otherwise you fear for the rest of your days waiting for the clip to click, then bang, your done, breathless. like this piece, takes your breath away quality mix and transitions, great sound, the music is the selling point the vocal clip is a great placement and the choir is lit, it sounds great on both speaker and headset mate back to back listens, had me poppin and strobing bro top top job.
Paul, how are you, friend? Well, I hope.
I will say that since I've been here, I have learned that the Valvedriver brand has definitely carved out a signature sound. It's been said that it does carry through in whichever genre I go with. Funny thing is, I can hear it, I can feel it, but I have no idea where exactly it comes from or even how to pinpoint it.
The choir bit in this track is from one of my favorite pieces, "Miserere mei, Deus". Although I'm not religious, (rather anti-religious, actually), it's still such a powerful piece. I had to use it.
I'm glad to hear that it sounds good on multiple systems To be honest, I've been pretty lazy about double checking on all my different tester systems. I just shoot it out there and hope for the best. lol.
Always good to hear from you, mister.
Take care.
Aaron.
Aaron I'm not yet 4 years in, you have been a regular listen for me, you also linked me to your older tracks too, so i know exactly what to expect from you, i love the industrial and metal elements in your pieces always, add the electronic edge too, its your own distinct style, we are friends and you always compliment me when i add darkness to work, which i love and respect because you always add from the man who does nothing but dark :))) this isn't dark, this is death,
Hello ValveD...just listened to your track and right away I had a hundred different images that this track could represent... all of them being on the thunderous and piledriving side. It takes control right off the top and never regents.....enjoyed it a lot my friend.
Hello Glenn. I'm glad you stopped by. I always appreciate it when someone takes time for my work.
It's good that you had a hundred different images with this. When I make a track, I tend to try to paint with sound, hoping that it evokes something within the listeners mind, or heart. Your confirmation encourages me to continue.
Thank you again, Glenn.
Take care.
V.
Hello, my friend. I joined LM back in 2019, which seems like 100 years ago. But I didn't realize the amount of real talent here for quite awhile. Even then, it never occurred to me that I'd find works like yours here, for whatever reason. But I'm sure as hell glad I did. Among the heaps of praise I pile on, I realized that I haven't mentioned this - u always achieve as clean a sonic mix as it gets, one of the things I take pride in myself. It's an underrated feature, I'll tell u that. Because it's not a walk in the park to achieve that sometimes. The little things definitely do not go unnoticed by me. Like everything I've heard from u, this is mf superb dude. I'm glad I came across your work, you've inspired me to take that step and make my current project happen. I promise it wouldn't have otherwise. So my thanks really means something here. I'm still waiting to collaborate with u in some way before I'll consider the project truly completed, it wouldn't seem right otherwise.
Aaron, how ya doin?
I'm glad I could inspire you. It's always good to know that what you do makes others want to do bigger and better. For that, I thank you.
It took a lot of bad tracks to get to these good ones, as I'm sure you know. When I joined in 2012 I had some real ugly ones. But it was because the crowd back then were full of people who weren't afraid to leave constructive criticism. I'd say about 80% of what I know now, is because of those back then. I learned so much. I wish more members still did that. I mention it because, to me, that in itself is a great form of inspiration.
As far as collaborating on M. Squadd, get ahold of me over on Discord. Let me know exactly what you're looking for. We can discuss it over there.
Until then, take care.
Aaron.
Hi valve
This is excellently put together and the sound is also perfectly mastered.
To me it sounds like an amazing track for an exciting film so I would say cinamatic
Hiya, Rita.
Thank you! Cinematic seems the be the general consensus. For a long time I tried to get away from the cinematic sound, but as an artist before musician, I can't help but make images. In the case of music, I've learned that I basically just paint with sound. I start to see an image in my head as the track progresses, and then I just continue to create the soundtrack to whatever it is that I "see". So, Cinematic it is!
Thank you again!
Take care.
V.
I would say predominantly cinematic with a huge splash of trap and weird. Interesting and intriguing track that unfolds around your ears and surrounds you with a sense of something is coming but you don't know what it is. Mysterious. Kay0s
I can guarantee you that any Trap that might be in there is purely coincidental. That's a genre I don't listen to, so I really am not familiar with it. But I can agree with cinematic and weird. People have always told me that my non-metal work is very "soundtracky".
Either way, thank you for listening and commenting. It's much appreciated.
Take care.
V.
The intro reminds me on ok forget that its just kicked in Im loving the vibe gd sounding guitar solo work is impressive the chilled out bit with the vox is cool then coming bk into the depths of darkness great track man enjoyed my listen
You have incredible talent there. I am listening and figuring out the influences here - I'm hearing Black Sabbath, Linkin Park, Alien Ant Farm and a splash, just a splash of Velvet Underground (with the melodic pieces). The opening is something quite special. Gunfight at the OK Corral - has a real Western feel about it. So many interwoven sections of light and shade - this is Art, at its very best. Loved it. Kay0s
Kay0s, thank you for listening and commenting. You started out on the right path with Black Sabbath. But Linkin Park, Alien And Farm and Velvet Underground are a miss. I like Lou Reed a little, but not enough to call my self a fan. The other two, not a fan at all. Now, if you had said, Sabbath, Pink Floyd, Ministry, and UFOMammut, you would have been straight on.
