Purposeful sounding opening synths. the cello almost sounds vocoded here. And there is the beat at :46 has a groove with the strings sounds like Amish disco. see now your picturing bearded men in black dancing around a disco ball drinking cider. This song is like Anxiety music and keeps building in intensity. 2:11 on. Less psychedelics and more sub bass as we break it down with that groovy beat. 2:55, some string stabs. 3:56 comes the deep drums. Your percussion style on this song has a few layers and i like that as I love layering on levels of percussion. Halftime, in the eye of the song at 4:52, waitimg for the songs whirlwind to start blowing the other way in the second half, and it doesn´t disappoint. the second half is like a cranky creepy cousin just waking up from a 2 day nyquil (tramadol nightime) nap.
7:15 on with those string phrases reminds me of Morocco and it´s exotic sounds. ahh I thought the build up was going to lead in a wicked guitar solo, but it went into synth farts instead. 8:55 we have a fill to a new section. Not sure if I like the abrupt ending.
All in all a mystical journey filled with danger and education and some venereal disease. vgenital warts aside it is a strong creative output from you.
Crudiddydumdum.
There Cru was just a-walking down the street, singing Cru-Ah-Diddy-Diddy-Crum-Diddy-Doo (over the latest hit song by Mr S. Nomad).
The opening synths do indeed have purpose and it's a simple but effective bassline. No cello until 0:28 and it's certainly not vocoded so perhaps you're mistaking synths for cello before then.
"beat at :46 has a groove with the strings sounds like Amish disco"
I like the idea of Amish disco. Probably no synths in Amishland. I presume they also have no computers so probably don't have fat beats like these. But acoustic cello would be allowed. Do they drink cider? Possibly.
"keeps building in intensity."
Yes - often a key feature of my music. 1:54 it gets somewhat Eastern and heavily psychedelic. And sort of trancey.
"Less psychedelics and more sub bass as we break it down with that groovy beat."
Yes, at 2:54 there's a move away from the intense, heavy psychedelic stuff to something more chilled and spacious, with the groovy bass coming to fore. Got to provide some variety and give the listener a break from intense stuff.
Lots of layered high string stabs as that section progresses. Might even be 7 or 8 cello parts as things get more intense around 3:56.
"percussion style on this song has a few layers"
Yes - loads of drum loop layering that's related to what you do though. Not sure if you've influenced me (a bit?) as I layered drum loops long before I'd heard of Cru.
"second half is like a cranky creepy cousin just waking up from a 2 day nyquil"
Good to have a breakdown and get rid of the drums and then build everything up in a different and intense way again. 2nd half is very different from first but uses many of the previous sounds and instruments so there is hopefully good continuity.
"7:15 on with those string phrases reminds me of Morocco"
Didn't think of that at all when making it but I think I can now see a link. No idea why as I'm not playing anything Moroccan. Just very simple bowed cello notes. And then a cool funky high cello lead arrives at 7:38 and gets seriously embellished, with more and more layers being added.
"thought the build up was going to lead in a wicked guitar solo"
That would totally have fit but I'm playing very little guitar these days and seriously focusing on celling it up and using it as much as possible so never considered adding guitar.
"it went into synth farts instead"
Good synth farts, I hope.
Last couple of minutes is probably too long and needs to be edited down but I thought it might be your favourite cos it's banging dance music, with fun squelchy synths. Aburpt ending should be better but I tried lots of things and could do no better.
Yes, it's a dangerous, mystical journey but where is the venereal disease? Did you pick up some genital warts when you travelled through Morocco?
This is awesome. Kind of a Modern DR Who Theme ehh? like the build up to 3:33. This has the potential to become and explosive sound at that point, but work well done.
Cru
Interesting, less d&B more breakbeat, but that reverb is so clean it makes it sound like something completely different than either genre. like a gothbeat sound or something. I liked it.
Cru
It´s good, reminds me of Paul Oakenfold days, but the eq needs to be balanced better on it just a bit, the synths almost sound tg brassy. But nice song.
Cru
Nice to revisit again. In the car I ws just listening to Slayer´s Repentless, which is pretty intense. well so is this...Awesome good release of anger!!!!!!!
Cru
Cool intro then it gets all Bro-house, if you could expound on those sounds by building a more complex sound it would be I think more interesting. Otherwise House night Bro!
Cru
Thanks for passing by! I've already made some changes and mixing edits and will continue doing so and also add some stuff here and there. I wouldn't name it directly more complex, as it is and will stay minimal techno flavored with a scoop of Halloween. But I do want the tracks itself to have a bit more halloweenisch in them and a pinch more depth.
- Wobbin
I use mostly Korg products for my synths, and those were so recognizable as Korg sounds. Turn those wah sounds into basslines, add some stereo reverb, and you have created my basslines from my early days. This is a fun track you have made.
nice job
Cru
It is most likely the most minimalist work of D&B I have ever heard. You use the whole spectrum of human hearing which is a good idea, but keep it so simple and minimal. And drive it completely by the percussion. Most intriguing in it´s sparseness. It will be under-appreciated for a bit, but I think you are on to something. Keep at it.
