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Description : Far out epic featuring sine waves, programmed violin parts, played electric cello, various synths, drum loops and programmed acoustic drums. Mystical and a bit Eastern. A three min drumless intro and then some fat grooves and darker sounds. Not as good as I was hoping it would be. Interesting comments appreciated...
Description : Latest Spivkurl track here, containing many different recent themes. A little bit of psychedelic organostep, maybe? Has the first released recordings from my latest instrument Bias Machine, which is a manual magnetic tape based performance sampler. Also some data bending, Suzuki Omnichord, Korg Montribe, and Yamaha YS-200 in here. Even my cat had her influence... Please enjoy the listen and download!
Description : OK, I finally managed to find a song name, so here it is. But the genre is still open. WTF is it? World? Trip? Trance? Rock? psychedelic? .
I started this song with the wahwah background track, I think I wanted to go in the triphop direction but when I played with it and tried out things I added some Tabla sounds from the available sound library of the cubase software to it, just to get a feel for it. It sounded right somehow, and so it developed from there. As before, we did the work on wikiloops band section: bhunt1 (Brian) on Bass added his track, and rp3drums (Raymond) on drums (one straight drum track, and one para-diddle track). I then added several more guitar tracks.
So I would be happy to listen to your comments and advice, and if I get a good suggestion for name and genre I will change it. Cheers, TG :D
Description : I may have mentioned to a few people that I had recorded an EP to cassette tape in November. The thirty minute, seven track tape was recorded on 14th and 15th November (during that excellent full moon). My process, this time, involved choosing a group of instruments from my main studio, and then interfacing them in a way that allowed me to perform a spontaneous track live. There was no planning, and each track was only given attention until the previous was lain on tape. All in all, it was a very rewarding experience to create "on a whim" like this. No DAW was used to create the sounds, or to perform/arrange them. All instruments were mixed in real time, and the output was forever dedicated to the magnetic medium. All of these songs were instrumental, and not traditional in their performance. This is a digital capture of two songs from the EP - "Agonist Moon" and "Faultline" - They are the last track of Side A and the first track of Side B. If you are not familiar with those terms... they indicate the direct physical and psychological experience of interacting with recorded media in order to play it in it's entirety. "Agonist Moon" was described by my wife as an "Icaro," which is a tribal shamans healing song in certain cultures. "Faultline" is more of a peak minimal technological shift into the rest of the EP. UPDATE - The entire Agonist Moon EP digital re-master is now available here... https://spivkurl.bandcamp.com/album/agonist-moon-ep
Description : My actual track for X-mas. Too late again, as usual... But now just with a few days only instead months. :D It's enough stodgy, need some mood for enjoy, that's sure. Dunno where to put it. Fusion? Cinematic? Weird? Trash? :)
Like evrytime, the track contains only free loops from several Looperman artists. Merry Xmas, and Happy new year for everybody!
Applied loops (fully or partially):
LEOSMG: 0826182-0084977 (Pizzicato part1 - month of june),
0826182-0084976 (Pizzicato part2 - month of june),
DJ4REAL: 0102056-0018219 (oboelation),
0102056-0018220 (oboelation 2),
MIDISPARKS: 0479957-0053239 (underwater abstract harp 1),
LOOPFREAK: 0531700-0051978 (minor strings and harp),
FLONUT7: 1133675-0079482 (Happy Harpy 777),
DEEPKODE: 0862877-0067790 (Trance Pluck),
CENTRIST: 0079105-0053514 (Dark Hero Apocalyptic Drums 2),
PSYCHOTROPIC_CIRCLE: 0071878-0006976 (Clarinet Ensemble 124),
BLUEESKIES: 0907685-0067264 (Dreams),
ALIVIDLIFE: 0158799-0050009 (alividlife nonsufficient timpani orchestra C 133),
PLANETJAZZBASS: 0111346-0047909 (Epic 4),
DANKE: 0671112-0088234 (Drums of Mordor),
STERIXX: 0243518-0019002 (Rage Simple Bassdrum Loop),
BANANNAZ: 0298699-0041844 (Luv Choir 1),
WILOBOWSKI: 0321170-0027201 (piano phrase 4 bars),
DIGITALSKYY: 0562523-0046490 (Never Fall For a Romantic Heart Pt 6),
RASPUTIN1963 : 1564425-0088883 (deleted loop: Harp Arpeggios 1)
Description : UPDATE 3/31/2016 - Did some work on the mix and master thanks to the advice of Crucethus and promenade2239. I knew something needed work, and it turned out I need some shifting in the time-space continuum. Thanks to everyone who commented so far!
