So some clarifications. My Domo Arigato comment was to comment how that section had a Japanese modal structure and questioned was it out of place. Domo Arigato of course is a very formal ¨Thank you very much¨ in Japanese. In no way was I referencing the 1983 Styx tune Mr. Roboto, but I can see where the disconnect might have come from. Moisture level -3. Yes 6:06 does have a nice cello bass pluck. reminds me a little bit of the remix of love you down by INOJ back in the nineties. yes the cello in the section leading up to 8:06 and the ambient change-up is complex in its build and layering and very cool. https://www.youtube.com/watch?v=ul4W7tRzQYk
about :49 in we get the drum & bass lite sound that this version took on. I could hear you do an excellent cello mix of this one though.
and of course the original ready for the world version. https://www.youtube.com/watch?v=m9ZfWr_KKFQ
Anyhow I have to go back to what I was doing. as this seriously cuts into my sitting around and doing nothing time!!! #S
Cru, qui vous rend ridiculement humide.
I may be a total Bromad but am I really standing my ground?
Yes - the sort of Japanese section is quite cool and unusual but I don't know why it has a Japanese modal structure. I just went for whichever notes seemed to work (not many id so this is the end result). That's a plucked harp instrument used there, with synth bass playing something very similar. I think it's an odd, additional flavour.
"Moisture level -3."
You mean you're negatively moist? You're drying up? It's summer (even in Canada) so get yourself some water otherwise you may shrivel to a crusp.
"cello in the section leading up to 8:06 and the ambient change-up is complex in its build and layering and very cool."
Probably my favourite cello sections.
Wow, Let Me Love You Down is a really cheesy, wimpy song! The remix is only a little better but mostly because of the drums.
"this seriously cuts into my sitting around and doing nothing time!!"
I agree. Why waste time commenting on my tracks? And then I have to waste my time replying. We really need to remove the comment facility on this site. It'll leave us more time for making music and more important things such as having arguments and posting stupid picture memes on Facebook.
Cool. I would love to here a mix of like moog synth sounds to make the melange more interesting. you nailed the swing sound perfectly, but you can take it up a notch by using unorthodox instrumentation. Something I strive for in my work as I like to ¨genre-bend¨ my tunes. but this is great !
Cru
First of all, clear mix! great production. great vocal mixing as well. Are you using Valhalla? could fit on any EDM radio station or club floor. great work.
Nice ambient opening, spry like bass that sounds content and happy emotionally. Bass is strong. You are playing cello in a riff like style, which is cool, it adds a new expression for this instrument. 1:40 is that amen break for d&B we have all been waiting for. 2:27 is a subtle pad that I would like to hear brought up in the mix and then lead into maybe a guitar like passage. nice faux harp BTW. 3:30 we go into a moody hip hop beat with minor and minor 7th chords and a darker outlook. Nice chord structure 4:15 on to the break, which is perfectly needed. I like doing those with just some airy pads. I would have kept it going for 2 more measures to make a statement. But amen is back and so is your pluck. Domo Arigato for 5:43 but slightly out of place ehh?! 8:06 nice drums and ambient pads over that bass line. That works real nice for me there, almost like your putting the song to bed soon. and a glistening ending with a soft fade of ambience . very nice ending. it´s a good song and very uplifting you should be proud of the hard work you have put in to this one, You can hear your cello skills are improving and the cohesion is starting to remind me of your guitar based tunes. As you have delved into your cello, i have delved into my DAW learning how to mix and engineer better, to tighten my tunes. (remove reverse cymbals (lol)) And you can hear the hard work of your study and practice coming together. So I am most impressed, maybe even a little moist.
Always a pleasure.
Cruvaccinate
A good, hefty review from you - probably the only one I'll get on this track.
I had some problems with that ambient opening but it sounds OK. And then we're into the riff that started the whole track off. I really like it and have made it quite funky before it heads into d'n'b breakbeat territory. It returns there in three different forms (pizzicato, spiccato and regular bowing).
