DonnieVyros

Play 1= H-phones
Play 2= reg...

Hey mate, just to letcha know- there's a silent gap at the end. I think the track ends @ 3:09 and it continues to run until 3:33. Dunno if this was intentional, but I thought that I'd mention it.
Now let's move into play 2 shall we?..

Okies, so Esh did the vox on this, right? Decent effects ya added to 'em mate. That one main synth you got is nice too and I love the way it builds into everything else once you reintroduce Esh's vocals.
Ooh, ooh. I'm pickin up on that second set of synths you got on this that're kind of subdued in the background. Maybe you could do a switch-up type of thing to where they become the main synth line and you could totally transition into a completely new song from it. And I'm spent. Thanks for sharing. Later on!

Yes I do and the name just reeled me in.

Hahaha, OMG. Animators were on crack back then weren't they?

This is like NIN meets the Looney Tunes, priceless!

And was that a Sam Kinison sample I heard in there ('who's band is this anyway')?

Nice one mate. Thanks for sharing. Later on!

Hey Prettyboy,
I know you might be new to the site, but there's an Acapella section for you to place these in. The Tracks section is for musical accompaniments.

Secondly, I would highly advise against posting so much personal information publicly like that. There's a Message Me section for people to exchage emails for that kind of stuff.

So fix both of these things whenever you get the chance, okay? Thanks in advance. Off for now. Later on!

(EDIT)
Okay, so I noticed that you have this in your Acapella section as well.

Please do not double post your material. It eats up space on the server and could cause the site to not run smoothly!

Again, fix this the next time you get a chance. Lates!

This is pretty crazy...

You did a pretty good job of capturing the feel of alarm and chaos here. Though I might've added some FX to the vocal samples ya used, but other than that this is a pretty sweet composition. Definately Techno freshness here. Thanks for sharing mate. Later on!

You used BassHunter? Where... Haha,

Seriously, I couldn't hear any of his stuff on this. Which is pretty cool to make a remix of something and have it not even be heard.

Oh, and as for the bass being out of sequence. Maybe if ya copied the sequence, modified its pitch (and maybe added some effects), and then lay it on the track slightly offset to the original it'd help (to give it some crazy echo-type of sound, ya know). Cool mix mate. Later on!

You remember...

That movie The Scorpion King that came out a few years ago? Yeah, well, I'm reminded of it. In fact, if Michael Clarke Duncan's character had a theme song I think that this'd be it.

Aww man, have you listened to this on a pair of headphones yet? The bass on the kick drums is redonkulus! And that leads me to think that if this was played in a car with a worth a darn system the seats'd be shakin sumfin fierce. I don't wanna even imagine the effect it'd have in a club comin out of a good tower, ya know? Anyways, thanks for sharing. Later on!

Alright, I'm gonna do this one in rev order. Headfones 1st and reg 2nd.

On my fones it sounds pretty evenly slated. Nice FX ya placed on the kicks during the part ya had 'em isolated. Hmm, maybe you could add some kinda Phase effect (or something) to the Piano loops yer using on this to have 'em better fit the songs mood. Ooh, and possibly fade 'em out a bit more when you introduce the second set of synth Leads. Nice reintroduction of the other stuff BTW. And was that bit at the exact end (where it fades out and then a part of it picks up again briefly) intentional? Just curious. Now onto play 2...

Okies, for some odd reason the Bass kinda sounds muted (or muffled). Enough so that it stands out next to the Pianos. Course, I'm thinkin that you effected this entire song didn't you? Hmm, maybe the Reverb on the Piano's needs to be scaled back just a hair (so it'd match the rest of the song better).
Unless ofcourse, you were going for that effect and in that case disregard what I just said. Oh, and you know, as I sit here I think it'd be kinda interesting to hear what this would sound like without the Pianos. Maybe not as complete, but I'm bankin that it'd still be pretty cool, ya know? Man, I dunno if I'd be brave enough to jack my speakers all the way up on this one. Eh, nice one bro. Later on!

Kinda short, but I take it this is still a work in progress?

As for mastering stuff, I'm gonna haveta replay this with headphones coz right now I can't hear anything too outta place with it. Color me nuts, but the whole Glitch thing validates this bein fuzzed up, ya know?

Okies on play 2 now. And now I see what they're sayin. The Bass is a tad too high (or the drums are too low, {shrugs}). Hey, I've got an idea, why not shoot this over to UltraBasic or JahKnow (one with drums, and one without) to see if they couldn't mash it up. I betcha the result'd be pretty awesome. Later on!

Haha, that voc-sam. OMG, man, where have I heard it before?

Does it go- Hey you, stomp your feet?

