DonnieVyros

I swear I've heard somethin like 'em before. Can't say where though (man, don'tcha hate when that happens).

I can feel you on the nasty EX thing. Kinda went through this thing a lil over a year ago. The 'Fade away' part were you talkin about how yer mind seemed to be flirting the edge of sanity? Like lookin out a mile away wishing you could make yourself (or everything you see) disappear? I had moments like that too, mostly at the place I was workin then.
Nice pad usage at the near the end too. Later on!

Remind me of a guy who was in my section the last year I was up at Bragg (style-wise). He had this crazy ability to flow fast like it wasn't anything. I can understand why people fall behind it. Because of the message and the delivery. As you know, two of the most important parts of HH. The crazy sound of the hats is nice too. And the "You ready yet" beat drop was dope. Thanks for sharing! Later on!

Didn't ya use this riff on another song or am I having a 'Stoner flashback' here? Either that or I've heard this before, but for some reason didn't review... ???

I'm so confussed, R2. I'm afraid my circuits are failing me.

Ok, I'm not below so it's gotta be the other. Anyways, I liked the riffs before and still do. Gotta question, you ever think about doing a bluesy rendition of the vocals? With some Harmonica and maybe some Piano or Organs? I could totally see this being sung in that fashion. Brother, you got soul (slaps hands). Later on!

The Honking style of the main bass. The synths leave so much open for a DJ who'd be mixing this into their set. Then the second round of synths starts and brushes everything else to the side. You used one of my favorite drums patterns on this BTW- the Boom-tis-tah-tis. Thanks for sharing mate. Later on!

Podcasts and streaming radio the best for deriving creative inspiration? I thank Di.fm for bringing me closer to Trance music and that's where the initial spark came from years back from listening to their Goa-Psy channel.

The melody on this is crisp, like the air on a cold night. The kind of night where the pressure is so low you can actually smell pure clean air. I like the transition ya threw in there near the end. Ever think of adding vocals to this? Thanks for sharing mate. Later on!

Salami & Grilled Onions for you, sir! Haha, sorry. The dbl post above got me to thinkin silly. And then of food, and then what'd it'd be like to be a waiter, hmm?

Anyways, I'm diggin the slowness of the lead keys on this and the classic usage of bass was a nice touch. What'd ya use for the leads mate (if it's cool to ask)? Coz they're soundin real nice. Like a mix between bells and string plucks. The pads are subdued and airy- the way good Trance is made.
As for name comparisons... Tiesto's cool, but this reminds me more of BT (irony not intended) on some of the stuff he's scored before. You've done an excellent job on this mate. Thanks for sharing & submitting to the comp. Good evenly stacked odds all around from what I've heard. Later on!

PS. How's the weather up there
tonight? It's droppin down into
the 20's here in Northern Fl.

The Ericsson a cell phone? I'm not that tech-savy these days so I'm just throwin out what I believe it is. Anyways, if it is this is pretty bangin.

And the key leads of the synth kinda remind me of Eiffel 65's style on some of their songs. Then the second set of leads comes on and it starts sounding like... Umm... I dunno who, but stuff similar to what's heard on those Ibiza compilation albums. You did so much to this it hardly even sounds like it's Midi. Top-notch productions mate, top-notch. Later on!

Has kind of an upbeat Bluesy sound at the beginning. The beat was cool and the synth ya used (along with the transitions) at half-way are great. Thanks for sharing. Later on!

Remember that one track ya did with the crazy vocals ya did (using that poem). Can't remember the name now, but those vox stay with ya.

I love the wow-wow bass sound ya used on this. And the keys are on par with yer cool style. Gotta question though- have ya ever thought about layering 'em out slightly staggered to give 'em a faster, more active feel? Kinda like the way you got the other leads on this (or the notes of Flight of the Bubblebee).

Great usage of vocal samples there. And am I mistaken or was that John Travolta from one of his older films? Thanks for sharing mate. Lates!

My pod? I'll mind if you don't mention my unmentionables mate...

Hahaha. Sorry about that man, couldn't resist.

Okay, I pressed replay because for some odd reason this is soundin all funky (no pun intended). Yeah, it sounds like it's being played underwater or out of a speaker that's been stomped on. It's kind of distracting.
What bitrate did ya upload this at? Coz I know that when ya drop down to 80 K the stuff starts sounding all jacked up.

Pushing past that I'm lovin her vocals and this track has an Oldies vibe all about it. I could really see this being played on one of those stations. During the mid or late 60's mix (they tend to play around lunchtime). Very groovin dude. Just wished it was playin right so I could get the whole feel for it. Later on!

Hat... Need more smokes... BRB.

The drums and synth sequence ya used (fading in about 0:25) are definately HH. The intro synth is a bit different, but it's nice because it gives this track a different flavor. So far I'm thinkin that this track is more Trip-hop than Hip-hop, but who cares.
Oh, and if you haven't check out that genre before I highly recommend it, because I think you'll really be fascinated by it. You are well on your way to creating HH stuff mate. Lates!

