Neomorpheus

Good to hear from you again.

The sax is a bit of an oddity among my tracks, but I had the main line underneath and thought it would go well, and I was pleasantly surprised. I like the ending section as well, where the frequency slowly drops and the bass comes in with a sad regretful sounding line, then enforced with the low bass line. One of my favorites.

Thanks for the listen and the time for a chat.

Evan

Thanks for listening....
I was thinking of adding Orchestral elements but then i decided not to...Kinda wanted it to be pure DnB...
I think i would add some Wobbles near the end(It would be awesome...!!)
Going to add some new synths and piano variations or even a chilled electric guitar part in the middle where everything fades away and take the new synths and guitar part upto the sudden pause at 3.10....
And is the sudden pause good or should I make it more intense..??

Thanks for the feedback..!!

Thanks :) that's awesome to hear, glad you liked it!

Thanks Neomorpheus, it took some time to work it out but I am very satisfied with the result. I am glad you enjoyed the track.

I remember there used to be more dnb on this site in years gone by. Anyway, glad you liked it, kontakt comes with some cool timpani patches so I've been having a lot of fun with them recently!

Thanks for such awesome comment.Actually I was confused between the House and Deep House Genre for this song.I was waiting for the replies for it.Nice feedback,will surely work on it and improvise and finish the track....!!

Massive thanks for enjoying my track...!!

Thanks, Neo. Yeah, it's actually a cha cha with some jazz elements. The doos are a VST I have in my Sonar.

I appreciate your comment.

Cheers,
Scott

thanks for stopping by!

Thanks for listening! :) Definitely going for a very mellow sound.

Hey thx for the comment Neo, finally uploaded the track on looperman been so long. Glad you liked it.

Yo, yo, yo. Not, I'm not of Middle Eastern descent - just badass descent.

Actually, I was born in Cairo, Egypt and so, coincidentally, was one grandfather but neither are us is Egyptian (very English, instead). I did live for a few years in a Middle Eastern country but didn't study the music in any way. I know very little about scales and completely guess at how to make Eastern scales.

It's a real fluke. All I do is start playing more semitone stuff and then do a bit more a few frets up and that seems to make some sort of Middle Eastern scale or mode.

Korg bassline?

I do have a Korg Z1 but that main killer, intro delayed bass is a monsynth patch I made in Reason years ago. I have used it in loads of tracks - most prominently in Into The Out There (it drives the whole track) and The Fatness.

3:24 lead synth playing actually is my Korg Z1. Amazing sound but I haven't used any of the Z1's internal sounds in years (95% of my synth work is Reason synths).

Also at 3:24 we get the tambura sound but that's also from Reason.

Hard to believe I made this in 2001. Most of my stuff was nowhere near as good as this as I had a lot of production skills to refine and didn't even use EQ back then. Also didn't have all my excellent acoustic drum software (had to wait years to get that). This is all drum loops and one shot hits but they work really well.

"who else does this kind of stuff?"

Someone commented on another site on this track and introduced me to an excellent group I'd never even heard of. They're called Anubian Lights, and a great album is Let Not The Flame Die Out.

Here is an excellent example of their stuff:

Anubian Lights - One Eye to the Sky

http://www.youtube.com/watch?v=Ue0CMZAdr-A

Ah yes - me and all my unreleased albums. I keep saying I'm working on about 8-10 of them (probably more) but don't want to part with them until they're as good as I can get them and nicely mastered.

Had this track on this site for ages, only just featured it cos got nothing else to upload right now but am working on an amazing new one that might be ready in a week.

"Somebody's got to light a fire under you and Tumbleweed"

I don't know if that means we should collaborate or that somebody should burn our asses (if we don't release an album in the next few months).

Thanks Neomorpeus! So glad you took the time to listen and comment on my track. As I get older, I'm starting to do allot of day trippin'!

Cheers,
Scott

Thanks for your nice comment.

Greetings and best wishes Bathers

Thankyou Neo, for the comments and listen. This is not the best recording of this track. The better track was lost from data being wiped out from a former system. I had to share it any way. So I agree with Static, there are some not so tastefull spots in the guitar track. Thanks again. PEACE. THE MACK MAN OUT.

Understood, but, I don't write lyrics, I listen to the beat and what comes out is what you get, so maybe that will explain some of the mis-ques. Every track I have listed here is just of the top of the dome, nothing is ever written. I couldn't sing this again word 4 word even if you paid me. It's pure joy and love. Perfection is for the pro's, 4 me it's simply creativity at it' rawness. But that's not to say I won't heed your advance, are try to implement it into my learning, but I put it down when I feel it, or lose it 4 ever. For those who constantly write will say, if you don't get it than, you may never get a second chance!

Tune D

Thanks!
=)

Thank you for listening

Thank you bro, Im glad you like it. It seems I realy have a point with this one. Thanks for the listen.

Thx a lot ! I'm overwhelmed by the great response.