ValveDriver

It's a little muddy on the low end, and the "screech" in the high peaks of the wah effect can be a little harsh in a few spots. Maybe tone back on those a little and notch the 150hz-200hz for the overall mix. Other than that, sounds good!
Take care
V.

Hello Kay.
I don't know if you took a trip down to the crossroads, or what, but over the last few tracks your voice has improved so much! You sound much more relaxed and confident. You're showing a lot more range and ability without sounding uncomfortable.
The track itself is good. I don't know if the scat was a nod to Ella, or just to jazz itself, but I'm going to tell myself it was a nod. ;)
Oli, as per usual, put together a fantastic backing track. The whole thing sounds good, you two!
Take care.
Aaron.

Sometimes, the alter ego just has to let it's presence be known. This kind of inspires me to do one where Valvedriver (the persona) has something to say. In one way or another, anyhow.
Awesome track, my friend. I love the concept.
Take care, brother.
Aaron.

I like it. It reminds me of some of the old late 60s/early 70s sci-fi thrillers. Good use of panning and stereo effects, too.
Good work. Keep it up!
Take care.
V.

I think you achieved what you were looking for. It sounds warm to me. Your mix is impressive as well. Everything is nice and wide, spacious, and full. Good use of panning and stereo imaging. Good job, man. Keep it up.
Take care.
V.

Chris, how are ya, man?
I gotta say, I have yet to hear something from you that's less than stellar. I love the contrast between the busy (by comparison) bassline and the ethereal guitar. It kind reminds me of The Orb from back in the day. That's a compliment.
Fine work, my friend.
Take care.
Aaron.

Sounds good, Robin. I agree with Cincocent on the R-n-B vibe.
Definitely a mellow groove to it, that's for sure. You've come a long way with your mixing.
Good work, man. Keep it up.
Take care.
V.

"There's nothing else then forest and birds."
Living in the Pacific Northwest, I know exactly how that feels, and how inspirational it truly is. I don't know if you ever listened to my track Moss Mother pt.1, but that's what it's all about. So, I can totally relate to your situation, and I'm glad you found that!

"I'm not feeling alone anymore."

That pleases me to no end, brother. When I found this place, I felt like the "Bee girl" at the end of the Blind Melon's "No Rain" video. Everyone was so accepting and supportive. Most of what I know I learned here, from some of the old timers back in the day. I think I can safely speak for a lot of people here when I say that you're a valued member of this little community, and we're glad that you're here.
So, here's to many more, brother.
Take care.

Hey Lu. Welcome back, man. I'm glad to see you've been busy working on more music. I've always liked your work.
This is a good one. I really like the way you've used the synths throughout the whole thing, but their so cleverly placed that you almost don't notice them. But if they weren't there, you would definitely miss them. They're like a sonic ribbon that weaves in and out, tying everything together.
As far as the mix goes, it sounds good to me. Everything is clear, all the levels seem to be balanced, you have good panning and stereo separation, every instrument sits exactly where it should, and your vocals come through clearly. For a beginner, man, it sounds great! I think you're closer to "there" than you give yourself credit for.
When you release your album, please let me know immediately, and point me in the right direction as to where to find it. I'll be first in line to get it.
Take care, mister.
Aaron

I dig it, man. The guitar work reminds me a little of Mick Gordon. That's a good thing.
Have you ever tried selectively syncopating some of the chugs with the 808's? Or, something to that effect. I imagine that would give it a real hard hitting sound. Like being repeatedly punched in the chest with a Rhino. It might be good for a breakdown. Just a thought.
I know it's not mastered yet, but it still sounds good. I'd like to hear it when it's done.
Take care, man.
Aaron

Sounds good, brother. I really dig the lyrical content. They're poetic and real. Keep 'em coming, man! This was a good backing track to use for a foundation, too. So, kudos to you and Robin, both.
Take care.
V.

The lyrical content to this reminded me of a song called "T.U.S.A."from the album "Sunrise On The Sufferbus" by the band Masters Of Reality, released in 1992. GInger Baker from Cream and Blind Faith was their drummer, and vocals for that song. It's also about how Americans can't make tea.
For the record, though, this American doesn't do tea, so I can never be accused of making a bad cup. Now, coffee on the other hand...that's my thing. I'm behind every step of the process, starting with roasting my own. So, I always know it's fresh, and I have the brewing down to a science.
Anyhow, as far as this track goes. I REALLY like the sustained vocals. They fit so damned well. I know the lyrics are meat to be humorous, but the way you delivered them really drives the point home.
@Dimestop, thank you for the boost, man! I appreciate that!
As always, take care.
V

TrippleN, how ya doin' man? Well, I hope.