Original DESC - Yes, I admit it... I fall down. Different circumstances and results each time, but it does happen. Got some inspiration in the last week or two, and left behind some other responsibilities for a while to make this track. Did a considerable amount of multisampling of a Realistic C1000 to add to the song. This is the first song I've finished which uses my modified Korg Monotribe. Also contains Microkorg (on glitch percussion and vocoder use), Yamaha ys-200, Zoom RT-123, and my modular synth doing circuit bent voice synth duties. Psychedelic, dark cold wave. EDIT: Now that I think about it, there were no virtual synths involved in this composition, but only virtual samplers and effects. Everything else was MIDI and hardware sound source. Thank you for listening! Please leave a comment and I will return the favor!
Description : Break up song of sorts lol. Vox, guitars and keys by Zootman. Beats and bass free Loopmasters demo. Words are (mostly) what I thought Damo Suzuki was singing on One More Night by Can. Instrumental or stems avail if anyone wants to play with it.
Description : I walked for miles, and what seemed like millennia in order to find the inspiration for this song, and subsequently the album which it helped finalize. It is an essential title track for me, even if it is encoded.
Here is the artwork in question.
A twenty-two month experiment,
Combining infinite expansion with absorpsion and inhibition.
A two thousand mile walk to the place I call home.
A home to be myself and room to roam.
A bone, and a stone, all alone and unknown,
But aglow, and beloved,
Here the sun and snow shown.
The album is available here, for the time being....
Description : I tried to make a 'doom cello' track but failed as the chillout vibes really took over but there is still some heaviness as well as a few minutes of dance music in the final sections. It's very moody and atmospheric and dominated by strings and drums. 120BPM but most of it is half that tempo. Lots of my electric cello playing though there are also sample-based string parts, especially the foreboding, drone bass - the only bass instrument in the track. Other pad sounds add some mystical, spacey beauty while an arpeggiated VST guitar instrument adds a progressive band feel in the first half. Drums are two programmed kits and mostly one hard rock/metal kit. Also one drum loop plus two music loops towards the end. I very rarely use music loops but they seem to work here. Let me know what you think of this progressive epic. Sorry it's so long but hopefully it justifies its length. It's definitely far out and difficult to place in any particular, obvious genre.
Description : One of several live in studio tracks which I recorded in recent weeks. This one incorporated my DIY modular synth and a modified Yamaha DD-20 as the only instruments. The DD-20 was, in part, triggered at audio rates, enabled by the the input modifications. Not quite the usual spivkurl track which you may be accustomed to. I'm putting this in psychedelic, though it could easily fit into ambient, glitch or cinematic genres.
Description : Descent into the archaic and cursed meanders of Nameless City. Inspired by the homonymous story by HPL. Comment freely, friends.
Description : The results of six hours in a psychotropic environment which was novel to my experience. Only fixed some minor mistakes and mastered the song after I left the environment (or after it left me). It tugs at passion as a dog biting a dress. Resentment and discontent are its language. Slice of life tragic comedy, with a psychedelic edge.
Description : Far out, cello-based, deep grooving, progressive, powerful and sometimes aggressive sci fi epic with lots of electronic elements and some dubstep craziness towards the end. Electric cello, slow attack guitar, resonator guitar, a little bit of bass guitar, 5 synths, lots of effects and drum loops and a few programmed drum kits. It all began with the first couple of cello riffs (one pizzicato bassline, one bowed main riff) and the hip hop beats and then grew and grew as I added more synths and drums and worked in some old, leftover guitar parts. It's very detailed and complex and the mix and sculpting of the sounds are as important as the composition. Have a good listen then come back and let me know what you thought of this twisting, turning journey into outer space. Feel free to criticise and/or tell me your favourite parts...
