"This track teleport you to an age where many people were governed by unholy kings"
Not much has changed then has it? I think the emphasis needs to move away from Holy and onto Human. Then and only Then will be understand how we should treat each other. Musically this is very good.
Superb opening, sublime and yet compelling in it's trance like sounds. Synth Pads are awesome. Drums at 1:19 are cool . Then @ 1:53 the sounds you normally make are there but you are branching out, and being so so creative these days. Yeah 4:42 has a small glock like synth that is subtle and nice. ou can really get lost in listening to this one, which is a great thing. The break @ 6:47 is epic and almost gospel like with that quiet organ sound. ou know I think we have heard your talent so much we are starting to take fro granted what it is you provide us in your songs sometimes. just maybe. But I hear you putting all the things you have learned and done in the last 2 yrs in your most recent tunes and it's stellar. @ 8:18 there are some synth stabs that are awesome in there slow build up in this song, and just make the sense of urgency so complete @ this point in the song and then the bass goes all fret-wire. The then resonated g-tar joins in the orgy of sound and percussion. good stuff, and then just the synth stabs which you bring the bass back and the drums , and then laser effects. your a madman.. lol, Then the guitars distorted and processed all to climax to a denouement of a cello chord, brilliant. Brilliant.
Moment of silence....Brilliant.
Great work my friend.
Steve
Yes, intro was enjoyable and relaxing to make. It's a continuation of my only ever proper drumless track (Visible Aura) that I had to remove due to 50 track upload limit.
First organ-based granular synthesis sound was supposed to be a placeholder then I got so used to it I decided I like it a lot. The pads are the heavenly part of this.
Gentle drums at first before we get fatter and more badass. Simple but effective beat at 1:19.
"1:53 the sounds you normally make"
Yes, funky git riff 4U there. Three finger palm muted picked chords with different fills. Then my classic slide resonator stuff. It's become a real go-to sound and a major musical identity for me. I still don't know of anyone else using it across so many genres. Most major players mostly do it in country or blues. Some spine-tingling notes eg 4:09.
4:19 - no fuckin way - a Conscious Key Change! But still sliding about. Now introducing some beautiful keys. Two different synthstruments. One patch is called 'Water Piano' and can be heard in the first min of my track Into The Out There.
"really get lost in listening to this one"
I did and that's very much the idea. Heaven's a good place to get lost but at least you're never far from a honey mango.
Swing jazz section (5:16) is real dreamlike stuff, especially when slide returns at 5:38. Dream slide jazz.
"break @ 6:47 is epic and almost gospel like"
Same sound as the first notes of track. Just lower notes this time. Needed a break to join swing jazz with rest of it and I thought drumless section would be good.
"we have heard your talent so much we are starting to take fro granted"
I know what you mean and I sort of do too. I've done so much in my many tracks that sometimes I find it quite predictable how new tracks are going to go so I get a bit bored doing more and more lengthy far out stuff. Must branch out. Learning new instruments would help, as would working with vocalists. Actually working with other human being musicians is the utimate goal. Still have some unfinished female vocal work from a few years ago that you'll like.
"then the bass goes all fret-wire."
Don't know what that means. Bass in the fast trance stuff is same bassline from 3:12 until 9:02 when it kicks in to synth bass. Slide trance!
9:36 hands in the air drumless breakdown for slide trance clubbers and then the mad laser show. Everybody go mothafuckin crazy.
No idea how to end it so just went with dramatic stop and lingering strings. And short enough to fit on the site at 128K.
first part is awesome. Bass line is awesome and the solo is fun. solid presentation. I would agree that it's weather report territory.
Second song is good as well. nice bass line work at the end to finish it.
Solid Work Alex.
Steve
Thanks a lot Steve.
It was great to discover Brian Ferry! I love music from 80's (I'm 30).
The combination of PinkFloyd 'echoing' and funk-disco synth sequencing on the 'Limbo' is excellent.
Thank you again for the inspiration and your interest in my music. Alex
I have always wondered how many hip hop artists know the true meaning of the word Thug and where it comes from, and how sinister it is beyond what you may think? Nice work BTW
Cru
The name of the song actualy deceved you... you thought this was was Heavy metal :D
And i'm prety sure Mercyful Fate - Buried Alive took more skill too make than my beat
Ursäkta! This is such a nice tune, it has such minimalist elements and yet such a cool riff almost like a guitarist would compose.
great work.