I appreciate you taking the time, and I'm glad you enjoyed it.
Take care.
V.
That's the crunch I covet man. Jeez I could go crazy with some of the elements In this, especially with the project I've been focusing on. This is so dope man.
Thanks, man. I'm glad you like it. Now that I've finished this, I can focus more on building a few riffs and whatnots for you to use in your projects. I was, as the cool kids these days say, hyper-focused on this bad-boy for a few weeks.
just played it full blast on the stereo - still can't fault a thing. it sounds fantastic! solid, balanced, and so close to perfection. i see why this one felt right. the frequency spectrum seems spot on - looks like you've nailed it.
i struggle with that too. sometimes everything clicks on the first try, other times it's endless tweaking that only makes things worse. honestly, i don't have a set workflow, which is part of the problem. i know the theory, but the execution often falls short.
i should use reference tracks, but i'm usually too lazy - not exactly a role model for improvement. if it doesnt work, it goes to the wip folder, never to be touched again, and then i half-##### the next thing. typical millennial - got the perseverance of a cigarette at an AA meeting.
used to be way easier to do on amphetamines, but as it turns out that's no long-term solution either (:
Oh yes. The WIP folder. It should be called the "Stopped-dead-in-it's-tracks,-never-to-be-seen-again,-and-if-it-is,-I'll-say-I'm-going-to-finish-it-someday,-then-throw-it-back-in-so-it-can-rot-in-the-dark" folder.
Typically, the only thing I have that could be considered a work flow is when I first start a new project, and I'm picking, assigning, and setting tones and effects on the instruments. Once that part is over, it's a total free-for-all. It's almost the equivalent of throwing a stack of papers in the air, and then sorting them out after they land.
Thanks for letting me know how it sounded on your system. I usually run mine through a few different ones, including the car. This one was a little elusive on finding that happy medium across them all. So, I appreciate the extra set of ears.
listening on my headphones at 4 am - this sounds incredible. can't find anything i didn't like. the mix is massive, full of energy, yet so clean. flawless to my ears. i'll check it on my stereo tomorrow.
the middle section was clever - a perfect breather between the high-energy parts, and alan watts too! bit of a fan myself :)
outstanding work, mate. thoroughly enjoying this!
Thanks, man! I appreciate that. This was one of those where I'm thoroughly pleased with it. Usually there's something that I'm not happy with when I finish, but I'm sick of trying to work it out, so I just call it done and cast it out. This one didn't have that. The only issue I had was getting the bass/mid/treble frequencies balanced evenly across all my different sound systems. So, when you listen on your stereo, please, let me know how it sounded, and if I need to make any adjustments.
Alan Watts has some very profound, deep, and insightful words. Definitely an open minded individual.
Thank you again.
Take care.
Aaron.
Killer track - so intricately layered and well made - absolutely reminds me of why people say classical music and heavy metal share a lot of commonalities. Beautiful composition and very fine craftmanship
Pseudo, thank you. I appreciate it. There are definitely a lot of similarities between metal and classical, but beyond the distortion, there are still so many differences. I like to think of it as if Metal is Classical's angry grandchild.
Thanks for the time and the comment. Again, I appreciate it.
Take care.
V
Damn - this is so cool - the guitars sounds are fantastic and it is so meticulously and brilliantly constructed and well produced - real trip on my headphones - not only is nothing out of place but everything is in just the right place. Metal is not a genre Ive listened to much is the more recent years but you are reminding me how good it can be. I cant imagine how long this took but however long it was worth it : )
Nonube, thank you for taking the time to listen and comment.
I don't think metal is something I'm capable of not listening to for any extended time. I've been a metalhead since the cold war. The adults back then always said "It's just a phase. He'll grow out of it.". Nope. Never did.
As far as how long it took, a total working time of 19 hours and some change. I think at least a good third of that time was just getting the mix balanced.
Anyhow, thanks again. I appreciate it.
Take care.
v
It sure is a brilliant sequencing, to my ears as if you played these guitars and bass instruments. Very realistic. I agree with your opinion about the psychedelic influences in your track. Yes it was kind of a trip, a bit rough, as if in a windy day.
Very well done
Best wishes, Anthony
thank you very much for answering all my questions! very interesting to learn you also use the mouse i lot. i often do the same for bass, strings and drums.
it did sound awesome on my stereo as well by the way, cheers!
on Shapen In Wickedness by ValveDriver
I will say that since I've been here, I have learned that the Valvedriver brand has definitely carved out a signature sound. It's been said that it does carry through in whichever genre I go with. Funny thing is, I can hear it, I can feel it, but I have no idea where exactly it comes from or even how to pinpoint it.
