First and foremost this does not belong in the weird category because it is anything but weird. You have an ear for arranging sounds together to make a coherent song and in this one you have just been brilliant at it. I could go into a rational explanation of what I liked and what I might change (don't change anything BTW) but what I loved about this song is that it captured me for 10 minutes of my time with a cool spirit and energy that was a reminder of Christmas but something beautiful on it's own as well. This Holiday my wife is not well and spending it in the Hospital. As I leave the hospital everyday it takes a piece of my soul each visit. This song has helped me this christmas evening to feel better. And in any work that we may produce the ultimate goal is to touch people emotionally. This tune touched me this evening and I thank you for doing that. Have a great Christmas.
Crucethus
First, I hope your wife recovers her health. I know it's hard, but all will be ok. I'm sure of that.
I'm glad that you liked this track. Even with the disaster on EQ and the stuff that I didn't understand to asidRn, I'm happy that this melody have made you feel better.
Well, the first idea was to make a sad song, and I almost call this song "gloomy Christmas" or something dark. I'm glad have changed of mind.
If you want to thank someone, do it to Xyilent. Without his loop, I hadn't known how to start or what to do.
cool work my friend. song has an ominous overtone in it but well structured chill. Perfectly executed theory. My only suggestion is to change his vocals to be less re-verbed and they won't blend in the background as much. Or keep the verb and add a second line of his voice dry mixed in to clarify his words when the music is blasting at you. But really a beautiful idea and executed very nicely. fav'd
Cru
That beat has a definite retro feel back from the latin sound in the late eighties. The vocal treatments are awesome and the mix and production is top notch. great job!
Fav'd
Cru
Hmmm... remix project. You raise an interesting idea. Not sure if I have the energy to go back to this and host the project though. Definitely have moved on to other things now, with good reason. I will keep it in mind if things change though. Thank you for taking a listen!
Absolutely love that phaser-pad. That sound from the late 70's is coming back again. (TY David Bowie.. Blackstar) Sweet Tune you have made.Nice solos from 2:20 on. tasteful and restrained.
Awesome job guys.
Cru
Thanks alot, Cru. I hope my stupidity isn't showing, too much, but I'm assuming the 'phaser-pad' is what our keyboardist is playing? I know of David Bowie, but will look up the others.
Yes, the older stuff does appeal to us, greatly. The newer stuff just doesn't have that "IT" factor.
Always a great pleasure hearing your comments...Please keep them coming.
I just connected to this from Brado's remix. This is awesome. The groove is very infectious. I love what you did. It's like electro and hip hop turned themselves inside out and back again. Almost early timbaland with missy but just freaking eclectic and all your own style. I have to fav this one and I think you really have hit on something here.
cru
Thanks so much, Steve! I put in a lot work on this one, so to hear that it can compare to the likes of timbland and missy, really puts a smile on my face! I'm you liked this one! :D
what stands out for me on this one is the bass line and chords used occasionally give us a minor 7th chord and it makes it more interesting. It must be hard in this genre because many of the songs sound so similar in style and execution it almost forces you to approach it as what can I do to make my song (beat as you say) to stand out but not too much that you lose the vibe of the genre. Well executed
cru
not a fan of new country, but that being said I love classic country, blues, bluegrass and this sort of mudbone sound that just reeks of attitude and hubris. Awesome work and I can't wait to hear the developed product.
Cru
Hey thanks for listening and commenting, I love all types of country, I prefer the early 2000's and before but none the less the new stuff is ok...a little too poppy at times though. Whenever I try to write country songs, I like to try combine the older stuff with my own style...for better or worst. Anyway, I am glad you liked the track and I appreciate you taking the time to listen.
Thanks Brosef...I think this is probably my best Track overall. Even the mix sounds pretty good. Wish The Crawling King Snake, Jim Morrison was still with us and could add some vocals. :)
Kind of feels eighties but also late nineties at the same time. (the drums are the difference). Great use of analogue sounding synths, a pleasure to listen too.
