Definitively cinematic quality, shakers are a bit hard on the ear, but appropriate given the context. Mumbles and hums are very Aphex Twin. Liking the music box revisits, nice work, great synth sound.
That was the part I wasn't 100% on. But since this track was made with all recycled synths and sounds that I made for other tracks, except the kid's vocal samples, I wasn't too terribly worried about it. It would have been different if I had started this thing from bare bones.
Its very hard to typing the comment with my head going left to right and up and down but i will give it a try. I love the mood you set with the intro. It could be the backing music of a good horror movie. Then when the dnb kicks in the first time, it completely turns the track around without sounding messy at all. The 2nd part you hear the guitars and glitches doing their thing which keep you drowned into the dark tunes as we know from you. All those little FX details that you put in shows your talent for beatmaking. I cant really give you any critic as I think the track is right there where it should be.
If it freaked you out and started watching shadows, then I did my job correctly! HA! That was exactly what I was going for. Creepy and dark. But that's what most of my electronic music is. Creepy and dark. There was a time a few years back where I was kind of known here for my dark tunes. I'm glad you like it.
Thanks for listening, and commenting. I appreciate it.
I think the fact that I've listened to heavy metal since about 1985 has a lot to do with it. In heavy metal, there are often breaks where it goes from heavily distorted and loud, to clean and quieter. It kind of works as a break for the listeners ears. It lets you catch up and breathe for a second before getting back into the pounding. I incorporate that theory into all the music I do.
I really dig the part at 2:15, too.
I'm glad you enjoyed it, and thank you for leaving kind words. I appreciate it.
I thought the intro was great, it set the mood, was a bit cinematic and creepy as hell. The fast parts were a stark difference and got the heart pounding. I like the Children of the Corn 2021 idea, ha!(cream corn this time)
I agree, feels like a chase when it gets going and with the mumbling, it sorta distracts from trying to get away faster.
Well put together idea. Cinematic to me. Would love to hear this performed in a club and get to physically feel the PA pounding.
Thanks you for listening and commenting. I appreciate it!
I started making digital music back around '99. That whole time I have always been told that it sounds cinematic, or "soundtracky". I guess maybe because I use a lot of ambient sounds and audio clips, and I don't generally follow the standard song formula. Who knows? Either way, as long as people like it, I'm okay with it.
"Children Of The Cream Corn: Welcome to the gRave!". Glow sticks and machetes, Pacifiers and scythes!
Thanks again, Wayne. Have a good one, and take care.
Aaron
Brutal cool ... if I remember well, I said once before that your electro works are nearly metal stuffs ... here too, if we put a distorted guitar in the song, these themes would scream ... :-)
and based on the best dnb song of 2019, luckily you're far from it ... https://www.youtube.com/watch?v=h7PRh7ZQlss
fistbump, Danke
Danke, how are you doing? I hope all is well in your camp.
I suppose that living in Heavy Metal since 1985 is probably why. I've been a die-hard metal fan my whole life. I love the dark D&B because it does have some of the same attitude and raw aggression that metal has.
I started out with some distorted guitar, but it didn't mix well with the distorted bass synths. I couldn't get it to sit clear, so I scrapped it and rewrote some of the sections.
As always, brother, it's good to hear from you, and thank you for the kind words.
Children Of The Corn: Reboot 2021. I'd watch it. The original one did NOT hold up over time, but it still holds nostalgic value for me. Unlike Maximum Overdrive. I LOVED that movie when it came out. I saw that it was on Netflix awhile back. I made it about 4 minutes in and couldn't do anymore. HA!
BONEZ, man, I am sorry for the late reply. It's been a mad house around here over the holidays. My apologies.
I can't say that I've ever heard of Alan Hackshaw, but if this track reminds you of him, then he's probably someone I would like. I will check him out.
I always take it as a compliment when someone tells me my work reminds me of a big name.
Hey man, thanks for the listen, and the kind words. I appreciate it.