The choir bit in this track is from one of my favorite pieces, "Miserere mei, Deus". Although I'm not religious, (rather anti-religious, actually), it's still such a powerful piece. I had to use it.
I'm glad to hear that it sounds good on multiple systems To be honest, I've been pretty lazy about double checking on all my different tester systems. I just shoot it out there and hope for the best. lol.
Always good to hear from you, mister.
Take care.
Aaron.
on Shapen In Wickedness by ValveDriver
on Shapen In Wickedness by ValveDriver
on Shapen In Wickedness by ValveDriver
It's good that you had a hundred different images with this. When I make a track, I tend to try to paint with sound, hoping that it evokes something within the listeners mind, or heart. Your confirmation encourages me to continue.
Thank you again, Glenn.
Take care.
V.
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
on Shapen In Wickedness by ValveDriver
on Shapen In Wickedness by ValveDriver
V.
on Shapen In Wickedness by ValveDriver
I'm glad I could inspire you. It's always good to know that what you do makes others want to do bigger and better. For that, I thank you.
It took a lot of bad tracks to get to these good ones, as I'm sure you know. When I joined in 2012 I had some real ugly ones. But it was because the crowd back then were full of people who weren't afraid to leave constructive criticism. I'd say about 80% of what I know now, is because of those back then. I learned so much. I wish more members still did that. I mention it because, to me, that in itself is a great form of inspiration.
As far as collaborating on M. Squadd, get ahold of me over on Discord. Let me know exactly what you're looking for. We can discuss it over there.
Until then, take care.
Aaron.
on In The Dreams Of The Damned by ValveDriver
This is excellently put together and the sound is also perfectly mastered.
To me it sounds like an amazing track for an exciting film so I would say cinamatic
Thank you! Cinematic seems the be the general consensus. For a long time I tried to get away from the cinematic sound, but as an artist before musician, I can't help but make images. In the case of music, I've learned that I basically just paint with sound. I start to see an image in my head as the track progresses, and then I just continue to create the soundtrack to whatever it is that I "see". So, Cinematic it is!
Thank you again!
Take care.
V.
on In The Dreams Of The Damned by ValveDriver
Either way, thank you for listening and commenting. It's much appreciated.
Take care.
V.
on Overmyth II - Cathedral Of The Witch by ValveDriver
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
I appreciate you taking the time, and I'm glad you enjoyed it.
Take care.
V.
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
Sounds very good.
Its well structured. I also really like the slow part with the vocal. Overall a great track.
Take care.
V
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
you're very welcome.
just played it full blast on the stereo - still can't fault a thing. it sounds fantastic! solid, balanced, and so close to perfection. i see why this one felt right. the frequency spectrum seems spot on - looks like you've nailed it.
i struggle with that too. sometimes everything clicks on the first try, other times it's endless tweaking that only makes things worse. honestly, i don't have a set workflow, which is part of the problem. i know the theory, but the execution often falls short.
i should use reference tracks, but i'm usually too lazy - not exactly a role model for improvement. if it doesnt work, it goes to the wip folder, never to be touched again, and then i half-##### the next thing. typical millennial - got the perseverance of a cigarette at an AA meeting.
used to be way easier to do on amphetamines, but as it turns out that's no long-term solution either (:
all the best,
savino
Typically, the only thing I have that could be considered a work flow is when I first start a new project, and I'm picking, assigning, and setting tones and effects on the instruments. Once that part is over, it's a total free-for-all. It's almost the equivalent of throwing a stack of papers in the air, and then sorting them out after they land.
Thanks for letting me know how it sounded on your system. I usually run mine through a few different ones, including the car. This one was a little elusive on finding that happy medium across them all. So, I appreciate the extra set of ears.
on Moss Mother II- Reality Is The Tolling Of The Bell by ValveDriver
the middle section was clever - a perfect breather between the high-energy parts, and alan watts too! bit of a fan myself :)
outstanding work, mate. thoroughly enjoying this!
Alan Watts has some very profound, deep, and insightful words. Definitely an open minded individual.
Thank you again.
Take care.
Aaron.
on Electric Cicada by ValveDriver
Take care.
V.
on Electric Cicada by ValveDriver
Thanks for the time and the comment. Again, I appreciate it.
Take care.
V
on Electric Cicada by ValveDriver
I don't think metal is something I'm capable of not listening to for any extended time. I've been a metalhead since the cold war. The adults back then always said "It's just a phase. He'll grow out of it.". Nope. Never did.
As far as how long it took, a total working time of 19 hours and some change. I think at least a good third of that time was just getting the mix balanced.
Anyhow, thanks again. I appreciate it.
Take care.
v
on Electric Cicada by ValveDriver
Take care.
V.
on Electric Cicada by ValveDriver
Very well done
Best wishes, Anthony
Take care.
V.
on Electric Cicada by ValveDriver
it did sound awesome on my stereo as well by the way, cheers!