Description : In the process of completely reinventing myself. Slowly collecting modular synths allowing me to switch from digital to a more gritty analogue sound. Also taking my love of sound experimentation to a new level, building little mechanisms to embed a new steampunk-ish sound signature into my music. Enjoy.
Nice one! I think everyone mentioned what is good about it so nothing to tell... For me this is a nice house and electronica fusion! Keep up like this! Cheers!
Indeed I did miss your wonderful conversation about snow tubing, whatever that is. Send me a link or reproduce it here if you think I’d like it.
When I said "computer game shit", I didn’t mean it was actually shit, more like just “stuff”. I’m sure you didn’t think I meant it was shit. I also doubt your last EP was shit but I haven’t heard it. So it could be. Maybe you should go back and polish that turd.
“bassline took longer to compose than anything else”
Yes, I can hear lots of careful work going on with that.
My work is largely about groove so getting bass and drums tight can take a while. And getting them really good allows me to play other instruments much better off them. If the groove is cool, it inspires much better playing whereas if things are too messy, the guitar playing, for instance, can seem to clash with the bass and drums foundation.
“I needed to make sure it didn't get boring no matter how many times it was played”
That’s always my aim. This track has lots of energy and isn’t too long. I could have done with some new stuff in the second half but I wouldn’t say it gets boring, just that I didn’t have much to pick out to comment on.
Yes, raise the level of the “time is a” part so that we can actually hear the line. Right now all I can hear is the bitch.
“your probs my best source of constructive criticism”
No problem. I pretty much do the same for everyone one I review on here. If I like something, I see it as my duty to explain why rather than just single or double sentence “nice track bro”-ing. Way too much of that round here. If something’s good, I think of the amount of time and care someone has spent on it and try to recognise that and point out the good details, as well as the bad/could be better.
I always tend to think that it’s pretty irrelevant if some anonymous person on the internet just says they like your track whereas that same anonymous person giving such actual detail about different sections can be quite valuable. And when you know a commenter’s music, it can be quite interesting to see what they liked or didn’t like.
Haha, yeah I got that you meant "stuff". But even if you did mean "shit" I wouldn't disagree.
"My work is largely about groove so getting bass and drums tight can take a while."
I actually use a groove sequencer as my DAW, which works pretty well for house. Every song starts off as a single phrase and once I've got something awesome I can then work out what I need to do to get to it in a way that shows it off as much as possible. Once that's over I then have to figure out a way to do it again but with even more impact than the first time, so for example I did that on this track by adding strings.
I've realized this isn't the best way of working so I'm trying to figure out better ways of doing that. The song i'm working on now for example very subtly evolves. While it may seem repetitive, if you skipped back and forth between the start and end you'd find the song has changed more than you may have thought.
Also, I must admit I've done the “nice track bro” thing quite a bit. I try to justify it by saying that I don't think i'm a good enough producer to be handing out advice but that's just a bullshit excuse, I need to stop being lazy. :/
Hey, friend, I'm digging this track thoroughly! I find myself intrigued by the mechanical sampling you've done here. Can't say I've heard much of that going on in tracks, especially in recent years. Sounds pretty cool to me. Do you care to explain how you are recording these objects you put together? I'm listening in headphones, so keep that in mind... It seems like the bass is a bit in the background in the heavier parts of the tracks, though maybe it's totally intentional. I liked the vocal bits very much, and I'm thinking they could be a bit more prominent as well. Overall I really enjoyed the song, in fact it's probably one of my faves as far as house tunes go. You have your own style, and I respect that!
Thanks. To be honest I need better recording equipment. I have a little AKG condenser mic and I just put it in an acoustic-treated box with whatever i'm recording. The quality isn't great but I just EQ as much or as little as I feel is necessary. Also, everything I do IS intentional but that doesn't necessarily mean I made the right decision. I have two bass lines running so I duplicated one and panned the duplicates slightly left and right to widen it and keep it away from the other bass line (which made it feel further away). I personally don't mind it but if it sounds weird i'll see if I can work out something else.
Anyway thanks again for your comment and input on the forum and i'm glad you enjoyed the song! :)
excellent stuff. really great and loud sounding mechanical experimental simple dance music. I will take some time to read the forum post again but anyway this is a great track. I do not believe that there's some teory needed to create music like this but I must say I love the sound-image of the track. Congrats, Alex
Skittery computer game shit to kick things and then a fat, fat, compelling beat.
