Ok, the intro was cool. French? I guess I can hear that in there. The intro was just something to lull me into a false sense of security. Then bam, it happens and it doesn't stop coming, he. There's some crazy shit happening left and right in my ears at the end that builds and was powerful. Liked it man!
Yeah, I'm not sure about the beginning as far as the setting, it was just supposed to be kind of a calm..unsettling thing. Thanks so much, glad you liked it!
well i just wish you all could hear the tracks the way i recorded them originally, the MP3 format sucks. i like .wav or .ogg. take a spectrum analyzer some time and sample a track recorded in .wav look at it then the same passage in mp3.......need i say more?
Interesting song. I liked the stringed instrument you chose at the beginning and thru the song. The flute like instrument was a good choice. Her vocals seem a bit dissonant in context with your music. I did read what you said to centrist about his comment regarding this. Cool idea but it does have an interesting thang going on.
Thank you for your time and feedback Wayne, I appreciate it. So, I tried to look into this a little more. Jani did not give a key with her acapella, so I used Keyfinder which gave me the key of F#. The instruments I wanted to use were in the key of A#minor. So I transposed them to be F# as well to match her key. Is it possible the difference between major and minor are what is causing that disconnect? I don't know enough about music theory obviously. :) And if that was the case, how would I go about fixing it? Or do I just leave this track be and move on, haha. Thanks again!
Yes, this puts me in a bigger summer mood than I am already in, gettin hot here in Florida but I am avoiding all the usual tourist spots and preferring to stay safe at home. I can listen to this and it puts me on the beach, as I relax in my floating pool chair enjoying the sun! Summer!
I was impressed when the vocals came in, the sounded great. When the music started I instantly noticed the quality mix and cool song you put together. What's not to like about this? Radio friendly, pop song, always a winner in my ears!
I liked it from the start, full of energy and picked me up and made me smile. Cool changes, dig the percussion, the vocal stabs were enough. Captures the fast paced world we live in, technology based yet a bit of the ole organic still shines. Cool track!
I did notice the waveform had changed and so did the mix, it really opened up, don't you think? The bass has it's place, the gits on the left and right don't interfere with the vox anymore.....I could go on and on.
That's what I hear but what do you think?
Compression on individual tracks or if you group them/send to aux buss will affect how it sounds when adjusting the master compression as well. Finding that balance is what makes this so hard. I think you are doing great!
Thanks for having another listen, you're awesome! *Looperman Gold Star for you today* :) Yes, I can now hear the difference, and it highlights the fact that I need to train my ears a lot more! I can now hear things sitting in different places more instead of everything just being the same loudness so to speak. This was a humbling yet much needed lesson for me to learn and I know I will continue to struggle with. Sometimes I feel like throwing my hands up and calling it quits, but for now I will keep at it. Thank you again for your help and encouragement!
Well the first thing i notice about a song is the waveform, if it looks like a big solid square mass than usually it will be too loud and over compressed. I will have to lower the volume on my gear to hear it without blowing my ears out. Not only is it usually too loud but all the instruments begin to get the same loudness in the mix and you lose the sense of depth in the song. The guitar is no longer playing a low key guitar strum in the background but now is as loud as the singing in the mix.
I have learned that if you watch the volume meter on the last device in your processing chain on your master channel, it can help you get clearer mixes and more depth. Most volume meters will show two things, 1) a peak level, in Ableton it is a lighter green and 2) average peak level which is the darker green part showing volume output. If you try to keep the peak level spiking at -1.50dB and the average level between -12 and -8dB then you not only get clear mixes but it also translates the best across different platforms like spotify, apple music, looperman.... when you upload them.
The bass usually dictates, in my songs, the average level. If i can get a clear bass sound between -12 and -8db, and i can fit the drums, gits and vocals neatly in there without going over those limits i set, then i have found that my mixes sound the best, clearest and loud. Now i am not the greatest mixer but i am improving over the years and have seen the same thing over and over, look at the waveform, it tells you a lot about what is happening in the mix.
Hope this helps, it's very complicated to describe in a few sentences.
DUDE! THANK YOU SO much for taking the time to come back and explain in greater detail for me. This is greatly appreciated and that alone makes this little community so valuable!
Ok, so I have gone back to the drawing board a little on this. I backed off some of the compression in both the mix and the master. I also did a little automation with the faders on the bass and one of the guitars. I know the original version I posted, the waveform was indeed blocky and now I see that the new version isn't nearly as much. I'm wondering if you gave this a listen again would you hear a difference at all. Maybe I didn't go far enough or went too far, I don't know. I have so much still to learn it feels overwhelming. :)
Thank you again for helping me out!!!
