cellosludge."
I think cellometallo is a more amusing term. Reminds me of Nutella. But you're welcome to cellosludge though I think it might have to be dirty, heavier and less of a dance track to really be sludge. I'd say I make stoner, grunge and some metal but not really sludge.
"That Bubble an Squeak synth was cool"
Yes, those synth arp melodies have really stuck in my head.
Nice upload will be cellout dance music. Not as good as this track, even though they were until recently joined together in a confusing, overly long mess of a track. More track splitting success for me.
I felt like you were taking us to church with some interesting organ chords. and then the choral vox just reinforced that. Almost as this song is a prelude to something bigger coming later on.
Cru.
Thanks! And oooh, listening to it again, I see what you mean! Actually puts a pretty interesting spin on things lol. And trust me, there's a lot more to come. I'm only getting better with Logic pro x (Which I got about a week ago), so I hope to make more interesting tracks with much more of that atmospheric sound. Thanks for the comment by the way, It means a lot to see that someone I admire on this website is taking a listen to my music! Much love man!
Damn that's some creative stuff you got going on there. Are you gonna do the whole rainbow of colours? Blue Drug, red zone, yellow fever, Green giant, orange ape, Indigo gyrl ,& Violet prince.
Thanks Steve! Hey, watch it, you're one of the reasons I made this track. Now, you're giving me more ideas, ha ha! Keep that up and I'll have a whole album of songs named after colors, drugs and numbers lol!
Your Kisses are curses? Sex is a hex? interesting lyrics indeed. What are you dating a wiccan? This is almost Minneapolis R & B in some ways, which would pay homage to Prince, the Time, Alexander O'Neil and Ready for the World. I liked it, very good https://www.youtube.com/watch?v=wbL2lMn34Oo
WOW Thanks for leaving this comment, I live a few hours away, and was at first ave for the party after he passed. GReat talent he was (and the time, and A.O. for sure) cheers to hoping the Minneapolis sound will live forever. thanks for listening.
Hi Steve .
thanks and I'm really sorry about late reply .
I'll be really glad to see what you may do with this one .
feel free to contact me , if you need anything .
thank you very much again .
It is an awesome sound. It's like a merger of R&B and emo in some dark ways. Your voice is low in the key register. I am wondering can you sing an octave higher(in the chorus), because that's what you need to do to make this one over the top. (and not just with a falsetto embellished with autotune) Otherwise no one is going to pay attention to this one sadly I must say because it is a good tune.
crudatruth
wow thank you so much for taking the time to check it out and I will definitely put some work into the chorus as you said to ensure this track is as great as possible. Thanks again and I hope you understand how crucial specific input such as yours is to a solo artist with no one to turn to :)
I have been trying so hard to remember this song from back in the day. It kind of reminds me of what you are doing here. I will let the music explain itself. https://www.youtube.com/watch?v=gTU90pRI2NE
Love this
Cru
Welcome richatc to the loop. I like this song. My only critique is that I want to hear your voice a little louder in the mix. (never have your guitarist do the mixdown) But it reminds me of some cool seventies bands in the UK and do you know the work of the Struts? Because it's on that level with the influence of Aerosmith.
Awesome, I shall be paying attention
Cru
lol That's great!! I did the mix and I'm a vocalist/ bass player. I do like the guitars out front. I will have to look up Struts, I have a few tracks on here. I am new to this whole loop thing but I do like it. There is a lot of talent on this site and I'm enjoying it when I have time. I'm back in the studio recording a new Cd the songs have not been mastered and I value any input like yours here. Thank you for your ears and I will take a listen to it again.
yeah im moving into a kind of hip-hop/r&b style lately. would be cool to have a rapper on that part at 2:11 actually.
"with your side chaining"
i may have went nuts with the sidechaining i dont know lol, i got some new sidechaining software and its awesome so i might have over done it, but it sounds cool so oh well haha
I agree with all of Silverman's points. the song is sweet. If you remove the white noise you can replace it with a simple organic drum fill, that would do the trick. Then you can use a similar but not the same fill in other parts of the track to distinguish the sections. The key for my musical productions is in the percussion elements. It's what subconsciously holds the listener's interest. Add them subtly and quietly in the mix, sometimes panned far right or left (like a high hat, or a shaker), but it makes a difference. I used to suffer from reverse cymbal fever, in that I believed if I didn't have that element for a phrase change the whole thing would fall apart, but Static Nomad convinced me otherwise and he was correct, now I rarely use them. Oh Also, Right now I'm on a prolific streak of music but sometimes I have gone years without making music. I never force it. But I find if I go into a session with no plan for what I want to do sometimes inspiring things happen as well. Or choose to make a song about an abstract feeling or idea. "Today I'm gonna write a song about how the colour blue feels." for example. Silverman is right as well. Today's crap might actually be something great months or years later.