" that amen break for d&B we have all been waiting for."
I had planned to start with just d'n'b drums and then subtly bring the main riff in but the half tempo first section worked too well so I went with that.
"2:27 is a subtle pad that I would like to hear brought up in the mix"
Just a subtle choir voice pad that is heard more clearly at 8:06.
"nice faux harp"
Yeah - tricky to get that glissando harp right but it adds and unexpected additional flavour.
"3:30 we go into a moody hip hop beat"
I love that drum loop and failed to recreate it in programmed drums form, which I really wanted to do.
"Nice chord structure"
Yes - very satisfying to play!
"4:15 on to the break"
Gotta have a drumless break in a lengthy track like this. And then come back strong with some fast ambient chilling.
"amen is back and so is your pluck. Domo Arigato"
Yes - some layered, plucked harmonics. And bowed ones.
"Domo Arigato for 5:43 but slightly out of place ehh?!"
I had to look Domo Arigato up again. Not sure how it sounds like that 80s hit song. Is it out of place? Maybe but hopefully a fun surprise.
And then you miss out on passing comment on my favourite cello sections. Nice, layered harmonics leading into a cool bowed part.
"almost like your putting the song to bed soon"
That's just what I'm doing. 8:06 section feels like it should go on for quite a while as there's a new energy. But I didn't want the track to go over 10 mins.
"very nice ending"
Thanks. Good to end on some gentle, winding down chill.
"the cohesion is starting to remind me of your guitar based tunes."
Just as well as my guitar playing is pretty rubbish and seriously uninspired these days. I hardly even pick it up! My skills have deserted me.
"i have delved into my DAW learning how to mix and engineer better"
You have and it all sounds better than before. No lead reverse cymbal!
This is freaking awesome! Nice deep house sound, minimalist in all the right places, had the groove but kept me interested all the way through. great job.
Cru
Brilliant, I loved the structure. cut the g-solo by half the second part is cloying but the first part is great. add some percussion and a little more on the bottom and we will clean up those pianos to shimmer a little more and you will have perfection!
Cru
Definitely want to add some percussion and I'm going to cut out the Bass guitar solo as well. It's too muddy to make out, I left it in this cut because I wasn't sure where to go with the bridge yet in the song. And for the pianos do you suggest a tighter EQ? Like cutting off so more low hz or how should I clean them up!
Brilliant work on this one. vocal placement and effects were perfect, you built the song up progressively ( in the last verse there are a few things synth wise you can add as a counterpoint to the melody to make it even wider and perhaps a piano playing one note per measure for dramatic effect) Otherwise, great great work.
Cru
Hey Cru always good to hear from you sometimes Rob Papen is useful though not usually but he has some good spacey stuff not always that musical. Regards Robbie.
This is the evolution of Power Pop, I knew some guys from the Rosenbergs (look em up). But to tackle this genre the cream de la cream is the the band the ¨Struts¨. https://www.youtube.com/watch?v=tK6C9B-bN3U.
this is a good song keep working it. I am happy you are branching out trying new sounds. That´s the best way to improve and keep climbing the stairs of artistic semblance.
Also Centralsdev, never makes any sense when he try´s to engage you about effects, and compression, your best bet is too just to nod nicely and move along without poking the sleeping bear.
keep on keeping my friend, always good to hear your evolution. us older folks are counting on you so we get some backstage passes some day! ;-)
Cru
Thank you for the kind words cru :) Always means a lot from musical vets like yourself. You know much more about music than I do so I appreciate your stopping in to listen!
I still feel it´s a NIN opening, but I love the Pad rising like the sun to bring beauty to the track. the strumming guitar gives it an organic edge. organ stabs are a nice touch. yeah it does scream out sing over me!. 2:20 is a nice bass slap sound. a couple of Löwenbräu Radlers, and some wine (Vidal, Niagara region) and I feel this track eating at my bones. the groove is infectious to the core, and those organs keep stabbing and stabbing until I have no more blood to bleed out.
