Free Loops & Samples By Rasputin
Showing 1713 loops by Rasputin . Use the advanced search option to filter results.
20th Oct 2015 14:22 - 10 years ago
Description : The kind of organ chords you might hear at the beginning of a Southern Church service.
20th Oct 2015 12:36 - 10 years ago
Description : 4 seamless bars of a solo folk guitar riff. Implied harmonies: C---F6---G6----F6
20th Oct 2015 07:03 - 10 years ago
Description : 4 seamless bars of a reggaeton drumgroove.
11th Oct 2015 01:52 - 10 years ago
Description : A concert harp plays arpeggios, up-and-down, on the wholetone scale. Some FX added.
10th Oct 2015 04:49 - 10 years ago
Description : 8 bars of somber night music, played on piano.
10th Oct 2015 01:16 - 10 years ago
Description : Part two of eight bars. Piano arpeggios treated with FX in a very slow tempo. Parts One and Two will seam together perfectly to give you one musical phrase.
10th Oct 2015 01:12 - 10 years ago
Description : Part One of 8 bars in a slow tempo of piano arpeggios treated with FX. Parts One and Two will join seamlessly into one musical phrase.
8th Oct 2015 04:58 - 10 years ago
Description : 4 seamless bars of a slightly spooky sounding piano arpeggio. Implied harmony: D minor
4th Oct 2015 09:02 - 10 years ago
Description : 8 seamless bars of horror sounds. Every cliche under the sun. Loud as hell.
2nd Oct 2015 02:19 - 10 years ago
Description : A strange hall of unintelligible voices designed to make you feel weird. 8 seamless bars.
1st Oct 2015 22:27 - 10 years ago
Description : Another seamless 4-bar loop of a soulful women's choir singing a gospel riff.
Implied harmonies: Bb----Eb
Implied harmonies: Bb----Eb
30th Sep 2015 15:24 - 10 years ago
Description : 4 seamless bars of some heavy and rich rock ballad-style piano chords.
30th Sep 2015 10:50 - 10 years ago
Description : 4 seamless bars of a distant ghostly choir being sent over the radio waves.
27th Sep 2015 17:59 - 10 years ago
Description : Here is a Northeastern Brazilian rhythm called the Baion. (Portuguese= baião) Traditionally it is played on native Brazilian percussion instruments, but here it is rendered on the drumkit. 4 seamless bars. For extra fun and modernity, I have given the kick drum some sub-bass frequencies.
27th Sep 2015 16:48 - 10 years ago
Description : Here is eight seamless bars of a typical oldschool Brazilian Bossa Nova, played at a medium tempo with drumkit and percussionists.
26th Sep 2015 14:46 - 10 years ago
Description : 4 seamless bars of an oldschool soulful progression on a Hammond B4 organ.
Implied harmonies: E---B---F#
Implied harmonies: E---B---F#
26th Sep 2015 13:29 - 10 years ago
Description : 4 seamless bars of a lonely folk guitar, finger-strummed in a city alleyway at midnight.
26th Sep 2015 12:56 - 10 years ago
Description : Some wistful piano chords played freely and gently.
Based around A minor.
Based around A minor.
22nd Sep 2015 17:16 - 10 years ago
Description : 8 bars of some very weird and scary sounds.
22nd Sep 2015 16:11 - 10 years ago
Description : Typical oldschool reggae piano riff.
22nd Sep 2015 15:30 - 10 years ago
Description : 8 seamless bars of oldschool blues piano, in the key of C.
22nd Sep 2015 14:37 - 10 years ago
Description : 4 seamless bars of slow Hammond B3 organ chords. Slight tremolo, distortion and reverb added. You might hear this as "church" or you might hear it as classic R&B.
20th Sep 2015 23:52 - 10 years ago
Description : 8 seamless measures of a solo piano riff, with a bright funky feel. Not quantized, and some imperfections left in for realism. Implied harmonies: Emaj9---C#min7---Amaj7---D16
14th Sep 2015 17:12 - 10 years ago
Description : In the mid-1960's, The Supremes had a number of hits which used high-heel stomps and fingersnaps as a rhythmic groove. Think: "Baby Love" or "Where Did Our Love Go" or "I Hear A Symphony".
This groove uses actual women's stiletto heels clapped onto wood to achieve that sound.
This groove uses actual women's stiletto heels clapped onto wood to achieve that sound.
12th Sep 2015 01:01 - 10 years ago
Description : Here is a 4-bar seamless drumkit groove, emulating the kind of very laidback groove you'd hear in 1970's slow funk ballads. Think "Baby Come Back" by Player, "Let's Get It On" by Marvin Gaye, or "Sara Smile" by Hall & Oates. Modern sub-bass frequencies have been added for extra power.
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