Cru
Nice long organ intro. Deep Purplish in some ways. Good tune. Hey Joe, can you sing an octave higher. I think if you do this towards the end you would make a stronger vocal statement. Otherwise nice work my friend.
Cru
Dont know why but i was sure that the intro had to be that long. so it is nice to know that you liked it that way.
I have the feeling that i should re record the compleete vocals cause i know that i could sing them better. And if i do so then i will test it with an octave higher at the end. And maybe i can ask Phatkatz to do a 2. rythem guitar.
What i realy would like to insert was a female choir but i dont have any female choir around :)
Nice Intro. Reminded me of In living colour for some reason. lovely string bends. 1:15 nice bring it back in. cool reverse sounds ( I am assuming these are the stretched sounds). Hard snares bring us to 2:55 and a cool bassline with some jangles. 3:19 has some time stretching creeping in to the song. Starting to get lost in the song mentally. Then 5:44 is a breakdown like I have never heard from you before. Hauntingly Ambient with those stretches. I almost wish it went on a few measures more before you gave us that hard guitar. It's like you took the Turkey out of the oven, and it's perfectly done and golden brown and were all admiring it, and then you go and fist it while cursing out grandma at what a lousy bridge player she is. Just a bit shocking for a moment. Ending was just right. I liked it. Overall I like the experimentation you are doing with time stretching.
U get 4 Shitting birds 3 french Le Pens 2 turtlenecks and a part of a pear I ate in a tree. or you can have 5 golden shower cock rings....completely your choice this X-mas.
I will now slip back into my slowly devolving insanity and bid you a good day.
cruinstitutionalised for your own good!
You seem not to have liked this one quite as much as my last rocking track, Roar Stone. This was made out of leftover parts from it and is in (mostly?) the same key and same tempo. I think it's a much stronger and deeper track.
I really like the very first cymbal crash of the intro, no messing about there. I thought the string bends were somewhat subtle but you never know quite what will appeal to people (or annoy them).
My Living Colour connection is seeing some of them under a different name in a New Orleans club in 2013. I spent quite a while chatting to the girlfriend/partner of bass player Doug Wimbish, whose setup consisted of at least about 20 separate floor pedals!
"1:15 nice bring it back in"
Yes, nice emphatic stop and I'm really happy with the flow of the first few mins. It's all kind of the same idea - I just keep varying the drums and bringing in new guitar parts (eg slide) and stuff.
"cool reverse sounds"
Yeah, they really do have that feel but there's no reversing - just the extreme timestretching, with, at times, its rather interesting vowelly character.
"2:55 and a cool bassline with some jangles"
Not sure what the jangles are. Maybe from guitar? That's the first of only two appearances of bass g in this.
"3:19 has some time stretching creeping in to the song"
There are bits carefully scattered all over the place. Very female vocally around the 4 min transition section leading to the outright badassery that takes over at 4:18.
5:44 breakdown is hauntingly ambient and more like chillout dance music than metal. I totally agree that the transition back to the hard rocking guitar is not as smooth as it could/should be. That ambient breakdown only exists as a way to break up the hard rocking sections though I don't know if it has anything to do with fisting a turkey. But I appreciate your creative image. Those "vocals" in the ambient breakdown also return later atop the hard rocking guitar. Nice to also hear them in a chillout context.
"Ending was just right"
Yes, lady voices meandering away right at the end. That's a stretched slide note getting a bit discordant through its chromatic movement.
I have deep funk/ambient sections of this track that I left out and am working on as a separate remix track though it's not going very well.
Thanks for my shitting birds, Front Nationale leaders, warm clothing and half eaten fruit. I'll take them all but don't need the cock rings so you can wear all of them at the same time as you carve up the Xmas turkey, otherwise naked.
I haven't got you a present this year so will instead wish you and your Lady Cru extreme happiness and eternal health. Here's hoping they let you out of your CruInstitution at least for Xmas dinner with the wife...
