You old softy. Trying to pluck people's heartstrings, aren't you?
My opinion is that keeping things fresh, new and different is the key to making music and growing as an artist. This track would be a perfect track in a set or album list that gives the listener a break from your usually more rambunctious style and then sets up a return to a more rockin' track. It can't always be at 10, can it?
Thought the drums could have had a bit more punch, maybe some more variety as well. I am very guilty of using only one drum loop through a song so it's like I'm throwing stones in a glass house. It's cool to keep things simple though and let other things shine.
I wouldn't say this is the best work I've heard from you but I like that it is different from your other work and incorporates some of your particular sound you have. Keep experimenting and trying new things and start wailing on that ax!!
Gotta do something different every now and then. I did not sit down and intend to do a track like this. I got the first bassline down and then everything else just happened. Seemed like it was supposed to go as it did. But like I said, sounds like something that gets played at a school dance.
The ax will be wailed upon soon! Next one will be heavy.
Has a very new world music sort of feel to it, carefree and a light mood. The transition at 1:27 seemed like too much of an abrupt change happening there. Maybe slowly dropping some things along the way and a smoother transition into the percussion part like maybe adding of a pad or something. Pretty cool idea though, liked the overall feel to it.
Very well constructed song. Lots to keep me interested with the build up of dynamics and the subtle nuances of the piano. Great playing and nice mix, inspirational track, just wonderful!
Thanks for the props .....much appreciated...haven't composed anything new in a few years but trying to get back...been away too long...thanks for stopping by...
This kept me so interested, what was I going to hear next? The horns were a nice touch but the drums, for me, stole the show. Cool percussion as well. I like big band music so this was a cool cross-genre bonanza!
Pretty cool track, gonna dl this one so thanks for sharing PiiiE!
Pretty sweet track already Mr. Wiggles! Great build up and emotional aspects to create a powerful track so far. Strings and vocal pad are so nice, well it all is actually!! Great track to listen to on Christmas morning, gave it an uplifting feeling!
Hi Wayne, thanks for listening and really pleased that it was a good Christmas morning listen for you, and you liked it, that means a lot to me. Hope you are having a good Christmas.
Take care,
Mark
You are here to pump me up and get my Christmas off to a rousing beginning! I thought the fist part would make a good stand alone song, it was that good. Mix sounds great, cool transitions and effects, especially the one around 9 minutes.
Glad I could get your Christmas off to a pumping start. Hope you had a good one.
I was going to leave it as one track but then I figured I still had five minutes left to fill so I thought I might as well carry on.
Cheers for stopping by and comenting as always.
FR
That new guitar in places gave the song a bit of a western feel to the track. The rhythm you were playing also reminded me of a sound the Clash were using when they were in NYC exploring early hiphop and electronic music, just some bigger effects. You must be proud of your accomplishments!
Hey Wayne, great to hear from you on this track! Like I mentioned to StaticNomad, The Clash is definitely one of my biggest dub related influences, and I like what they did with other styles too. the album "Sandanista" especially. I'm really digging the new guitar, and it has encouraged me to play more, so that can't be bad... I even fixed the set up on my Jackson finally! Going to re work the pickups on the box guitar as soon as I get the parts from Thailand (been waiting for almost a month already!). They were only temporarily affixed for ease of adjustment. I suppose I'm starting to be proud, but mostly just thankful to have so many awesome instruments around the studio now. Also I am thankful for your listen and comment!
A new PRS, you lucky bastard!! Merry xmas to you!! Are you plugging directly in and using amp software or are you mic'ing an amp? I've only played one at the store and really liked it.
You said you were "learning guitar on the fly" to Alex. Explain to me, if you would be so kindly, your guitar playing experience. As a bass player, I didn't play the electric guitar until I started home recording a few years ago, a late bloomer in that regard. Just curious.
Cool idea. Thought the mix was a bit over compressed. I think what Alex was referring to was a lack of instrument separation when things get compressed too much. Things get a bit thin and the instruments lose their place in the mix. Trying not to be a Debbie Downer at the holiday season, lol. I just think there is a better mix in there somewhere.
"Are you plugging directly in and using amp software or are you mic'ing an amp?"
I'm going direct into a multi-effects pedal for some treatment, then to the AudioBox. I have "Ampire", but it's pretty gnarly on CPU. If I have four Midi drum tracks and have more than one instance of Ampire going, it starts peaking my CPU bar and playback is crackly and computer gets generally stressed.
"A new PRS, you lucky bastard!! I've only played one at the store and really liked it."