Greetings V, hope all is good and well. First off, let me just say how much I love this mix quality, crisp, clear,raw, and agressive. Such blissful chaos and artistry at its best. You knocked this baby out of the park brother, a job well done. BTW,I've been looking at buying Sylenth1 for quite awhile, and I was hoping you can share your feedback. I would really appreciate it. Faved.
Greetings in return! Thank you for the kind words. I greatly appreciate it!
As far as Sylenth goes...pull the trigger and get it. It's a highly versatile synth and totally user friendly. The routing path is an easy one to follow and all the extra this-n-that's make for some sweet one of a kind patches. I bought it years ago and have used it in almost every track since then. If you check out my tune "I Hope You're Alright" you can get a good idea of what it can do. Other than the piano and drums, that's all I used. All the patches were custom built from the initial saw.
Honestly, I wish Lennar Digital has seen all the recommendations I've made. They'd have to sponsor me with free shit by now!
This is a very atmospheric piece, the first part sounds like an ancient pagan ceremonial and then evolves into a more rapid but equally intense form. The construction of the sounds you used is very accurate and I think all this took time and effort. As always you produce songs of great impact and depth.
A cordial greeting
Marco
Marco, sorry for the late reply. We are in the middle of a big move, and have had no time for anything.
That being said, Thank you for your kind words.
It's interesting that you hear pagan ceremonials. My intent was to convey a more underworld industrial setting. Just another testament to interpretation, and how one thing can be perceived so vastly different by separate entities. It amazes me, really.
Thank you again, my friend,
As always, take care.
Aaron.
I would suggest it. There are a few people here that are a wealth of priceless advice and information. They are always ready and willing to share it without expecting anything in return. But, to find that advice, you have to take the time to dig through comments on other peoples tracks and in the forums.
Because @Arloph09, you would have seen that the last commenter before you said the exact same thing. And Mr. Valve acknowledged that and provided a reason for why it's like that and what he can do about it. So it´s plus points for you for realizing what needs to be fixed like someone else, but minus points for you for not sharing in the community expression that was already there because you did not bother to engage by reading others' comments. Capiche, my friend.
Not only because of what Crucethus said in the comment above this one, but because sometimes you learn things by reading other comments. But, I'm guessing you aleady know everything there is to know.
A very dark tune indeed. Like a Gothic Wellness check with hints of darkwave and a Tool like Percussion feel. When I listen to music It can trigger me to think of colors (a very mild form of synesthesia). In this case shades of grey and some deep blues. The melody line at the end triggered a tiny bright red feel, and the piano chops at the end were very ominous. This is truly a Valve driver tune. Good work.
Speaking of disappearing, I've been out of commission for a while here lately myself. Too much work and not enough time for play. I hope to get back to some music here real soon though. Anyhow on to the matter at hand. I thoroughly dig this...what could be considered a bit of a throwback ValveDriver track. I was all in right from the start.
As you mentioned it certainly has a lot of the original mix flavoring with the multi layer synths, its deep and heavy foreboding presence and bad ass sinister vibes.
There's plenty of notable elements here but I particularly like the pitch shifting notes in the mid section. Really accentuates the energy/tension and pegs the ol' eerie meter ! Also the Piano One is in my opinion a very sensible and appropriate addition to your arsenal. Piano (and violin) have been staple instruments for some of the most memorable and historically classic soundtracks of the "ominous" variety ever made. It also sounds very cool in there which is the best reason I can think of to hopefully persuade you to leave it.
With Halloween almost here I'm in the midst of preparing my annual scare soundtrack to provide the right ambience for the neighbor kiddos who are willing to dare enter the fright zone and knock on my door for treats. This baby will be making the play list for sure bro.
I can dig that whole more work than play thing. This whole preparing to move is a time consuming summbitch.
With the exception of the drums and the piano, the synth patches that I used in this track are 5 of my oldest patches that I made from scratch. They are the first 5 that I used in the second track I posted here back in 2012. The feel of this one is more sinister than the original track. Which is what I was going for. It's not really a remix, or a reboot, just another track with the same synths.
