Where Are You - D2d
29th Jul 2009 17:42 - 17 years ago
Description : I re-recorded the vocals and added in the live accordion track from a lovely little lady called Honey Gunn Carr.
This song comes from knowing you've parted ways, but not knowing why.
For a change of pace, I used the acoustic guitar. I appreciate all comments. Johnny Mac laid down the drums for this one.
This song comes from knowing you've parted ways, but not knowing why.
For a change of pace, I used the acoustic guitar. I appreciate all comments. Johnny Mac laid down the drums for this one.
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Faved
John
I FEEL like I have a sore throat when I sing. Singing's really difficult for me. It makes me physically uncomfortable HENCE I don't sing much.
And yeah, I've toyed with vocal training, but it's STILL not natural to me.
Thanks for your review!
Wayne
A proper song.
Good story, pro performance, engineering, human touch.
Well done.
Voltage
Mate you have talent plus, beautiful vocal and great guitar, you have a fan here mate, keep up the brilliant work man...
Estefano
this is an awesome track! i just love it! the text is well written and the sound of the whole track is just sounding 'good'!
please keep it up!
I record with a presonus firepod interface into Cubase LE. I use a few plug-in compressors to even out the vocal level.
great job
soo nice!
Definitely play the bass with the pointer and middle finger!
no pick
in fact, if you have a stand-up bass you should use that lol
(wishful thinking-- right? I have been listening to a lot of MUTEMATH so that may be why)
sounds are definitely defined and in the mix
drums are layered in a fantastic fashion, great job with the mic placement!
Hmn... What is that... It's like.. I want...
http://www.massenburg.com/cgi-bin/ml/vocal_overdubbing.html?id=xffYSfdQ
vocal overdubs
but then cut volumes as accordingly
i would think that mono would be the best bet (which I am sure you are aware of- so you don't have anything phasing out in the stereo spectrum)
I mean-- I like your overdubs you have!
but - if you were to do multiple takes (identically) of the same vocal -- you would perhaps get a full round sound?
Like those big production techniques
fer example, I knew a guy that worked in a studio with Alice in Chains, and Layne Stayley actually had 40 tracks of overdubs JUST for his vocals -- CAN YOU IMAGINE?!?!
I know that Butch Vig, when he produced Nirvana's Nevermind; he had to convince Kurt Cobain to do overdubbing for a more shiny sound, by telling kurt John Lennon swoooore by vocal overdubs
I dunno,
It's a fantastic beautiful piece of work.
I would love to stare at the waveform
So are you politely suggesting I redo the vocals?
Or are you saying I should double track the lead vocal for a thicker sound?
I know you def want me to redo the bass track without a pick. I realized today I still need to master this little track, too.
Second, I greatly appreciate the depth you put into the review. This helps me improve.
Thanks a million!
p.s. and the guitar stuff you make is great!
Tsk ! Who played base ? Did they use a pick - I'm sure I could hear a pick, [sigh], I am not a fan of the base pick. I know I know I'm mister picky ( pun intended ) Now, more that ever, I must pick up some hardware so I can plug in my base to lay done tracks and loops, proper like - I would love to add a base line to your tune - which I fav'd. You are a songwriter and it would not be a great leap for you to go pro - your tons better that the drek that is spoon fed us by those so call DJ's or VJ's.
Nice to hear a real songwriter. I think you got hella talent! Graet stuff as usual!
Just for fun you should out some cow bell in the end! I think it would sound pretty good in there. Or even some type of flute part.