crucethus

thank u mate! respect!

Thanks dude! :)

Hi Steve :)
thank you much much for the comment.
Elena :)

Just for the record, I didn't use Midi to record this, I would have gone mad then with the amount of editing I constantly would have to do with this slow pc not keeping up hahaha

But thanks steve for the kind words

Hi Steve & many thnx for attention & a great appreciation for your comment my friend .bests.___B

Hey mate

Thank you for the review and comment, yes an old fart so know then well lol...glad you enjoyed piece...Just sent you mail via contact...Peace n Respect man...Mosaic...

Thanks - especially the part about the production which is always a challenge.
-clindsay

Thank you very much crucethus!

You know me,i'm a sucker for emotional music!

Thanks for droppin in and leaving your kind comments!

life love n unity to ya!

cheers man!

***bb***

Hey man glad you liked it :)

Ah, cool. I get it. I wondered if you'd maybe blacked out for a couple of days. Perhaps lost your memory and been found almost naked in the grocery store. If you've seen Breaking Bad (well known TV show), that's the main character's way of getting out of being missing for a weekend cooking meth out in the desert. It's his excuse to his wife and it works. Who would want to believe anyone would make such a thing up?

I'd like to come back to great pieces of music I know well and hear them again seemingly for the first time. Maybe in old age, with severe memory loss. Something unusual to hope for, no?

I'm a bit biased but if I were reviewing my tracks I'd find it a bit bewildering and I might sometimes need 5-10 entries of 3,000 characters if I really wanted to describe all the little bits. Though I guess there's only so much you can say about liking another riff or drum fill and maybe it's boring and even more unnecessary to even attempt to describe all of it.

Thanks again as I always look forward to your reviews. Though not the Latin spam. I wish Maffin would review more of my tracks as he did one of the best I've read on this site on my Low Key Love track. Genuinely interesting reading, as you probably remember.

Just one more reply to you to go!

Thanks allot, my friend. Glad you like it.

Cheers,
Scott

The beer was a success!

Cheers,
Anders

Thank you for listening and commenting :) ....metal indeed >:)

I'm glad you enjoyed it.
Thanks for leaving a comment here, your words are very well received
have a nice day
(y)

Hi Steve,

Thanks for stopping by and your kind comment...glad we could oblige!!.

Best wishes,

Mark/Larry!

Hey great simple words to describe this track! I wanted to express the state of the current "real me" and this is what happened. It's just something I thought people should hear. I'd love to have you do a remix, and have contacted you regarding this. Thanks for listening and everything, it means a lot to me!

Thx alot mate for this comment !:) Yeah, synths can be a great tool for crerating emotions when you choose carefully, otherwise violin or piano are very handy for the same purpose.
But I'm a synth man lately, so we will se what comes next..:)^^

All the best____Orlando

cheers for having a listen!

Thanks much cruce! Was a fun joint effort this time. Yep, the autotune was ironic for sure, and I look at it as an end to an era, or atleast a transition because of this. Haven't run into New Neon that I remember, thanks for the comparison though. I appreciate you listening and commenting!

Greetings.

Yes, I love the intro and main bass. Same patch (originally from this track) that I've used in a few others eg your one favourite of mine Into The Out There (the main sound) and also hip hop epic The Fatness.

No percussion in intro (apart from rhythmic breathy thing) so I assume you mean ("nice clap percussion panned far right") the drum hits that come in on 0:40. No clap in there and no far right panning I can hear. But there is a big metallic clanging hit, which maybe you hear as a clap.

Bass is wider in some sections because I take two different synth basses and apply opposite panning to them. I guess one is based on a square wave.

I don't hear it as "arabic guitar" but I guess you mean part starting 1:27. It's subtle to the point of merging with the bassline though I doubt they're playing the same thing.

My vocoded fake didg (my voice modulating a Z1 clarinet through hardware vocoder in real time) arrives on 1:52 as the track opens up a bit. 2:28 another bit of more obviously voicey vocoding.

3:22 breakdown and transition features the lead Z1 synth sound that I thought would be the highlight of this for you. Plus that cool, programmd tambura drone. Must use that again!

"drums get more intense"

Pretty much just repetition of what we've already heard though there is a big new cymbal as the beat comes back in.

Must disagree about guitar at 4:00 "being a bit too much". I hear it as a refreshing surprise and I've already said quite a bit about it in other replies, having had to defend it previously as somehow being "not needed".

I guess you want me to remove it and do some of my resonator playing that you've become quite familiar with there instead. I won't (partly because I can't yet open up the relatively ancient Cubase project) but fear not - you'll hear more resonator playing in more tracks coming soon. It's one of my signature sounds and can crop up in ay type of genre that I do (though rarely in the pure electro stuff).

4:30 is a mystical synth harp sound just using the main polyphonic synth in Reason. That's layered over the tambura, which adds to the mystical quality. Another reason to have the 4:00 guitar is that following it with the harp is pretty strange and the type of strange I like.

No, no fretless bass after that but there is a bit of bass guitar doing a little bit of sliding so maybe that is reminiscent of fretless (I've never had one but still want one).

4:52 check how the psychedelic guitar merges with the lead synth. Actually, hearing them as separate is hard to do. They seem to come together to form one instrument though I have no idea if they're both playing the same thing. Must be quite similar, I guess.

I leave you with an outstanding Ozric Tentacles track. Bass and drums in this are some of the greatest I've ever heard. Everything else is also wonderful - including the time signature, which baffles me every time.

Ozric Tentacles Ghedengi

http://www.youtube.com/watch?v=UW31HupvemY