Cru
An organic drum sounds like it might do the trick. If I can't get any of the ideas thrown out there to work, I'll try going with that. I have the same issue you had with the cymbal. For me, I have to use some sort of sweep effect or the track just sounds empty to me. Perhaps, trying out new ways will help me with the creative issues as its something new and gives me more to explore, and play with. If it doesn't help with the creative issues, I can always do what you suggested and try to give myself challenges to complete when making music. That should inspire me more.
Thanks for all of the help, Steve!
Will definitely give it a go.
Holy Sh##T people are still making Bro-step..well as that goes this is what it should be. I like that people are still making stuff from the past.. I do as well ;-) good work.
Cru
Thanks Crue it was fun doing it. I think we need a genre called I dunno and another maybe called who cares?
Thanks for listening and commenting. Just come from listening to your latest upload and was caught bopping by the missus!
No its not Spam I Made A Mistake By Posting My Track Link On Other Tracks I Didnt Realise About The Spam Ok??Its Not Spam Spammity Spam!!!!!LOL***crucethus:(***
First and foremost you got a fav from me. Why. The song itself is beautiful , always changing, the percussion was great , interesting array of sounds mixed really well.Ed's guitar is sublime as always. You are very good at those subtle pads and strings you place quietly in the back of the mix and then bring them forward when you want to make your point. Nice sounding Piano. Well Done my friend, well done I loved it all.
Steve
First and foremost thanks alot for the fav...means the world!:) I'm really glad you liked all those aspects of the song and I truly appreciate your friendly feedback !
Probably one of your better tracks. Mostly because you stay in the lower ranges of your vocal stratus. When you go higher you get very "Pitchy" Flat, which is in most of your songs that you sing in in a higher plateau. That being said, you have some fundamentals of singing. Why not invest in a vocal coach. Listen; it takes balls to sing on any track, and share it with the whole wide world (I give you a million credits for doing it) . Believe me I am my worst critic of my own voice which is why you don't hear me very often sing. But you have to solve those pitch issues if your gonna demo your songs or else no one will bite when it could be an amazing song underneath. Find a vocal coach and practice..you will get better at it. I believe in you.
Cru
Hey Cru, thanks for checking out the track. I know what you mean on the vocals, I do this for fun/hobby. I wouldn't mind taking some vocal lessons but I don't really have time. I feel like I am still trying to find my voice, I think I am getting closer, but of course I still need way more practice. I think its harder to record my vocals with my headphones on as well, I get a good mix in my cans but it is still a bit awkward. The good thing at least is that I post on the internet and I can hide behind a fake name to cover up my pitch problems, lol. Thanks again for listening and the comments, always appreciated.
This track beat Mora ? I can understand that I passed insane amount of time for Fiery Battle just to gave you a idea all together there are only 9406 notes.
Fun fact this track was originally to be a metal one but due to my metal guitar vst sounds dump. I used my my imagination to convert this in a cinematic track. Thats why the drums is a metal one and you can heard a bass (the only thing who do not sounds dump)
thanks for the fav and stay tuned for the other versions.
Nice piano intro and build. 1:03 we get some percussion. Doesn't seem to build anywhere else though and I think I would put this in chill and not dancehall. I would like to hear this expanded as it's a great intro filled with build-tension and expectations. Otherwise nice work.
Cru
I would Call this more Dark Pop, but this song could easily be remixed as a deep house tune as it has certain elements that deep house needs to make it deep house, but in it's current form it's not deep house. Creepily good though my teutonic friend.
Cru
Maybe you are right but here on looperman there is only a Pop genre and that wouldn't fit really without a Dark in front :) (i think i have to ask Mr. Looperman himself for a Joe Cramer genre)
Nice to know that you liked it
Love the minor 7th chords to start us off. Did I mention that Jimmy Jam and Terry Lewis (Flyte tyme) are a huge influence on my songwriting. Yeah this tune needs vox. it's served on a platter; for a great vocalist. great work, great songwriting Big R. 2:51 is Minneapolis sound all the way with that synth glissando downwards. D#. Same Key That Human (Human League) is in song written by JJ, and TL. Losing Prince must have been a shock to you my friend as us all. I really enjoyed this
Cru
Cru, Many you are on point with your comments. The Minneapolis, Prince, JJ and TL, Human League all played a part in how I play. I didnt know that JJ and TL were a huge influence on your songwriting but glad to know that. I play by ear so I dont really know what chords I am playing but it sounds good to me :) The strings are 100% Prince style to me. I've been a little down every since Prince died and had to throw those mellotone violins\strings in this track in respect to Prince. Thanks Cru for your sharing you thoughts and comments. I'm amazed at music knowledge.
Love this. Guitar is thrash worthy but the vox effects and stereo seperation is awesome. This defines the Rust Belt with a dark cynicism of America without question!!!
Cru
Thank you for the kind words man! I really enjoy creating this style of music so I think its time for me to release an EP of this kind of stuff. Thanks for taking the time to listen and comment!
on Yeah Thats Funky Now by Dirtzilla
Cru
I am glad you enjoyed my track and please if you have any suggestions I would greatly appreciate them.