Description : My latest song on my album Acerbus 3
Description : Sung by me - bbrossas track for background
Saw this track on looperman and I had to make something.Please feel free to let me know what you think.
Open to suggestions. Thanks all :) I hope you enjoy!
Description : Dubbish. Not sure about the genre.
I love this track. I think I would recognize your music anywhere. You've built a powerful musical style. I like the way you blend in occidental sounds without making the track too busy.
I guess this is much better than you think.This one truly caught my attention. The intro alone is fantastic. Gradual buildup from initial muddy sounds to brighter flashes of which the use of string sounds stands out imo. The main part is no less exciting...you never know what kind of sound is waiting behind the next corner. The use of cello which brings along middle eastern influences is no less than fabulous. Good quality drumming is also very prominent, as always in your tracks. This is undoubtedly great work and it seems you've put quite alot of effort into it. Oh yes, and I must not forget...the production is excellent !! So thumbs up !:)
Compliments_____Orlando
A little space))
This is quite the pilgrimage into the mystical realm. Very reminiscent of the psychedelic period by FSOL, of which I am a big fan. It's very difficult not to be transported to a world where fantasy and the unknown become a calm aural experience. Thank you for journey! Very well done!
Hello Static,
The introduction is wonderfull, i really like how it gradually takes up volume!
Entering the drums section, more tribal, more ethnic with an arabian feeling... however it stayed aerian and chilled out. I'm impressed by the high work quality in this track (as usual, in each of your tracks).
thanks a lot in sharing this few minutes of creativity!
Bleep
Two notes in and it's already celestial.
It's very wide open and spacial. Dimentionally, not cosmically. I think the first statement aleady covered that.
I think, while drums are a strong point for you, I also feel they are a hinderance sometimes. Like you rely too much on them as a means of badassery. This intro seems to not only widen the aural spectrum, but your own personal horizons.
Ahh. Now for those drums. I like the snare there. Kind of a glitchy snare roll thing.
Speaking of glitch. 3:53 synths. Nice use of the glitch. These pad swells are a nice lead in to the classic Nomad cello sound. Which effects do you use on these? It sounds like a Chorus with a delay, maybe a touch of reverb, and possibly EQ'd with the higher frequencies cut out a bit?
Oh...wait..5:50-6:08. It sounds like there may be some clipping.
Nice, a return of the glitch.
Your drums in this one are a bit more restrained and subdued. Instead of the star of the show, just a supporting role. It works.
8:56- here's where we start the waves of blooming pads. Both synth and choral. Nice way to take us to the book-end outro.
I don't know, man. It sounds to me like Ms. Quail has influenced your playing. Or at least your creative process. I personally like the way it played. It has plenty of badassery in it's own style. It may not be a heavy riff laden drumfest like you used to do, but it doesn't need to be. I know you've been on a bit of a dry spell, but with this one, it sounds like you've rediscovered your voice. It seems as if you have matured as an artist.
Yup, dude, this is a very well arranged and composed piece. I look forward to hearing more. Maybe not duplicates, but at least in the same family. Or, to put it simply, Nice!!! Thats with 3 exclamation marks.
Latorzgatorz
Hola Seor Spastic Noodleman.
Beautiful intro. Perfect frequencies and minimal. Word that comes to mind is thoughtful. 1:35 really opens up the strings and the building tensions. It's like you wrapped melancholy and remembrance in a blanket that you can listen too. Interesting percussion at 3.10. and some wild soft dissonance in the back of the mix. You come loaded with some new tricks, I like the side-chained synth. I find myself being drawn into this more and more, and then comes the Phrygian Cello. Im loving this so far. Syths are so tastefully mixed in the back of the mix. Static Nomad is Back Baby! Not to be confused with Baby back ribs, or if you are a cannibal, Baby baby back ribs. I think around 7:37 I am longing for one of your guitar solos. Toms could have a little more bass in the EQ for dramatic effect. Could have ended at 9:46 but I understand the coda of using the intro as an outro. Overall fantastic ride, and a great return to form. 10 minutes just flew by.
Always your friend and colleague musically.