All in all a great work.
Cruradler!
jebus this is loud!! All the instruments are defined clearly, but it lacks a killer groove ,bass wise that will suck you in to it. work on that and you will have something.
Cru
on I Like Me Better - STK Remix by NateJMusic
Cru
on Hours And Hours by StaticNomad
So some clarifications. My Domo Arigato comment was to comment how that section had a Japanese modal structure and questioned was it out of place. Domo Arigato of course is a very formal ¨Thank you very much¨ in Japanese. In no way was I referencing the 1983 Styx tune Mr. Roboto, but I can see where the disconnect might have come from. Moisture level -3. Yes 6:06 does have a nice cello bass pluck. reminds me a little bit of the remix of love you down by INOJ back in the nineties. yes the cello in the section leading up to 8:06 and the ambient change-up is complex in its build and layering and very cool.
https://www.youtube.com/watch?v=ul4W7tRzQYk
about :49 in we get the drum & bass lite sound that this version took on. I could hear you do an excellent cello mix of this one though.
and of course the original ready for the world version.
https://www.youtube.com/watch?v=m9ZfWr_KKFQ
Anyhow I have to go back to what I was doing. as this seriously cuts into my sitting around and doing nothing time!!! #S
Cru, qui vous rend ridiculement humide.
I may be a total Bromad but am I really standing my ground?
Yes - the sort of Japanese section is quite cool and unusual but I don't know why it has a Japanese modal structure. I just went for whichever notes seemed to work (not many id so this is the end result). That's a plucked harp instrument used there, with synth bass playing something very similar. I think it's an odd, additional flavour.
"Moisture level -3."
You mean you're negatively moist? You're drying up? It's summer (even in Canada) so get yourself some water otherwise you may shrivel to a crusp.
"cello in the section leading up to 8:06 and the ambient change-up is complex in its build and layering and very cool."
Probably my favourite cello sections.
Wow, Let Me Love You Down is a really cheesy, wimpy song! The remix is only a little better but mostly because of the drums.
"this seriously cuts into my sitting around and doing nothing time!!"
I agree. Why waste time commenting on my tracks? And then I have to waste my time replying. We really need to remove the comment facility on this site. It'll leave us more time for making music and more important things such as having arguments and posting stupid picture memes on Facebook.
Static HoursMad, qui vous trouve ridicule.
on Electro swing club remaster by Jkingz
Cru
on Sound of summer by Ludwigbroo
on Hours And Hours by StaticNomad
Nice ambient opening, spry like bass that sounds content and happy emotionally. Bass is strong. You are playing cello in a riff like style, which is cool, it adds a new expression for this instrument. 1:40 is that amen break for d&B we have all been waiting for. 2:27 is a subtle pad that I would like to hear brought up in the mix and then lead into maybe a guitar like passage. nice faux harp BTW. 3:30 we go into a moody hip hop beat with minor and minor 7th chords and a darker outlook. Nice chord structure 4:15 on to the break, which is perfectly needed. I like doing those with just some airy pads. I would have kept it going for 2 more measures to make a statement. But amen is back and so is your pluck. Domo Arigato for 5:43 but slightly out of place ehh?! 8:06 nice drums and ambient pads over that bass line. That works real nice for me there, almost like your putting the song to bed soon. and a glistening ending with a soft fade of ambience . very nice ending. it´s a good song and very uplifting you should be proud of the hard work you have put in to this one, You can hear your cello skills are improving and the cohesion is starting to remind me of your guitar based tunes. As you have delved into your cello, i have delved into my DAW learning how to mix and engineer better, to tighten my tunes. (remove reverse cymbals (lol)) And you can hear the hard work of your study and practice coming together. So I am most impressed, maybe even a little moist.
Always a pleasure.
