Translucid - StaticNomad

12th Sep 2017 23:57 - 9 years ago
Description : 80BPM deep grooving cellout. A somewhat minimal track dominated by my layered, delayed electric cello playing. Also: two synth basses, some mystical synth pads and mostly just one programmed acoustic drumkit. No drum loops. No guitar. Not a great track but a pleasant chillout trip to a distant land. Interesting, lucid feedback appreciated.

Comments (12)

If you have time take a listen and give StaticNomad some feedback.

Evisma
Evisma 28th Oct 2017 17:29 - 8 years ago
Yos, Heys and Sups, you Grandmf.

Nice long sustained, relaxing bowing in the beginning, seeming to begin a story. Drums come in and add some structure, good length on the bowed section before.

We go into a happier place for the first real section. Butterflies and meadows.

Next section is a bit darker and reflective. 2:50 driving snare hits are nice there.

3:28 pluckery is a nice addition. Jaunty little line. This would make for a good track for fishing on the boat. I'll start making YouTube fishing vids and you can supply the music. Mine doesn't go along with fishing well.

Percussion kinda picks up there at the end, but mostly stays the same on the way out. All rather calming and relaxing.

Been enjoying the online dating chronicles you've been keeping me informed of. Taco-Fanny is your next track title, I know it.

Evan, rolling windows down for the cool night air is curious.
StaticNomad
StaticNomad replied 5th Nov 2017 - 8 years ago
Yo, grandfatherfucker.

Sorry for the rather late reply. Then again, you've taken far longer.

Yes - nice, long, bowed intro. Very relaxing and satisfying to play.

"Butterflies and meadows."

Excellent, very accurate description! You're expressing in words what I was feeling. Some of the high cello parts do sound a bit like buzzing or some other creature flying about. Very bright, playful and warm stuff.

"Next section is a bit darker and reflective"

Yes, dark and mystical. Quite a change!

"2:50 driving snare hits are nice"

They are but they're quite electronic so I wouldn't expect you to like them.

"3:28 pluckery is a nice addition."

Two lines of plectrum-played cello. Not sure how many people ever do that but playing with fingers or bow would not have sounded the same. Very different, actually.

"I'll start making YouTube fishing vids and you can supply the music."

It's a plan but will it ever happen?

"All rather calming and relaxing."

Yeah, nothing badass but it's just not that sort of track. I really like it and find it quite addictive ie I want to hear what's coming next every time I listen to it.

Static Transmad (I'm your passenger)
mrwolf14
mrwolf14 19th Oct 2017 16:07 - 8 years ago
Hi MrNomad,
I was looking for something interesting to hear, then I thought, let's have a look at MrNomad's archive... there must be something there.
And I found this nice little gem: lot of words already spent on this, so I'll keep it short.
I like your work on the cello: you are a talented guy and you make a creative use of all the instruments you play. You deserve some real respect.
The song is nice: good, but not the best one. I wouldn't dare to say that it is "boring" (no way) but it somehow lacks some "peaks".
I would even consider shortening the "middle part" and make your guitar enter the scene a bit earlier.
But of course, nothing will be changed: this song can stay in its current form, it will still be enjoyed and you will use your time for the next one.
As usual: outstanding work.
Ciao, Domenico

PS: being Italian my mother language, I did not find the title word so "strange"... maybe I am missing something.
StaticNomad
StaticNomad replied 19th Oct 2017 - 8 years ago
Hello again.

Yes, it's worth going through the Nomad archive if you're looking for something interesting to hear, especially as you haven't been on the site much in the last year.

"You deserve some real respect."

I get a bit but I can always do with more - especially in real life (rather than just online). We're all the same!

"The song is nice: good, but not the best one."

I agree. Pleasant and interesting but not amazing. A bit more minimal, for a change. The peaks are probably 1:14-2:25. That lead cello part is quite exciting, I find.

"make your guitar enter the scene a bit earlier."

No guitar here. You probably think it's guitar at 3:26 because I'm playing the cello with a guitar pick - something I very rarely do as it's a bit awkward to do. But it does give a different sound. Much more like guitar.

"I would even consider shortening the "middle part""

I like that section. It's quite mystical and trippy.

The title is a word I made up. A cross between 'translucent' and 'lucid'.