Man, I'm so brain dead at the mo'. Okay, it doesn't say that, but the 'Hey you' part, I swear I've heard that part somewhere before. It's gonna drive me crazy all day now.

The rest of it is pretty choice. Kinda remindin me of classic NES midi (like somethin from Castlevania, maybe). The way you start the drums on this is awesome. They kinda progress into a more standard pattern, but this is hardstyle after all, so that's cool. Hmm, at the moment I'm feelin like this needs some moor bass to it, yeah, more bass! Maybe just bump up yer current Basses volume just a little. And the fade out FX are killer. Styled after my own heart. Thanks for sharing. Later on!

Okies, waitin for the track length to show. Ah- 5:52. Eh, not bad lengthwise, but let's wait for the whole track to play before I really say anything there.

The vocal sample is different. Not a big fan of 'em, but you made 'em work. Hmm, I'm thinkin if ya added some effects to 'em it'd sound cooler, but that's just me (shrugs).
I agree with Esh, this has more of a Techno vibe to it. Well, in the evolved sense of Tech, that is. Classically speaking it sounds more Electro (Kraftwerk in z house?, haha).
This whole track is different though. Can't really put my finger on it. Hmm, maybe it's like the evolution of DDR or what an elevator would sound like if they played more EDM stuff. That prolly didn't sound right!? Hmm, its a slippery bastaad, I tell you. One minute I'm thinking crazy next generation stuff and the next I envision Disney's Brave Little Toaster dancing a jig. Insanity man, insanity. Later on!

Haha, nice one!

But the big question now is, what flavor was it?
Man, they've got so many now that I've honestly lost track. I tried to keep up back in the 90s, but once I discovered Powerade was cheaper (though crappier tasting) I switched over to save some loot.

Anyways, this is like DJ Dado/Robert Miles mixes with Photek/Dieselboy. Rawk on lil buddy! I think this one captures the classic retro vibe perfectly (or atleast, better than that other one I listened to of yours that tried to do that, I think it was yours, hmm, {shrugs}).
And 3 minutes flat, how'd you manage that one? Flippin crazy, I tell you! I'm thinkin this one would be a perfect transition piece between genres in a mix (like goin from trance/dancy stuff into breaks). Cool stuff man. Later on!

Super lite intro. Cool deal. For a second I hadta double check to see if it was playin. So lemme let this track build a bit before I continue...

Okies, I'm back...
Isn't it funny how stuff sounds different when you walk away? I was in another room like 15 feet from my PC and yada yada yeah, it sounded cool. (sighs)

This one is pretty out there. A trance track that takes on a life of its own, why I've never heard of such a thing, haha. Honestly, I can't think of anyone/anything else that this would remind me of. Well wait, the part I'm at now (over the 6 min mark) reminds me a little of someone. Couldn't tell ya who though.
Let's see... Remix stuff, hmm? Distorted Guitars, yeah, that'd so kick @$$! Industrial Trance, without the whiny Goth lyrics, OMG, that'd so rawk! Okies, I'm done. Later on!

Okies, to answer your question from the other day- I emailed Looperman and he'll prolly get back at us tomorrow, hopefully.

Anyways, again, not a big fan of voc-sams, but I like the way they promote the site, ya know. Of all the things I've heard on this so far I'm diggin the plucked Strings the most.
And as for the comp, it's only right that ya don't submit anything since yer holdin it an all that. Though scorin a mix outta the deal is pretty sweet I must admit. Sounds like ya had a lotta fun on this one. Lates!

So that's what that loop is. I've heard it used so many times on here before and didn't know. Haha, nice one. Massive props for givin credit mate. Anyways, the stuff you added sounds so crazy. Kind of like an Elephant going berzerk or somethin. Though, why no love, huh? Its cool, I'll give everyone a hug anyways, haha. Later on!

Kinda comes off soundin a bit too strong (work on the levels a bit on the mixer, cool?). Otherwise, this is pretty nuts. How many different drum channels did ya use? Sounds like 2 or 3. The Piano kinda reminds me of late 90's experimental trance/dance stuff. And then the Clapnash kicks off to end it, very nice. Just work on the levels (and maybe add some fades to the beginning/end) and you've got a banger here. Later on!

Badda badda boop boop...

Haha, the Drums on this are nuts. How many different channels did you use for 'em? I'm thinkin 2, right? The Strings on this are cool too, though kinda repetitive (though, who cares really, repetition is what Dance is all about, ay). Okies, the Vox are also amazing and in a way they remind me of old Funky Green Dogs stuff (but evolved). The only thing I'm gonna request is that if ya ever mess with this again that ya mix it longer, for real, haha. Make it like 5 minutes or something. Later on mate!

