jahknow

hella good. feels rite for underground mix...

That"s beautiful stuff right there! Good going you guys both!

Yes I you got it hooked steppah! Gimme lickle jungle flow and wop, it'a hittin. Big Up bredda. I wanna here that mix u lay over computer malfunction dub. yes I.

NOT a hit song! LOL like that title quite a bit.

Nice song, there's a whole lot going on here. It may be just me but in my phones I detected a few spots where the levels get blown out here and there. Right at the bigining, those subs sounds seem to be clashing with the deeper pad synth sound in the background. Makes it hust a bit muddy in places where those freqs are clashing.

My tip here, maybe trim just a smidge off your sub bass db level and be sure it compressor limited to at least -6 db in your over all mix. You may need to readjust some pad levels after you do that, but I think in the end you'll have a mix that is a bit more clear.

Nice work here for sure.

Beautiful throughout Sir. This was a nice start to my morning practice. Still workig on yur pazer top.

A man after my own heart. I love that arpegiated key riff. That makes for a nice song in itself. Like the minimalism you kept in tact here. Ambient doesn't need a femal Enya vocal overdub or a cheesy string pad played over it all. This weird ambience that I love a lot.

Nice work mate.

That was a cool 50 minutes in your studio sir.

[This Review and below are to working draft v0.2]

I agree. Phasers are phun. Top notch Madness.

You've programmed a good bass line in the mid range, but how bout throwing 1 sustained lo sub bass note under all that. Try it. Find your root key and play just a sustained sine wave style deep bass note. Eq it just right so it doesn't clash with your bass drum and see what that does for this tune!

...bet it helps.

cheers

WHA? Big tunes gain from the ITE! Bless up on this track. Beautiful all round. Beat fits real nice over that instrumental. Well done Tiz.

That chording is simply gonna be a problem all across. It seems as if the same effect could be attained using a different bass sound w/o using chorded harmonics. It will almost always seem cloudy against a clean pad line.

Coney may be right in saying that your bass freq is clipping the bass out as well. Maybe clip the bass kick sound to something around 150-180 Hz. That large drum beat sounds unlike a pop and more towards a house and even dubstep line.

Good going and keep it on spot.

Beautiful what you did here Ark. You've taken us to another place with this tune, I like it here/hear. Taking things up a notch seems to be your best skill set these days. Very well done!

Well Jah will help you if you are willing to go forth into the darkest regions of your mixing desk. Helven, you are onto a nice theme w/ this tune, the flute, piano elements are supreme. The mix needs some serious work though. ALL bass freqs are torn to hell. Even at half volume in my good headphone it's so distorted that you loose nearly all elements of mid range and hi melody. You structure for patterns is a keeper, but if you wanna make this tune go big on ANY speaker system, let's work the mix some.

Here's gonna be my general tip. Draw all your levels way at least -5db! At least! especially the sub bass and kick drum. Make absolutely sure that all the channels are eq'd to isolate the specific freq. range you desire (cut out the mud) and you HAVE to have a compressor on the sub channel. It can have a long slow release, but be sure to side chain it thru the drum kick so that they don't collide w/ each other in the mix.

After all that, if you have about -6db headroom as it goes into the master channel, add an analog sturation type boost on the final master line. This hould get you close to clear sounding hits, while maintaining a bumpin' sound that can be cranked up real hot on the system amp.

Unreal. will be back to post a real response after another 10 listens.

Holy cow man! Blow my mind would you?! This was totally unexpected and I love it love it! You've captured something in this mix that is absolutely crucial. An underbelly riddim that just pulses with heartbeat. Very well spaced reverbs, delays, phasing etc. You've just impressed Jah MAJORLY with this dub.

If you get a chance rip a 320 mp3 for me and send it priority Jah Know reggae Dj. ;)

blessing...

Nice layment of the sounds here. Feels like a bigger tune. Curiously noisey in a good old fashioned nasty way. Liking the darkness as it fits the overall reduced feel here. good work sir.

jessica h kristos

revised. RThat song kicked me in the tenders so hard all I could spit out was a name that sounded something like out lord's name in vain. Brilliant production once again Birdy. fabulously filthy and in your face dubstep once again.

This a blessed tune indeed my friend. Peace to all! These tunes are going to turn some heads for sure. Beautiful horn parts. So big the mountain, so big the dub.

blessings!

Up down up down up down. love the stenchman influence. Bass is all Chud though! Massive mekkon!

Filth is your arena. You been pimpimg labels that sign the filthy stuff yet?

Krypled Brain recordings. All filth - has signed, Davr, Richie August, Borgore et al. I have a buddy who's a label dj. I'd love to pass some of your stuff on to him. He spins out of Miami Florida. Does weekly ustream shows, and plays out tons.

This needs to be heard!!!!

REal nice sound usage. Curious to know what you did to the samples and what remained as is. I would absolutely love to know you resampled and programmed those basslines. You have a serious sound happening init. No doubt you've listened to nuff dub to know what you wanted here.

I can vibe well with this sound.

Keep dubbing strong, we need the presence!

Very nice Konceptz. I like where you went with the bassline.
Here's what I coul dhear happening. Use that lickle dub skank sample a bit mor ein a break down, cut everything out into the dub style outro, just for about 8 bars, then drop the dubstep bassline and beat back in. Makes for a serious skank.

Also think that maybe modulating the bass sound after the 2nd drop might add some interest, maybe just opening the lpp cutoff a slight bit in the 2nd part of the tune. I'm really glad to hear this quality after yesterday's little blow up thread. nice work,

My rig is down right now, but I'm gonna do my magik on this track as soon as I'm up again.

Couple of artists you may need to investigate.

diplo - dubtop raning cd w/ santogold!
modeselektor - boogey bytes
eskmo - almost anything

This sound has something init got you that you've overlooked in the rest of your dubstep....? It's something to do with the raaw drum kit in it's natural environment that makes this track so badass. I would seriously look into that one aspect more and see how you could spread the idea across your tunes collectively. A bit more analog dirt, reverb, saturation in the master mix for that old school recording with volume and minimal headroom.

Love this...

I kinda love this track. Sp much that it geserves some further investigation. I see obvious influences that maybe could be tapped even more.

Massive Attack produced by Mad Professor - it's the mad professor part that I'd look into. This dub pushes towards electro trance in the Massive Attack, Bjork, Portishead way. All of which are great artists to research while refining your sound.

Arrangement is spot, I might want to re arrange some instrumentation for a truer dub sound as the elctronica aspect starts to overpower the atmosphere. Especially the 180 bpm hard style drum beat at the end... now it's not dub it's rave, diva rock. The feel changed so much from the beginning to end I am now confused as to why you chose dub.

1st review Victor and I gotta say for your 1st trance track you have a nice thing going. I recently remixed a trance song (outta my genre for sure) and trued to put my spin on a trance track structure. It was fun. I like the way you kept the drums in front, expecially the kick. If you're at all curious check out my remix of Azoic's - Corruption tune. Started with raw midi date to create a dubstep style version of a trance track. I can hear similar influences happening here. You could play that cut time hi hat riddim way up in this and start playing with the groove across the snare and bass drum, me thinks.

Pretty dope sir.

There are places where your clipping out. Take a look a final limiter on the master chain. Seems kinda squelchy here and there.

Really super good track. Kept me listening all teh way through.