I played one here at good old Guitar Center and thought it seemed very smooth. Strat frets are too high and Ibanez sound like ass when you're trying to get a sweet, soaring tone. I had it shipped from Indiana to Missouri and it was still in tune. The only real bitch of the ordeal, was when it arrived, it was really cold outside, and there was a big sticker on it saying I need to wait 6 to 8 hours for the guitar to adjust to the temperature of the room to protect the finish.... So there I was,... waiting,... staring,... lusting. Longest 5 and a half hours ever. Didn't wait the six.
"Explain to me...your guitar playing experience. As a bass player, I didn't play the electric guitar until I started home recording a few years ago, a late bloomer in that regard."
Sounds like me. I got an Epiphone P-bass Fender rip-off at about 16. Played it for years and learned Tool's music. That was when I fell in love with the bass guitar. Justin Chancellor made it seem so much like a lead instrument, I didn't see why not. I had nobody to play music with, so the bass never too that secondary role that it usually takes. It was always the star.
When I started recording, I realized the Epiphone was not going to give me the clean sound I want. I bought an Ibanez SR600 and that it what you hear on everything of mine.
As far as the guitar, I've had an acoustic Squier for a while that I've learned some Floyd and Zeppelin on, but I've never learned any chords. I know three, and one's a bar! I'm learning "Amie" from Pure Prairie League, and was thrilled that it contained the three chords I know!!!!! What luck!
"Thought the mix was a bit over compressed."
After I read that, I went into the project and looked at the master, and I usually have a Multiband Dynamic Compressor on it with the mix at around 30 percent. That bitch was cranked to 100!!! Thank you for pointing that out. I have that effect templated to load in a certain way, so I must have brought it in with a drop-down or something. Anyway, yes. You were right. I'll do a new mixdown and upload soon.
This did remind me of something he would have done. Just throw in some bicycle played with a bow and some trashcan and you will be touted as a genius. ;)
Lyrics too? That should be interesting. Can't wait to see where you take this.
I went to your site and saw the guitar build, pretty cool I would say. I particularly liked the grills on the sound holes.
"It's a bit pop to me..." I chuckled. I was listening and saying to myself, "damn, this guy is on a totally different musical plane as me....and what the heck is this?" lol.
I think it def has the Spivkurl sound with the cool sounding synths and all. But it was the vocals that really set this song apart from your other tracks. I liked the catch phrase "claws in me", has a very visual, physical and emotional connotation. Quite a few instruments used, gave this a couple listens to try to let it all soak in.
Oh, I knew exactly what happened when I read the reply on that other track. lol.
Hey Wayne, good to have your listen and feedback! Nice to hear that you liked looking at the guitar as well! I did a little fine tuning on the guitar this morning... some tightening and reorienting of the treble pickup mostly. So I guess what you're saying is that it not very pop? I don't think what I think of as pop is what others do, so it makes sense. The "claws in me" words kept going through my head lately, so just had to develop the idea. It felt appropriate for so many different circumstances. "I knew exactly what happened when I read the reply on that other track." - I guess I'm having trouble remembering what reply you speak of. Thank you very much for stopping by!
Thanks a lot Wayne. I thought this title would fit nicely a song like this...
I appreciate your nice words and am happy that you liked the song. Thanks again! Alex
You have a great voice, very pretty and strong. The song is beautiful and the words are also well written. I thought the guitars were a bit loud and overpowered the vocals. Maybe even try playing with some reverb to soften them. Other than that I was taken in by this song! I'm a fan!
Quite an eclectic choice of instruments you gathered here. I like your description, cosmopolitan reggae. Putting your own twist on a genre is what makes music interesting. Dig it!
The vocal reminds me a bit of Neil Diamond, strong, unique vocal style. The guitar parts are nice, I like the effects on them. The harp is a nice touch as well. Overall a great song, very nicely packaged!
Thanks allot for chiming in and hitting me up with your kind words.
The guitar is my friend, Midiman James. The harp is actually from a Mellotron VST I have which James found for me after I told him it was one of my favorite instrument.
How long does it usually take you to put together a song of this length? And don't you get tired of listening to an 11 minute song over and over when mixing? Maybe that's why I do short songs, I get tired of the song and need to move on quickly. lol
Nice tempo changes and dynamics to the song. There seemed to be a build up of instruments and overall intensity to the track. There is more than enough to keep me interested. Lots of synths and electronic bits here.
Things began to get a little strange around the 10 min mark when the laser show came in but I liked how the guitars took over and ended it all for the 11 min version. I realize the 1,000 year version is beyond my listening capacity but congrats on finally finishing up that one!