Madonna
Yeah, finally got to finish listening to this. Continuing on, I like the glitchy synth there leading into the groove which runs a few bars and then you break out the cello for a nice multi track Eastern thing and were under way. The bass plays a repeating pattern and the drums get things under control by establishing a solid foundation. It sounds like you may even have two drum tracks going here, or your at least doing some fancy panning, the snare is definitely moving from one side to the other or is it stereo effect or delay. Sounds cool. I always appreciate your drum tracks bro. You don't skimp or play it safe when it come to the percussion and it really is a contributing factor to the quality and diversity that is always evident in your music.
I noticed you mentioned "programmed violin" parts and as this progresses the music really thickens and it almost sounds like a complete string orchestra. We are treated to a very fat groove of strings there for several bars as everything starts to speed up, well not really but the intensity certainly increases with the help of some heavy drum runs. After the apex the music ebbs and settles back into the groove that feature more cello with some octave phrasing. The outtro drops into a calmer portion with the reprise of the mystical opening tones to take it out.
I know your tough on yourself, the best artists are rarely satisfied with their material. This is a another work of art from a great artist. It is without a shadow of a doubt pure StaticNomad. You seem to be trying some different things here with the intro and some sounds. That's the way to do it, and keep things from boring you. I'm waiting to hear some more guitar works hopefully. Maybe some neo-sych or some Psy-trance. Or how about some Eastern Sludge or Stoner?
I'm still waiting for that album man !!!
Yeah, finally got to finish listening to this. Continuing on, I like the glitchy synth there leading into the groove which runs a few bars and then you break out the cello for a nice multi track Eastern thing and were under way. The bass plays a repeating pattern and the drums get things under control by establishing a solid foundation. It sounds like you may even have two drum tracks going here, or your at least doing some fancy panning, the snare is definitely moving from one side to the other or is it stereo effect or delay. Sounds cool. I always appreciate your drum tracks bro. You don't skimp or play it safe when it come to the percussion and it really is a contributing factor to the quality and diversity that is always evident in your music.
I noticed you mentioned "programmed violin" parts and as this progresses the music really thickens and it almost sounds like a complete string orchestra. We are treated to a very fat groove of strings there for several bars as everything starts to speed up, well not really but the intensity certainly increases with the help of some heavy drum runs. After the apex the music ebbs and settles back into the groove that feature more cello with some octave phrasing. The ottro drops into a calmer portion with the reprise of the mystical opening tones to take it out.
I know your tough on yourself, the best artists are rarely satisfied with their material. This is a another work of art from a great artist. It is without a shadow of a doubt pure StaticNomad. You seem to be trying some different things here with the intro and some sounds. That's the way to do it, and keep things from boring you. I'm waiting to hear some more guitar works hopefully. Maybe some neo-sych or some Psy-trance. Or how about some Eastern Sludge or Stoner?
I'm still waiting for that album man !!!
I'm at work today and did my usual Looperman scope out during a break and noticed the El StaticusNomadico posted a new track! So I got anxious to check it out! I only have a pair of ear buds here and wouldn't you know it, one side started funking out on me right after the intro, which I love BTW. I actually thought for a second or two you were about to cover Led Zeppelin's "No Quarter", which is one of my abosolute faves by them. But of course I was wrong. However I do thoroughly dig this magnificently composed and extremely cool intro. I'm thinking a 3 minute drumless intro might even be a rarity for you eh bro? Anyhow it is has a very mystical almost spiritual vibe to it and at times it almost sounds as if there are some choral effects being used. It nicely melds into the initial beat of the track which builds from that single note accompanied by a nice tight staccato snare rudiment to usher in the 4/4. There is some really tasteful progression here that you so expertly use to build some intensity, via a nice cacophony of various positioned synth fills and swells that eventually culminate into the main groove. It was right about here that my ear buds started crapped out so I had to stop. I will finish listening later when I get home and return to finish up my comments. I noticed some pretty cool glitch rhythm elements taking place before I hit the stop button. So I'm dying to hear the rest of this man !!!
nice!!
Nice!
Woah... This isnt as good as you wanted it to be?? This really takes you on a journey. If this was played live, you would have my full attention. Sounds like a movie soundtrack, almost... I like the structure of the song as well... That slow burn, steady build. Flowed well... Im impressed..
Great job on this track, very mystical.
Well done.
Alien