Oh, yeah the mix is in the pocket now. Me likey matey. Powerful mix of music and vocals with the subject matter in hand. In the vocal fadeout. I might add a bit of stereo delay on the vocals to make it just that more intruiging and mysterious. Otherwise AOK on this end mate.
Cru da Man!
First of all congrats on still being alive Vig, that's an achievement in itself. My momma was (is) a Danone fan. But the verbal alliteration is spectacular in this song. And the loop mixx is as eclectic and wild as I would imagine coming from you. I would ask does "your" momma eat yoplait, but the truth is she and her p***y is so old..........it's haunted by now.
;-0 Thanks for the awesome tune friend!
Hey Kyle, vox improved quite a bit on this one. Your moving forward as well on the production side as well. Keep that up and you'll be doing this for a living!
Cru
This reminds me of some of the sounds I used to make on my old Commodore Vic 20. 3 synth lines (one bass), and a white noise generator for the drums, all using peek and poke on basic language trying to make the timing work with the memory lag. Those were the days.
Cru
Love the stems you create, the sound quality is superb. And you love synth solo's which is a bonus. I created one with the MiniKorg for this as well in the remix.
Cru
Trippy, early U-Vox!(John Fox) style of singing. and all around catchy. Good stuff.
I wanted to share a new music discovery with you. This Duo from Norwich UK is very interesting. https://www.youtube.com/watch?v=hZ3tmmkr3sg
I thought you might like to hear/see them.
Steve
Heh, here you are with another ultravox comparison, which is great because you seem to like their style! I've never been able to completely hear the connection, but who knows maybe hearing it when you mention it has influenced me more than I realize? Listening to the song you linked to at the moment. While I really enjoy the vocal recordings, I am not very fond of the music. I think there is a big difference between "simple" and "minimal," and besides the vocals it sounded very simple. I appreciate you bringing new music to my attention, at least I will know who they are if it comes up later on. Ha ha! Thank you for listening and commenting!
"This is some pretty good stuff, with some balls. It's almost like a much lighter version of Rage Against The Machine, the best band of their type of music. Maybe they kind of even invented a genre. "
Static beat me too it, first thought in my head was a better softer Rage. Very likable song, great work.
Excellent work, fav'd and thanks for the download. Great job on the sidechaining synths.
I've been listening to this lately and I think this is the new benchmark for electronic music. https://www.youtube.com/watch?v=hZ3tmmkr3sg
But I loved what you did here.
Cru
That is some old school funk indeed. Great use of loops. I agree with silverman as on this site I tend to post songs mostly of loops, but I do also play instruments as well and like the freedom to be able to both. But there is an art to arranging music, and looping like this leads to an arrangers ear. This is great stuff.
Cru
Like an old timey carbureted engine starting, is the intro. there is a weird sound at the end of each measure that sounds like Japanese words that someone is saying in stereo. Or I am just losing it finally!. Cool tune so far. I think you are advancing this sound well beyond apocalyptica ever did. Strings at 3.25 are exquisite. and then you hang them out to dry in the neversphere. hmmm sounds like a familiar plan. Then we get funky until 4:44. Then the clodding drums come back. I christen this genre Cellosludge. That Bubble an Squeak synth was cool until the ending pad says..enough!.
Dirty old engine intro with a morphing filter applied to it is a kind of chugging, chilled way to start things off. I really still think all this dirty cello riffage sounds just like guitar and I'm certain no one would be able to guess they're hearing a cello if I hadn't disclosed that. There are some other, undistorted cello parts in this but it overall really doesn't sound like cello music.
"a weird sound at the end of each measure that sounds like Japanese words that someone is saying in stereo"
That is a surprising comment and I will have to go back and listen hard for that. It would be fun if that was somehow in there. More likely is that you have indeed lost it. But did you ever really have it?
