first of all congratulations on producing or recording your first song on this site and that you chose to share with all of us. It takes courage and of course we all want feedback and encouragement from our fellow artists. So let me begin by saying that this is a nice mellow piano progression that you wrote. I would classify this as more chillout or cinematic music than ambient but that's neither here nor there at this point. I assume by the sound of the piano that you mic'd your self playing it and dubbed over storm and summer ambiance sounds on the work. I would like you to re-record this and work on the rhythm of it, some chords you hesitate and it's obvious in the metering of this work. The chord progression is beautiful though and an excellent piece of writing. Minor keys are always so emotional sounding. If I were to expand this I would think about writing a cello part and adding some strong synth pads that grow as the song builds. (Danke is the master at creating warm inviting pad loops on this site, you should check out his selection). Overall keep working at this one as it has great potential. And welcome.
Cru
Thank you for all this great info! It was all played in via midi input from my keyboard. I used all software sounds and effects. I went back and forth with the timing, whether it should be straight on or a bit hesitant but, you are not the first to point this out so I will def address it. Ill check out what Danke has and work on building it more. Again thank you. :)
I love the bass progression, How you jump up in 5ths is very classic R&B, and yet the sounds are modern in the effects sense. Cool start to this one.
cru
Nice work on this, the bass is speaker shattering on this one. Interesting usage of electronics to give it a modern feel. I like the melding of the two genres. Nice interpretation. But then I always like when someone does something out of the box like you did here.
Cru
Thanks man I appreciate you takin a listen.. Yea I wanted to really exaggerate the bass on this one, it just seemed right for me lol. It was difficult to transition from straight funk to dubstep I ended up speeding up the tempo to 160 at the first build up and jumping back down to 140 so it would have a little more punch. Thx man!
Mark, this is just fabulous. really nice production, love the ambient intro. Love the instrumentation. Then that sweet vocal. Cascading piano is a nice touch. Then that sax,. Bass is pushing the upper limits of my speaker in the mix, maybe back it down just a smidge.. Stereo shore washing sound is nice as well. Thenb a hint of blues like guitar. The drums are nicely eq'd and compressed. Every instrument sounds so clear and concise though I really like this Mark. The groove had me moving up and down in my chair. Fav'd for sure. great job
Steve
Hi Steve,
I could not have wished for more, to receive a comment like this is so so gratifying and I mean that sincerely, and from some one as talented as you more so. As an humble looper with some keyboard skills,I thank you so much, Cheers Steve, so glad you enjoyed. PS Crucethus being played on my Belter Radio show this weekend.
Take care Steve, and my best wishes,
Mark
One Mother of a Mover this tune is. the complexities in this are brilliant. I was on the edge of my seat the whole way through and was sad when the fade out began at the end. Definitely Zappaesque. Your playing reminds me a bit of Mark King from Level 42, it's that good.
cru
Don't you love the double-post fuck-up? I've done it a few times lately and feel like an ass every time. I think Topvega did it to me a few days ago, and I did it to MetalEd a few before that. Good stuff. Keeps the blood flowing.
One Mother of a Mover this tune is. the complexities in this are brilliant. I was on the edge of my seat the whole way through and was sad when the fade out began at the end. Definitely Zappaesque. Your playing reminds me a bit of Mark King from Level 42, it's that good.
cru
Holy Thanks A Million, Batman! Hard to accept such kind words. I've been fixing the drum sounds in bursts and re-uploading. I think I'm getting closer.
That makes four Zappa references. I officially need to listen to some.
Fantastic Kyle, I loved the instruments on this one. Well written song. My dad used to play old time country and this had that feel for me. nice job
cru
Hey thanks for listening to my track and commenting. I love country music, I am trying to transition into more of a country sound. I am not a very good singer but I think my voice does have more of a country sound to it. I recently bought a Telecaster and now I am trying to figure out the sound that I want, I don't have a lot of time to mess with music at the moment so it will be a slow process but hopefully I will there eventually. Anyway, thanks again, I appreciate you listening.
