Hey great simple words to describe this track! I wanted to express the state of the current "real me" and this is what happened. It's just something I thought people should hear. I'd love to have you do a remix, and have contacted you regarding this. Thanks for listening and everything, it means a lot to me!
Beautiful and sublime textured piece, would be my entry in the hitch-hikers guide to the galaxy to describe this work of art. Nice work my friend. To create emotions out of your Synths is an amazing feat!
Thx alot mate for this comment !:) Yeah, synths can be a great tool for crerating emotions when you choose carefully, otherwise violin or piano are very handy for the same purpose.
But I'm a synth man lately, so we will se what comes next..:)^^
Nice work Dave, some old and modern sounds in this one with a deep breakdown with nice emotions to boot. The build up almost has an 8bit feel to it as well. nice work
Steve
Percussion Intro is awesome. (Ironic singing where is my soul using auto-tune). Your vocal delivery with different echolations reminds me of another artist I know from Austin Texas..New Neon. Well Mixed and produced. I liked this one!
Thanks much cruce! Was a fun joint effort this time. Yep, the autotune was ironic for sure, and I look at it as an end to an era, or atleast a transition because of this. Haven't run into New Neon that I remember, thanks for the comparison though. I appreciate you listening and commenting!
Intro is great, nice clap percussion panned far right. Bass is wobbly and chorused and has a light funky attitude. It has a wide spacial feeling to it. The arabic-guitar treatments are subtle but effective. At the 2 min mark we get some square waved chorus bass sounds. nice. 3:22 is a nice change segue. drums get more intense. I agree about the guitar at 4:00 maybe being a bit too much there. 4:30 gets really nice and mystical. then in the next guitar solo the bass has a fret-less feel to it. I would love you to mix out that guitar you recorded then and re do it with the resonator sound you have created now. that would be explosive in this song. nice work.
Steve
Yes, I love the intro and main bass. Same patch (originally from this track) that I've used in a few others eg your one favourite of mine Into The Out There (the main sound) and also hip hop epic The Fatness.
No percussion in intro (apart from rhythmic breathy thing) so I assume you mean ("nice clap percussion panned far right") the drum hits that come in on 0:40. No clap in there and no far right panning I can hear. But there is a big metallic clanging hit, which maybe you hear as a clap.
Bass is wider in some sections because I take two different synth basses and apply opposite panning to them. I guess one is based on a square wave.
I don't hear it as "arabic guitar" but I guess you mean part starting 1:27. It's subtle to the point of merging with the bassline though I doubt they're playing the same thing.
My vocoded fake didg (my voice modulating a Z1 clarinet through hardware vocoder in real time) arrives on 1:52 as the track opens up a bit. 2:28 another bit of more obviously voicey vocoding.
3:22 breakdown and transition features the lead Z1 synth sound that I thought would be the highlight of this for you. Plus that cool, programmd tambura drone. Must use that again!
"drums get more intense"
Pretty much just repetition of what we've already heard though there is a big new cymbal as the beat comes back in.
Must disagree about guitar at 4:00 "being a bit too much". I hear it as a refreshing surprise and I've already said quite a bit about it in other replies, having had to defend it previously as somehow being "not needed".
I guess you want me to remove it and do some of my resonator playing that you've become quite familiar with there instead. I won't (partly because I can't yet open up the relatively ancient Cubase project) but fear not - you'll hear more resonator playing in more tracks coming soon. It's one of my signature sounds and can crop up in ay type of genre that I do (though rarely in the pure electro stuff).
4:30 is a mystical synth harp sound just using the main polyphonic synth in Reason. That's layered over the tambura, which adds to the mystical quality. Another reason to have the 4:00 guitar is that following it with the harp is pretty strange and the type of strange I like.
No, no fretless bass after that but there is a bit of bass guitar doing a little bit of sliding so maybe that is reminiscent of fretless (I've never had one but still want one).
4:52 check how the psychedelic guitar merges with the lead synth. Actually, hearing them as separate is hard to do. They seem to come together to form one instrument though I have no idea if they're both playing the same thing. Must be quite similar, I guess.
I leave you with an outstanding Ozric Tentacles track. Bass and drums in this are some of the greatest I've ever heard. Everything else is also wonderful - including the time signature, which baffles me every time.
You kept the intensity of this and the changes especially with the drums were great. Even without a breakdown this is a great mix now. great job Evan.
Steve
Are the vocals saying "Herpes starts?"...cos that would be weird or is it "heart beats starts?" cos that would be so much better... great bass dynamics. nice mix as well.