Cruvaccinate
A good, hefty review from you - probably the only one I'll get on this track.
I had some problems with that ambient opening but it sounds OK. And then we're into the riff that started the whole track off. I really like it and have made it quite funky before it heads into d'n'b breakbeat territory. It returns there in three different forms (pizzicato, spiccato and regular bowing).
" that amen break for d&B we have all been waiting for."
I had planned to start with just d'n'b drums and then subtly bring the main riff in but the half tempo first section worked too well so I went with that.
"2:27 is a subtle pad that I would like to hear brought up in the mix"
Just a subtle choir voice pad that is heard more clearly at 8:06.
"nice faux harp"
Yeah - tricky to get that glissando harp right but it adds and unexpected additional flavour.
"3:30 we go into a moody hip hop beat"
I love that drum loop and failed to recreate it in programmed drums form, which I really wanted to do.
"Nice chord structure"
Yes - very satisfying to play!
"4:15 on to the break"
Gotta have a drumless break in a lengthy track like this. And then come back strong with some fast ambient chilling.
"amen is back and so is your pluck. Domo Arigato"
Yes - some layered, plucked harmonics. And bowed ones.
"Domo Arigato for 5:43 but slightly out of place ehh?!"
I had to look Domo Arigato up again. Not sure how it sounds like that 80s hit song. Is it out of place? Maybe but hopefully a fun surprise.
And then you miss out on passing comment on my favourite cello sections. Nice, layered harmonics leading into a cool bowed part.
"almost like your putting the song to bed soon"
That's just what I'm doing. 8:06 section feels like it should go on for quite a while as there's a new energy. But I didn't want the track to go over 10 mins.
"very nice ending"
Thanks. Good to end on some gentle, winding down chill.
"the cohesion is starting to remind me of your guitar based tunes."
Just as well as my guitar playing is pretty rubbish and seriously uninspired these days. I hardly even pick it up! My skills have deserted me.
"i have delved into my DAW learning how to mix and engineer better"
You have and it all sounds better than before. No lead reverse cymbal!
You may Cruvaccinate but do you Cruvaginate?
Il me plait de te faire un peu mouille.
A bientot...
on My bass by denascua
on Remember by bitronix
Cru
on Forest Warrior by Djcindy
Cru
on RAFFLE - T2 --------------- KOOL-AID n CHEETOS by TRE24
nice work. Cru
on Memories Part 2 by MagneticRecords
cru
on How To Actually Make An XXXTENTACION Beat by felixamodeo
on Sleepless by WithoutMyArmor
Cru
Thanks!
WMA
on Are You Listening Feat Without My Armor by MusicGoddess
Cru
on Angel of light by Nodog
Cru
on SHORT PUNK SONG by Deathbot
Cru
on Written In The Sky With Ekicks by TheDarkFlameMaster
nice work
cru
I try to make relaxing tracks, I'm glad you like it.
Have a nice day!!
on If You Don't Love Me by iez13
Cru
on THE PUNK ROCK PROJECT - Beggar by BradoSanz
https://www.youtube.com/watch?v=tK6C9B-bN3U.
this is a good song keep working it. I am happy you are branching out trying new sounds. That´s the best way to improve and keep climbing the stairs of artistic semblance.
Also Centralsdev, never makes any sense when he try´s to engage you about effects, and compression, your best bet is too just to nod nicely and move along without poking the sleeping bear.
keep on keeping my friend, always good to hear your evolution. us older folks are counting on you so we get some backstage passes some day! ;-)
Cru
Brado
on Love Signs by WARRIORDANIKA
Cru
Peace ~WARRIOR DANIKA
on The Party At The Pond by DrCoolest
on monsterage - no internet connection by monsterage
Cru
on Cyberlogic by traz75
Cru
on The Streets Are Ours by silverman
on The Streets Are Ours by silverman
All in all a great work.
Cruradler!
on NEPTUNE by chreestofurr
Cru