I liked how they have a groovy drive to them, but can still be dark. Unlike the original "The Anderson Council". Which is a more groovy, chilled out ride.
I'll leave the piano in this one. I just need to go back and adjust some of the velocities on the higher notes. They're too close and sound too programmed. Not as organic and natural as I like to shoot for. I remembered the Toms, but forgot the piano. Oops.
As far as horror playlists go, feel free. You should also check out my track 2077 AD. It's a droning, dark ambient piece that I made entirely for myself for those nights where insomnia is stronger than the melatonin. So, it's plenty long so I have time to actually fall asleep before it's over.
I hope all is well deep down Texas way. Stay safe down there, mister.
on Dont Be Afraid by ValveDriver
" shakers are a bit hard on the ear"
That was the part I wasn't 100% on. But since this track was made with all recycled synths and sounds that I made for other tracks, except the kid's vocal samples, I wasn't too terribly worried about it. It would have been different if I had started this thing from bare bones.
I appreciate your critique. Thanks again.
Take care.
V.
on Dont Be Afraid by ValveDriver
I'm glad you enjoyed it! Thank you for leaving such a kind comment. I truly appreciate it.
Take care.
V.
on Dont Be Afraid by ValveDriver
If it freaked you out and started watching shadows, then I did my job correctly! HA! That was exactly what I was going for. Creepy and dark. But that's what most of my electronic music is. Creepy and dark. There was a time a few years back where I was kind of known here for my dark tunes. I'm glad you like it.
Thanks for listening, and commenting. I appreciate it.
Take care.
V.
on Dont Be Afraid by ValveDriver
I think the fact that I've listened to heavy metal since about 1985 has a lot to do with it. In heavy metal, there are often breaks where it goes from heavily distorted and loud, to clean and quieter. It kind of works as a break for the listeners ears. It lets you catch up and breathe for a second before getting back into the pounding. I incorporate that theory into all the music I do.
I really dig the part at 2:15, too.
I'm glad you enjoyed it, and thank you for leaving kind words. I appreciate it.
Take care.
V.
on Dont Be Afraid by ValveDriver
Nice transitions
Also sounds mesh well together!
Legendary!
Take care.
V.
on Dont Be Afraid by ValveDriver
I agree, feels like a chase when it gets going and with the mumbling, it sorta distracts from trying to get away faster.
Well put together idea. Cinematic to me. Would love to hear this performed in a club and get to physically feel the PA pounding.
Cheers!
Wayne
Thanks you for listening and commenting. I appreciate it!
I started making digital music back around '99. That whole time I have always been told that it sounds cinematic, or "soundtracky". I guess maybe because I use a lot of ambient sounds and audio clips, and I don't generally follow the standard song formula. Who knows? Either way, as long as people like it, I'm okay with it.
"Children Of The Cream Corn: Welcome to the gRave!". Glow sticks and machetes, Pacifiers and scythes!
Thanks again, Wayne. Have a good one, and take care.
Aaron
on Dont Be Afraid by ValveDriver
When it comes to putting music together, I have always had a near impossible time trying to get minimal. My brain just keeps saying, ADD MORE!! Ha!
Thank you again, and take care.
V.
on Dont Be Afraid by ValveDriver
and based on the best dnb song of 2019, luckily you're far from it ...
https://www.youtube.com/watch?v=h7PRh7ZQlss
fistbump, Danke
I suppose that living in Heavy Metal since 1985 is probably why. I've been a die-hard metal fan my whole life. I love the dark D&B because it does have some of the same attitude and raw aggression that metal has.
I started out with some distorted guitar, but it didn't mix well with the distorted bass synths. I couldn't get it to sit clear, so I scrapped it and rewrote some of the sections.
As always, brother, it's good to hear from you, and thank you for the kind words.
Take care, my friend.
on Dont Be Afraid by ValveDriver
Take care, brother.
Aaron.
on Red On The White by ValveDriver
on Red On The White by ValveDriver
I can't say that I've ever heard of Alan Hackshaw, but if this track reminds you of him, then he's probably someone I would like. I will check him out.
