crucethus

Tres Bien, I love how it builds on itself. Nobody uses those chorused guitar sounds any-more, and that's such a shame because they are hauntingly beautiful. As this song is beautiful especially at the piano break at 2:38 that is nice. Put me in a great mood this morning. Great Work Steve!
Steve (Crucethus)

I apologize if I seem rude, But Imagine If I wrote a song for this site and I claimed it had Thors's Personal electric approval, Or Yahwehs' special blessing, Or Allahs intimate Fatawah, Or Mother Natures oblique platitude...or.. or it Resonates the earth’s Frequency. It might seem a bit much (arrogant) and a bit over the top. So I just point out the obvious flaws in logic (maybe to correct you in thinking you might have all the answers for us)..that is all...as I said. good chillout music...Nice musical composition...not vibrating any special energetic resonances that you can't measure my friend.
Peace and good meaning.

Ahh that You-Tube video made me laugh... so your a conspiricy-nut case then instead of a New-Age Nutcase.(or both) I am a rationalist and a science lover. show me evidence..not circumstantial and fantasy and paranoid delusion. Oh BTW the earths frequency would be lower than human ears perception.
http://science1.nasa.gov/science-news/science-at-nasa/2001/ast19jan_1/
Peace

Is it chill...yes
is it a nice composition...yes
does it resonate the earth's frequency...no
As a music piece..it's very nice.
As a piece of new age propaganda..well...it's just that.
Steve

Hey you.
Just an Update. Struggling with your first song for a nice mix. But found a Muse in the second song. Will be uploading later this evening and will call the song Fesaga förspel. Which mixes your voice and string sounds over a massive Swedish house style mix with loops from Misgote and many more. It really kicks and I think you will like this.
Steve

Nice job Larry... Has a late eighties vibe to it that I like...circa Depeche Mode or Howard Jones.
Steve

Ahh your great tune title reminded me of this great cover...
https://www.youtube.com/watch?v=gZME5Q11wig&html5=1
memories.
Had to listen to this again as it really is brilliant.
Steve

I listened....So original intro is almost like some Irish or Scottish influence, then it seems to have a Psy influence. It's different and sparse but I do like it.
Steve

you have an amazing voice and this is an amazing composition. Like a prelude to something greater.
Steve

Bravo. This is definitely not drum & Bass. It should be in Pop or electronica, but that aside you did a brilliant job in making this tune. I am so pleased to listen to this as I can hear all the thought and planning you did to make this match with Patricia's voice and you did a wonderful job at that. So good...
Steve

Strings almost have a moody Blues nights in white satin feel to them, beautiful guitar, you now need a soprano to sing over this. awesome work!
Steve

You definitely captured the feel of tribal around 1999 with this song. I could hear Junior , Vic or Peter (RIP) , Maybe Danny, spinning this tune in there respective former clubs.

Bravo, I love how you arranged this. I agree with you about the mastering part, but the composition and arrangement is brilliant and you have made this jazz singer fit brilliantly in this electro-world you created. Plus it has this sinister edge that I like to listen to in songs complete with some cool harmonics . great stuff!
Steve

You have captured an era of disco after it went back underground around 1980-81 and reinvented itself as house music. The bass line reminds me of the groove from a Dj saved my life. cool tune
Steve

I love seeing 2 members of looper-man touching each other with there musical abilities. Your violin is haunting and I love the dissonant layers you add. Ed is a consummate musician and you could choose no better than than him to add to his beautiful melodic compositions. Kudos to both of you
Steve

sounds chewy! .....;-)

hey you. so this is what I meant musically
https://www.looperman.com/tracks/detail/152484
and even I think I could do more with the percussion on this mix as well.
go figure
Steve
(Mutt Lange..famous producer (shania twain-Def Leppard, ACDC) has a most famous quote for his artists he produced....do it again!)

good start nice bass drops good mastering nice sounding vocals. Like the house bass beat but you need to build on that beat with high hats and snares. Go back and listen to Danny Tenaglia and how he builds his house beat.3:05 on is very eclectic nice bass run...it's getting better each mix.
keep at it. The only additions I can think of are percussive at this point.
Steve

It was a good track but I agree with Larry/mark that the bass is too overpowering for a house tune. It's like you wanted to add some elements of Bro-step into the mix and it doesn't work. I do agree with you that simple can be good...less is more is the old saying.
Steve

I like how you have taken a classic approach to this house tune but have sprinkled in some nice modern elements. I like this one indeed!

I like some of the auto tune elements, but get rid of them at 1:45 on and keep the mix clean there. Also Maybe a defined chorus somewhere, all in all it has good potential as a song. I agree with the others about the mixing and volumes but i understand this is a rough mix. Look forward to hearing the progress on this one!
Ciao
Steve

very Modern house sound you have there with as Polyfrontetic said you have 2 styles going on. Interesting chord structure as well. nice work
Steve

Well then; I think you answered one of your own questions.
"It seems my brain loves everything I listen to more than a hundred times - which you Always do while creating a new track. So how do I know my brain isn't telling me bogus"...
"Listening to this today after a nights break...."
The key is sometimes you have to take a break or your ears (brain) becomes overwhelmed with sensory input and you don't hear the song correctly any more. It happens to all of us and the good musicians and producers know that they have to take a break from it. The song Tension of Seduction that I just recently put up is a perfect example. The original is like 9:30 long and has cool ideas but they don't sound perfect. So making a whole new shorter version I was able to make it sound the way I wanted.

So a break down of this song in a way I might want to hear it.
0-15 good intro, cut 17 to 28 (too repetitive) 1:06 to 1:14 place a drum riser to build up to a massive 4/4 beat without the syncopation of the earlier drums. (A house beat)
end that beat at the breakdown at 2:01. keep the drums you have to 2:19 and then bring back the house drums with and added wobble bassline to the end.

The reason why I gave you the link to the Danny Tenaglia song is back in 1998-9 I became obsessed with remixing it in all the house styles of the day. My best remix of this incorporates a James bond theme chord change that works with a sinister bassline. But it's not worthy of a release. However I learned so much about minimalism and simple grooves and basslines and making a song powerful out of nothing I thought you might enjoy that lesson as well.
good luck with this one
Steve

I have a few thoughts. make the song (remix) that you want to hear. if there is a certain drum sound you like, find that loop and incorporate it. make the music you want to hear! every else’s opinions be dammed. make it sound like something you want to play on your ipod for yourself .
Steve

Fist and foremost what beautiful mastering of this tune. It sounds gorgeous. Secondly What a nice concept musically as well. You made a fantastic tune. I love the female vocals. great job all around. the guitar is subtle and yet so perfect in this song.
Steve