theHumps

Many hanks for the review Wayne. I think I have too many miles on the clock to sound contemporary. Still I've managed to get to the 70s with this one. Maybe I can get to the 80s next time. :)

Thanks allot, Wayne. Glad you like it. The vocals were some samples I found on the net somewhere awhile back. Glad you like the orchestration. I have a great passion for orchestral music, having played in a few in my younger days. I love it when bands opt to have an orchestra back them.

Cheers,
Scott

This song has great advantages such as emotions, simplicity and good sounds

The guitar hung by the effect pedal "memory toy of ehx" this sounds like a sustain pedal I would put them louder yes no problem
I would develop much more

thank you for the advice and feedback

musical greetings

Thank You for nice Comment.

Hi Wayne

I think there are still a couple good things to come in the future ...
cheers

Hey Wayne,

Thanks allot for your comment and kind words. Glad you like my track.

I believe that effect your hearing is a fast delay.

Cheers,
Scott

Thanks so much, Wayne. Your comments are humbling and much appreciated and thanks for downloading it.

I will admit, I am still amazed at what we all can do online and being thousands of mile from each other. 20 years ago this was science fiction.

Yeah, I do love Scott's cowbell performances! Frank Zappa said the cowbell is the symbol of unbridled passion.

Ciao,
M.

Thanks for listening man, love the "Title Town" line. glad you like it and caught the references :)

Thanks a lot Wayne.
Ciao, Domenico

Hey, thanks allot Wayne. Yeah, I got into Sabbath due to the drum solo on one of their tracks. I never got much further into metal than this.

To be honest, I can't answer your question on the effects on the guitar. I'm not a guitarist, so don't know.

Thanks a tons for your kind words Wayne! Glad to know you enjoyed:)

And it really feels great when your emotions are successfully conveyed to your listeners. And about the volume, somewhere i feel the beginning is really not audible, hence, it needs some boost there. Will level it nicely once i take up this track.

-EB

Greetings!

Always feel welcome to give your opinion. I'll never take it personally. I want your honesty, and I'll give you mine. Kissing each others asses will never help our music.

"I felt the middle part was a bit lengthy without anything happening really.....the middle part didn't build any tension or opposing force that lead me to anticipate the ending"

I mostly agree, though I really liked how things went together with the layers. I'll need to add something else there and change the drums, like you said, and probably shorten in by eight measures.

The ending is where my hang-up has been with this track. Several times I've thought to just cut it off and end it with the slow middle part. But the way the bass comes in and the way it sounded reversed with it made me want to keep it in. I probably need to rerecord the guitars there because the tone is a bit odd to my ears. A bit "wongkey".

Thanks for the listen and the feedback. it is appreciated.

Evan

Yo.

Yeah, I guess a bit less psychedelic - perhaps just a different type of psych vibe rather than my more usual beautiful, funky psych stuff. Darker and weirder this time though I never like to go too weird. Gotta keep it melodic and groovy.

I was really planning to disagree with you about the blues thing but I've listened more since your comment and thought hard about it and now partly agree. There is some cool blues playing from guitar (comes naturally to me) but I still hear the Rhodes as being much more jazzy. I have no idea how to play jazz or any other style as I'm a self-taught feel player who doesn't read music or really know any music theory. Give me a good swing groove and I can play in a jazzy way, otherwise I won't/can't.

I like the "jewelry" term. I guess my use of effects and stuff is a bit like jewelry. Hopefully effective and not just pretty adornments with no susbstance underneath.

" I just like it when people break the rules"

That's pretty much my aim with every track. I'm only really interested in creating something new that I can't hear anywhere else. Even if it's not brilliant, I can still be proud of its ambition and intent to do something different.

2:55 is where the big, evil synth horn sound comes in. I think that's what inspired the metal in this as that is a big, badass sound and just screamed "metal" to me. Well, that and the emphasis on the tritone (flattened fifth) in many parts of the track. See - I do know a tiny bit of music theory ie a few note names (oh, and major and minor scales, that's it).

No cello at 2:55. See my reply to Evisma about that so that I don't have to type it again. The new instrument is not gong too well, which is a shame (most expensive instrument I've ever bought but it does look nice) but hopefully it'll come alive when I get a bow. Only subtle cello in this track and it sounds more like double bass (as it's plucked).

" theremin sounding instrument" is a string part plus filtering and delays. Pretty evil and just playing the main horn theme. Haunting stuff. Also returns in the penultimate track section though Evisma didn't like it.

" definite ending, which we don't hear all the time from you."

Hey, you know that my tracks have definite endings. I still haven't done a fadeout. They don't have endings at all on Looperman when they're over 11 mins. But I almost always put a link up to the full thing elsewhere.

Yes, I think the mix on this pretty good. A rather beautiful-looking waveform (and you can clearly see where the metal is). I'm not quite sure why it looks like that but there seems to be some real balance in sounds or something. People who know more about the technicalities of audio might be able to explain it to me.

Take care and glad you like the jazetal.

Hi Wayne,
Good to read your words.
I also believe that the track sequence in a record is very important: I usually listen to music in "albums"
And for me the songs are "chained" together to form the whole picture.
So this was my humble attempt to realize something along these lines.
Take care,
Domenico

Hey Wayne,

Thanks allot for checking it out. I appreciate your comment about my tracks never seeming crowded. I do realize I put allot of stuff in my tracks and sometime think I may be overdoing it, so it's good to hear I'm not.

Cheers,
Scott

Hey Wayne, thank you for stopping by! I hadn't thought of it, but you are right about the comparison with that Cure song. I guess my feeling was more along the lines of Joy Division/New Order sort of stuff, but early Cure is definitely only a stone's throw away from that style. I agree this needs vocals, and I have a little bit of lyrics written for it. Have a whole list of things to get done, and recording vocals is not on there sadly... so we'll see if it gets done. I'd like to maybe redo the patches on this one, as people have complained about tuning/detuning issues. I did a recalibration of my main VCO, and I should be able to adjust the korg melody as well. This would probably make the vocals easier. The only unfortunate thing is the bass part was done on the modular, and while I can control it with the same MIDI info, I will need to set up the patch again from memory... ha ha... so probably this will change shape. I appreciate the comment my friend!

Thanks a lot Wayne!
You are always (too) kind with my work.
Ciao, Domenico

Hey Wayne, thank you for taking a few listens to this track! I'm happy that you were entertained by this! I've been changing how I do things lately, and I expect more changes forthcoming. It's good to have along for the ride. Been trying to ignore "musical tastes and likes" for the moment, and have been more concerned with expressing and challenging myself. I'm finding it really difficult to enjoy virtual synthesizers anymore, and it shows in a song like this. I realized this even more when I got my MIDI to CV converter a couple days ago and was tuning it up to my modular. Playing a simple sin wave simultaneously on a software synth and the modular with my midi controller, it was just sad the difference. The lack of character in the software was just disappointing. I'm sure you know what I mean there. I understand not being into a whole album like this of course. I don't think that I have a target audience anymore, either someone likes a song or not despite their usual listening preferences, and if someone actually listens to my albums, then all the better... that really is my ultimate goal is to release full albums to be heard in their entirety. I really appreciate your feedback!

Thanks Wayne: the problem with my "vocals" is that I don't trust my voice that much...so it is very hard for me to have it "clear in the mix" :-)
I am working on reducing the lows: I usually work with earphones and there the "natural low cut" is hiding the problem.
Thanks again for the input!
Ciao, Domenico