Alright, ez does it.

Now yer in my neck of the woods. House is one of those strange genres that ya can't help, but love.

The Pianos are sweet and I'm thinkin their levels are fine. The Drums are fine where they are because they are kinda subdued. Toned down to where they aren't drowned out, but loud enough so ya know that they're there. Though I would maybe add some more kicks to 'em, here and there. The Vox were good at first, but as the track progresses they kinda increase and near the end it sounds like they're on the verge of clipping. The Strings do a little bit too, but not as much and otherwise they're nice and groovy. The bass kinda seems to be somewhat neglected on here. Though the minimal treatment of them is different and what you've got is nice. All I'd do is just bump them up a tad (maybe like I did with the drums on @30k Feet- sweeping them in and out for effect). Anyways, this is a pretty solid arrangement overall. Thanks for sharing mate! Later on!

The Flute on this sounds super familiar, but I can't place my finger on where I've heard it before. Eh, shrugs. Nice, though, short. Later on!

Very slow and funky almost offbeat quality to this mate. Definitely a different approach to recording/mixing. This song could go in so many different directions. I kinda feel like I should be on something right now, haha. Later on!

The desc reminds me of The Jurassic Park films. Namely, Jeff Goldblum's character and 'the chaos theory'. Then it leads me into I Am Legend. And strangely, I'm left thinking that what the world needs now is... Zombies, flesh eating Zombies. Wait, that isn't right. It's love, sweet love. Silly me!
Eh, maybe someone could blend 'em and make it- Sweet Zombie Love. Yeah, there ya go... Someone needs to make a Zombie love story script. That'd be so great, baahahahahaha!

As for the track, it has this kinda cool awaking/being born kinda vibe to it. Falling back on the Jurassic Park thing from above. A baby T-Rex hatching and opening it's eyes for the first time. And there we'd be 1890 African Safari get up and all, with a bag of Reece's Pieces and a tranq gun to entice the thing to come back with us. Interesting vibes mate. Later on!

PS. We the people of... DV?
Would like to request some loopage
from the Guitar/FX master, pwetty pwease!?

Nice 1, 2, 3 usage of the main intro synth. The Piano break down reminds me of someone, but I just can't put my finger on it at the mo'. Thanks for sharing. Later on!

Hey mate,
I'm here to personally invite you to join in on Stage2's Mission 2- To do some kind of tribute to Bilbozo. The link to Stage2 is on my profile.

As for this, it was kinda short, but sweet none-the-less. In fact, I'm thinkin that you, Helven, & Rei4Real could do somethin really amazing with it. Dunno if you've ever checked out their stuff, but I'm pretty sure you'd like it.
Oh, and how's that Line6 workin out for ya? I've been thinkin about gettin one of their Bass Pods lately.
Anyways, this is a pretty sweet foundation I can't wait to hear the finished result. Later on!

Decepti-whats? Haha, hmm?
Maybe, this is like a water droplet's view from inside of a Thunder cloud. Its only menacing looking at the bottom, but up at the top things are more mellow. Ofcourse, that isn't factoring in the hyper charge of the cloud so (shrugs).

Nice usage of the choir synths in this. They add to this having an etheral quality to it.

And with that said, I think it's about time for you- GameboiX and TheHandThatRocksTheDecks to do a big Trance collab (maybe DJVO could come in the mix somewhere too). There are tracks of their's that this is reminding me of. I think it'd be pretty bangin if yall did. Later on!

Hmm, I'm pretty sure I've heard the intro to this before (somewhere, either on yours or someone elses, shrugs). That little drum boom and then later the drop out were really sweet. I'll agree that this is Goa-Psy, but your approach to it is kinda minimum (not that that's a bad thing, just different). Like I'm so use to hearing those twarpy basslines whenever I listen to the Goa-Psy channel on DI.fm that I kinda expected to hear 'em here. Didn't and must say that it's a pretty refreshing approach to it. Thanks for sharing. Later on!

Liquid D&B? Hmm, interesting mate. So this is your submission to the comp, ay? Rawk on! It's just so odd listening to something when I've used the loops to. Because of that a part of me wants to fight it, but you've thrown enough extra stuff into this to make it cool. And I must say, that I'm definately diggin the effected Saxophones ya used on this. And the drumline and bass are nice and juicy. Heck, this'd be a pretty tight song without using the Free-loops samples, ya know? Haha, no, I'm not discouraging you from the comp, lil bro. In fact, I'd say this one has me beat by atleast a few ranks (like 4+ higher). Anyways, nicely done mate. Later on!