Very nice song, I like the opening arpeggios with your voice delay cris-crossed. Your vocals here sound remind me a bit of Kate Bush when she phrases her words in this lower register. Honestly I would like to work with the vocals on this one and create a different musical landscape to fit these elegant vocals, maybe a bit darker in synth styles, but that's the tinkerer in me. Though I do love the breakdown at 2:17, that is really nice musically. I think it, the housey sounding synths that I think take away from the beauty of the composition. But I have to say I am completely impressed with this one. My wife walked in while I was listening to this and thought I was playing Bjork, so the professionalism of this song shines through as well.
Great Job
Cru
Hi Cru, for some reason I just saw your comments. Thank you so much for taking time and putting some thought into Forgotten. It is one of my favs and it's so good to hear you and your wife liked it! Happy New Year to you!
I love your voice on this one. Smooth production. I could see this in a movie. The piano fade out is interesting to say the least, sort of how DJ's fade out a drum section so you can mix the next song, you have done this from a visual thought process. the fading piano allows the director to end a scene and bring in a new visual. Bravo.
Cru
Thank you very much. That's exactly what I had in mind. The staccato piano is meant to fade out on the characters growing sense of frustration as they fall into depression. It's very downbeat, but that's kinda what I do. Glad you enjoyed.
I liked the Chord progressions using the arp's in the beginning. Not a huge fan of the "Big" house build up sound, but overall it's a decent melody.
cru
This is seriously nice. Easy to get lost into listening too. It's eclectic and changing. Love that you chose silence at 1:23. Percussion syncopation is nice at the end as well. well done song and good interpretation of the diverse loops.
Steve. (And I see you snuck in your piano style at the end as well)..
This is an awesome tune. I love the brightness and the detuning is excellent. The percussion is also perfectly placed. Fav'd fer sure. Keep it up. You know I look at music in colours as well. Sort of a very mild synesthesia.
Any how carry on my good man.
Cru
Your words mean much to me, since I know that you know your way around a synth (or a studio). I'm guessing it's partly the modular brassy tone which gives the impression of brightness and detuning. I would agree. The low note priority based portamento added a good subtle vibrato sort of effect... while the FM (Both F's) and AM added brightness and interest. I can't lay claim to playing all percussion parts myself (some were carefully sequenced with MIDI), but the ride cymbals and tom/kick rolls were spontaneous non midi stuff. I get what you mean about the colors, I think I experience that condition at times. Part of why I like to use certain colors on my DIY gear. Thank you for checking out the track, and leaving your kind words! Have a good day!
Hey , nice work, sorry about the emotional pain you might be feeling at this time, I know relationships can be hard sometimes. As a producer and artist as I listen too this, I think that we could do much more to build the emotional cascade that needs to be expressed. For instance, If I had your acca-pella I would just use the piano and maybe a pad at first and build it until later in the song then using percussion and drums towards the end in an explosion of emotion, and then end it by bringing it all back down to just a piano and your voice. In that beginning section I would also add some interesting stereo delay to show the wide scape of the emotions being presented. But that's just me hearing something sweet and wanting to take it too the Nth degree.
Cru
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Crucethus
I'm glad that you liked this track. Even with the disaster on EQ and the stuff that I didn't understand to asidRn, I'm happy that this melody have made you feel better.
Well, the first idea was to make a sad song, and I almost call this song "gloomy Christmas" or something dark. I'm glad have changed of mind.
If you want to thank someone, do it to Xyilent. Without his loop, I hadn't known how to start or what to do.
Well, all will be alright. Have faith.
Merry Christmas from Ecuador.
-SxL
on The End by FrozenStick
Cru
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btw nice "new" profile icon.
peace
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Cru
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Cru
thanks for the feedback :D
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Fav'd
Cru
thanks for the nice comment :D
~Eighteen
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Cru
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Steve
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Steve
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Awesome job guys.