Here are two tracks you will prefer from the Nomad archive. First is a long, mystical blues track with lots of guitar. And bass. Deep chill and groovy blues:

The Mythical Gates

https://www.looperman.com/tracks/detail/177482

And here's a psychedelic cello grunge track that will surprise you as there's no guitar. Anything that sounds like guitar is cello:

Skyscaper

https://www.looperman.com/tracks/detail/183448

Thanks again for the thoughts. They're always useful.
silverman
silverman 1st Oct 2017 20:03 - 9 years ago
I think some very distant low volumed panned specifically to certain points and distances .... I seem to have left out .... cinematic/orchestral drums.
StaticNomad
StaticNomad replied 2nd Oct 2017 - 9 years ago
Yeah, some cinematic drums could work very nicely. Perhaps just try adding some orchestral cymbals or something and build from there.

I might give it a go or just stick with what I've got - something somewhat minimal, for a change.
silverman
silverman 1st Oct 2017 20:01 - 9 years ago
This has a very nice minimalist feel to it.
Yes feel not sound.
I'm in pain and very tired just now and I'm feeling this more than hearing it.
The meds probably help with this effect.
Minimalist it may well feel but it sounds quite complicated.
I love your cello sound.
Every track you offer up is now a cello track as you fall in love ever deeper with it's sound and possibilities.
Probably why your guitar skills appear to be deteriorating.
It simply can't compare just now with the new love in your life.
I'm sure you'll rekindle it.
This is a beautiful track.
I think some very distant low volumed panned specifically to certain points and distances would have given it a little more .... something.
Not depth because it has plenty of that but ... my vocabulary is lacking at this point so something will have to do.
Very nice track very well put together long may your relationship with the cello last.
StaticNomad
StaticNomad replied 2nd Oct 2017 - 9 years ago
Yo, ill Silverman (Sillverman).

Sorry to hear about your pain and I hope the medication is helping.

Yes, this is fairly minimalist. Partly because I struggled to add other instruments to it so just let it flow with this sparser sound. It could probably still do with something else being added - another instrument and perhaps more percussion. It's mostly just one drumkit, which is very rare for me.

"it sounds quite complicated."

Yes, as per most of my tracks. Probably something to do with the layering. My instrumental music needs to be somewhat complicated to be interesting. I don't exactly make obvious genre stuff and none of it is pop music or just straight dance music.

"Every track you offer up is now a cello track"

Yes, mostly though I have done a few without cello in the last year - electro metal, mystical blues and so on.

"Probably why your guitar skills appear to be deteriorating."

I seem to have run out of ideas on the instrument, which is why I rarely even pick it up these days. And thus my fluidity of playing has deserted me. I hope the skills will return though I'll have to actually start playing the damn thing again for that to happen. They won't come back just by thinking about them and hoping I might be able to recapture my past moderate glories.

"This is a beautiful track."

Thanks very much. I try to add as much as I can to everything I do. Even if it's heavy - then I go for a certain type of dark beauty.

"long may your relationship with the cello last"

I have no idea about that. I think I should probably start another new instrument. But will I then abandon the cello? I hope not but cannot say.

Thanks for the lucid thoughts. Your vocabulary was just fine.
DanGoldstein
DanGoldstein 1st Oct 2017 11:47 - 9 years ago
I am curious about your approach to harmony in your compositions. I was able to fit a pentatonic scale to much of the opening section. Then I was fitting a major 7th chord in for several seconds. I am impressed with your incorporation of cello! Regards - Dan
StaticNomad
StaticNomad replied 2nd Oct 2017 - 9 years ago
Haha - so am I! I don't really know what the hell I'm doing when it comes to harmony. I just about know the key I'm playing in and that's it.

I'm not sure where the major 7th chord comes in for "several seconds". Oh, actually I think I do. It's a long chord sequence and I think there's one chord I change to (towards the end) that's a bit of a surprise but very satisfying to my ears. That's probably the major 7th chord.

"I am impressed with your incorporation of cello!"

It's the main played instrument in my tracks these days. Hopefully they all sound a bit or a lot different.

Thanks for the thoughts.
djnixx
djnixx 1st Oct 2017 11:11 - 9 years ago
Love this
StaticNomad
StaticNomad replied 2nd Oct 2017 - 9 years ago
Thanks.