Another soda. I'll BRB...

I LOVE the PERCS on this! They lifted above the rest while I was at the other side of the House and I hadta pause while I was refilling my Cat's water bowl to see what I was hearing. The bass is pretty cool too. Sounds like there are 2 or 3 changes (?). From the half that I've really heard. I'll replay, hold 1...

The pads & synths at the beginning take me back and are showing me ornate fountains for some reason or another. Ofcourse, you've gotten to see a buncha cool historic stuff coming from your region (slightly envious here). I also like the reverse crash (?) ya used a little before the 2 minute mark. Another cool composition. Thanks for sharing mate!

Heard this before. Isn't this from Fl Studios? Cool mix here and I'm glad to hear that someone else has messed with the demos from it. I used Scott Fisher's track on one of my mash-ups. And if you're into mixing stuff (have the demo of Deck-a-Dance and like it) there's a program called MixStation made by Ejay (a pair of virtual DJ decks) that ya might wanna check out. Thanks for sharing this!

Vocos. It's so refreshing to hear the lighter side of hiphop. This is takin me back to the days where it was all about chillin and partyin. Prech that. You gonna make a longer version of this, maybe? Later on!

Happen to ever hear the intro to the original Injected With a Poison by Praga Khan? The pads on this reminded me of it. Then it progresses into a landscape painted on the canvas of dreams. The aimless travelling ones. Moving through a field or is it a large room covered with greenish-brown carpet? Are you coming or going and where? Very soothing mate. Later on!

That show a couple of times and someplace I saw the movie on TV. So I went out and got it. It's pretty cool if ya haven't seen it. This track immediately takes me to that scene in the movie where they are flying through Reaver space. Can't decide whether they are going to or leaving Miranda, but just the picture of Serenity flying past all of those mangled space crafts won't leave my mind. Wait, no, I see that other scene where the crew is nervously waiting on their ship while the other scans them on the way to the planet. Pretty creepy place to be, stuck on a floating can surrounded my the vacuum of space and insane cannibals (with laser cannons). I wouldn't wanna be there, no sir!

I'm lovin the drums, even though they kinda have a different vibe to 'em that's makin me think of the big space battle near the end. Where the agent says- "He's not even changing course...". Great job at capturing the essence of those baddies. Later on!

For links is- *a href="URL" target=_blank* (by default to open in a new window, but you can enter 'self' to have it open on the same page). Enter name (like 'Vigor Blitz video'). */a*. Replace the asterix's with '>' at the end and '

Do this with effects? The Guitar sorta sounds phased and airy. Very pleasing on the ears mate! The riff itself is like a mix between Lynrd Skynrd and Creedence Clearwater Revival. Good stuff!

Undertones of 'Driving' in this track. Kind of like they're sister songs. There's this indie college film we watched last semester called "One of these" or "The least of these" (a play on the phrase 'one of these things is not like the other'). Done by kids working on their Master's submitted to a film competition (and the winning entry, if I remember correctly). Anyways, the story of this kind of reminded me of that. Interesting & mellow interlude (?) music. Lates!

I know that was Latin, but I can't help thinking that it came from some John Williams score (possibly The Temple of Doom). I love the way ya effected 'em to almost sound digitized for the second go around. What really makes 'em work here is the whole stereotypicala view of metal being Demonic. Kinda like the Temple nod from above, I could see some kinda evil ritual being enacted.

The part with the "Musical Montage" kinda killed that view for me. And the track plunges into another aspect of metal- the chaos! Like plummeting through broken Earth down into the depths of Hell. Next the mellow riffs make it seem as if the whole crisis has been averted. Much like the epic Dante- Finally passing through and ascending back up by the hand of Virgil. Nice musical journey ya quickly took me on there. Thanks!

Joey Buttofucco? Funny little fact there. When I was in 9th grade our English teacher had written that on the board for the day's subject (for something, journaling I think). Anyways, I was one of the first few people in and I nonchalantly walked by and erased the middle 'O'. Nuff said there (end random mode).

As for it's rediscovery, don't ya just love that? I'll periodically search through my progs to see if I can't find stuff that I've forgotten about. There are a few of my tracks up now that came from C drive snoopin.

The synths and Guitar on this are major. The drums don't sound like loops they sound live the way they've been effected on here. Those FX are cool as well because it makes this seem like it's being played out of an old-skool Transistor Radio. Lates mate!

I recognize those Piano keys ya used. Nice! I agree, style-wise this is all over the place. The little drum&bass fill ya used was cool too. Love the way ya ended this and the beginning half has so much going on I dunno where to begin. This song screams energy (with kind of a soft light). Much like those Gas powered street lights. Later on!

Arrangment. The lull & return of the synth @ around 1:20 is sweet and then right after that with the buzzy bass sound ya added. This track has kind of a rolling bouncy feel that's very bobbish (keep yo head rockin). Thanks for sharing & please hook us up with some more mate. Later on!