Again thanks for your ear
Dirtzilla
on Nuance Is Futile by StaticNomad
Good work.
lovely song, perfect length.
Crumonade
Dirty old engine intro with a morphing filter applied to it is a kind of chugging, chilled way to start things off. I really still think all this dirty cello riffage sounds just like guitar and I'm certain no one would be able to guess they're hearing a cello if I hadn't disclosed that. There are some other, undistorted cello parts in this but it overall really doesn't sound like cello music.
"a weird sound at the end of each measure that sounds like Japanese words that someone is saying in stereo"
That is a surprising comment and I will have to go back and listen hard for that. It would be fun if that was somehow in there. More likely is that you have indeed lost it. But did you ever really have it?
"you are advancing this sound well beyond apocalyptica ever did"
The difference between me and them is that they can really play the cello and I can't. Not yet. Well, I'm good at plucking (pizzicato) but the bowing is so hard and I can't really play consistently fluent riffs. I hit the wrong string(s), hit crap tones, get lots of shitty, whingey, scrapey sounds and so on. I have to do loads of editing of my playing to end up with something decent. Adding the heavy distortion really helps mask my fuckups. No distortion and they are very exposed.
I once saw Apocalyptica at a music festival in Czech Republic. Worst festival I have ever been to! Quite a story as to why it was so awful. I'll leave that for another time.
Did you like the addition of delayed Rhodes in the second heavy movement? I think that's an unusual instrument for a heavy track. Later on, going into the third heavy movement, the Rhodes gets funky and distorted.
"Strings at 3.25 are exquisite. and then you hang them out to dry in the neversphere. hmmm sounds like a familiar plan. "
The "neversphere" is a nice term I may find some use for. Is this being too familiar a criticism? Sure, I've done stuff like that before but sometimes you just do whatever you have to to bridge sections together. The stringy pad chill helps break things up and I'm really quite pleased with the arrangement of this and the variety between the sections and the length. Seems just about right, without me trying to do too much.
" I christen this genre Cellosludge."
I think cellometallo is a more amusing term. Reminds me of Nutella. But you're welcome to cellosludge though I think it might have to be dirty, heavier and less of a dance track to really be sludge. I'd say I make stoner, grunge and some metal but not really sludge.
"That Bubble an Squeak synth was cool"
Yes, those synth arp melodies have really stuck in my head.
Nice upload will be cellout dance music. Not as good as this track, even though they were until recently joined together in a confusing, overly long mess of a track. More track splitting success for me.
Later, Mr Cru
The Bow Mad Bromad, celling shit up.
on Raster - Ace Smith Remix by acesmith
Cru
on Limelight by PapaNelson
Cru.
on Modnex - Blue Drugs by Modnex
on Hook Line Sinker by zachvenus
https://www.youtube.com/watch?v=wbL2lMn34Oo
on lets forget about my inconvincible father by ElenaSatine
Cru
thanks and I'm really sorry about late reply .
I'll be really glad to see what you may do with this one .
feel free to contact me , if you need anything .
thank you very much again .
Elena :)
on Hold On Tight by topvega
cru
Thanks for the listen and comment. Much appreciated.
tv
on Immortals by zachvenus
crudatruth
on On Edge by silverman
https://www.youtube.com/watch?v=gTU90pRI2NE
Love this
Cru
on Planet Blue by richatc
Awesome, I shall be paying attention
Cru
on Xyilent - Highrise by XyIlent
Cru
"with your side chaining"
i may have went nuts with the sidechaining i dont know lol, i got some new sidechaining software and its awesome so i might have over done it, but it sounds cool so oh well haha
thanks for the feedback buddy :)
on Modnex - Never Forget by Modnex
Cru
Thanks for all of the help, Steve!
Will definitely give it a go.
on Nightmare Drop Variations Loop Pack Demo by DeadStarMusic
Cru
on On Edge by silverman
Cru
Thanks for listening and commenting. Just come from listening to your latest upload and was caught bopping by the missus!
on My Love Is The Best by YogeshST
on The Rituals Of Spring by Orlando51
Steve
All the best______Orlando
on Gun Toter by GASZEDUPBEATz
Cru
on On This Day by ImproveWithError
Cru
Kyle
on Fiery Battle by Byleth
great job.
Cru
Fun fact this track was originally to be a metal one but due to my metal guitar vst sounds dump. I used my my imagination to convert this in a cinematic track. Thats why the drums is a metal one and you can heard a bass (the only thing who do not sounds dump)
thanks for the fav and stay tuned for the other versions.
paix.
on Dark Times by Fl4zh
Cru
on Alles was ich will - MDMA Mix by joecramer
Cru
Nice to know that you liked it
All the best to you Cru
stay tuned
joe
on Angel In Disguise by BradoSanz
Cru
Brado
on Date Night by ronabo
Cru
Ronabo
on Errodead by Crypt
Cru