Cru
Thanks man, I love percussion and want to do a lot more with just that.
I'm happy you noticed the mixing side of things, I'm trying to hone my mixing skills, it's difficult with the kind of music I make as you can probably imagine, so I started with the basic stuff.
I appreciate you stopping by, good luck with the Halloween competition :)
I love this one. Feel like a Martini just listening to it. What really intrigues me is how you mixed it. The opening Rhodes piano is compressed to the DB limit,But used in a staccato like way which works well and the percussion is so subtle. And then we have the heavily chorused organ, which almost gives it an old rotary cabinet feel. The bass also fits in nicely just adding to the sounds and not dominating the melody. good work.
Cru
You know Dave, just an aside, I just did a Halloween tune, that has that New Orleans funeral kind of drone to it on a funk basis, and I had been listening to this tune (your tune) earlier in the day before I made that tune, so there is definitely an influence in sound strategy going on subconsciously and I did not realize that till you commented back. Music is awesome sometimes ehh?
Steve
Jeez Steve talk about six degrees of separation, just before I made this track I was listening to some Dixieland (probably the only form of jazz that I'm not particularly endeared to but their my father's old records so I make a habit of listening to them) and I got the feel of a New Orleans funeral procession, must have been the tempo or all the bodies piling up in Narcos! lol... music certainly moves in mysterious ways brother...I'll be over to check out that Halloween track mate..cheers Dave
on Dangerous Spaces by StaticNomad
7:15 on with those string phrases reminds me of Morocco and it´s exotic sounds. ahh I thought the build up was going to lead in a wicked guitar solo, but it went into synth farts instead. 8:55 we have a fill to a new section. Not sure if I like the abrupt ending.
All in all a mystical journey filled with danger and education and some venereal disease. vgenital warts aside it is a strong creative output from you.
Crudiddydumdum.
The opening synths do indeed have purpose and it's a simple but effective bassline. No cello until 0:28 and it's certainly not vocoded so perhaps you're mistaking synths for cello before then.
"beat at :46 has a groove with the strings sounds like Amish disco"
I like the idea of Amish disco. Probably no synths in Amishland. I presume they also have no computers so probably don't have fat beats like these. But acoustic cello would be allowed. Do they drink cider? Possibly.
"keeps building in intensity."
Yes - often a key feature of my music. 1:54 it gets somewhat Eastern and heavily psychedelic. And sort of trancey.
"Less psychedelics and more sub bass as we break it down with that groovy beat."
Yes, at 2:54 there's a move away from the intense, heavy psychedelic stuff to something more chilled and spacious, with the groovy bass coming to fore. Got to provide some variety and give the listener a break from intense stuff.
Lots of layered high string stabs as that section progresses. Might even be 7 or 8 cello parts as things get more intense around 3:56.
"percussion style on this song has a few layers"
Yes - loads of drum loop layering that's related to what you do though. Not sure if you've influenced me (a bit?) as I layered drum loops long before I'd heard of Cru.
"second half is like a cranky creepy cousin just waking up from a 2 day nyquil"
Good to have a breakdown and get rid of the drums and then build everything up in a different and intense way again. 2nd half is very different from first but uses many of the previous sounds and instruments so there is hopefully good continuity.
"7:15 on with those string phrases reminds me of Morocco"
Didn't think of that at all when making it but I think I can now see a link. No idea why as I'm not playing anything Moroccan. Just very simple bowed cello notes. And then a cool funky high cello lead arrives at 7:38 and gets seriously embellished, with more and more layers being added.
"thought the build up was going to lead in a wicked guitar solo"
That would totally have fit but I'm playing very little guitar these days and seriously focusing on celling it up and using it as much as possible so never considered adding guitar.
"it went into synth farts instead"
Good synth farts, I hope.
Last couple of minutes is probably too long and needs to be edited down but I thought it might be your favourite cos it's banging dance music, with fun squelchy synths. Aburpt ending should be better but I tried lots of things and could do no better.
Yes, it's a dangerous, mystical journey but where is the venereal disease? Did you pick up some genital warts when you travelled through Morocco?
Static Squelchmad.
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Cru
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I like the logo as well.
Cru
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Cru
- Wobbin
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Cru
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https://www.youtube.com/watch?v=8T3N6a24A9I
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nice job
Cru
Well, I'm a late bloomer, maybe the most promising 43 yo in my genre ;)
Korg has some tremendous sounds that can be used as effects in almost all genres. It took me about 43 years to get that.
Thanks for listening.
/Anders
on Loner by Nodog
Cru
on Dark Brother Analogue Experiment by Tinka0
Cru
I'm happy you noticed the mixing side of things, I'm trying to hone my mixing skills, it's difficult with the kind of music I make as you can probably imagine, so I started with the basic stuff.
I appreciate you stopping by, good luck with the Halloween competition :)
on City Lights by sqrtofneg1
Cru
I really like your comparison to a martini.
on I Love You Promo by YogeshST
Cru
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on MADCAT - Forgotten Hero - Wobbin Remix by Wobbin
cool work.
Cru
on NARCOS by Planetjazzbass
Steve