"you are advancing this sound well beyond apocalyptica ever did"
The difference between me and them is that they can really play the cello and I can't. Not yet. Well, I'm good at plucking (pizzicato) but the bowing is so hard and I can't really play consistently fluent riffs. I hit the wrong string(s), hit crap tones, get lots of shitty, whingey, scrapey sounds and so on. I have to do loads of editing of my playing to end up with something decent. Adding the heavy distortion really helps mask my fuckups. No distortion and they are very exposed.
I once saw Apocalyptica at a music festival in Czech Republic. Worst festival I have ever been to! Quite a story as to why it was so awful. I'll leave that for another time.
Did you like the addition of delayed Rhodes in the second heavy movement? I think that's an unusual instrument for a heavy track. Later on, going into the third heavy movement, the Rhodes gets funky and distorted.
"Strings at 3.25 are exquisite. and then you hang them out to dry in the neversphere. hmmm sounds like a familiar plan. "
The "neversphere" is a nice term I may find some use for. Is this being too familiar a criticism? Sure, I've done stuff like that before but sometimes you just do whatever you have to to bridge sections together. The stringy pad chill helps break things up and I'm really quite pleased with the arrangement of this and the variety between the sections and the length. Seems just about right, without me trying to do too much.
" I christen this genre Cellosludge."
I think cellometallo is a more amusing term. Reminds me of Nutella. But you're welcome to cellosludge though I think it might have to be dirty, heavier and less of a dance track to really be sludge. I'd say I make stoner, grunge and some metal but not really sludge.
"That Bubble an Squeak synth was cool"
Yes, those synth arp melodies have really stuck in my head.
Nice upload will be cellout dance music. Not as good as this track, even though they were until recently joined together in a confusing, overly long mess of a track. More track splitting success for me.
I felt like you were taking us to church with some interesting organ chords. and then the choral vox just reinforced that. Almost as this song is a prelude to something bigger coming later on.
Cru.
Thanks! And oooh, listening to it again, I see what you mean! Actually puts a pretty interesting spin on things lol. And trust me, there's a lot more to come. I'm only getting better with Logic pro x (Which I got about a week ago), so I hope to make more interesting tracks with much more of that atmospheric sound. Thanks for the comment by the way, It means a lot to see that someone I admire on this website is taking a listen to my music! Much love man!
Damn that's some creative stuff you got going on there. Are you gonna do the whole rainbow of colours? Blue Drug, red zone, yellow fever, Green giant, orange ape, Indigo gyrl ,& Violet prince.
Thanks Steve! Hey, watch it, you're one of the reasons I made this track. Now, you're giving me more ideas, ha ha! Keep that up and I'll have a whole album of songs named after colors, drugs and numbers lol!
Your Kisses are curses? Sex is a hex? interesting lyrics indeed. What are you dating a wiccan? This is almost Minneapolis R & B in some ways, which would pay homage to Prince, the Time, Alexander O'Neil and Ready for the World. I liked it, very good https://www.youtube.com/watch?v=wbL2lMn34Oo
WOW Thanks for leaving this comment, I live a few hours away, and was at first ave for the party after he passed. GReat talent he was (and the time, and A.O. for sure) cheers to hoping the Minneapolis sound will live forever. thanks for listening.
Hi Steve .
thanks and I'm really sorry about late reply .
I'll be really glad to see what you may do with this one .
feel free to contact me , if you need anything .
thank you very much again .
It is an awesome sound. It's like a merger of R&B and emo in some dark ways. Your voice is low in the key register. I am wondering can you sing an octave higher(in the chorus), because that's what you need to do to make this one over the top. (and not just with a falsetto embellished with autotune) Otherwise no one is going to pay attention to this one sadly I must say because it is a good tune.
crudatruth
wow thank you so much for taking the time to check it out and I will definitely put some work into the chorus as you said to ensure this track is as great as possible. Thanks again and I hope you understand how crucial specific input such as yours is to a solo artist with no one to turn to :)
I have been trying so hard to remember this song from back in the day. It kind of reminds me of what you are doing here. I will let the music explain itself. https://www.youtube.com/watch?v=gTU90pRI2NE
Love this
Cru
Welcome richatc to the loop. I like this song. My only critique is that I want to hear your voice a little louder in the mix. (never have your guitarist do the mixdown) But it reminds me of some cool seventies bands in the UK and do you know the work of the Struts? Because it's on that level with the influence of Aerosmith.