Beginning has a foreboding feel, then the pads kick in and I feel a Floyd vibe kicking in. Some where between Meddle and Dark side this would fit. I also am channelling a bit Pete Bardens as well. The Mix spatially is fantastic my friend. 4:00 the long slow phased pitch bent solo sound is cool. The subtle piano is not to be overlooked as well.
What eighteen said about the wineglass, I think he meant when you rub your fingers around the lip of the glass you get that deep hollow square wave flute sound which is like a pad in some ways and you have a similar sound in there as well. You sir have without a shadow of a doubt upgraded your game with this one. I look forward to hearing your creative output over the next few weeks.
Cru
Pete Bardens, believe it or not, doesn't ring a bell at the moment. Which now is even more incentive to look him up.
Thanks for clearing up the wineglass thing. Once you said that, it made sense. He's probably talking about the higher chime-like sound.
"You sir have without a shadow of a doubt upgraded your game with this one."
Which is a good thing, except now I have to work harder to top it. I guess I'll put out a few "sketchbook" tracks until I find the next one that steps it up.
Thanks for stoppin' by, mister. As always, I enjoy your visits.
Nice Clarinet on the beginning very nice, :38-41 nicks the String progression from Judas Priest's Nostradamus album, Specifically "Sands of Time-Pestilence and Plague"
you Should Listen too it. https://www.youtube.com/watch?v=j1572ozk-qY&html5=1
Cru
Thanks for the Link Cru and hope you Listen to the Final Version when i release it and i will Check out the Song you Linked me :) thanks for dropping by and taking a listen. Take care and have a good day
Nice work, I like the change of pace for you that this one brings. I like how you added in some of your dance floor circa 1990's vibe to this as well. great work
cru
is/was BOSS a roland brand? glad you liked it anyway. I was using the module years ago with an EWI (electronic wind instrument). never used it for recording.
I love how this builds, the percussion stabs and crashes are perfectly executed. The chord progression is very clever as well. Nice fade into bad boy and suddenly I'm back in 1991 on the dance floor at the Oak Beach Inn...how did that
happen??? Ahh a modulated DX7 sound...nice.
great nostalgic work as always my friend
Cru
The opening salvo is magnificent, then a break, Then 150 builds nicely in a progressively spooky way with great guitars and then eerie vox that are dissonant. Ah a metal Choir shuffle, then a skiffle, 5:00 on nice solo work but I am equally impressed with the pounding drums. 6:00 has some cool bass synths waving and wobbling with some cool stereo guitar scratches in the background. Talk about abrupt endings.
Val D should be pleased with this as I see in his comments he is.
Peace
crunuts
I consider the first heavy section, till 1:17, a short masterpiece and would be happy to have it as a standalone track. Take note of there being no guitar before 0:40. That's all just synth bass and bass guitar through distortion. So, the squeals you hear eg 0:08 are synth bass.
To hear the same squeal undistorted, go to 1:25. 1:17-1:36 is the same 40 secs of bass and guitar though I also add in some slap bass notes (second is heavily delayed) and then the synth basses arrive. I'm very pleased at using the same weird, cutup synth bass and bass g bassline both heavy and clean.
Yes, I expected you to like the choir voices and appreciate some of their dissonance. Lots of beauty there too.
"then a skiffle"
No idea what that is. Surely not like the musical genre known as skiffle.
"I am equally impressed with the pounding drums"
Indeed. Fully valve driven with multiple huge pistons pumping at a furious rate. Large machinery with even larger balls. Testicle factory.
5:50 is my bass synth riff. Cam up with it on guitar but laid it down first on keys. Proper dark, menacing metal riff.
"cool stereo guitar scratches in the background"
No, no guitar in the background. From 6:16 for a while you can hear a heavily effected version of any earlier choir vocal brought back in. I struggled to get the choir ladies to return in the heavy sections so there are only small touches. The 6:16 fading in one builds things nicely before we get the big riff kick in on 6:28.
Note the build of the drums in that breakdown section - really pleased with that movement.
I've now uploaded a slightly lengthened and improved version so check that out.
Yes, fairly abrupt ending (improved slightly now). Had loads of ideas for endings but they didn't really work and I didn't want to make this too much longer so abrupt it is, with menacing decay from the cymbals as they fade out.
