crucethus

crucethus

Its My Life
OTTAWA, Canada
Joined : 13th Oct 2012 - 13 years ago
Last Online : 25th May 2026 - 2 hours ago
crucethus comments on tracks

crucethus has posted 2509 comments on other peoples tracks.

Comments 1951 - 1975 of 2,509
crucethus
crucethus 20th Apr 2014 19:11 - 12 years ago

on Illusions by larrywiggles1
I needed a good chill song right now and that you have provided...always top notch.
Steve
larrywiggles1
larrywiggles1 replied 25th Apr 2014 - 12 years ago
Hi Steve,

Thanks for stopping by and your kind comment...glad we could oblige!!.

Best wishes,

Mark/Larry!
crucethus
crucethus 19th Apr 2014 20:17 - 12 years ago

on Skim by Spivkurl by Spivkurl
Dark and Angry. Verbose and vulnerable. This is a tune I might want to remix in an atonal way. If your interested contact me.
Steve
Spivkurl
Spivkurl replied 20th Apr 2014 - 12 years ago
Hey great simple words to describe this track! I wanted to express the state of the current "real me" and this is what happened. It's just something I thought people should hear. I'd love to have you do a remix, and have contacted you regarding this. Thanks for listening and everything, it means a lot to me!
crucethus
crucethus 19th Apr 2014 20:12 - 12 years ago

on Distant Footsteps Nocturne by Orlando51
Beautiful and sublime textured piece, would be my entry in the hitch-hikers guide to the galaxy to describe this work of art. Nice work my friend. To create emotions out of your Synths is an amazing feat!
Orlando51
Orlando51 replied 20th Apr 2014 - 12 years ago
Thx alot mate for this comment !:) Yeah, synths can be a great tool for crerating emotions when you choose carefully, otherwise violin or piano are very handy for the same purpose.
But I'm a synth man lately, so we will se what comes next..:)^^

All the best____Orlando
crucethus
crucethus 8th Apr 2014 01:17 - 12 years ago

on quantum sound by davesmith1983
Nice work Dave, some old and modern sounds in this one with a deep breakdown with nice emotions to boot. The build up almost has an 8bit feel to it as well. nice work
Steve
davesmith1983
davesmith1983 replied 25th Apr 2014 - 12 years ago
cheers for having a listen!
crucethus
crucethus 7th Apr 2014 06:13 - 12 years ago

on Spivkurl vs DeciBel - Hidden Locked Tight by Spivkurl
Percussion Intro is awesome. (Ironic singing where is my soul using auto-tune). Your vocal delivery with different echolations reminds me of another artist I know from Austin Texas..New Neon. Well Mixed and produced. I liked this one!
Spivkurl
Spivkurl replied 13th Apr 2014 - 12 years ago
Thanks much cruce! Was a fun joint effort this time. Yep, the autotune was ironic for sure, and I look at it as an end to an era, or atleast a transition because of this. Haven't run into New Neon that I remember, thanks for the comparison though. I appreciate you listening and commenting!
crucethus
crucethus 6th Apr 2014 04:39 - 12 years ago

on Circular Motion by StaticNomad
Intro is great, nice clap percussion panned far right. Bass is wobbly and chorused and has a light funky attitude. It has a wide spacial feeling to it. The arabic-guitar treatments are subtle but effective. At the 2 min mark we get some square waved chorus bass sounds. nice. 3:22 is a nice change segue. drums get more intense. I agree about the guitar at 4:00 maybe being a bit too much there. 4:30 gets really nice and mystical. then in the next guitar solo the bass has a fret-less feel to it. I would love you to mix out that guitar you recorded then and re do it with the resonator sound you have created now. that would be explosive in this song. nice work.
Steve
StaticNomad
StaticNomad replied 6th Apr 2014 - 12 years ago
Greetings.

Yes, I love the intro and main bass. Same patch (originally from this track) that I've used in a few others eg your one favourite of mine Into The Out There (the main sound) and also hip hop epic The Fatness.

