Description : 80BPM deep grooving cellout. A somewhat minimal track dominated by my layered, delayed electric cello playing. Also: two synth basses, some mystical synth pads and mostly just one programmed acoustic drumkit. No drum loops. No guitar. Not a great track but a pleasant chillout trip to a distant land. Interesting, lucid feedback appreciated.
Description : chill out song...chrisneal-paintbrush drums and jrsaget-just tell me drums...thanx!
Description : Sounds of the sea and trippy acidy washes with a cool beat and some live acoustic guitar. Written in Cubase with live guitar and keys etc. The sound of the sea and birds was recorded on the beach where I used to live. After moving to the city one sunny day I was telling stories to a friend about living by the sea and started making this track.
Description : Smooth and Groovy and Progressive
Please leave your opinion if you have one
:)
This is the rough draft. To hear the final version, you can find the official release on streaming services and bandcamp.
Description : What to say about this one?...Toyed a bit more than usual with echo and delay....and the result is here...:)
Description : a song about that special moment when the day is almost over and the night hasn't yet begun and the sunset baths the world around you in red light..... it is a song about freedom ..... usually I never say that, but this one is almost perfect ...... peace, rei
Description : Just another chillout...:)
Description : Spacey and Dancey and Lo-Fiey and Synthwavey
Please leave your opinion if you have one
:)
This is the rough draft. To hear the final version, you can find the official release on streaming services and bandcamp.
Description : Thanks guys for all the support!! I have more material coming soon!!!
Description : Many of you know well that Tumbleweed & Orlando collabs are pretty much well established tradition within LM society by now, and here is the newest example to reinforce that tradition. It's probably the last this year (yet never take it for granted) and I think it has (although not particularly intended) a bit of that seasonal celebrative nature, thus fitting quite well into this festive feel of December. Despite providing it's share of melancholic tones (you can bet who is responsible...haha...) it's a quite happy tune overall...and it doesn't bite, so you're all most welcome to listen and comment !... As always my sincere thanks to Ed !
Description : Another track I created quickly after hearing Minor2Go acoustic Guitar loop yesterday 7-19-2018.
Time to relax your mind!
Minor2GO guitars-unlimited-summer-sun-75bpm-pop-acoustic-guitar-loop
Description : Spacey and Synthwavey and Chill
Please leave your opinion if you have one
:)
This is the rough draft. To hear the final version, you can find the official release on streaming services and bandcamp.
Description : The spring is in full motion over here and I guess it helped me quite a bit to complete my part of the job on yet another exciting collab with maestro Tumbleweed. Most of our collab works contain at least some aspect which demonstrates something out of ordinary one or another way. This time we got a peculiar combination of mysticism and merciless attacks of soapiness (my bad....haha)....So let's listen to hear whether I'm right or not!....:) As always on such occasions, all my thanks to Ed !
Description : Hi guys another vocal from me, this time Matthias gave his blessing. It's to his beautiful return track chillout vibe. It's a tribute to my closest here on LM. My voice a few ways including, the balls to do a harmony channel too. There's 30+ shout outs, so listen up, you may here your name. It's community based and some of you play characters. Switch the fucking volume UP, it's a builder. Love the Stokesey and Cyber lines :))) Sorry girls it was a lads love in.
Description : I was inspired by 2 looperman loops created today and came up with this track. Thanks to the following:
Pad loop by Minor2Go
/loops/detail/131179/pads-of-gold-amaphae-166bpm-trap-pad-loop
Drums by SushiBawa -
/loops/detail/131170/beat-158-158bpm-trap-drum-loop
Description : For all of you in isolation who might need a little ...
Remastered version with Grand Piano by Jynxz.
Yos, Heys and Sups, you Grandmotherfucker.
Nice long sustained, relaxing bowing in the beginning, seeming to begin a story. Drums come in and add some structure, good length on the bowed section before.
We go into a happier place for the first real section. Butterflies and meadows.
Next section is a bit darker and reflective. 2:50 driving snare hits are nice there.
3:28 pluckery is a nice addition. Jaunty little line. This would make for a good track for fishing on the boat. I'll start making YouTube fishing vids and you can supply the music. Mine doesn't go along with fishing well.
Percussion kinda picks up there at the end, but mostly stays the same on the way out. All rather calming and relaxing.
Been enjoying the online dating chronicles you've been keeping me informed of. Taco-Fanny is your next track title, I know it.
Evan, rolling windows down for the cool night air is curious.
Hi MrNomad,
I was looking for something interesting to hear, then I thought, let's have a look at MrNomad's archive... there must be something there.
And I found this nice little gem: lot of words already spent on this, so I'll keep it short.
I like your work on the cello: you are a talented guy and you make a creative use of all the instruments you play. You deserve some real respect.
The song is nice: good, but not the best one. I wouldn't dare to say that it is "boring" (no way) but it somehow lacks some "peaks".