"building little mechanisms"
I feel I can hear lots of little klokwerky things going on all the time as additional percussion.
1:16 that's a killer little bassline slowly fading in and getting stronger.
1:33 "bitch" vocal? Cool little drop there and then you give that bassline the fat beat it was crying out for. Great, busy fun now that people will enjoy on dancefloors in many places.
Another klokwerky breakdown at 3:04 and then some background strings entering. Then that killer bass returning over the moving machinery.
The rest is similar to what's already come before but it's all good stuff.
No particular suggestions from me as you have your own style, which is evolving and progressing nicely.
Congrats on your distinctive musical/personal character as I do often enjoy your posts and comments on this site. "Just sprinkled some pubes on it" is still the best!
I laughed at you calling it "computer game shit", coz that's pretty much what my last EP was, and what i'm trying to get away from (and it really WAS shit. However, that arp starts to sound like a gazelle in the drop which is a happy accident, lol.
As simple as it is, that bassline took longer to compose than anything else. House tracks are pretty repetitive so I needed to make sure it didn't get boring no matter how many times it was played, I feel I did well.
Also 1:33 she says "Time is a bitch", I knew the 'bitch' part was a lot more audible being higher pitched and on the last beat but maybe I should slightly amplify the first part?
Anyway glad you like the track. I like how in-depth you go on your critiques, your probs my best source of constructive criticism so thanks. Also you missed out on a (wonderful) conversation between "15ludwicke" and I about "snow tubing" lol.
Like those sounds. It took me the whole song to realize that the voice was saying "clockwork" instead of "awkward". Sounds like Hans Zimmer joined Ratatat and then they went to Ibiza! Very Nice.
Niceee. I've come to the conclusion your music sounds like a circuitry board in musical formation. If that makes any sense. Really liked the sounds in this one. Technical. Great work, happy holidays. peace
Haha damnit. My friend once found a folder on my computer containing strings of code I wrote for an IT assignment back in high school, she was like "So this is where you keep your sheet music?". :/
Apparently I perceive my own music very different to how others do lol. Anyway i'm glad you like it! And happy holidays to you too! :D
hey andy really liked this track! loving your new house style but liked that you kept your whole "grunge" feel. Just make sure you don't take the track snow tubing. xD
Description : Unofficial preview* of my upcoming first produced track named Therapy. Litterly a cut out of the track. Uploaded with first thought of letting it hear to a fellow Looperman member for a possible collab later on.
Comments are welcome tho!
About the preview, after the drop will start to another semi drop and with an harder more rawish main chorus part behind. Everything is as good as done now and being checked by demo listeners for response and feedback before getting a last hand at mixing&mastering.
Description : My first house song (on looperman). It's actually mix of progressive and dutch house. Hope you'll enjoy this! :) If you have time you can leave feedback, it's always appreciated!
Description : Ugly ass witch house beat that isn't technically a house beat. (The Drum Track is by LM's Danke.) The Track's based on an older beat of mine with the same name. This version's half as long & not as busy. The Synths are Synthmaster, Massive, Dark Keys & Creep Piano. And of course, It wouldn't be a Clickbait Cabaret beat without nine zillion FX plugins. Pretty sure all of them are on this beat.
Description : Funk House/Disco inspired by Daft Punk
No Samples used
Instruments:
Various vintage synths
Kontakt libraries: Ilya Efimov Telecaster for guitar, Session Horns Pro, Chris Hein Strings, NI Guitars
Vocals: Plogue Chipspeech & Alter Ego
Description : check out janimifsson for these vocals
learning how to do house
good vocal effects
terrible drums
couldnt find a melodic loop to fit the track
figured out the key
the harmony basically matches the melody
probably in some dorian scale or something so
have to learn about that
the drums are my weakest point
good at the start but awful after the beat drop
please comment any songs to listen to to learn drums in this style
any advice please comment
Description : As I was in Berlin recently I was inspired by the Beachhouse Radio from FluxFM . I had a beat lying in a cupboard for years and it was time to do something with it. Together with the great voice of Odarka I did setup a beat that does have a deep feeling to it. I kept it raw and unmastered for now. Let's see where it goes.
Description : Melodic Progressive House with the lyrics by Mr.Shammi (visit his account here for incredible nice acapellas!). The ref is in Melbourne-Bounce-Style.