Cru
Yes, the older stuff does appeal to us, greatly. The newer stuff just doesn't have that "IT" factor.
Always a great pleasure hearing your comments...Please keep them coming.
Ciao,
M.
on Modnex - Winter in the summer - work in progress by Modnex
cru
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cru
on I Aint Ever Coming Back DEMO by ImproveWithError
Cru
Kyle
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Cru
tv
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Cru
Thank you very much for your great feedback mate
I really appreciate it.
Thanks again.
Jamid
on i see the missiles fly feat Phatkatz by joecramer
Cru
I have the feeling that i should re record the compleete vocals cause i know that i could sing them better. And if i do so then i will test it with an octave higher at the end. And maybe i can ask Phatkatz to do a 2. rythem guitar.
What i realy would like to insert was a female choir but i dont have any female choir around :)
Thanks for your gentle words Cru
stay tuned
joe
on Chasm by StaticNomad
U get 4 Shitting birds 3 french Le Pens 2 turtlenecks and a part of a pear I ate in a tree. or you can have 5 golden shower cock rings....completely your choice this X-mas.
I will now slip back into my slowly devolving insanity and bid you a good day.
cruinstitutionalised for your own good!
You seem not to have liked this one quite as much as my last rocking track, Roar Stone. This was made out of leftover parts from it and is in (mostly?) the same key and same tempo. I think it's a much stronger and deeper track.
I really like the very first cymbal crash of the intro, no messing about there. I thought the string bends were somewhat subtle but you never know quite what will appeal to people (or annoy them).
My Living Colour connection is seeing some of them under a different name in a New Orleans club in 2013. I spent quite a while chatting to the girlfriend/partner of bass player Doug Wimbish, whose setup consisted of at least about 20 separate floor pedals!
"1:15 nice bring it back in"
Yes, nice emphatic stop and I'm really happy with the flow of the first few mins. It's all kind of the same idea - I just keep varying the drums and bringing in new guitar parts (eg slide) and stuff.
"cool reverse sounds"
Yeah, they really do have that feel but there's no reversing - just the extreme timestretching, with, at times, its rather interesting vowelly character.
"2:55 and a cool bassline with some jangles"
Not sure what the jangles are. Maybe from guitar? That's the first of only two appearances of bass g in this.
"3:19 has some time stretching creeping in to the song"
There are bits carefully scattered all over the place. Very female vocally around the 4 min transition section leading to the outright badassery that takes over at 4:18.
5:44 breakdown is hauntingly ambient and more like chillout dance music than metal. I totally agree that the transition back to the hard rocking guitar is not as smooth as it could/should be. That ambient breakdown only exists as a way to break up the hard rocking sections though I don't know if it has anything to do with fisting a turkey. But I appreciate your creative image. Those "vocals" in the ambient breakdown also return later atop the hard rocking guitar. Nice to also hear them in a chillout context.
"Ending was just right"
Yes, lady voices meandering away right at the end. That's a stretched slide note getting a bit discordant through its chromatic movement.
I have deep funk/ambient sections of this track that I left out and am working on as a separate remix track though it's not going very well.
Thanks for my shitting birds, Front Nationale leaders, warm clothing and half eaten fruit. I'll take them all but don't need the cock rings so you can wear all of them at the same time as you carve up the Xmas turkey, otherwise naked.
I haven't got you a present this year so will instead wish you and your Lady Cru extreme happiness and eternal health. Here's hoping they let you out of your CruInstitution at least for Xmas dinner with the wife...
on Forgotten by WARRIORDANIKA
Great Job
Cru
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Cru
Cheers
TA
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cru
on Cookies For Dinner by SeriouslyJoking
Steve. (And I see you snuck in your piano style at the end as well)..
Take care and enjoy the summer.
Cheers!
on Roots and Branches by Spivkurl
Any how carry on my good man.
Cru
on The 5th Element by malikmanley
Cru
on Would you by Jeffiedillard
Cru