I like it but I don't love it.
Neomorpheus
Neomorpheus 18th Sep 2017 03:34 - 9 years ago
This comment is hidden.
neuromancer56
neuromancer56 17th Sep 2017 13:03 - 9 years ago
I was stuggling for words a bit. By melodic vs. random I mean this. If you listen to 1:20-1:40 there is a nice groove that gets your head bobbing, and the melody is sweet... it feels very pleasurable to me to listen to almost because I can sense the flow of the melodic wave and I just flow with it... If I listen to a later part I'll pick one at random (4:11-4:30) my head isn't bobbing, and I just can't sense the flow of where the melodic wave is going, in fact it sounds more random and disturbing to me, like I can't get on that wave and ride it. Listen to my track Concrete Meadow and you will get it. The melody is smooooooth and gets your head bobbing. It feels good, just like your stuff at 1:20-1:40. I don't know jack about music theory. I just know what feels good to me. So that's what I mean by smooth melodic vs. more random. There is no fancy meaning to random. Is it that at the beginning you are doing more traditional melodies and later on you are delving into 12 tonal theory? I don't know.
StaticNomad
StaticNomad replied 18th Sep 2017 - 9 years ago
Excellent answer. You're not struggling for words this time.

"1:20-1:40 there is a nice groove that gets your head bobbing, and the melody is sweet"

I understand. It's pleasurable and grabs you without you thinking about it whereas the riffs towards the end don't have the same effect. I actually like them but, yes, it can be really hard to maintainthe same level of enjoyment every time you make a change. Some riffs just aren't as good as others. Or aren't as good in the context of the particular track in which they feature. The end riffs are a bit darker.

"I don't know jack about music theory"

Neither do I. I also don't know what 12 tonal theory is.

"Is it that at the beginning you are doing more traditional melodies"

Yeah, probably that. More major, positive and brighter and then things go a bit darker and more mystical.

Thanks very much for clarifying. That is some lucid feedback!
CamTheClear
CamTheClear 15th Sep 2017 19:48 - 9 years ago
I love the blend of synth pad and acoustic drums. Ambitious
StaticNomad
StaticNomad replied 18th Sep 2017 - 9 years ago
Thanks. I am musically very ambitious and almost always try to make something unusual that I haven't really heard anyone else make before.

The synth pads play quite a background, atmospheric role, with the cello as the main instrument a lot of the time. Rather minimal drums for me. Not very interesting or busy but still effective.

Thanks again.
Indieground
Indieground 15th Sep 2017 15:04 - 9 years ago
I'll try to stay lucid but ! I really dig your track mate !
May but the drum part can bring another groove may be it's a bit too binary but well it can works this way too !
StaticNomad
StaticNomad replied 17th Sep 2017 - 9 years ago
Haha - very lucid!

Good to hear you dig it. I dig you digging it.

Yeah, the drums are quite similar throughout and rather minimal and restrained for me. I've done a lot of very busy drum tracks in the past so I guess I've recently been exploring a bit more drum minimalism. You're not wrong.

I suppose I was trying to let the track breathe and be more chilled out. I've also heard far more boring and monotonous drum tracks than this one
neuromancer56
neuromancer56 15th Sep 2017 03:18 - 9 years ago
I love the sound of the delayed electric cello. But I do prefer the more melodic beginning especially around 1:20-1:40 as opposed to the ending which seems more random to me. The cello is pretty much carrying the entire track, and I wonder if it would be good to mix in other strong instruments that could have a conversation with the cello.
StaticNomad
StaticNomad replied 17th Sep 2017 - 9 years ago
Hi. Great to hear you liked the cello. I think it's a pretty cool sound. My cello teacher has a live performing career using just an electric cello and one loopstation and one multi effects pedal. No vocals, no backing tracks. You'd be surprised how versatile the instrument is.

"the more melodic beginning especially around 1:20-1:40"

Yes, that's where a new, jaunty lead cello part arrives. A few layers there as it builds. Same cello chord backing.

"the ending which seems more random to me"

I have no idea what you mean when you say "random". Is that some new, modern usage of the word or are you using it in its usual sense? It's all kind of the same drum groove and similar, minimal instrumentation throughout so the ending is just a new riff/chord progression. Random would be if it morphed into banjo metal or choral country.

"I wonder if it would be good to mix in other strong instruments"

You're not wrong but I decided to keep this track rather minimal, for a change. I have loads of tracks where various instruments are having conversations with each other, so to speak. It's a shame my guitar playing is so average these days as, in the recent past, I would have picked it up and knocked out some good stuff on it.

Thanks for the suggestions and don't forget to let me know about my "random" question.
ValveDriver
ValveDriver 14th Sep 2017 04:04 - 9 years ago
This comment is hidden.

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