Indeed I did miss your wonderful conversation about snow tubing, whatever that is. Send me a link or reproduce it here if you think I’d like it.
When I said "computer game shit", I didn’t mean it was actually shit, more like just “stuff”. I’m sure you didn’t think I meant it was shit. I also doubt your last EP was shit but I haven’t heard it. So it could be. Maybe you should go back and polish that turd.
“bassline took longer to compose than anything else”
Yes, I can hear lots of careful work going on with that.
My work is largely about groove so getting bass and drums tight can take a while. And getting them really good allows me to play other instruments much better off them. If the groove is cool, it inspires much better playing whereas if things are too messy, the guitar playing, for instance, can seem to clash with the bass and drums foundation.
“I needed to make sure it didn't get boring no matter how many times it was played”
That’s always my aim. This track has lots of energy and isn’t too long. I could have done with some new stuff in the second half but I wouldn’t say it gets boring, just that I didn’t have much to pick out to comment on.
Yes, raise the level of the “time is a” part so that we can actually hear the line. Right now all I can hear is the bitch.
“your probs my best source of constructive criticism”
No problem. I pretty much do the same for everyone one I review on here. If I like something, I see it as my duty to explain why rather than just single or double sentence “nice track bro”-ing. Way too much of that round here. If something’s good, I think of the amount of time and care someone has spent on it and try to recognise that and point out the good details, as well as the bad/could be better.
I always tend to think that it’s pretty irrelevant if some anonymous person on the internet just says they like your track whereas that same anonymous person giving such actual detail about different sections can be quite valuable. And when you know a commenter’s music, it can be quite interesting to see what they liked or didn’t like.
Congrats again on your evolving sound.
"My work is largely about groove so getting bass and drums tight can take a while."
I actually use a groove sequencer as my DAW, which works pretty well for house. Every song starts off as a single phrase and once I've got something awesome I can then work out what I need to do to get to it in a way that shows it off as much as possible. Once that's over I then have to figure out a way to do it again but with even more impact than the first time, so for example I did that on this track by adding strings.
I've realized this isn't the best way of working so I'm trying to figure out better ways of doing that. The song i'm working on now for example very subtly evolves. While it may seem repetitive, if you skipped back and forth between the start and end you'd find the song has changed more than you may have thought.
Also, I must admit I've done the “nice track bro” thing quite a bit. I try to justify it by saying that I don't think i'm a good enough producer to be handing out advice but that's just a bullshit excuse, I need to stop being lazy. :/
Anyway, thanks again for your comments! :)
Anyway thanks again for your comment and input on the forum and i'm glad you enjoyed the song! :)
This is one cool track.
Skittery computer game shit to kick things and then a fat, fat, compelling beat.
"building little mechanisms"
I feel I can hear lots of little klokwerky things going on all the time as additional percussion.
1:16 that's a killer little bassline slowly fading in and getting stronger.
1:33 "bitch" vocal? Cool little drop there and then you give that bassline the fat beat it was crying out for. Great, busy fun now that people will enjoy on dancefloors in many places.
Another klokwerky breakdown at 3:04 and then some background strings entering. Then that killer bass returning over the moving machinery.
The rest is similar to what's already come before but it's all good stuff.
No particular suggestions from me as you have your own style, which is evolving and progressing nicely.
Congrats on your distinctive musical/personal character as I do often enjoy your posts and comments on this site. "Just sprinkled some pubes on it" is still the best!
I laughed at you calling it "computer game shit", coz that's pretty much what my last EP was, and what i'm trying to get away from (and it really WAS shit. However, that arp starts to sound like a gazelle in the drop which is a happy accident, lol.
As simple as it is, that bassline took longer to compose than anything else. House tracks are pretty repetitive so I needed to make sure it didn't get boring no matter how many times it was played, I feel I did well.
Also 1:33 she says "Time is a bitch", I knew the 'bitch' part was a lot more audible being higher pitched and on the last beat but maybe I should slightly amplify the first part?
Anyway glad you like the track. I like how in-depth you go on your critiques, your probs my best source of constructive criticism so thanks. Also you missed out on a (wonderful) conversation between "15ludwicke" and I about "snow tubing" lol.
Gramo/Neo
Apparently I perceive my own music very different to how others do lol. Anyway i'm glad you like it! And happy holidays to you too! :D
Peace!
L.I.S.
Best Wishes,
Rico
And lol thanks.