That dissonant sound that creeps in on the delay is cool. The vocals add to the feel of the song, pain, hurting but a sense of hope is there. Gave it a few listens, a bit cinematic as well, would work in a psychological thriller.
thanks so much, Wayne, for hearing what i was trying for, even with my clumsy execution. you know that stuff you shared with Todd today, i’m gonna put that on my wall. you are a class act, brother.
Wow, that's you on the sax? Fantastic man! CinCoCent said Jazz Hop, this has an urban flair to it with a jazz touch, mushroom jazz/acid jazz feel. Well recorded and mixed, interesting track, lots to listen to.
Cool idea. I like the vocals, i have no idea what she is singing about but the feel of the singing works well with the music. I would cut the compression or limiter a bit to give the instruments a little more breathing room in the mix, they are all at the same level and competing a bit, compression will do that. I do like the idea, ending was cool too.
Hi Wayne. Thanks for taking the time to listen and comment, I appreciate it. I'm still pretty new at this so if you could clarify just a tad that would be helpful. Do you feel like there is too much compression in the mixing process, the mastering process, or both, or it doesn't matter, overall there is too much? And just to not confuse myself, it's not a matter of turning some faders down on certain instruments? Thanks again!
Cool intro, banging beat and in your face mix! I have no complaints except I can't sit still, my head is bobbing, my shoulders are moving front to back and my knees are hurting from bouncing around like a pogo stick.
Very cool! I like the music, chilled out with awesome keys. The vocals are recorded well and sit in the mix great. The lyrics are neat, like you're talking to me telling me a story, natural delivery. Well done man!
Once again I am enjoying your upload! I like the vocals, clear in the mix. The song feels positive, I can't understand the language but I think I get the message. Well done!
You are one of the big talents here, this shows why.
I do music/lyrics that please me and make me happy. I let it happen as the song dictates and I get a huge rush out of it. It's like meditation, I don't force it and therefore I enjoy it and so it comes from the heart. You are so talented, just do it for yourself and it will happen much easier and with less stress. Great job Patricia!
Feels like I'm back in 1979, rollerskating and listening to hits of the day. This has the upbeat feel of the Bee Gees music from that time and a lot of the r n b and disco music then too. nice production, big sound!
Hey Wayne, thank you for listening and the flowers. Barry Gibb, really? Like "How Deep Is Your Love"? I guess that's too much of honour ... ;–)
Michael
This one really touches the heartstrings and plucks at the deep consciousness within all of us. I think I read that off a Hallmark card once, he. So pretty and delicate at times. The piano is wonderful. Thanks for the trip I just went on!
First I must mention the description made me laugh. The bass is cool, not overwhelming but punchy and deep. Minimal approach, lots of sound bites. Interesting for sure. Worth another round, I mean listen.
Hi Wayne thanks for comment i think the overall effect of the track was a feeling of dread perhaps all this covid 19 is getting to me ill be glad when its all back to normal. Best regards Robbie.
The keys are just awesome! So is the track actually, he. To me the track has a a jazz and rnb feel to it with spoken word over it. Certainly it's creatively put together, not something I could ever think of, that's for sure.
Hello Wayne,
Thanks for your compliment on the keys,
I'm playing them (keys), I use my controller and Ablelton live VST's for all instruments except the druns and the spoken word. I've been trying really hard to play the sounds I hear in my head, genre is not on my radar. I'm sure someone will get all philisophical and say; No genre is a genre... LOL
Well done! It's pop and I've always liked pop music. Good singing, neat song, catchy. Even though I don't understand the words, the feeling is there and so is the emotion, you conveyed your message to me clearly.
This is good man! Kinda folk rock in nature but I think rock is good. I'll drink to this song! Spontaneity can bring out the best songs in my opinion, whether you remember recording them or not, he.
Neat track Doc, the vox surprised me, a lower ranged male voice wasn't what I was expecting but it works fine. I like the intro. Plenty of cool bits, synths, percussion and the gits are well played.
Makes me feel like I'm back in the 70's. To me it sounds like a song that should be in one of the Rocky movies or a film from that time period.
on Rise of a Villain by Centrist
Wayne
on jj-key by TomElliston
Wayne
on PACK UP N GO by terryjmhitsong
Wayne
on When I am With You Feat JaniMilfsson by toddlove
Wayne
on Round Goodaz - Ronabo2020 by ronabo
Wayne
Ronabo
on Promises feat Patricia Edwards by Micky
Well done to both you and Patricia!
