Listen To The Chosen Trance Song By Mudhoen At Looperman.com

Well, my ears tell me you did a very good job! I'm not so much of a techy type to be able to give you more detailed advice. I usualy use slight dynamic compression but only when i feel it really works and it's also hard to make comparisons cause I produce quite different sort of music within which the compression actions might well be a mixed bag. All in all, well done my friend!

Compliments_____Orlando

Well, I can't even come close to giving the kind of technical advice you got from Crucethus. And, I'm the last one who who'll be commenting on how to improve a mix. Mine are usually kind of muddy I think. Its a lot of work to place each instrument in its unique position within the sound spectrum and set pan positions and use reverb etc. to position things in the soundstage. Not to mention ensuring interest through dynamic range. But, if I had any advice it would be to take a look (listen) to the lower frequency range in the track. I think you could clean it up a bit, separating the frequency range for the kick and the bass in particular. There was kind of a continuous "booming" sound and things weren't as clean and distinct as I think they could be. Generally, I liked the track quite a bit, though. I have tried and failed many times to make a track like that. :)

There is a lot to like about this mix. Have you experimented with expanding the pan a little bit and using a lighter Dynamic compression. For example when the "do you wanna dance" kicks on it's great, stereo panned and in your face. But that synth stab comes in and it's just kind of in the center and has no energy compared to that phrasing. (and that's the phrase you want to make you feel the energy of the track. Try splitting the stab and hard panning both channels. On one channel add just a small slight touch of distortion. You will be then emulating a hardware unit we used (back in the day)called an audio exciter. For some reason doing this would brighten the sound and make it more interesting. You made a very nice comment on my latest track "You always know how to maximize the minimal sound"
To create that minimal sound I use a hell of a lot of subtle harmonics and sub sounds and barely audible phrasings and percussions that just push the main theme or melody along.
I do like how you build the percussion in this one. But when you use a synth phrase try using multiple phrasing to create something bigger. Even take that synth stab and raise it a third or a fifth (chord structure) and pan it right lower in the mix and you will hear something interesting.
Anyhoo, love where you're going with this.
Cru

Looking at the waveform the output level is fine M.H
I enjoyed the track,has some good sections and put together very well.I believe it is lacking a little with dynamics in places but that is part of the mix and easily rectified.Sounds a lot cleaner than previous tracks.Take care.