Tusen Tack!
Ett språk är aldrig nog ;-)
Skål!
Crucethus
Tack så mycket! Helt rätt! Ett språk är aldrig nog.
You are so right! I have my old acoustic guitar in the corner of my "studio". I really need to get myself an electric guitar and plug it in and start composing "real" music :)
you did a fine job arranging this one. vocal filter is interesting on the pella, sort of a distorted feel. I might want to back the vox down in the mix just slightly and bring up your wonderful arrangement. Also later in the mix I would think about adding some more complex percussion. But truly a nice piece of work you have here.
Steve
Hi Steve!
I'm still holding on to my new me and working strictly on this track to get it finished.
And I did just the thing with the vocal you suggested and turned it down a bit so it's not as much in your face as before...but is it too quiet now?
I still have to redo the vocal line from start and try to EQ out the distortion and get back all the power in her voice and all the other great stuff which are now drowning because of the poor vocal mix.
Also missing a proper bass line here but is it really needed when the guitar takes all the space?
About the more complex percussion - yes, I'll look into that also.
Just redid the intro and created an outro.
So I guess I'm almost finished with the first stages now!!!
YEY.
Thanks for listening, Steve and take care!
Cheers/ SJ =)
Well that brought back some memories.
First of all nice work. I like the gospel version with a touch of rap. great job.
The Human League is is one of the reasons I got into synthesisers "Don't you Want Me" https://www.youtube.com/watch?v=uPudE8nDog0&html5=1
After there next EP and Album they were floundering and were looking for a hit song.
2 former Members of the Time (MInneapolis based and Prince related), Jimmy Jam and Terry Lewis had formed Flyte-tyme music and had been shopping there song Human around the music world for about a year and had quite a good reception to it. The Human League management contacted them and they agreed to produce the Album, include this song and write two others for the album that would be called Crash. The Album is very different from any in the Huma Leagues catalogue but to this day they all credit this one song Human for saving there careers. https://www.youtube.com/watch?v=s1ysoohV_zA&html5=1 (Human)
Human was the first song that introduced me to the concept of 9th chords which are like a Minor-Major 5 note hybrid chord that sounds so lush when used. https://www.youtube.com/watch?v=5jBwWP0YMws&html5=1 (Love is all that matters)
The twelve inch singles of these songs had instrumentals, dub versions and accapellas. I remember using the beats by splicing together tape so I could use the drums for my own early songs.
These guys along with Prince, Roxy Music, Queen and David Bowie are my early mentors in how to write a song.
This last link is a mashup of Human and a Madonna tune.
thanks again for the great memories this Saturday. https://www.youtube.com/watch?v=hutG0E-hVAA&html5=1
Peace
Cru
Very nice Mykael. a great effort indeed. You are putting me into the christmas spirit. My favourite holiday song of all time actually comes from Alexander O'Neil. https://www.youtube.com/watch?v=8chrEoJ4e6U&html5=1
Jimmy Jam and Terry Lewis produced. Great Lyrics and music.
Keep em coming.
Light & Love!
Cru
Welcome to the upload section of Looperman. All art from artists is appreciated. Kind of Haunting Vocals. reminds me of Sixousie Sioux in some ways. This is good though different and i enjoyed my listen.
Cru
I feel like I am being whipped by my speakers as I listen too this. Not that that's a bad thing (or is it..very confused at the moment) . The production is Grande and you captured this element of EDM very well. I could see this being very big on the dance floor. But myself as an eclectic musician I would want to think about how I could keep that element of bass & drum and add some melodic element that is different from all the rest of the crowd to either stand out, or lead the pack in musical innovation.
Nice Work Overall.
Cru
Richie, this is kick ass. I agree with Planetjazzbass on this one. When Auto tune (not a fav of mine) is used right woith a good singer the sounds can be very creative. Par Example Soshy with Timbaland and Nelly Furtado with "The Morning after". https://www.youtube.com/watch?v=25LBTSUEU0A&html5=1
And Soshy without Autotune. https://www.youtube.com/watch?v=bnvJA_BlgC0&html5=1
When Auto tune is used with a great singer in a good arrangement to me it's like a good use of a Vocoder. This tune has all those elements and I am very impressed with everything about this one.
great work
Steve
Thanks for the comments and the links. If you have read the other comments posted here you will have noticed I appear to have opened a can of worms with the auto tune thing!! Thanks for your support. Glad yo liked the track.