Wayne
on DJ Arloph-Rite by JCJMusic
Wayne
on X Mi Ft Ashesndreams by toddlove
That's what I hear but what do you think?
Compression on individual tracks or if you group them/send to aux buss will affect how it sounds when adjusting the master compression as well. Finding that balance is what makes this so hard. I think you are doing great!
Wayne
on X Mi Ft Ashesndreams by toddlove
I have learned that if you watch the volume meter on the last device in your processing chain on your master channel, it can help you get clearer mixes and more depth. Most volume meters will show two things, 1) a peak level, in Ableton it is a lighter green and 2) average peak level which is the darker green part showing volume output. If you try to keep the peak level spiking at -1.50dB and the average level between -12 and -8dB then you not only get clear mixes but it also translates the best across different platforms like spotify, apple music, looperman.... when you upload them.
The bass usually dictates, in my songs, the average level. If i can get a clear bass sound between -12 and -8db, and i can fit the drums, gits and vocals neatly in there without going over those limits i set, then i have found that my mixes sound the best, clearest and loud. Now i am not the greatest mixer but i am improving over the years and have seen the same thing over and over, look at the waveform, it tells you a lot about what is happening in the mix.
Hope this helps, it's very complicated to describe in a few sentences.
Wayne
Ok, so I have gone back to the drawing board a little on this. I backed off some of the compression in both the mix and the master. I also did a little automation with the faders on the bass and one of the guitars. I know the original version I posted, the waveform was indeed blocky and now I see that the new version isn't nearly as much. I'm wondering if you gave this a listen again would you hear a difference at all. Maybe I didn't go far enough or went too far, I don't know. I have so much still to learn it feels overwhelming. :)
Thank you again for helping me out!!!
on portals of light by xstokes
Cool!
Wayne
on Back to Reality by db4dub
The song has a bit of an orchestral feel with banging rock drums, interesting combination and idea.
Wayne
on DLMG - Ronabo 2020 by ronabo
Wayne
on X Mi Ft Ashesndreams by toddlove
Wayne
on The smell of rain by Zivonmusic
Wayne
-Z
on On The Way Back with tighter mix now by DijamMusic
Whew, I am exhausted after this! lol
Well done man!
Wayne
How are you doing mate?
Thank you very much for the feedback.
Glad you did like it.
I try to do the next one slow mate.
Thanks
Majid
on Last Summer Remix by TheFemiFactor
Wayne
on Lm29 - Feelings by Lm29
Wayne
on Prisoner Muzic by FERSSIWI by FullCapicityMuzic
I do music/lyrics that please me and make me happy. I let it happen as the song dictates and I get a huge rush out of it. It's like meditation, I don't force it and therefore I enjoy it and so it comes from the heart. You are so talented, just do it for yourself and it will happen much easier and with less stress. Great job Patricia!
Wayne
I am having fun and I do enjoy it. :-)
You are 100% right! Thanks.
on Allegiance feat Jynxz by Micky
Wayne
Michael
on At The Pond by Orlando51
This one really touches the heartstrings and plucks at the deep consciousness within all of us. I think I read that off a Hallmark card once, he. So pretty and delicate at times. The piano is wonderful. Thanks for the trip I just went on!
Wayne
Thank God I'm safe for now...I hope you are as well !:)
Thanks a million for this kind and lovely feedback...means alot !!
With much appreciation_____Leon
on Darkness by Nodog
Wayne
on its TIME ft Steelyvibe and Kurt Schroder by Jynxz
I tip my cap to all involved!
Cheers!
Wayne
Thanks for your compliment on the keys,
I'm playing them (keys), I use my controller and Ablelton live VST's for all instruments except the druns and the spoken word. I've been trying really hard to play the sounds I hear in my head, genre is not on my radar. I'm sure someone will get all philisophical and say; No genre is a genre... LOL
PEACE...
Thank you for the listen and comments
on Lm29 - Till The Wall Come Down by Lm29
Wayne
on F-ed Up with The Boys by toastedavalanche
Wayne
on The Doctor by Micky
Makes me feel like I'm back in the 70's. To me it sounds like a song that should be in one of the Rocky movies or a film from that time period.
Cheers!
Wayne