Marnie Grant - An Alleyway In London - MarnieG
28th Nov 2015 17:03 - 10 years ago
Description : :-) :-):-)
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Fantastic job I really liked it.
I plan to post it on on here. Link will be posted.
I also plan on writing to it. Contact me if you'd like to work together, because I'd enjoy that.
thank you for your comment. very glad to hear that! I always aim for emotional.
I look forward to hearing that! :-)
- marnie #####
"artifacts we opted to leave in"
Fair enough but I hear them as errors and as if you've joined two bits of audio together, which often produces an undesirable pop. I edit a lot of guitar and bass parts together, which generates loads of these annoying pops though crossfading the two parts together to remove them is pretty damn simple in the main DAW I use (Cubase). I do a lot of that in almost every track I make.
Maybe you were thinking of adding something like some old record crackle. That might work but these audio artifacts, for me, don't.
"Unless you're hearing something I'm not"
I can only hear what I can hear and have no idea if that's much different to what you can hear.
Still a fine piece of music.
This is simple and very pleasant stuff. Lots of great space in this and I like all the melodies. Great string sound, piano - everything just sits so comfortably in the mix.
But you can instantly improve this, in my opinion, by removing all the audio pops. I'm not sure why they're even in there. Here are some time references for when they occur:
0:02, 0:05, 0:07, 0:16, 0:19 and so on.
0:27 little (reverse?) fill is very tasteful and a useful little addition.
Good piano sound. There are lots I'm not keen on.
I mostly make very lengthy music but would have to say this is pretty damn good at this length. Longer could be better but this is perfectly for this length.
A favourite for me.
Thank you for your detailed comment!
- m
- marnie x
Brado
These strings are from Spitfire Audio's Albion 1.. beautiful to use, powerful & soft. These ones are layered and EQd.
- marnie #####
- Marnie x
- Marnie x