So hard to say how long it takes to put this complex, lengthy stuff together. Many different sessions of varying lengths. I’ve made this one over the last 2-3 weeks whilst working on others as well as having a week’s break when it was pissing me off. So, pretty quickly made for me.
Yes, I can get tired of listening to long pieces over and over again. However, it’s also a damn good test of whether parts/sections are good enough. With this one, I found myself enjoying listening to it over and over again – a good sign. I’m always amazed at how many small things I can keep improving when listening again and again (and to different parts) and taking some action over anything and everything that pisses me off in any way. So, endless little volume corrections and small touches of automation, guitar edits etc
One difficulty in making such long stuff is that I’m generally working on fairly short looped sections at a time so it can be hard to see how the whole thing is coming together. I always start every new session by listening to the whole thing from the start, just to familiarise myself with every sound and element present.
I like the phrase “the laser show” and agree it’s a bit odd. Probably doesn’t quite fit in this track, which is much more on the beautiful side. I do have an idea to fix that – vocode that laser sound with a more beautiful synth sound and see if they merge in a way that softens the laser. Or maybe I won’t bother. Laser craziness ain’t exactly my signature sound but it is kind of fun.
“I liked how the guitars took over and ended it all”
That’s mostly distorted bass that you’re hearing, not guitar, though there is also a return to the very first, funky clean guitar part heard in the track. Strange having clean guitar over distorted bass. And now it’s uptempo, racing stuff rather than the original mid tempo funky.
This track has actually been No1 on the intergalactic Thousand Year Track charts for the last 3,000 years.
“the 1,000 year version is beyond my listening capacity”
Not if you make it into my heaven. Lots of time there for you to bask in this musical millennium journey. Whilst munching on some mangoes.
“congrats on finally finishing up that one!”
Yeah, it took quite a bit of computer processing power and I had to incorporate about a thousand genres to keep things interesting. Some have never been heard on this planet. So, that’s something to look forward to if you make it into my heaven. That and all the mangoes.
Fantastic!! I love the overall vibe and composition of the song. Drums, bass and guitar...as good as music gets! Thought it might have a little more lower end as far as the bass in the mix. How can you go wrong with a Bo Diddley rhythm? You can't!
Did you play any of the instruments or was it loops? Either way, I Kapeesh!
Nice one Scott! What a blast from the past. I must admit that I was a disco hater back then but I have grown to appreciate it the older I am. The vocals were a great addition, cool ending. Very nice mix, everything has it's own place. Like you mentioned, there is a classic sound mixed with some fresh sounds. Dig the guitar!
Many thanks, my friend. You know, I was a disco hater too, when it first emerged. I thought it would hurt us playing musicians, but I joined a 9 piece disco/funk band and I loved it. I remember having to tie my bell bottom cause it kept getting caught in the beater of my kick drum pedal! I still don't have allot of disco in my collection, but smile when I hear it on the oldies stations.
Nice job here! Great rendition of a classic Christmas song! I think the mix sounds great! Nice choice of instruments and just the right amount of each one.
I like the new genre you guys have made, lol. This is certainly different and I like different. Lots of great comments and I have to say I agree with all of them. I do like the intro and how the song keeps me guessing which genre or direction will pop up next. It has a nice positive vibe and the mix is fantastic as well.
Thanks again for sharing your great music with us!
Always good to hear from you Wayne...your comments like this one are always highly appreciated. I'm really glad you liked this one so much and thanks for the fav!:)
on Hangin Round Aceldama by Evisma
My opinion is that keeping things fresh, new and different is the key to making music and growing as an artist. This track would be a perfect track in a set or album list that gives the listener a break from your usually more rambunctious style and then sets up a return to a more rockin' track. It can't always be at 10, can it?
Thought the drums could have had a bit more punch, maybe some more variety as well. I am very guilty of using only one drum loop through a song so it's like I'm throwing stones in a glass house. It's cool to keep things simple though and let other things shine.
I wouldn't say this is the best work I've heard from you but I like that it is different from your other work and incorporates some of your particular sound you have. Keep experimenting and trying new things and start wailing on that ax!!
Wayne
Gotta do something different every now and then. I did not sit down and intend to do a track like this. I got the first bassline down and then everything else just happened. Seemed like it was supposed to go as it did. But like I said, sounds like something that gets played at a school dance.
The ax will be wailed upon soon! Next one will be heavy.
Thanks Wayne.
Evan
on Beautiful Stranger by musiclover38
Wayne
:-)
on Emotions by RealProblemShuckers
Look out, next year you will be a teenager!