No percussion in intro (apart from rhythmic breathy thing) so I assume you mean ("nice clap percussion panned far right") the drum hits that come in on 0:40. No clap in there and no far right panning I can hear. But there is a big metallic clanging hit, which maybe you hear as a clap.

Bass is wider in some sections because I take two different synth basses and apply opposite panning to them. I guess one is based on a square wave.

I don't hear it as "arabic guitar" but I guess you mean part starting 1:27. It's subtle to the point of merging with the bassline though I doubt they're playing the same thing.

My vocoded fake didg (my voice modulating a Z1 clarinet through hardware vocoder in real time) arrives on 1:52 as the track opens up a bit. 2:28 another bit of more obviously voicey vocoding.

3:22 breakdown and transition features the lead Z1 synth sound that I thought would be the highlight of this for you. Plus that cool, programmd tambura drone. Must use that again!

"drums get more intense"

Pretty much just repetition of what we've already heard though there is a big new cymbal as the beat comes back in.

Must disagree about guitar at 4:00 "being a bit too much". I hear it as a refreshing surprise and I've already said quite a bit about it in other replies, having had to defend it previously as somehow being "not needed".

I guess you want me to remove it and do some of my resonator playing that you've become quite familiar with there instead. I won't (partly because I can't yet open up the relatively ancient Cubase project) but fear not - you'll hear more resonator playing in more tracks coming soon. It's one of my signature sounds and can crop up in ay type of genre that I do (though rarely in the pure electro stuff).

4:30 is a mystical synth harp sound just using the main polyphonic synth in Reason. That's layered over the tambura, which adds to the mystical quality. Another reason to have the 4:00 guitar is that following it with the harp is pretty strange and the type of strange I like.

No, no fretless bass after that but there is a bit of bass guitar doing a little bit of sliding so maybe that is reminiscent of fretless (I've never had one but still want one).

4:52 check how the psychedelic guitar merges with the lead synth. Actually, hearing them as separate is hard to do. They seem to come together to form one instrument though I have no idea if they're both playing the same thing. Must be quite similar, I guess.

I leave you with an outstanding Ozric Tentacles track. Bass and drums in this are some of the greatest I've ever heard. Everything else is also wonderful - including the time signature, which baffles me every time.

Ozric Tentacles Ghedengi

http://www.youtube.com/watch?v=UW31HupvemY
crucethus
crucethus 3rd Apr 2014 04:52 - 12 years ago

on Cryptic Council by Evisma
You kept the intensity of this and the changes especially with the drums were great. Even without a breakdown this is a great mix now. great job Evan.
Steve
crucethus
crucethus 29th Mar 2014 04:06 - 12 years ago

on Sik Style - The New ME by SikStyle1
I think you have found your muse. great work. I love metal and this fits nicely!
SikStyle1
SikStyle1 replied 29th Mar 2014 - 12 years ago
Hell yeah thanks man. Don't know why it commented twice on your track lol
crucethus
crucethus 29th Mar 2014 04:03 - 12 years ago

on Tigress Heart Attack by tminniefield
Are the vocals saying "Herpes starts?"...cos that would be weird or is it "heart beats starts?" cos that would be so much better... great bass dynamics. nice mix as well.
tminniefield
tminniefield replied 29th Mar 2014 - 12 years ago
Thanks...I think. Its saying "Heart Beat Stop".
crucethus
crucethus 29th Mar 2014 03:01 - 12 years ago

on What Is Real Never Fades by Maffin159
Your vocal sounds just a tad bit like Donavan. This song is great. just a bit of mastering issues that I hear. I feel the bass and the vocals are pushing to hard in the mix. there is this weird distortion (sibilance) on the vocals. I think with a softening on the vocals will make this sound so much better. Panning is spot on!. Love the guitar work at the end of the fade out. And a little like the male voice on this diddy by Bran Van 3000.
https://www.youtube.com/watch?v=id6pz6uqKt0&;html5=1
Steve
Maffin159
Maffin159 replied 29th Mar 2014 - 12 years ago
yes I tend to agree listening back to this latest one. I think there is a limit both to my vocal ability (!) and the SM58 which is not exactly a studio quality mic, and I find it a juggling act to flatten the bass and vocals as you say, without crushing the dynamics on the beats.

