Nice to revisit again. In the car I ws just listening to Slayer´s Repentless, which is pretty intense. well so is this...Awesome good release of anger!!!!!!!
Cru
Cool intro then it gets all Bro-house, if you could expound on those sounds by building a more complex sound it would be I think more interesting. Otherwise House night Bro!
Cru
Thanks for passing by! I've already made some changes and mixing edits and will continue doing so and also add some stuff here and there. I wouldn't name it directly more complex, as it is and will stay minimal techno flavored with a scoop of Halloween. But I do want the tracks itself to have a bit more halloweenisch in them and a pinch more depth.
- Wobbin
I use mostly Korg products for my synths, and those were so recognizable as Korg sounds. Turn those wah sounds into basslines, add some stereo reverb, and you have created my basslines from my early days. This is a fun track you have made.
nice job
Cru
It is most likely the most minimalist work of D&B I have ever heard. You use the whole spectrum of human hearing which is a good idea, but keep it so simple and minimal. And drive it completely by the percussion. Most intriguing in it´s sparseness. It will be under-appreciated for a bit, but I think you are on to something. Keep at it.
Cru
Thanks man, I love percussion and want to do a lot more with just that.
I'm happy you noticed the mixing side of things, I'm trying to hone my mixing skills, it's difficult with the kind of music I make as you can probably imagine, so I started with the basic stuff.
I appreciate you stopping by, good luck with the Halloween competition :)
I love this one. Feel like a Martini just listening to it. What really intrigues me is how you mixed it. The opening Rhodes piano is compressed to the DB limit,But used in a staccato like way which works well and the percussion is so subtle. And then we have the heavily chorused organ, which almost gives it an old rotary cabinet feel. The bass also fits in nicely just adding to the sounds and not dominating the melody. good work.
Cru
You know Dave, just an aside, I just did a Halloween tune, that has that New Orleans funeral kind of drone to it on a funk basis, and I had been listening to this tune (your tune) earlier in the day before I made that tune, so there is definitely an influence in sound strategy going on subconsciously and I did not realize that till you commented back. Music is awesome sometimes ehh?
Steve
Jeez Steve talk about six degrees of separation, just before I made this track I was listening to some Dixieland (probably the only form of jazz that I'm not particularly endeared to but their my father's old records so I make a habit of listening to them) and I got the feel of a New Orleans funeral procession, must have been the tempo or all the bodies piling up in Narcos! lol... music certainly moves in mysterious ways brother...I'll be over to check out that Halloween track mate..cheers Dave
I like this one. There is a lot of space to explore in this one. Always a fan of alternative percussion. Song just takes you along at it's own pace. At 2:37 is a tasteful piano string bridge, invoking the emotion of the wreckage in the lives of people around, near or using drugs. I feel the bass line represents the never ending progression of time and is the anchor of this tune.
great work as always.
Steve
Hey Steve thanks man!..you totally got where I was going with this piece, the second half nearly developed into a quasi funeral march at one stage.lol I had thought about using some lyrical content with a hiphop artist but that fell through and on reflection I'm glad it did, it would work better as an audio accompaniment to some film footage I think, thanks again for your comments mate very much appreciated!..cheers Dave :)
You like that guitar ha? ;) Same one I played on Time for work blues, the black one in the center http://imgur.com/gallery/QZBjOoT Doom-Blues, perfect! Two of my favorite genres!! I need to make some cigar box guitar black metal now. Thanks Cru :D
I love whole tone atonal music, and this is nice, plus the midi makes it sound spookier in like a seventies-eighties way. I love the fact you are exploring all the flavours music has to offer in the theoretical world!.
I'm happy you can dig the whole tone approach, Cru.
and yea - I'm so behind on synth sounds and techniques that I will probably be stuck in the 70's-80's for the duration of my writing career. But hey, it's a great tradition to keep alive. LOL! Thanks for stopping by and glad you liked the track. I'm about to check out some of the tracks here in Wobbin's Halloween thread as well.
Oh My! really really good Awesome production on your voice, esp the harmonies. and a great arrangement, and as usual buyoed by your incredible talent.
all the best
Steve
Lovely dark intro. typical guitar mode from you. you need to explore some other modes (scales), but I am happy that you split them up with different instruments. It´s a better version sonic-like of what you have done in the past. but it sounds familiar. though much more sophisticated. if that makes sense to you!
all the best
crutemplative
I've been working on some different stuff lately, but really it still sounds like me, so I'm probably not exploring enough still. Working with more acoustic for chord progression. Something I've never really had. I appreciate your constant nudging me forward, expecting growth. My life knows few like you.
There has been a palpable jealousy of Canada at my house this week. Can you guess why?
on Kodama by lAVel
Cru
on Move Your Car muzic by Shortbusmusic by FullCapicityMuzic
Cru
on Track Progress NEED A FEATURE Singer or Rapper by Gipish
on nonameyet by juniq
I like the logo as well.
Cru
on Wobbin - HELLoween Themed techno mini-mix by Wobbin
Cru
- Wobbin
on haunting regrets by mindhiest
Cru
on Spacewalker by lAVel
https://www.youtube.com/watch?v=8T3N6a24A9I
on Analog in a darkened room by aelmen
nice job
Cru
Well, I'm a late bloomer, maybe the most promising 43 yo in my genre ;)
Korg has some tremendous sounds that can be used as effects in almost all genres. It took me about 43 years to get that.
Thanks for listening.
/Anders
on Loner by Nodog
Cru
on Dark Brother Analogue Experiment by Tinka0
Cru
I'm happy you noticed the mixing side of things, I'm trying to hone my mixing skills, it's difficult with the kind of music I make as you can probably imagine, so I started with the basic stuff.
I appreciate you stopping by, good luck with the Halloween competition :)
on City Lights by sqrtofneg1
Cru
I really like your comparison to a martini.
on I Love You Promo by YogeshST
Cru
on Music of Drama by Darknives
on trash by frenki
on MADCAT - Forgotten Hero - Wobbin Remix by Wobbin
cool work.
Cru
on NARCOS by Planetjazzbass
Steve
on U Found Me Vocal mix by MGproduct
on CuBox - KCC - Khiflee Edit by MartinMiller
on EW Playaround by Mahloo13
Steve
on NARCOS by Planetjazzbass
great work as always.
Steve
on Ghost of a guitar by Burtsbluesboxes
nice nice swampy yet such a clear mix and sound. The bass really holds it together. Doom-Blues
on Final end Credits by SonnyChapelle
on Whole Tone Haunt by DanGoldstein
and yea - I'm so behind on synth sounds and techniques that I will probably be stuck in the 70's-80's for the duration of my writing career. But hey, it's a great tradition to keep alive. LOL! Thanks for stopping by and glad you liked the track. I'm about to check out some of the tracks here in Wobbin's Halloween thread as well.
on When You Are Here Music by Rakia by FullCapicityMuzic
all the best
Steve
on The Land Of Ill Gotten Gains by Evisma
all the best
crutemplative
I've been working on some different stuff lately, but really it still sounds like me, so I'm probably not exploring enough still. Working with more acoustic for chord progression. Something I've never really had. I appreciate your constant nudging me forward, expecting growth. My life knows few like you.
There has been a palpable jealousy of Canada at my house this week. Can you guess why?
Take care.
Evan