Description : This is a track, I originally started making last year with that flute sample, which I had from a video called something along the lines of "Beautiful Chinese flute". I was mainly inspired by the trap subgenre Phonk and in particular by the classic "Blessing" by DJ Yung Vamp. I hope I will have it on streaming services alongside other tracks soon!
Feedback (especially on mastering and mixing) is much appreciated as I still consider my knowledge of mixing and mastering to be very limited.
This trap track was uploaded by FrashMex. They retain full copyright and you are only entitled to listen and in some instances download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (3)
If you have time take a listen and give FrashMex some feedback.
Hey Fresh Mix. So there are a few schools of thought about mixing. Myself. I don do a mono mix than pan as I already have mapped out in my head the placement of where i want the instruments to go. For example, bass and vocals should usually be in the middle. Using effects on sounds as you said should be heard and then a little less, unless you are trying to achieve a unique sound (you will experiment with that as time goes on. A good mix has a balance of frequencies. So I try not to have all my instruments be in the same frequency range. (this will add space to the mix as people can hear the instruments.) Not all instruments need to be in your face as well. some rhythm sounds should be reduced. I do use 40 recorded track of sound often, but many of those tracks are percussion instruments that are panned. Sometimes the subtle sound of an instrument can mix with the more prominent sound in a mix and create harmonics that make the sound fuller and fresher. Also having a perfectly clean sound mixed with a dirty lo-fi sound that's lower in the mix can ¨Excite¨ the sound. This was the basis of an audio exciter unit that was before PC´s. I highly suggest investing $50us in the VST Vallhalla Shimmer, or Uber Mod. They are both amazing tools for reverb effects that are really clean. Also Be careful of falling into the loudness trap of over compressing stuff as it can make the ears go tired quickly, there is still alot to be said about Dynamics. Keep learning my friend. I still learn new stuff every day. Any time you have a question you can ask.
Cheers
Cru
I just listened as I was reading the advice from Joe on the forum question you posted. I completely agree with Joe that the fixes start with the mix first. You need to think Spatially when you are recording. Panning, Slight reverbs, and shimmers and ping pong echoes can make a world of difference in opening up the sounds. Also, think about reducing EQ not adding EQ to boost sounds. In this one, all the sounds are in the middle are competing to be heard with the exception of the vox like thing which has some space. The bass is good, the flute needs some verb and to be lowered in the mix. The percussion is kind of static and could use some panned high hats and other percussive ideas. How many tracks did you use? A typical song for me is between 30-40 tracks. Anyhow, great to see you want to learn. The song idea is pretty good and is worth pursuing. Remember this if you want to use this site take the advice to heart and never personally. You will get a lot of nice song bro, or good jobs, but to really Improve, people like Joe will steer you in the right path with honest words. Keep at it and you will get better every day! .
Good Luck
Crucethus
Thanks to you as well for the honest critique! I will do as you said and take the advice to my heart. As I mentioned in my reply to Joe, I have come to realise just how complex the whole art of mxing and mastering is for itself, independent of sounddesign and songwriting etc.
I think I used about 15 tracks (that is to say mixer channels). However I don't really understand how you would fill out 40 with this song only. Maybe I misunderstood what you wrote. Do you mean doing something like sending wet reverb/delay to a different channel then the dry signal of some instrument? Maybe you also just mean, that I should layer more sounds. I am not sure.
Actually I took away a lot of reverb from the flute because I heard someone saying, that when mixing you should always just throw effects on something to the point of "being able to hear it" and then a tiny bit less. Maybe i just took away just a little too much then.
I'll also look into the panning of the percussion as you suggested! However I often hear, that you should mix in mono until the very end (which I didn't do for this song). Should I first fix some stuff in mono and only then come back to the panning of the hihats?
Thank you again for the critique, it really means a lot to me!
Hi
This is very good.
It sounds good to publish, I can tell you your track is a lot better than some people I've heard in here my friend.
Well done and good luck.
Hi! Thank you very much! I am as of now experimenting a bit with compression and I think I can definitely push it to sound a lot cleaner and moree professional than this version! Turns out uploading tracks to streaming services is a whole science for itself though haha
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Description : This song is my first attempt at trap(?) and was made ENTIRELY with Looperman loops in honor of this awesome site and also to demonstrate what you can do with Looperman loops :P. Compiled, edited/processed, mixed and roughly mastered in about 16 hours. I am collaborating with a Looperman rapper right now who will lay some verses on this and I will do the hook. In other words this is not a finished product just yet, but wanted y'alls opinions on it.
Description : MY IMPACTS DIDNT WORK >:C
anyway: hey guys c:
Some new Stuff from me.
I didn't know wich genre I should pick, because I tried to do this Dubstep Part but it still sounds pretty trappy, so I chose Trap.
Feedback would be absolutely cool and if you want any of these Sounds, I'll load them up. (Just tell me in the comments).
