Diskonnect

Thanks, I wish i'd cranked the volume up on Shauns vocals as it's hard to hear whar=t he says. Aside from that i still quite like this one so thanks for leaving comments on my tracks from the forgotton archives.
FR

Thanks much for your supportive comment! It should definitely sound trippy, for some reason. Glad you heard fusion there too. We'll make a multilayered sammich together soon I'm sure! I appreciate you stopping in!

Glad you liked it :) thanks for the comment

Steve

Thanks Extraball for dropin in and listening to this piece. Really appreciate the compliments and comment as well! Dan.

Hi EB,

Glad you like it, and you are right about the vocals... haven't given up on finding some yet!! Thanks for the listen.

Best wishes,

Mark/Larry!

thanks, glad you liked it. yea there is still some minor EQing and mixing levels to work out.

Took me some time to get that acid synth right sounding and some automation of course haha. Thanks for the comment, I feel honored with the knife party reverence.
Glad you enjoyed ;)

Thanks for your response to my latest work! I'm glad you enjoyed that raw sound, it kind of happened that way without thinking too much. If this reminds you of a PS one soundtrack, I suppose that means it belongs as a chiptune. It was mainly an experiment to put it under this genre, since it new, and because I used a bunch of lo fi circuit bent stuff. I wanted to see how different the listener's list and reviews would be under this genre. Interesting so far... heh. I appreciate you listening!

Thanks! gotta give credit on those drums to Sinthetic Records. Dude makes some amazing drum loops

Thanks. It was fun to do and quite a crazy journey through all those genres. But I've tried to mostly ease into each one so that the considerable changes aren't too harsh or abrupt. I could have packed them all into just a few minutes but I like to hear a decent amount of each one and return to previous themes and hear them presented in different ways. So, 7.5 minutes seems about the right length though I could have gone on far longer.

You get that sax coming in again in the second heavy (and fast) section but this time it's got different delay on it so is a lot more frenetic, which suits the uptempo metal behind it.

I move into any genre I feel like at any time in a track so tend to make different tracks within the same project ie on the same timeline. If you would like to hear the track that used to be joined with this one, check it out here:

Low Key Love

http://www.looperman.com/tracks/detail/152913

It's a big exploration of different types of jazz but there's also rock and hip hop and more in there. It shares many of the same instruments with those in Way Beyond Wrong and is the same tempo. But no d'n'b - sorry!

Thanks again for taking up my suggestion and checking this out. I have loads more mad trips on the site. 28 levels Above Top Secret, Zero Per Cent Proof and Shapesmith are some other crazy journeys that are much longer.

Hey buddy, thanks for stopping in to listen and comment! I'm glad you enjoyed the track! I agree it's definitely crazy. Kind of felt like the end of an era for me, granted a short era, but it was there. Thanks again!

Hi,

A big thanks for listening and faving...much appreciated.

Take care,

Mark/Larry!

A big thanks for listening and glad you enjoyed. I hope you will stop by, listen and comment on the remixed version. thanks again.
Mark/Larry!

Thanks Extraball for listening. Your electronic sound is cool, too. Your Machine Pt. II song is really good. I liked it! :)

Thank you Extraball, glad you liked it and sorry for the late reply. I hope I can still find someone to get vocals on this, should maybe put it in the forums

Thanks for listening Extraball! I'm glad you enjoyed this strange track! I'm eager to hear your reconstruction of it!

Thanks ;) I will keep it in mind for new songs to make a better drumline

Hmm, a high pass filter..that I have to try (if I find such filter in FL haha)!
Thanks for the listen and for the suggestion.

Take care!