I think I might try and bus the bass and vocals and then put bespoke compressors on those buses and leave the master free of effects...I'll see if that works, but I agree and I'll try to do that.

Cheers for feedback - very useful!

Maff
crucethus
crucethus 25th Mar 2014 03:40 - 12 years ago

on My Life - Ft S K - Remix by dachopdocta
Loving the intro with the synth chords.
Steve
dachopdocta
dachopdocta replied 25th Mar 2014 - 12 years ago
Hey man, thank you for listening and commenting. It's appreciated, more than you know. I'll be sure to check out your page.

Peace.

Steve aka Choppy
crucethus
crucethus 21st Mar 2014 08:20 - 12 years ago

on Breakaway by WaPer
Love the intro, and the retro Giorgio Moroder like Trance feel ( the grandfather). And yet this fits nicely in the early millennium trance. good vocal treatments sound. 2:43 drop is nice, and the bass is very good. Great work overall.
Steve
WaPer
WaPer replied 23rd Mar 2014 - 12 years ago
Hey Steve!

Thanks for the listen, and for the comment. Appreciate it.
Well it have some old trance feel, and sounds commercial too. I like what I was done here... maybe some tiny work here and there to polish it but overall its not bad track at all

Cheers mate
crucethus
crucethus 21st Mar 2014 07:35 - 12 years ago

on Inner-Self by JohnnyWonderbread
I'm less chillin to this then having a chill run up and down my spine. creative work! Good job
Steve
crucethus
crucethus 21st Mar 2014 07:31 - 12 years ago

on Vance Bianco - Bring On The Night by VanceBianco
Very creative Vance. I was interested to listen to this as I still use Acid and Soundforge in my process. I also include Audacity in the mastering process. I like the bass dynamics on this. I might want to hear a bit more stereo separation. It's weird and yet compelling to listen too. I love unique and this is definitely unique. good job. I could see a cool NYC deep house remix of this.
crucethus
crucethus 21st Mar 2014 07:24 - 12 years ago

on the enormous cost of unchecked ambition by drmistersir
is very hypnotic..could you work on the dynamics and the stereo separation a bit. I think then you will have a very interesting track to present. don't give up on this one it has potential!
crucethus
crucethus 19th Mar 2014 04:30 - 12 years ago

on - Domain of Thorns - by Anubis
You truly went to the Brian Eno school of music. the space in between the notes are filled with exquisite sounds of dis-harmony and discord that make this piece so great!
Steve
Anubis
Anubis replied 19th Mar 2014 - 12 years ago
hello Steve
I am very grateful for your words man...
I can only thank you.
peace
crucethus
crucethus 19th Mar 2014 04:27 - 12 years ago

on Psychedelic Erotica by JJWeekz
I hear a Floydian interlude on this one with a hip hop like beat. very nice!
crucethus
crucethus 19th Mar 2014 03:17 - 12 years ago

on Time Passage by Orlando51
Most definitely a pleasant musical ride. Cinematic and uses Ed's sublime guitar and samples with perfection. great job
Steve
Orlando51
Orlando51 replied 19th Mar 2014 - 12 years ago
Thx alot, mate...glad you liked it!:)

Cheers____Orlando
crucethus
This was fun listening...sort of sixties and seventies influences going on here! good work.
regards
Steve
larrywiggles1
larrywiggles1 replied 18th Mar 2014 - 12 years ago
Hi Steve,

thanks for listening and glad we hit the right note with you with this fun track. Thanks again Steve.