I always take it as a compliment when someone tells me my work reminds me of a big name.
Hey man, thanks for the listen, and the kind words. I appreciate it.
Take care.
V.
on Red On The White by ValveDriver
Take care.
V.
on Red On The White by ValveDriver
Take care.
V.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
Take care.
V.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
Until Then
SunFace
As far as Sylenth goes...pull the trigger and get it. It's a highly versatile synth and totally user friendly. The routing path is an easy one to follow and all the extra this-n-that's make for some sweet one of a kind patches. I bought it years ago and have used it in almost every track since then. If you check out my tune "I Hope You're Alright" you can get a good idea of what it can do. Other than the piano and drums, that's all I used. All the patches were custom built from the initial saw.
Honestly, I wish Lennar Digital has seen all the recommendations I've made. They'd have to sponsor me with free shit by now!
Thanks again.
Take care.
V.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
A cordial greeting
Marco
That being said, Thank you for your kind words.
It's interesting that you hear pagan ceremonials. My intent was to convey a more underworld industrial setting. Just another testament to interpretation, and how one thing can be perceived so vastly different by separate entities. It amazes me, really.
Thank you again, my friend,
As always, take care.
Aaron.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
Thanks for the listen and the comment.
Take care.
V.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
It's worth the time and effort.
Take care.
V.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
Additional minus points for absolutely no tact whatsoever.
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
on Labyrinth Of The Absurd pt 2 - Pain Has A Face by ValveDriver
on I hope Youre Alright by ValveDriver
It must make things much more interesting.
I think that's the first time I've heard that my music has hints of Tool in it. I take that as a compliment.
Thank you, sir, for stopping by! Be safe up there, mister.
Take care.
Aaron
on I hope Youre Alright by ValveDriver
Speaking of disappearing, I've been out of commission for a while here lately myself. Too much work and not enough time for play. I hope to get back to some music here real soon though. Anyhow on to the matter at hand. I thoroughly dig this...what could be considered a bit of a throwback ValveDriver track. I was all in right from the start.
As you mentioned it certainly has a lot of the original mix flavoring with the multi layer synths, its deep and heavy foreboding presence and bad ass sinister vibes.
There's plenty of notable elements here but I particularly like the pitch shifting notes in the mid section. Really accentuates the energy/tension and pegs the ol' eerie meter ! Also the Piano One is in my opinion a very sensible and appropriate addition to your arsenal. Piano (and violin) have been staple instruments for some of the most memorable and historically classic soundtracks of the "ominous" variety ever made. It also sounds very cool in there which is the best reason I can think of to hopefully persuade you to leave it.
With Halloween almost here I'm in the midst of preparing my annual scare soundtrack to provide the right ambience for the neighbor kiddos who are willing to dare enter the fright zone and knock on my door for treats. This baby will be making the play list for sure bro.
With the exception of the drums and the piano, the synth patches that I used in this track are 5 of my oldest patches that I made from scratch. They are the first 5 that I used in the second track I posted here back in 2012. The feel of this one is more sinister than the original track. Which is what I was going for. It's not really a remix, or a reboot, just another track with the same synths.
I liked how they have a groovy drive to them, but can still be dark. Unlike the original "The Anderson Council". Which is a more groovy, chilled out ride.
I'll leave the piano in this one. I just need to go back and adjust some of the velocities on the higher notes. They're too close and sound too programmed. Not as organic and natural as I like to shoot for. I remembered the Toms, but forgot the piano. Oops.
As far as horror playlists go, feel free. You should also check out my track 2077 AD. It's a droning, dark ambient piece that I made entirely for myself for those nights where insomnia is stronger than the melatonin. So, it's plenty long so I have time to actually fall asleep before it's over.
I hope all is well deep down Texas way. Stay safe down there, mister.
Take care, brother.
Aaron.
on I hope Youre Alright by ValveDriver
Michel
Take care.
Aaron.
on I hope Youre Alright by ValveDriver
If you do that, let me know how it was!
Take Care.
V.