Wayne
Actually i'll be a teenager this year (so scared hahaha) on December 30th....
not looking forward to it :)
on Passionate Existence by DSA3098
Wayne
on PiE - Broken PaJamas by PiiiE
Pretty cool track, gonna dl this one so thanks for sharing PiiiE!
Wayne
on My Beautiful Lady by Ranmann45
Still pumping out your sound, cool sounding guitars and a recognizable vocal style. Good to see you!
Wayne
Thx. a lot and my best wishes for 2015 !
Ian
on back into the light by larrywiggles1
Wayne
Take care,
Mark
on Speed Xmas NoTimeAtAllSong by joecramer
Merry xmas!
Wayne
Nice to hear that i could make youre x-mas morning.
Have a nice x-mas Wayne
Thanks for the comment
stay tuned
joe
on Nu Jack Acid by FreeRadical
Take care man!
Wayne
I was going to leave it as one track but then I figured I still had five minutes left to fill so I thought I might as well carry on.
Cheers for stopping by and comenting as always.
FR
on That Mineral by D3RELICT
Wayne
on Vance Bianco - Showin Off Ft Noonz Da Goon by VanceBianco
Wayne
on Breaking Blue L00P CHALLENGE by Spivkurl
Nice job with the loops!
Merry Christmas!
Wayne
on Stiff-Arming Stars by Evisma
You said you were "learning guitar on the fly" to Alex. Explain to me, if you would be so kindly, your guitar playing experience. As a bass player, I didn't play the electric guitar until I started home recording a few years ago, a late bloomer in that regard. Just curious.
Cool idea. Thought the mix was a bit over compressed. I think what Alex was referring to was a lack of instrument separation when things get compressed too much. Things get a bit thin and the instruments lose their place in the mix. Trying not to be a Debbie Downer at the holiday season, lol. I just think there is a better mix in there somewhere.
Merry Xmas dude, enjoy that new ax.
Wayne
"Are you plugging directly in and using amp software or are you mic'ing an amp?"
I'm going direct into a multi-effects pedal for some treatment, then to the AudioBox. I have "Ampire", but it's pretty gnarly on CPU. If I have four Midi drum tracks and have more than one instance of Ampire going, it starts peaking my CPU bar and playback is crackly and computer gets generally stressed.
"A new PRS, you lucky bastard!! I've only played one at the store and really liked it."
I played one here at good old Guitar Center and thought it seemed very smooth. Strat frets are too high and Ibanez sound like ass when you're trying to get a sweet, soaring tone. I had it shipped from Indiana to Missouri and it was still in tune. The only real bitch of the ordeal, was when it arrived, it was really cold outside, and there was a big sticker on it saying I need to wait 6 to 8 hours for the guitar to adjust to the temperature of the room to protect the finish.... So there I was,... waiting,... staring,... lusting. Longest 5 and a half hours ever. Didn't wait the six.
"Explain to me...your guitar playing experience. As a bass player, I didn't play the electric guitar until I started home recording a few years ago, a late bloomer in that regard."
Sounds like me. I got an Epiphone P-bass Fender rip-off at about 16. Played it for years and learned Tool's music. That was when I fell in love with the bass guitar. Justin Chancellor made it seem so much like a lead instrument, I didn't see why not. I had nobody to play music with, so the bass never too that secondary role that it usually takes. It was always the star.
When I started recording, I realized the Epiphone was not going to give me the clean sound I want. I bought an Ibanez SR600 and that it what you hear on everything of mine.
As far as the guitar, I've had an acoustic Squier for a while that I've learned some Floyd and Zeppelin on, but I've never learned any chords. I know three, and one's a bar! I'm learning "Amie" from Pure Prairie League, and was thrilled that it contained the three chords I know!!!!! What luck!
"Thought the mix was a bit over compressed."
After I read that, I went into the project and looked at the master, and I usually have a Multiband Dynamic Compressor on it with the mix at around 30 percent. That bitch was cranked to 100!!! Thank you for pointing that out. I have that effect templated to load in a certain way, so I must have brought it in with a drop-down or something. Anyway, yes. You were right. I'll do a new mixdown and upload soon.
Thanks again!
Evan
on industrial sleigh ride by DanGoldstein
This did remind me of something he would have done. Just throw in some bicycle played with a bow and some trashcan and you will be touted as a genius. ;)
Lyrics too? That should be interesting. Can't wait to see where you take this.
Wayne
on Claws In Me by Spivkurl
"It's a bit pop to me..." I chuckled. I was listening and saying to myself, "damn, this guy is on a totally different musical plane as me....and what the heck is this?" lol.