Best wishes,

Mark/Larry!
crucethus
Very creative and I liked it. Keep the reverse cymbals at there volume they are just fine, someone else is just cranky about reverse cymbals..ehh? I agree though the beginning is lacking something, but the end becomes more ethereal. Will have to listen a few more times to give a greater detailed summation!
Ciao
Steve
SeriouslyJoking
SeriouslyJoking replied 23rd Mar 2014 - 12 years ago
Hello Steve!
Haha the war of the reversed cymbals, yes I like them this way too.
I changed the intro a bit (redid this a week ago, just late with all the replys) and maybe it's a bit better now.
Thanks for listening!
crucethus
crucethus 12th Mar 2014 02:52 - 12 years ago

on Angels by BearAustin
This is a brilliant song. unfortunately the time has passed the music world (pop) for this style of ballad. I loved it..but I am older and love these types of songs from the late eighties. I miss this style of song-writing so I am glad someone like you keeps the flame alive! And maybe some day it comes back in vogue and you can make some $ and have some fame.
great job:
Steve
BearAustin
BearAustin replied 3rd Apr 2014 - 12 years ago
Thank you very much. Someone has to do it, lol.
crucethus
crucethus 12th Mar 2014 02:42 - 12 years ago

on Manouche Pajammin Party by ScottB55
Great job and great fun. Here is a link to my musical favourite.
http://www.youtube.com/watch?v=A2LhVazAFGY&;html5=1

Bryan Ferry doing his Roxy Music Classic Love is the drug in 30's jazz..enjoy!
ScottB55
ScottB55 replied 12th Mar 2014 - 12 years ago
Wow...I have a lot of Bryan Ferry and Roxy Music (Manifesto is my favorite,) but never knew about this album. Will have to look it up.

Cheers,
Scott
crucethus
crucethus 9th Mar 2014 03:15 - 12 years ago

on How We Met ft Steklo by srbrown7
Nice intro. sense of foreboding. Then a nice funky beat. good build. Sinister feel with the minor chords. Perfect fit when the vox comes in. I agree with ed the guitars at 1:33 are great. I was thinking that maybe the vox could have more of a stereo echo to them since this a dance tune? just a thought. Though nice stereo delay on his held vocal note. The music is spot on and I am tres impressed. Love the Phased pad at 3:25. This is just a really good song. I really liked this one Steve.
Steve
srbrown7
srbrown7 replied 9th Mar 2014 - 12 years ago
Hi Steve...I did start out with echo on the vox but then I wanted to have the echo stand out on the held notes so I dropped it. I could try it using two echo units with one cutting in and the other out when needed? Might try that. Vocals make the song in this one as they are so strong and well pitched. Glad you liked it!
Regards
Steve
crucethus
crucethus 8th Mar 2014 02:31 - 12 years ago

on African lion by DanGoldstein
Not quite what I was expecting from jungle (the UK hip hop like sound) but more a literal interpretation of the jungle. Keep working on it, it sounds interesting. Neal makes excellent loops.
DanGoldstein
DanGoldstein replied 8th Mar 2014 - 12 years ago
i am sure you are right on 'jungle' It was self-serving using it I suppose. there is always more to do with these tracks. it was a good second effort for me with FL Studio, my new DAW. also made some progress in working from the picture back to the music and coming up with something closer to what I was hearing in my head. really appreciate your stopping by. now on to your tracks! peace
crucethus
crucethus 7th Mar 2014 04:06 - 12 years ago

on Dwarfts singing by ElenaSatine
Objectively speaking, the oooeee sound reminds me of some early sixties organ sounds..creepy and good. like I need a few shots of Becherovka to fully process this in my head. good melody line you created. minimal and monumental. a few links that might be of interest that are related to dwarfism!:
https://www.youtube.com/watch?v=apnRojgtmXs
https://www.youtube.com/watch?v=T7hHx7gdN68
https://www.youtube.com/watch?v=1NvgLkuEtkA&;html5=1
for a start!
ElenaSatine
ElenaSatine replied 28th Apr 2014 - 12 years ago
wow yes ! links were amazing !thank you.
your review is so nice to me .
i really appreciate your words and links too.
a big thanks .
Elena
Comments 1951 - 1975 of 2,509