Your vocal sounds just a tad bit like Donavan. This song is great. just a bit of mastering issues that I hear. I feel the bass and the vocals are pushing to hard in the mix. there is this weird distortion (sibilance) on the vocals. I think with a softening on the vocals will make this sound so much better. Panning is spot on!. Love the guitar work at the end of the fade out. And a little like the male voice on this diddy by Bran Van 3000. https://www.youtube.com/watch?v=id6pz6uqKt0&html5=1
Steve
yes I tend to agree listening back to this latest one. I think there is a limit both to my vocal ability (!) and the SM58 which is not exactly a studio quality mic, and I find it a juggling act to flatten the bass and vocals as you say, without crushing the dynamics on the beats.
I think I might try and bus the bass and vocals and then put bespoke compressors on those buses and leave the master free of effects...I'll see if that works, but I agree and I'll try to do that.
Love the intro, and the retro Giorgio Moroder like Trance feel ( the grandfather). And yet this fits nicely in the early millennium trance. good vocal treatments sound. 2:43 drop is nice, and the bass is very good. Great work overall.
Steve
Thanks for the listen, and for the comment. Appreciate it.
Well it have some old trance feel, and sounds commercial too. I like what I was done here... maybe some tiny work here and there to polish it but overall its not bad track at all
Very creative Vance. I was interested to listen to this as I still use Acid and Soundforge in my process. I also include Audacity in the mastering process. I like the bass dynamics on this. I might want to hear a bit more stereo separation. It's weird and yet compelling to listen too. I love unique and this is definitely unique. good job. I could see a cool NYC deep house remix of this.
is very hypnotic..could you work on the dynamics and the stereo separation a bit. I think then you will have a very interesting track to present. don't give up on this one it has potential!
You truly went to the Brian Eno school of music. the space in between the notes are filled with exquisite sounds of dis-harmony and discord that make this piece so great!
Steve
Very creative and I liked it. Keep the reverse cymbals at there volume they are just fine, someone else is just cranky about reverse cymbals..ehh? I agree though the beginning is lacking something, but the end becomes more ethereal. Will have to listen a few more times to give a greater detailed summation!
Ciao
Steve
Hello Steve!
Haha the war of the reversed cymbals, yes I like them this way too.
I changed the intro a bit (redid this a week ago, just late with all the replys) and maybe it's a bit better now.
Thanks for listening!
This is a brilliant song. unfortunately the time has passed the music world (pop) for this style of ballad. I loved it..but I am older and love these types of songs from the late eighties. I miss this style of song-writing so I am glad someone like you keeps the flame alive! And maybe some day it comes back in vogue and you can make some $ and have some fame.
great job:
Steve
Nice intro. sense of foreboding. Then a nice funky beat. good build. Sinister feel with the minor chords. Perfect fit when the vox comes in. I agree with ed the guitars at 1:33 are great. I was thinking that maybe the vox could have more of a stereo echo to them since this a dance tune? just a thought. Though nice stereo delay on his held vocal note. The music is spot on and I am tres impressed. Love the Phased pad at 3:25. This is just a really good song. I really liked this one Steve.
Steve
Hi Steve...I did start out with echo on the vox but then I wanted to have the echo stand out on the held notes so I dropped it. I could try it using two echo units with one cutting in and the other out when needed? Might try that. Vocals make the song in this one as they are so strong and well pitched. Glad you liked it!
Regards
Steve
Not quite what I was expecting from jungle (the UK hip hop like sound) but more a literal interpretation of the jungle. Keep working on it, it sounds interesting. Neal makes excellent loops.
i am sure you are right on 'jungle' It was self-serving using it I suppose. there is always more to do with these tracks. it was a good second effort for me with FL Studio, my new DAW. also made some progress in working from the picture back to the music and coming up with something closer to what I was hearing in my head. really appreciate your stopping by. now on to your tracks! peace
on Illusions by larrywiggles1
Steve
Thanks for stopping by and your kind comment...glad we could oblige!!.
Best wishes,
Mark/Larry!
on Skim by Spivkurl by Spivkurl
Steve
on Distant Footsteps Nocturne by Orlando51
But I'm a synth man lately, so we will se what comes next..:)^^
All the best____Orlando
on quantum sound by davesmith1983
Steve
on Spivkurl vs DeciBel - Hidden Locked Tight by Spivkurl
on Circular Motion by StaticNomad
Steve
Yes, I love the intro and main bass. Same patch (originally from this track) that I've used in a few others eg your one favourite of mine Into The Out There (the main sound) and also hip hop epic The Fatness.
No percussion in intro (apart from rhythmic breathy thing) so I assume you mean ("nice clap percussion panned far right") the drum hits that come in on 0:40. No clap in there and no far right panning I can hear. But there is a big metallic clanging hit, which maybe you hear as a clap.