Awesome, I shall be paying attention
Cru
lol That's great!! I did the mix and I'm a vocalist/ bass player. I do like the guitars out front. I will have to look up Struts, I have a few tracks on here. I am new to this whole loop thing but I do like it. There is a lot of talent on this site and I'm enjoying it when I have time. I'm back in the studio recording a new Cd the songs have not been mastered and I value any input like yours here. Thank you for your ears and I will take a listen to it again.
yeah im moving into a kind of hip-hop/r&b style lately. would be cool to have a rapper on that part at 2:11 actually.
"with your side chaining"
i may have went nuts with the sidechaining i dont know lol, i got some new sidechaining software and its awesome so i might have over done it, but it sounds cool so oh well haha
I agree with all of Silverman's points. the song is sweet. If you remove the white noise you can replace it with a simple organic drum fill, that would do the trick. Then you can use a similar but not the same fill in other parts of the track to distinguish the sections. The key for my musical productions is in the percussion elements. It's what subconsciously holds the listener's interest. Add them subtly and quietly in the mix, sometimes panned far right or left (like a high hat, or a shaker), but it makes a difference. I used to suffer from reverse cymbal fever, in that I believed if I didn't have that element for a phrase change the whole thing would fall apart, but Static Nomad convinced me otherwise and he was correct, now I rarely use them. Oh Also, Right now I'm on a prolific streak of music but sometimes I have gone years without making music. I never force it. But I find if I go into a session with no plan for what I want to do sometimes inspiring things happen as well. Or choose to make a song about an abstract feeling or idea. "Today I'm gonna write a song about how the colour blue feels." for example. Silverman is right as well. Today's crap might actually be something great months or years later.
Cru
An organic drum sounds like it might do the trick. If I can't get any of the ideas thrown out there to work, I'll try going with that. I have the same issue you had with the cymbal. For me, I have to use some sort of sweep effect or the track just sounds empty to me. Perhaps, trying out new ways will help me with the creative issues as its something new and gives me more to explore, and play with. If it doesn't help with the creative issues, I can always do what you suggested and try to give myself challenges to complete when making music. That should inspire me more.
Thanks for all of the help, Steve!
Will definitely give it a go.
Holy Sh##T people are still making Bro-step..well as that goes this is what it should be. I like that people are still making stuff from the past.. I do as well ;-) good work.
Cru
on Cried A Million Tears by Mosaic
Cru da Man!
Thank you for stopping by and checking this one, pleased you liked it...peace mosaic...
on Call It Compromise by topvega
Cru
Thanks for the feedback. Much appreciated.
tv
on Duzz Yo Momna Eat Yoplait by vigwig
;-0 Thanks for the awesome tune friend!
on Cocaine by silverman
cool
Steve
on Alive by ImproveWithError
Cru
on 001 Test by bitronix
Cru
Thanks for the share!
Cheers!
on Saturday Night by MisterBloodworth
https://www.looperman.com/tracks/detail/176860
Love the stems you create, the sound quality is superb. And you love synth solo's which is a bonus. I created one with the MiniKorg for this as well in the remix.
Cru
~GO
on Saturday Night by MisterBloodworth
Cru
on Four Leaf Lover by Spivkurl
I wanted to share a new music discovery with you. This Duo from Norwich UK is very interesting.
https://www.youtube.com/watch?v=hZ3tmmkr3sg
I thought you might like to hear/see them.
Steve
on Like this - ft Grotesk the subhuman by TeeGee1965
Static beat me too it, first thought in my head was a better softer Rage. Very likable song, great work.
Thanks for listening, appreciate it :)
on No Sound No Words Just Thoughts by 7venth12
I've been listening to this lately and I think this is the new benchmark for electronic music.
https://www.youtube.com/watch?v=hZ3tmmkr3sg
But I loved what you did here.