When will you make a track dedicated to me? Maybe call it The Electric Crumad. StaticCru? You can put in one reverse cymbal but no more.
Thanks bud! Had fun trying the synth out on this one! Been sitting there ever since pretty much, as I've been "tuning" my modular and circuit bending lately. It will get used again though. Glad you could stand the annoying sounds! Appreciate the comment and listen!
Good tense intro. nice analogue drum kit (superb compression on it) with some good production values overall on this. I could hear rapping or a beautiful female voice over this one which would work equally well. Normally I don't click on forum links but I'm glad I did on this one. My Musical meddling mind wants to hear a wicked solo over this as well, so musically it has some good potential. Maybe I would add a chorus that is slightly different than the verse line with some strong pads or a piano.
great job
Cru
Such a cool weird tune . The guitar is ripped right out of the New Romantics Playbook (Duran Duran, Spandau Ballet). The Dub is eclectic and the beat is hypnotic. https://www.youtube.com/watch?v=aZx9G0AA2Zg&html5=1
I feel it needs some spoken word lyrics on this one, like describing an acid trip or a very weird day sort of like Robbie Roberston's "somewhere don the crazy river". I just had espresso so why creative thoughts are racing this Sunday. The synth work is very tasteful BTW, I wished it continued longer.
Cru
Hello fellow espresso bro! Thank you for the link to the DD track, as it was surprisingly one I had never heard, and it's good! (though they didn't do much that wasn't good) I've gotten out of the habit of listening to DD, as my wife pretty much hates them with a passion, heh. I actually couldn't name a Robbie Robertson song, though I have heard of him. I agree that some spoken word would be good, but I only finished the song because of the loop challenge I guess. Maybe I'll take it further, who knows? Thank you for the kind comment!
That could be due to the drums coming from DR-550-samples that are more or less edited... which simply has this kind of sound (that I also happen to love... must be due to being born in the 90s and having a mother loving 80s synthpop and wave XD)
anyways, thanks^^
Congrats on the new Guitar. I like this piece when 1:22 kicks in as the moving bass-line is phenomenal. I like the percussion choices on this, agree slightly with static about the tone of the drums and percussion. I would also mix the guitar slightly (like a hair) further back in the mix, the excitement of getting a new toy always makes us mix it to forward cos we want to hear it. This is such a solid tune though I'm glad I listened and I'm glad U made it. Now I want to to hear a kick ass solo over these beautiful arpeggios you have created.
Oh and thanks for the nice words on the forum about your favourite artists on looperman. I'm glad my charming personality brings something to the table here. ;-
Cru
on Marzipan by amaTheArtist
Cru
on Knock Boots by Cologino
cru
on Flow Poetic feat Shawnlat by Diskonnect
Cru
on Funkiest Remix Competition MELODIC FUNKSTEP by Livingsoulsdie
Cru
on That old piano sound by FreeRadical
you keep taking me back in time.
groove kicks ass.
nice work.
Cru
Cheers fro dropping by and commenting.
FR
on soothing sea - part 2 mark jeffries 2015 remix by larrywiggles1
Steve
I could not have wished for more, to receive a comment like this is so so gratifying and I mean that sincerely, and from some one as talented as you more so. As an humble looper with some keyboard skills,I thank you so much, Cheers Steve, so glad you enjoyed. PS Crucethus being played on my Belter Radio show this weekend.
Take care Steve, and my best wishes,
Mark
on Scalpel Chowder by Evisma
cru
Don't you love the double-post fuck-up? I've done it a few times lately and feel like an ass every time. I think Topvega did it to me a few days ago, and I did it to MetalEd a few before that. Good stuff. Keeps the blood flowing.
on Scalpel Chowder by Evisma
cru
That makes four Zappa references. I officially need to listen to some.
Thanks again for the kind words.
Evan
on You and Me by ImproveWithError
cru
Kyle
on 03Enter Code F U N K ft Venuslove and MrFunktastic by Eighteen
fookin original work mate.
very cool
cru
Thanks man! :D
I appreciate
~Eighteen
on Paris-Raw Mix by 15ludwicke
Cru
I was thinking the same thing, be sure to check out the completed track!