Like the distorted Rhodes in a rotary cabinet sound at the intro. Very smooth sounding . Did you play the keys on this one? The time thing is weird on my browser as well? I liked it very much Alex smooth and velvety yet with that distortion it has an edge. nice work.
Steve
Thanks Steve. The Rhodes sound is from 'MrRay22' plugin (as always) with some effects (lots of compression and some distortion, a bit of the modulation effect as well). All the keyboards are performed by me on my tracks indeed. Not really good so far - I just started to develop some more stylistic playing recently. Still not there. It's because I do not have enough time for practising.
The other synth lead is from 'MinimogueVA' plugin - I like the sharp lines it does. It is probaby that sound you are referring to.
Really glad you liked my work - I was inspired by the bassline from some StaticNomad's song that popped up the other day and the entire composition was developed from that.
Beautiful song and vocals reminded me a bit of an old Heaven 17 song (chord progression) Geisha Boys and Temple Girls. https://www.youtube.com/watch?v=Edgjl5zPW6g&html5=1
These boys who arose from the Ashes of the Original Human League created a bi-polar album that had synth songs like this and soul like songs called (White Boy Soul, @ the Time)
You have managed to synthesise both styles in an amazing tune.
Cru
Sort of like..how can I put this eloquently. Restrained insanity.
So put together sounds with that subtly mixed screaming vox is so perfect that perfection has overtook the bounds of the sane. Creating an Insanatriptasticlymodalthang.
Cru
Nice work, pop from an older era where music like this would be better appreciated for good song-writing and arranging.
I liked it. But alas I am old and the POP world has become about eh eh eh ah ah ahh and no solos....sigh.
good work my friend.
Cru
Ok wow on the intro, is that an ocarina? As I listen I am just drawn into this so my first musical pass will be about how it effects me as a listener. Bass has such an awesome groove, sinister in nature. Chord structure is almost deviant. then that wicked guitar solo moment.(I might mix it just a hair smaller in the overall mix) But just a wow. For me the bass work drives this piece. The subtle sounds create this flow of energy to the piece. the other sounds are mere accoutrements that accent this musical art piece well. The sax is so well played and mixed. What I like about your work Dave is the attention to detail in the arrangement. It's almost a lost art in music these days.
thanks to this song I started to explore 801 with Phil Manzanera once again, so thanks for that. https://www.youtube.com/watch?v=6Plbbo6GEk0&html5=1
I can't wit for the hip hop remix..;-) just kidding.
Steve
Hey Steve in reply to your great review,I have just updated the mix and done as you suggested and lowered the guitar solo a tad,I was wondering why my right ear was sore! lol (bit of screech factor there)haha....thank you very much for taking the time to listen and constructively help in the production!..I still have a near mint condition copy of 801!! Phil Manzanera is one of my favs!...Hell mate if a HipHop remix produced some of the folding,you would see my high horse pulled over to the curb at the first baseball cap shop that quickly it'd make your eyes water! lol....again thanks for your input mate!...cheers Dave :)
Thanks. It is a good pack of loops. Normally there's only a few loops in a pack that I actually like but this one I like pretty much all of them so it was a good score.
Cheers for dropping in and commenting cru.
FR
Thank you crucethus for your time and comments. I love composing music with a story behind it keeps the listener thinking while they dance lol thank you for stopping by Cru. Really means a lot to me ! -EazyBeatz :)
on Unholy Revenge Of The Fallen by alexisescalona
Not much has changed then has it? I think the emphasis needs to move away from Holy and onto Human. Then and only Then will be understand how we should treat each other. Musically this is very good.
Very cool bro-step
Cru
on Honey Mango Heaven by StaticNomad
Moment of silence....Brilliant.
Great work my friend.
Steve
Yes, intro was enjoyable and relaxing to make. It's a continuation of my only ever proper drumless track (Visible Aura) that I had to remove due to 50 track upload limit.