Listen, this is a damn fine production. You have definitely put a lot into this. As far as the repetitiveness of it, I don't think so at all. Granted, the main melody repeats through the whole thing, but you have enough other elements into play that it's constantly moving, glitching, or breaking. All of which keep it interesting and not monotonous.
Honestly, it kind of reminds of something from some old Dj Nujabes. There's something about it that's new and nostalgic at the same time. Excellent work, man. Keep it up.
Take care.
V.

Cool man, cool.

WesterlyGroove, hello.
I know nothing about Jungle so I couldn't tell you if this is good or not by the genre's standards. But, as a listener with no preconceived notions as to what it should sound like, I like it. I'm just curious though, what makes it Jungle as opposed to D-n-B, or something to that effect?
I fully understand the creating "something atmospheric and nighttime". Most of my best work has come from the middle of the night, and it sounded like it.
Good work. Keep it up.
Take care.
V

I'm going to go out on a limb here and say you're a fellow Gen-X'r. Not only does it have a Satch vibe, but there's a lot of Billy Gibbons, EVH, Angus, and a little Vai in there too.
Excellent work. It sounds a lot like some of the stuff I was listening to back in the early 80's. Keep it up.
Take care.
V.

It does have an 80s feel. I noticed a couple people compared it to A-Ha. I can agree with that. I can also hear just a touch of Depeche Mode in a few spots.

Having been around in the 80s, and listening to ALL of the music back then, here are a couple of suggestions to consider for a more authentic 80s sound:

Brassy stabs. For whatever reason we thought the brassy stabs were gods gift to synth pop back then. In some songs they were very prevalent, in others, just an accent here and there. In this track, they'd be better as a here and there accent type.

Super synth tom rolls, Try throwing in a few tom fills that are very obviously synth toms. Another thing we thought was a good idea.

Just a couple of ideas that you can either use, or toss out. Either way, you've done a good job with your recreation.
Take care.
V.

Funny thing is, man, everyone is always spouting off some regurgitated Hallmark, inspirational poster type shit whenever you're in a bad place, as if you have to escape immediately. And for most, it's something that needs to be heard in that time. But for artists, poets, musicians, nah...F off with that. Let me lean into that pain. Let me submerge myself. Don't stand there trying to pull me out. Don't throw me a lifeline because YOU think I've been in too long. Art is catharsis and I'll stay in it as long as I need.
People ask me why my art is so dark. I just tell them, it's how I bleed.
In otherwords, I get it. It's a price we artists must pay. Pain in exchange for greatness. I'm sorry you had to endure whatever it was that you did, but this piece that came from it is by far one of your best. If I could suggest anything, it would be to remember the avenues within yourself that you took in this creative process so that you can tap into it again without the need for pain's presence.
With that being said, I do hope things are better for you now.
Take care.
Aaron

Hello Frenz.
Almost every track I do has no plan. I just build as I go. So, I can fully respect the creative process here.
Kayos had mentioned that it's futuristic. I'd like to add to that. To me, it sounds retro-futuristic. I imagine that if Mark Mothersbaugh, Gary Neuman, and Ray Lynch were to collaborate, it would sound a lot like this. So to that, I say excellent work.
I really enjoy the bridge. The minimalist build is very effective. To me, this whole thing sounds like it could be in an 80s sci-fi thriller.
Again, excellent work.
Take care.
V.

Hello.
You have a good foundation here. However, adding a few more instruments, a bassline, and some breaks or transitions would really help knock it out of the park. Keep up the good work.
Take care.
V.
.

Not bad, man. Good work. Quality production.
Take care.
V.

Hello Verdiqo.
I can honestly say this is the first time in my 13 years on Looperman that I've heard some Celtic Trad. This is what the site has been missing and I didn't even realize it until now. It is now a much better place with this song being a part of it.
Excellent work, man. Keep it up. Flood the place with it!
Take care.
V.

Everything sounds good. The mix is clear, everything is spread out nicely. Good work. The only complaint I have is the super abrupt ending.
Other than that....cool.
Take care.
V.

After listening again, I have to wonder if Billy Gibbons is a big influence on your playing style? I swear I can hear a little ZZ Top in the lead. Maybe a little Robert Cray in there, too?
Again, sounds good!
Take care.
V.

Hello StratOli.
I'm very much a metal head. The heavier the better. But, I'm a sucker for some blues. I can't pass a track labeled as such. I'm glad I stopped for a listen. It sounds good, man.