I think it def has the Spivkurl sound with the cool sounding synths and all. But it was the vocals that really set this song apart from your other tracks. I liked the catch phrase "claws in me", has a very visual, physical and emotional connotation. Quite a few instruments used, gave this a couple listens to try to let it all soak in.
Oh, I knew exactly what happened when I read the reply on that other track. lol.
Merry Christmas Pat!
Wayne
on Sunday Morning by Musicante
Dig your voice!
Bang a gong
Get it on
Bang a gong!
Wayne
Thanks allot, Wayne. Glad you like it and took the time to comment. We really appreciate it.
Ciao,
M.
on Samsara ft ferryterry by promenade2239
Very creative and well mixed. Nice use of the loops!
Wayne
I appreciate your nice words and am happy that you liked the song. Thanks again! Alex
on A lullaby by Ratsouk
Wayne
on The Immigrants by silverman
Wayne
on Pain You Will Never Know by ScottB55
Wayne
Thanks allot for chiming in and hitting me up with your kind words.
The guitar is my friend, Midiman James. The harp is actually from a Mellotron VST I have which James found for me after I told him it was one of my favorite instrument.
Cheers,
Scott
on Honey Mango Heaven by StaticNomad
Nice tempo changes and dynamics to the song. There seemed to be a build up of instruments and overall intensity to the track. There is more than enough to keep me interested. Lots of synths and electronic bits here.
Things began to get a little strange around the 10 min mark when the laser show came in but I liked how the guitars took over and ended it all for the 11 min version. I realize the 1,000 year version is beyond my listening capacity but congrats on finally finishing up that one!
Well done, creative and well mixed!
Wayne
So hard to say how long it takes to put this complex, lengthy stuff together. Many different sessions of varying lengths. I’ve made this one over the last 2-3 weeks whilst working on others as well as having a week’s break when it was pissing me off. So, pretty quickly made for me.
Yes, I can get tired of listening to long pieces over and over again. However, it’s also a damn good test of whether parts/sections are good enough. With this one, I found myself enjoying listening to it over and over again – a good sign. I’m always amazed at how many small things I can keep improving when listening again and again (and to different parts) and taking some action over anything and everything that pisses me off in any way. So, endless little volume corrections and small touches of automation, guitar edits etc
One difficulty in making such long stuff is that I’m generally working on fairly short looped sections at a time so it can be hard to see how the whole thing is coming together. I always start every new session by listening to the whole thing from the start, just to familiarise myself with every sound and element present.
I like the phrase “the laser show” and agree it’s a bit odd. Probably doesn’t quite fit in this track, which is much more on the beautiful side. I do have an idea to fix that – vocode that laser sound with a more beautiful synth sound and see if they merge in a way that softens the laser. Or maybe I won’t bother. Laser craziness ain’t exactly my signature sound but it is kind of fun.
“I liked how the guitars took over and ended it all”
That’s mostly distorted bass that you’re hearing, not guitar, though there is also a return to the very first, funky clean guitar part heard in the track. Strange having clean guitar over distorted bass. And now it’s uptempo, racing stuff rather than the original mid tempo funky.
This track has actually been No1 on the intergalactic Thousand Year Track charts for the last 3,000 years.
“the 1,000 year version is beyond my listening capacity”
Not if you make it into my heaven. Lots of time there for you to bask in this musical millennium journey. Whilst munching on some mangoes.
“congrats on finally finishing up that one!”
Yeah, it took quite a bit of computer processing power and I had to incorporate about a thousand genres to keep things interesting. Some have never been heard on this planet. So, that’s something to look forward to if you make it into my heaven. That and all the mangoes.
Thanks again.
on Driving Rock by S1lver
Did you play any of the instruments or was it loops? Either way, I Kapeesh!
Wayne
on Disko DisWay by ScottB55
Well done!
Wayne
Many thanks, my friend. You know, I was a disco hater too, when it first emerged. I thought it would hurt us playing musicians, but I joined a 9 piece disco/funk band and I loved it. I remember having to tie my bell bottom cause it kept getting caught in the beater of my kick drum pedal! I still don't have allot of disco in my collection, but smile when I hear it on the oldies stations.
Thanks allot for your kind words.
Cheers,
Scott
on Have Yourself A Merry Little Christmas UPDATE 2 by Mykael
Merry Christmas Mykael!
Wayne
I am happy you enjoyed the track! It is always good to have a fresh pair of ears, so thanks for yours!
Love and Light,
Mykael
on Green Shuffle Aka SCCM by Orlando51
Thanks again for sharing your great music with us!
Wayne
With appreciation____Orlando