First organ-based granular synthesis sound was supposed to be a placeholder then I got so used to it I decided I like it a lot. The pads are the heavenly part of this.
Gentle drums at first before we get fatter and more badass. Simple but effective beat at 1:19.
"1:53 the sounds you normally make"
Yes, funky git riff 4U there. Three finger palm muted picked chords with different fills. Then my classic slide resonator stuff. It's become a real go-to sound and a major musical identity for me. I still don't know of anyone else using it across so many genres. Most major players mostly do it in country or blues. Some spine-tingling notes eg 4:09.
4:19 - no fuckin way - a Conscious Key Change! But still sliding about. Now introducing some beautiful keys. Two different synthstruments. One patch is called 'Water Piano' and can be heard in the first min of my track Into The Out There.
"really get lost in listening to this one"
I did and that's very much the idea. Heaven's a good place to get lost but at least you're never far from a honey mango.
Swing jazz section (5:16) is real dreamlike stuff, especially when slide returns at 5:38. Dream slide jazz.
"break @ 6:47 is epic and almost gospel like"
Same sound as the first notes of track. Just lower notes this time. Needed a break to join swing jazz with rest of it and I thought drumless section would be good.
"we have heard your talent so much we are starting to take fro granted"
I know what you mean and I sort of do too. I've done so much in my many tracks that sometimes I find it quite predictable how new tracks are going to go so I get a bit bored doing more and more lengthy far out stuff. Must branch out. Learning new instruments would help, as would working with vocalists. Actually working with other human being musicians is the utimate goal. Still have some unfinished female vocal work from a few years ago that you'll like.
"then the bass goes all fret-wire."
Don't know what that means. Bass in the fast trance stuff is same bassline from 3:12 until 9:02 when it kicks in to synth bass. Slide trance!
9:36 hands in the air drumless breakdown for slide trance clubbers and then the mad laser show. Everybody go mothafuckin crazy.
No idea how to end it so just went with dramatic stop and lingering strings. And short enough to fit on the site at 128K.
Thanks again for your high praise.
More neat pop singles from me coming very soon.
on Soft Panorama ft planetjazzbass midisparks by promenade2239
Second song is good as well. nice bass line work at the end to finish it.
Solid Work Alex.
Steve
It was great to discover Brian Ferry! I love music from 80's (I'm 30).
The combination of PinkFloyd 'echoing' and funk-disco synth sequencing on the 'Limbo' is excellent.
Thank you again for the inspiration and your interest in my music. Alex
on Daddy Was A Thug by NuriB
Cru
on Buried Alive by Wublin
https://www.youtube.com/watch?v=ObAaVZwULH4&html5=1
Cru
And i'm prety sure Mercyful Fate - Buried Alive took more skill too make than my beat
on Sunday by aelmen
Hej!
Ursäkta! This is such a nice tune, it has such minimalist elements and yet such a cool riff almost like a guitarist would compose.
great work.
Tusen Tack!
Ett språk är aldrig nog ;-)
Skål!
Crucethus
Tack så mycket! Helt rätt! Ett språk är aldrig nog.
You are so right! I have my old acoustic guitar in the corner of my "studio". I really need to get myself an electric guitar and plug it in and start composing "real" music :)
Thanks for your comment!
/Anders
on Update3 Dance With You Ft Noemi by SeriouslyJoking
Steve
I'm still holding on to my new me and working strictly on this track to get it finished.
And I did just the thing with the vocal you suggested and turned it down a bit so it's not as much in your face as before...but is it too quiet now?
I still have to redo the vocal line from start and try to EQ out the distortion and get back all the power in her voice and all the other great stuff which are now drowning because of the poor vocal mix.
Also missing a proper bass line here but is it really needed when the guitar takes all the space?
About the more complex percussion - yes, I'll look into that also.
Just redid the intro and created an outro.
So I guess I'm almost finished with the first stages now!!!
YEY.
Thanks for listening, Steve and take care!
Cheers/ SJ =)
on human 80s remix by larrybarrow31
First of all nice work. I like the gospel version with a touch of rap. great job.
The Human League is is one of the reasons I got into synthesisers "Don't you Want Me"
https://www.youtube.com/watch?v=uPudE8nDog0&html5=1
After there next EP and Album they were floundering and were looking for a hit song.