I would even consider shortening the "middle part" and make your guitar enter the scene a bit earlier.
But of course, nothing will be changed: this song can stay in its current form, it will still be enjoyed and you will use your time for the next one.
As usual: outstanding work.
Ciao, Domenico
PS: being Italian my mother language, I did not find the title word so "strange"... maybe I am missing something.
I think some very distant low volumed panned specifically to certain points and distances .... I seem to have left out .... cinematic/orchestral drums.
This has a very nice minimalist feel to it.
Yes feel not sound.
I'm in pain and very tired just now and I'm feeling this more than hearing it.
The meds probably help with this effect.
Minimalist it may well feel but it sounds quite complicated.
I love your cello sound.
Every track you offer up is now a cello track as you fall in love ever deeper with it's sound and possibilities.
Probably why your guitar skills appear to be deteriorating.
It simply can't compare just now with the new love in your life.
I'm sure you'll rekindle it.
This is a beautiful track.
I think some very distant low volumed panned specifically to certain points and distances would have given it a little more .... something.
Not depth because it has plenty of that but ... my vocabulary is lacking at this point so something will have to do.
Very nice track very well put together long may your relationship with the cello last.
I am curious about your approach to harmony in your compositions. I was able to fit a pentatonic scale to much of the opening section. Then I was fitting a major 7th chord in for several seconds. I am impressed with your incorporation of cello! Regards - Dan
Love this
Alright finally a cool track and a nice thought provoking title. Even though its a bit hard to see its quite the enjoyable listen. I like the intro. I'm big on intro's especially for instrumentals. I love the low notes of the cello, they're so fat and brooding. Combined with the delay effect here, really draws the listener in. You should do this more often, intros that is. The track begins and I'm immediately pulled into the depth of the bowed chords and underlying synth. Wow, that's cool ! Then comes the lead cello and I really notice the swell on the notes. This is done with delay? You must be using a volume pedal as well. Irrespective, that's beautiful stuff man. The bridge around 2:30 is a perfect interlude, nice heavenly pads. The last section features some impressive lead fills with some fancy articulation, long bowed notes, staccatos and octave exchanges. This is a bitchin' track bro. I know its quite a jump from what were normally used to hearing from you but it really showcases just what a beautiful instrument your wielding and how far you have come in your quest to master it. If I have any critique at all where this track is concerned I would say you definitely need to do some editing.
Remove the "not a great track" comment from your description !
I was stuggling for words a bit. By melodic vs. random I mean this. If you listen to 1:20-1:40 there is a nice groove that gets your head bobbing, and the melody is sweet... it feels very pleasurable to me to listen to almost because I can sense the flow of the melodic wave and I just flow with it... If I listen to a later part I'll pick one at random (4:11-4:30) my head isn't bobbing, and I just can't sense the flow of where the melodic wave is going, in fact it sounds more random and disturbing to me, like I can't get on that wave and ride it. Listen to my track Concrete Meadow and you will get it. The melody is smooooooth and gets your head bobbing. It feels good, just like your stuff at 1:20-1:40. I don't know jack about music theory. I just know what feels good to me. So that's what I mean by smooth melodic vs. more random. There is no fancy meaning to random. Is it that at the beginning you are doing more traditional melodies and later on you are delving into 12 tonal theory? I don't know.
I love the blend of synth pad and acoustic drums. Ambitious
I'll try to stay lucid but ! I really dig your track mate !
May but the drum part can bring another groove may be it's a bit too binary but well it can works this way too !
I love the sound of the delayed electric cello. But I do prefer the more melodic beginning especially around 1:20-1:40 as opposed to the ending which seems more random to me. The cello is pretty much carrying the entire track, and I wonder if it would be good to mix in other strong instruments that could have a conversation with the cello.
Mr. S. let's dive right in, shall we?
I see you've found Jesus' delay pedal. Khan may disapprove, but me and J.C. Dig it.
The intro is nice and long. It gives us, the listeners, plenty of time to settle in and get comfy before the drums, bass and pads kick in.
Excellent use of layering. It sounds like multiple players, but, come on, we know better, right?
Speaking of drums. I like the minimal approach so far. (I'm still in the first play through.) My own personal tastes suggest a few more light fills, or rolls. But, it's still good.
2:25 - dreamy pads, backed by strings. Very nice texture there. Minimalist approach again. Nice.
Definitely an aptly titled song. While I did find it to be very relaxing, and very pleasant, it didn't, send me on that permanent vacation I was promised. So I will be asking for a refund. But I would definitely recommend this ride to others. I don't think you've "lost it." I just think your tastes are changing, my friend. The direction you took with this one is good. Ride it out. See where it takes you.
I really don't have any critiques for this one, as it sounds great the way it is. I will have another listen when I'm not on break at the mill. When I can sit down and really a focus. If anything stands out, I'll come back and let ya know. Otherwise, NTB!