Rico L.
on Red On The White by ValveDriver
What eighteen said about the wineglass, I think he meant when you rub your fingers around the lip of the glass you get that deep hollow square wave flute sound which is like a pad in some ways and you have a similar sound in there as well. You sir have without a shadow of a doubt upgraded your game with this one. I look forward to hearing your creative output over the next few weeks.
Cru
Pete Bardens, believe it or not, doesn't ring a bell at the moment. Which now is even more incentive to look him up.
Thanks for clearing up the wineglass thing. Once you said that, it made sense. He's probably talking about the higher chime-like sound.
"You sir have without a shadow of a doubt upgraded your game with this one."
Which is a good thing, except now I have to work harder to top it. I guess I'll put out a few "sketchbook" tracks until I find the next one that steps it up.
Thanks for stoppin' by, mister. As always, I enjoy your visits.
Take care.
Aaron
on A new Dawn - Preview by AngelDragon5359
you Should Listen too it.
https://www.youtube.com/watch?v=j1572ozk-qY&html5=1
Cru
AD
on Mr Funk by FreeRadical
cru
FR
on Amazing Love by BradoSanz
good Work
cru
on Return of the n word by ZankFrappa
on luminous sunset by DanGoldstein
Cru
on Asteroids plus bonus track Bad boy bass by FreeRadical
happen??? Ahh a modulated DX7 sound...nice.
great nostalgic work as always my friend
Cru
on Valvedriven by StaticNomad
Val D should be pleased with this as I see in his comments he is.
Peace
crunuts
Yes, The Valve seems happy with this one.
I consider the first heavy section, till 1:17, a short masterpiece and would be happy to have it as a standalone track. Take note of there being no guitar before 0:40. That's all just synth bass and bass guitar through distortion. So, the squeals you hear eg 0:08 are synth bass.
To hear the same squeal undistorted, go to 1:25. 1:17-1:36 is the same 40 secs of bass and guitar though I also add in some slap bass notes (second is heavily delayed) and then the synth basses arrive. I'm very pleased at using the same weird, cutup synth bass and bass g bassline both heavy and clean.
Yes, I expected you to like the choir voices and appreciate some of their dissonance. Lots of beauty there too.
"then a skiffle"
No idea what that is. Surely not like the musical genre known as skiffle.
"I am equally impressed with the pounding drums"
Indeed. Fully valve driven with multiple huge pistons pumping at a furious rate. Large machinery with even larger balls. Testicle factory.
5:50 is my bass synth riff. Cam up with it on guitar but laid it down first on keys. Proper dark, menacing metal riff.
"cool stereo guitar scratches in the background"
No, no guitar in the background. From 6:16 for a while you can hear a heavily effected version of any earlier choir vocal brought back in. I struggled to get the choir ladies to return in the heavy sections so there are only small touches. The 6:16 fading in one builds things nicely before we get the big riff kick in on 6:28.
Note the build of the drums in that breakdown section - really pleased with that movement.
I've now uploaded a slightly lengthened and improved version so check that out.
Yes, fairly abrupt ending (improved slightly now). Had loads of ideas for endings but they didn't really work and I didn't want to make this too much longer so abrupt it is, with menacing decay from the cymbals as they fade out.
When will you make a track dedicated to me? Maybe call it The Electric Crumad. StaticCru? You can put in one reverse cymbal but no more.
on Taking Two by Spivkurl
cru
on Slow Jam 2 by AngelDelarosaJr
great job
Cru
on Coffee at Angeliques by DrvanLansberg
Cru
on Breaking Blue L00P CHALLENGE by Spivkurl
https://www.youtube.com/watch?v=aZx9G0AA2Zg&html5=1
I feel it needs some spoken word lyrics on this one, like describing an acid trip or a very weird day sort of like Robbie Roberston's "somewhere don the crazy river". I just had espresso so why creative thoughts are racing this Sunday. The synth work is very tasteful BTW, I wished it continued longer.
Cru
on Inverted Labyrinth by Ishimizu
Cru
anyways, thanks^^
on Stiff-Arming Stars by Evisma
Oh and thanks for the nice words on the forum about your favourite artists on looperman. I'm glad my charming personality brings something to the table here. ;-
Cru