Cru
on Yeah Thats Funky Now by Dirtzilla
Cru
I am glad you enjoyed my track and please if you have any suggestions I would greatly appreciate them.
Again thanks for your ear
Dirtzilla
on Nuance Is Futile by StaticNomad
Good work.
lovely song, perfect length.
Crumonade
Dirty old engine intro with a morphing filter applied to it is a kind of chugging, chilled way to start things off. I really still think all this dirty cello riffage sounds just like guitar and I'm certain no one would be able to guess they're hearing a cello if I hadn't disclosed that. There are some other, undistorted cello parts in this but it overall really doesn't sound like cello music.
"a weird sound at the end of each measure that sounds like Japanese words that someone is saying in stereo"
That is a surprising comment and I will have to go back and listen hard for that. It would be fun if that was somehow in there. More likely is that you have indeed lost it. But did you ever really have it?
"you are advancing this sound well beyond apocalyptica ever did"
The difference between me and them is that they can really play the cello and I can't. Not yet. Well, I'm good at plucking (pizzicato) but the bowing is so hard and I can't really play consistently fluent riffs. I hit the wrong string(s), hit crap tones, get lots of shitty, whingey, scrapey sounds and so on. I have to do loads of editing of my playing to end up with something decent. Adding the heavy distortion really helps mask my fuckups. No distortion and they are very exposed.
I once saw Apocalyptica at a music festival in Czech Republic. Worst festival I have ever been to! Quite a story as to why it was so awful. I'll leave that for another time.
Did you like the addition of delayed Rhodes in the second heavy movement? I think that's an unusual instrument for a heavy track. Later on, going into the third heavy movement, the Rhodes gets funky and distorted.
"Strings at 3.25 are exquisite. and then you hang them out to dry in the neversphere. hmmm sounds like a familiar plan. "
The "neversphere" is a nice term I may find some use for. Is this being too familiar a criticism? Sure, I've done stuff like that before but sometimes you just do whatever you have to to bridge sections together. The stringy pad chill helps break things up and I'm really quite pleased with the arrangement of this and the variety between the sections and the length. Seems just about right, without me trying to do too much.
" I christen this genre Cellosludge."
I think cellometallo is a more amusing term. Reminds me of Nutella. But you're welcome to cellosludge though I think it might have to be dirty, heavier and less of a dance track to really be sludge. I'd say I make stoner, grunge and some metal but not really sludge.
"That Bubble an Squeak synth was cool"
Yes, those synth arp melodies have really stuck in my head.
Nice upload will be cellout dance music. Not as good as this track, even though they were until recently joined together in a confusing, overly long mess of a track. More track splitting success for me.
Later, Mr Cru
The Bow Mad Bromad, celling shit up.
on Raster - Ace Smith Remix by acesmith
Cru
on Limelight by PapaNelson
Cru.
on Modnex - Blue Drugs by Modnex
on Hook Line Sinker by zachvenus
https://www.youtube.com/watch?v=wbL2lMn34Oo
on lets forget about my inconvincible father by ElenaSatine
Cru
thanks and I'm really sorry about late reply .
I'll be really glad to see what you may do with this one .
feel free to contact me , if you need anything .
thank you very much again .
Elena :)
on Hold On Tight by topvega
cru
Thanks for the listen and comment. Much appreciated.
tv
on Immortals by zachvenus
crudatruth
on On Edge by silverman
https://www.youtube.com/watch?v=gTU90pRI2NE
Love this
Cru
on Planet Blue by richatc
Awesome, I shall be paying attention
Cru
on Xyilent - Highrise by XyIlent
Cru
"with your side chaining"
i may have went nuts with the sidechaining i dont know lol, i got some new sidechaining software and its awesome so i might have over done it, but it sounds cool so oh well haha
thanks for the feedback buddy :)
on Modnex - Never Forget by Modnex
Cru
Thanks for all of the help, Steve!
Will definitely give it a go.
on Nightmare Drop Variations Loop Pack Demo by DeadStarMusic
Cru