DubSmockers

Thanks !!

Appreciate the kind words Bleep, Glad you liked :)

Many thanks Bleep. I'll check out Eric Serra. Stay cool!

Something strange indeed as I myself can quite figure it out, but something does bug me. Maybe just needs re recording? Nonetheless glad you enjoyed!

Thanks, we all worked really hard on it. I actually planned on using that break to add a sample from the show "Afro Samurai" that fit the theme, but I instead decided to stay within copyright law Haha I kept the silence since I thought it'd help the track breathe, which I feel is important for a song like this.

_Sheen_

Thx for your kind words mate

Thank you!
My guitarplay still sounds like a lame, horrible mash standalone, but somehow works here - more or less. :)
Regards, traz

thank you, bleep. always good to hear from you.

Hey Bleep
I love criticism and I believe your words. I think you mean it should have been an octave lower and thats exactly what I realized after creating ... so its completely ok and right to me.
Time is money but I must spend my money in another way ... so I dont have enough time to create a big project ... I just empty my mind on my DAW and render it. As you know it dont work right always ...
Im working on a bomb ! So I promise you the next track is better than this one ...

With respects and a smile
SEVE

Bleep good to hear from you my friend if you want to use this please feel free to do so if you want the wav file let me know and ill put in on drop box best regards

Thank you very much. I'm lucky to be able to work with such talented lyricists :)

Glad you liked it, techno rules!

Hi Bleep, great that you loved this, yes the intro was interesting too :)

Thanks bleep.
I was thinking psychedelic at one point too whilst making it.
A king of hillbilly psychedelic.

Merci!

Wayne

I appreciate your comment so much, and it is a very rare thing indeed when I receive a comment primarily in a language besides English. I will be replying in English (US English by default these days), but I will send a personal message of a french translation by Google translate (the best I can do).

The number of listens you specify makes me respect your attention to the track even more so. The electric and electronic instruments involved help with the richness in many ways, as does the authentic and little processed performance of the bass part.

The bass is shared by two parts, the Epiphone P-Bass which was largely unedited, and the monotribe which was MIDI controlled aside from the intro (which was live performance). Both of these instruments are not overly ultra low frequency oriented, and the intentions were more along the lines of an 8 track recording or eighties new wave sort of feel, neither of which were very "sub" oriented.

I have been working extremely hard on mixing in the terms of a soundscape, and timing down to the millisecond. This is partly due to the particular limitations of FL Studio in it's current incarnation (12.4.2 build 33). Things having gotten far more difficult for me, due to recent changes.

Your mention of "modern art" as a music genre is interesting, as I have been working with musique concrete, avant garde, and generative music lately. All of these things are ones which I was brought up as being "modern art." What is modern has obviously changed though, so I'm happy that I can keep up, even if it is mostly on this site.

You can be assured that this piece would be far more appropriate in uncompressed format, on compact disc and a high fidelity stereo system. My music is always meant to be heard this way, as a complete album. This fifteenth lengthy release of mine should be available soon.

I thank you so much for your comment, and I will return the favor soon. Hopefully tomorrow I will easily remember this experience and arrive at your profile. Have a great day!

Thanks, glad you liked it :)

Thank you sm for catching that. Most ppl dont see it haha