2 former Members of the Time (MInneapolis based and Prince related), Jimmy Jam and Terry Lewis had formed Flyte-tyme music and had been shopping there song Human around the music world for about a year and had quite a good reception to it. The Human League management contacted them and they agreed to produce the Album, include this song and write two others for the album that would be called Crash. The Album is very different from any in the Huma Leagues catalogue but to this day they all credit this one song Human for saving there careers.
https://www.youtube.com/watch?v=s1ysoohV_zA&html5=1 (Human)
Human was the first song that introduced me to the concept of 9th chords which are like a Minor-Major 5 note hybrid chord that sounds so lush when used.
https://www.youtube.com/watch?v=5jBwWP0YMws&html5=1 (Love is all that matters)
The twelve inch singles of these songs had instrumentals, dub versions and accapellas. I remember using the beats by splicing together tape so I could use the drums for my own early songs.
These guys along with Prince, Roxy Music, Queen and David Bowie are my early mentors in how to write a song.
This last link is a mashup of Human and a Madonna tune.
thanks again for the great memories this Saturday.
https://www.youtube.com/watch?v=hutG0E-hVAA&html5=1
Peace
Cru
on Disko DisWay by ScottB55
Cru
Cheers,
Scott
on Have Yourself A Merry Little Christmas UPDATE 2 by Mykael
https://www.youtube.com/watch?v=8chrEoJ4e6U&html5=1
Jimmy Jam and Terry Lewis produced. Great Lyrics and music.
Keep em coming.
Light & Love!
Cru
Love & Light,
Mykael
on Limitless - Eighteen ft Courtney Hyan by Eighteen
Cru
I've taken a quick listen to Sixousie Sioux, and indeed the vocals seem a bit alike.
Thanks for the feedback :)
on The Ultimate Age of EDM by cg5music
Nice Work Overall.
Cru
on Stay featuring Farisha Haque by RichieWinn
https://www.youtube.com/watch?v=25LBTSUEU0A&html5=1
And Soshy without Autotune.
https://www.youtube.com/watch?v=bnvJA_BlgC0&html5=1
When Auto tune is used with a great singer in a good arrangement to me it's like a good use of a Vocoder. This tune has all those elements and I am very impressed with everything about this one.
great work
Steve
Thanks for the comments and the links. If you have read the other comments posted here you will have noticed I appear to have opened a can of worms with the auto tune thing!! Thanks for your support. Glad yo liked the track.
Richie
on fusion7 ft ferryterry Janis71 by promenade2239
Steve
The other synth lead is from 'MinimogueVA' plugin - I like the sharp lines it does. It is probaby that sound you are referring to.
Really glad you liked my work - I was inspired by the bassline from some StaticNomad's song that popped up the other day and the entire composition was developed from that.
Thanks again for your time and nice words, Alex
on It Gives You - Feat Sanna Hartfield by TCAS
Crui
on Waiting by Jeffiedillard
https://www.youtube.com/watch?v=Edgjl5zPW6g&html5=1
These boys who arose from the Ashes of the Original Human League created a bi-polar album that had synth songs like this and soul like songs called (White Boy Soul, @ the Time)
You have managed to synthesise both styles in an amazing tune.
Cru
on Go With Me ft The Starring Creeps by RealProblemShuckers
So put together sounds with that subtly mixed screaming vox is so perfect that perfection has overtook the bounds of the sane. Creating an Insanatriptasticlymodalthang.
Cru
on revenir by domr30
I liked it. But alas I am old and the POP world has become about eh eh eh ah ah ahh and no solos....sigh.
good work my friend.
Cru
on Something by Cestevens1783
on HARLEQUIN by Planetjazzbass
thanks to this song I started to explore 801 with Phil Manzanera once again, so thanks for that.
https://www.youtube.com/watch?v=6Plbbo6GEk0&html5=1
I can't wit for the hip hop remix..;-) just kidding.
Steve
on Old School Flavours by FreeRadical
Cru
Cheers for dropping in and commenting cru.
FR
on The Falsehood of Men by Snow1983
on The Falsehood of Men by Snow1983
on Off To Pandora By EazyBeatz by EazyBeatz
Cru
on Signs - featuring Danke-Bang a Drum-remix by clindsay