Bass is wider in some sections because I take two different synth basses and apply opposite panning to them. I guess one is based on a square wave.
I don't hear it as "arabic guitar" but I guess you mean part starting 1:27. It's subtle to the point of merging with the bassline though I doubt they're playing the same thing.
My vocoded fake didg (my voice modulating a Z1 clarinet through hardware vocoder in real time) arrives on 1:52 as the track opens up a bit. 2:28 another bit of more obviously voicey vocoding.
3:22 breakdown and transition features the lead Z1 synth sound that I thought would be the highlight of this for you. Plus that cool, programmd tambura drone. Must use that again!
"drums get more intense"
Pretty much just repetition of what we've already heard though there is a big new cymbal as the beat comes back in.
Must disagree about guitar at 4:00 "being a bit too much". I hear it as a refreshing surprise and I've already said quite a bit about it in other replies, having had to defend it previously as somehow being "not needed".
I guess you want me to remove it and do some of my resonator playing that you've become quite familiar with there instead. I won't (partly because I can't yet open up the relatively ancient Cubase project) but fear not - you'll hear more resonator playing in more tracks coming soon. It's one of my signature sounds and can crop up in ay type of genre that I do (though rarely in the pure electro stuff).
4:30 is a mystical synth harp sound just using the main polyphonic synth in Reason. That's layered over the tambura, which adds to the mystical quality. Another reason to have the 4:00 guitar is that following it with the harp is pretty strange and the type of strange I like.
No, no fretless bass after that but there is a bit of bass guitar doing a little bit of sliding so maybe that is reminiscent of fretless (I've never had one but still want one).
4:52 check how the psychedelic guitar merges with the lead synth. Actually, hearing them as separate is hard to do. They seem to come together to form one instrument though I have no idea if they're both playing the same thing. Must be quite similar, I guess.
I leave you with an outstanding Ozric Tentacles track. Bass and drums in this are some of the greatest I've ever heard. Everything else is also wonderful - including the time signature, which baffles me every time.
Ozric Tentacles Ghedengi
http://www.youtube.com/watch?v=UW31HupvemY
on Cryptic Council by Evisma
Steve
on Sik Style - The New ME by SikStyle1
on Tigress Heart Attack by tminniefield
on What Is Real Never Fades by Maffin159
https://www.youtube.com/watch?v=id6pz6uqKt0&html5=1
Steve
I think I might try and bus the bass and vocals and then put bespoke compressors on those buses and leave the master free of effects...I'll see if that works, but I agree and I'll try to do that.
Cheers for feedback - very useful!
Maff
on My Life - Ft S K - Remix by dachopdocta
Steve
Peace.
Steve aka Choppy
on Breakaway by WaPer
Steve
Thanks for the listen, and for the comment. Appreciate it.
Well it have some old trance feel, and sounds commercial too. I like what I was done here... maybe some tiny work here and there to polish it but overall its not bad track at all
Cheers mate
on Inner-Self by JohnnyWonderbread
Steve
on Vance Bianco - Bring On The Night by VanceBianco
on the enormous cost of unchecked ambition by drmistersir
on - Domain of Thorns - by Anubis
Steve
I am very grateful for your words man...
I can only thank you.
peace
on Psychedelic Erotica by JJWeekz
on Time Passage by Orlando51
Steve
Cheers____Orlando
on Easy Riders - on hold mix Larry Wiggles aka Mark J by larrywiggles1
regards
Steve
thanks for listening and glad we hit the right note with you with this fun track. Thanks again Steve.
Best wishes,
Mark/Larry!
on That Special Someone Ft Thasuspect1 KnowKontroll by SeriouslyJoking
Ciao
Steve
Haha the war of the reversed cymbals, yes I like them this way too.
I changed the intro a bit (redid this a week ago, just late with all the replys) and maybe it's a bit better now.
Thanks for listening!
on Angels by BearAustin
great job:
Steve
on Manouche Pajammin Party by ScottB55
http://www.youtube.com/watch?v=A2LhVazAFGY&html5=1
Bryan Ferry doing his Roxy Music Classic Love is the drug in 30's jazz..enjoy!
Cheers,
Scott
on How We Met ft Steklo by srbrown7
Steve
Regards
Steve
on African lion by DanGoldstein
on Dwarfts singing by ElenaSatine
https://www.youtube.com/watch?v=apnRojgtmXs
https://www.youtube.com/watch?v=T7hHx7gdN68
https://www.youtube.com/watch?v=1NvgLkuEtkA&html5=1
for a start!
your review is so nice to me .
i really appreciate your words and links too.
a big thanks .
Elena