Ian! Right out the gate the direction you moved this track is spacious light and fresh. The delayed sax with the vocals is a solid creative touch. And yep I’m totally loving the saturation and the stereo separation. Great staging and presentation. Stellar as always my friend.

Mark

Yes, Manu is certainly right about the sound of this voice, and if you've already improved it, I would still find it a bit too "muffled". Having said that, I will say that I thoroughly enjoyed the track. There's so much going on, how do you go about getting all those sounds to groove together. And although it sounds like a wild mess, I felt like I was in a familiar, cozy living room. Really a very unique, very inspiring track.

I love this, very relaxing.

I'd call it more jazz than anything, but first I'd call it unique and fantastic. Great stuff as per usual my friend.

Just a little tip that is often used in studios in the pop area: (does not necessarily apply to this song)
Duplicate the vocal track so you make 3 tracks out of 1 track. You leave the original track dry without any effects. You provide one of the two copies with e.g. B. with reverb and take out the dry part of the voice completely, so that only the reverb can be heard on the track. On the other track you use a different effect, e.g. an echo. Here, too, you remove the dry part completely. With the panorama control and the volume you mix the 3 tracks until they sound good. If the original voice is very thin, you can also add a bit of dryness to the two effect tracks. You will hear that the sound of the voice becomes wider and fatter due to the spatial distribution. This can also be used to improve good synth sounds.

So, very hard to describe what I felt on this song. In any case, you have installed a large number of tonal elements. The drums, bass and also the solos are good, the FX are also well placed. What bothers me a little (my own taste) is that the singer's quite beautiful voice seems to be trapped in the middle frequency range, as if in a cage. That's a pity, because this voice loses a lot of energy. It cannot develop its own dynamic. That would be good for the song, because otherwise it seems very trance-like to me. The mix and master are good, the placement of the instruments on the sonic stage is also very well done. Greetings, have a nice weekend Manuela

nice work Ian, like that distortion on the bass, great synth work too, nice subtle drum and good percs, wasnt expecting the vocal but it was great a tight fit bro

Wow, Ian.
If the Arturia mini-freak sound that good then I will have to have a good go at it.
Great track my friend.
Well done.
Maj

Much better :)
It happened to me too in the past and several people listened and commented on various things but nobody noticed the weird ending, which was... Odd :D
Still a good track my friend, and now even better!

Hi Ian,
you create such wonderful sound collages. There are so many genres I´ve heard but that doesn´t matter. It is a spacy rock trip with a melancholy backround. Well done!
Greetings
Matthias

Just listened again and it seems to me the ending is very sudden. Is that intentional?

I wouldn't know the genre either but who cares...it just sounds good and very unique.
I didn't expect the vocal but that was a nice surprise.
Very well done again.

Cool! very trip hoppy but with dub drums so kinda like the chemical brothers but still very unique. Love how the vocals fit. Awesome!

marvelous sound design, faved.

excellent creativity on this composition Ian, the end may be a little rough, we want more! great job dude!
Michael

I need your drum vsts, they sound awesome!
Very trippy indeed! I likes it!!

Ian, how ya been, mate? I am intoxicated by the trippy fizz yer serving up here. Drumming is crazy good, the electronics are wonderfully immersive. the vox sit really well in the groove and i dig the ripples they cause from the synths. Sax adds a nice proggy dimension to the mix. It’s been too long since i heard you man, you keep experimental music alive.