Description : Hiphop with real instruments (the third one we did)
We all got someone that we want to say thank you for believing in us in the past, related to music or otherwise. I recently had the opportunity to say "thank you" to a friend that I lost contact with for almost 30 years - so when I saw those lyrics from HEMANIFEZT I liked them immediately
bass by bhunt1........drums by rp3drums....guitars by me (background+solo)......background female singing by SoleilxLune (loop "Vocal 27").....and of course rap by the one and only HEMANIFEZT....
So thank you for listening, love a comment, especially if you feel like contributing advice about the mix, volume, anything, all appreciated. Thanks :)
Description : A bit of an experimental track.
I was inspired by those crazy guitar solo's fueled by intense feedback that you only get at live gigs. No guitars in this just synths.Let me know where you'd take it and if you don't mind any mixing tips would be appreciated.
Description : A hip hop fusion blue with hamonica solo sample and guitar and bass live play blues style .
Key A minor 12 bars blues with Honky Tonk piano
play on A minor blues.
Live drumming software BFD2 ON TRACK
Description : This track contains only free loops from several Looperman artists. Had to thank once again the excellent loops to their owners - i think the result is one of my best tracks ever, plus have a slight spaghetti western like feeling which is cool ... Hope you will like it too. :)
Description : This track contains only free loops from several Looperman artists. This one is especially sweet to me - i hope you will enjoy to listen it as much as me while making it. :) UPDATE 2015.10.24.: improved audio quality - lower lows, higher highs. Now in 256kbps!
Description : This started out as hip hop but quickly turned into something much more beautiful, psychedelic and epic though I've still kept the hip hop drums plus added many others. There is a quite a lot of lead bass guitar, sometimes layered, which is partly why I'm dedicating it to Evisma as he loves a good bit of bass layering and has influenced me. Also: electric guitar, resonator guitar for the obligatory slide solo (you've got to have it - it's the law in NomadLand), big pads plus haunting granular synth choir voices, two very different types of programmed VST guitar, fat synth basses, a few drum loops and various programmed acoustic drum kits. There's some deep chill and funky grooves in this constantly changing journey of unravelling sonic mysteries though it gets much more uptempo and rocking in the second half. Interesting thoughts, reflections and ideas are always welcome in NomadLand. Warning: fat beats and deep psychedelic sounds ahead...
Description : A powerful piece of epic chillout dance music that's something a little different for me. Rhodes and filter swept, bowed strings are heard a lot but there's also one section of rocking guitar, one slide resonator guitar solo, fat basses, various far out pads and other synths and 10-15 drumloops supported by 6 or 7 programmed acoustic drumkits. Look out for the funk section in the middle (3:02) with some delicate grooving from bass and guitar. Lots of beauty here so I really enjoyed making this. My favourite section is the last 90 seconds with some bowed string melodies I find highly memorable and could listen to for hours. Let me know if you have a favourite section/moment as well as any you don't like or think could be improved (that's always possible). Now press play and sample some of what never really ends in my mind but has to in track form so that people will at least attempt to listen to it. It's only a little bit of infinity as infinity is much larger than 10MB so won't fit on Looperman...
The track is a bit minimal and I've tried to allow the multi layered vocals shine and not be over cluttered with much else. Percussion is Superior Drummer (using brushes instead of sticks), bass is a Sterling Sub 4 (a recent acquisition) played in live with an attempt at some funky slap stuff in the last chorus (tricky!) Guitar solo is my trusty Godin XTSA on the acoustic setting. Keyboard is a patch from Logic X.
So good to be working with this quality of vocal. Thanks Farisha.
Description : It's not often you visit the front page of Looperman's loop section and find three separate loops right then and there that would come together into a song perfectly. This was that rare impossible night where it did!
Here are you Looperman geniuses and the names of your loops I used to build this track:
Danke: Bass Synth Groovy
40A: Lament - The Mortal Coil
Kaynine: Muck Hip Hop Drumloop
Here are other Loopermen whose samples and loops I selected to enhance the above:
Spivkurl: Vocoder segment
Mr. Funktastic: Keyboard arpeggios
Mmilka: Dark bells
Vocoder segment created by Spivkurl
Violin solo by Howard Geisel, recorded by FreqMan (not Looperman, so unfortunately I cannot credit their source site here, but will on the one they hang out on with me)
Melody, lyrics, editing and arrangement by me
Thanks to everyone for your beautiful work! I hope you enjoy!
Description : A cover of the Judy Tzuke song (1979) and an amazing vocal performance by the very talented Pauline Wright. It's a real bass guitar and the acoustic solo towards the end is my trusty Ovation Celebrity. I have also doubled some lines with an electric where it gets a bit "celestial" and all the sting patches are from Logic X. Hope you like it and as always your comments much appreciated.
Description : Chillout, funky fat 95 BPM organic electro led by some fun, tinkly arps. A bit of an organic, tribal feel, especially when the flutes are playing, and some fat smooth synth basses, plus a big fuzzy one later on as the track gets bigger and heavier. Slide resonator guitar in the second half, including a dual slide resonator solo (2 different resonators playing simultaneously sort of duelling with each other). A few drum loops but mostly 3 programmed acoustic kits. The heavy, double time drumming before the flutes return around 3:53 may be a bit unnecessary (I'm not sure, let me know). Interesting reflections, praise, suggestions and criticisms welcome and appreciated. "Nice track bro"-ers can save that unhelpful type of comment for another track (or 50). I hope listening to this transports you to a magical place, even if it is for only a few minutes...
Description : When I started producing about 3 years ago, I was sure I would need a master keyboard to play everything I needed in my tracks. But as thing happen, I never hooked it up and just used my DAW and mouse to create the tunes. In a "crazy" mood last week, I did hook up the master keyboard and something like a solo came up. I recorded it, put some chords and drums around it and a new track was born.
Description : This track is based on the Randy Crawford "Chill Night Mix" and features the amazing talent that is Pauline Wright - a wonderful vocalist.
All done in Logic X with Superior Drummer for the kit and most other patches coming from Logic. My cheap and cheerful Strat copy for the solo and I even get in on the backing vocals in the middle section.
Hope you enjoy it and as always comments very welcome.
Description : 'Grinnin' In Your Face' is my second track featuring the voice of Son House (1902-1988). Just as 'John The Revelator' this re-mix was inspired by watching the rockumentary 'It Might Get Loud' with Jimmy Page, The Edge and Jack White. The pivotal moment comes when Jack White plays his favorite a capella track by Son House (www.youtube.com/watch?v=qTlSka5iqPY). This made a big impression on me. I wondered how House's incredible voice would sound when transposed to a housebeat. Thus unusual combo of two genres (blues/gospel and house) worked out fine, I think, in 'John The Revelator'. For the new track I sought a hard edge approach. Instead of the lyrical sax by STAX, I used electric guitars for solo and rythmic elements, going for the very rough sound Jack White demonstrates in the rockumentary by playing, slightly out of key, one-string slide-guitar. 'Grinnin' In Your Face' is part of a Son House Project I'm working on, paying hommage to the old blues in a new musical environment.
Description : i wrote and recorded this song today sunday april 27th 2014... please let me know what you think =)... if you liked this song, please check my other tracks. pop, dance, rap, hip hop, reggaeton, drum and bass. everything!
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