Description : hello here is the mix and mastering that I did for an artist who despite the quality of my work she refuse to validate this project so I ask for your opinion on the quality of my mix and my mastering
I'm open to any suggestion.
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Description : type beat, type beat 2017, beat, playboi carti type beat, trap type beat, trap beat, free type beat, 21 savage type beat, trap, lil uzi vert type beat, metro boomin type beat, drake type beat, instrumental, free 21 savage type beat, hard trap beat, free playboi carti type beat, playboi carti type beat 2017, future type beat, famous dex type beat, free lil uzi vert type beat 2017, 808 mafia type beat, lil uzi type beat, young thug type beat, rap, free beat
Description : Playboi Carti WLR drums only for LEGENDS
Are you a real Vamp? Prove it by showing what you made in the comments
playboi carti, pierre bourne, 21 savage, lil durk, lil baby, metro boomin, gunna, polo g, g herbo, lil uzi vert, young thug, NBA youngboy, juice wrld, Yeat, KanKan, Ken Carson, Playboi Carti, WLR, Hyperpop, Hyper pop, Trippie Redd, Rage, Dababy
Description : (Prod. Xeos Beats x Who's wyler) - 135BPM
If you use this track for whatever reason, it just fair to give credit to the producer (Prod. by Xeos Beats x Who's wyler) or share your work and leave a feedback.
Instagram : @xeosbeats if you want a collab or a specific beats or on my profile contact page
Leave a comment to see what you did with this beat
TAG - Ignore
trap beat 2020 instrumental guitar flute drums bass chill rap sad beats love hip hop
Description : so me and Aaron finally collabed, as i do with all producers on close collabs, i do the vocal and processing then its up to the producer, i give them carte blanche, i don't tell them their job, they do as they wish edit drop lyrics etc
my first attempt at trap, the vocal layout was down to me, and all the bells and whistles Pnnywse, im extremely proud to promote this and show whats possible when you make good links here on the loop, we have an abundance of talent, thanks for your hard work Bro
Description : Exploration of music genres!
As I'm helping local metal band with production on their album,
we found some time to make this monstrosity LOL
I put it in Trap genre but more accurate would be
INDUSTRIAL HORRORCORE TRAP.
Love and peace.
Description : Step 1) Make a really repetitive beat (No Distortion).
Step 2) Make sure there's a long segment at the end of the beat of JUST THE BEAT because the actual song will only be like a min and 40 secs.
Step 3) For the "distortion", don't actually distort the beat. Most people think you distort the 808 to get the the XXXTENTACION sound, but that's wrong. Make sure the beat is PROPERLY mixed/mastered and THEN boost the bass frequencies until you reach your desired amount of distortion.
Description : Well its a trap beat at least...Guitar, synth, vocals and words by me (except for the title bit from a poem of same name by Stevie Smith).
Cheers
Cru
I just listened as I was reading the advice from Joe on the forum question you posted. I completely agree with Joe that the fixes start with the mix first. You need to think Spatially when you are recording. Panning, Slight reverbs, and shimmers and ping pong echoes can make a world of difference in opening up the sounds. Also, think about reducing EQ not adding EQ to boost sounds. In this one, all the sounds are in the middle are competing to be heard with the exception of the vox like thing which has some space. The bass is good, the flute needs some verb and to be lowered in the mix. The percussion is kind of static and could use some panned high hats and other percussive ideas. How many tracks did you use? A typical song for me is between 30-40 tracks. Anyhow, great to see you want to learn. The song idea is pretty good and is worth pursuing. Remember this if you want to use this site take the advice to heart and never personally. You will get a lot of nice song bro, or good jobs, but to really Improve, people like Joe will steer you in the right path with honest words. Keep at it and you will get better every day! .
Good Luck
Crucethus
Thanks to you as well for the honest critique! I will do as you said and take the advice to my heart. As I mentioned in my reply to Joe, I have come to realise just how complex the whole art of mxing and mastering is for itself, independent of sounddesign and songwriting etc.
I think I used about 15 tracks (that is to say mixer channels). However I don't really understand how you would fill out 40 with this song only. Maybe I misunderstood what you wrote. Do you mean doing something like sending wet reverb/delay to a different channel then the dry signal of some instrument? Maybe you also just mean, that I should layer more sounds. I am not sure.
Actually I took away a lot of reverb from the flute because I heard someone saying, that when mixing you should always just throw effects on something to the point of "being able to hear it" and then a tiny bit less. Maybe i just took away just a little too much then.
I'll also look into the panning of the percussion as you suggested! However I often hear, that you should mix in mono until the very end (which I didn't do for this song). Should I first fix some stuff in mono and only then come back to the panning of the hihats?
Thank you again for the critique, it really means a lot to me!
This is very good.
It sounds good to publish, I can tell you your track is a lot better than some people I've heard in here my friend.
Well done and good luck.