bringer! Ok let’s jump right in. The repetitive quirky swing with the vocals after the first two bars I realized was a setup for the groove you dropped at the 1:04 spot. The sax at 1:15 is fire then people fussing with the sax paused and easing back in is my type of session. Then you blend the quirky swing with the groove. BOSS MOVE DUDE! Finally the ending note is the perfect exit. Your grey matter is firing all of the creative neurons! Faved.
Ok Yahwelle I’m hearing you clearly. Nice bass work and the vocals helped to set this track firmly in the funk zone. The organ at about 2:03 was a treat! Guitar, trumpet, is my kinda happy place. Well done!
bringer! The layered piano at the jump off is genius. It's interesting how you traverse from scene to scene and vibe to vibe seamlessly. Then with a clever twist, you go Dolby Atmos cinematic breakbeatish at the 3:12 mark. Next, the bots come in at 3:26. The last quarter, wraps up nicely. And lastly, That's a pretty interesting waveform! Remarkable creativity dude! Faved. TTYL.
Thanks for the fav. The bots wrote most of it, I arranged their voices and set up the "Turing machines." I try to be without category intentionally. Lately I've been more interested in earlier jazz idioms. When you get a moment you should check this one out: https://www.looperman.com/tracks/detail/243530
I used samples from the 30s and 60s, and wrapped them in MIDI.
Nice one. The bass line puts me in mind of Billy Cobhams Stratus. The keys got my thinking of Chick Corea and Scott Kinsey. This is my type of music. Throughly enjoyed the listen.
Thank you for revisiting
this track and continuing
to give me the encouragement
to keep trying to convert/translate
my thoughts into sound/music.
I miss being on the LM grid.
I hope to be back soon.
Alright fellas! Here we go with another heavy hitter. The creativity is off the charts good. Loving the weightless section @2:05. Then the comeback at 2:52 ! Nice one that sticks to the ribs.
Hello Mark, nice to hear from you. I've been really turned off by the vibe on LM lately... I don't deal well with Dimestop's overbearing personality... it just ruins my mood. Especially when I see him getting approval from people who I actually thought would be more peaceful. I'm just an old hippie, somehow, that's how it is and that's how it will stay.
But I'm very happy that you like Robbie and I's old track. I don't know how close you are to him or whether you know about his current situation. In any case, we can't continue to work together musically at the moment, which really bothers me. I'm working on my personal tracks, but I've become so particular about them that it takes me months before I'm satisfied... LOL
I hope you're doing well and I'll hear from you again soon.
Love AND Peace
Micky
Mark, thanks for the listen. I'm glad you enjoyed this one. It seemed to come together nicely. I am working on my mixes, trying to get some front to back imaging. Thanks again my friend. I hope all is well. UE
Micky this is top notch. A way back Time Machine. Solid 4 in the floor that’s serious business. The 0:52 break is too cool. Great listen for me. Thanks again for sharing your talent.
Hello Mark,
I didn't realize that you had already listened to this thing some time ago. So thank you for listening and the encouraging comment. It's always a great pleasure for me!
Cheers,
Micky
What's good T? This is a mighty fine production. The total mix is full on squeaky clean. You know that EP is present & pertinent. The bass has just the right bottom and the drum track is sitting well. But those strings are Philharmonic, on your chamber orchestra swag! Now T I'm gonna have to OUT YOU! I know you didn't think that I could possibly miss those crispy treats snapping, crackling and popping with the kick oh so subtly, did you? Fire creative touch all the way. Lastly, I'm feeling some sweet female vocals will def crown this one. Nothing too domineering but just right in there. I enjoyed what you've done here. Also take this fave and hang it on the wall. Peace.
Mark first let me say thanks for the HOLLA today, that made my day player. Now for those ears of yours, by you picking out my snap crackle and pop it just confirms my comment on your last track I listen too. Your hearing is surgical. I have to admit only because you OUTED ME, that vinyl was mint to be as close to subliminal as possible, but since you got to tell on somebody, I'm good with-it LOL. I gave it the female vocal listen and I agree with you on that idea. That would take this track to another dimension of SMOOTH. Now in reference to what we disgust today, that comment about the female vocal in a split second caused my ears to consider what I would say is your creative contribution to this track, instead of subtracting some element from the track, and it makes since. A pleasure always MT. PEACE T576 OUT.
BaoBou. So my current situation……. I’m listening as I’m on my way to kick it with my mom who is 91 and lives 2 hours away and she’s sharp as a tack. Something about your track and driving through the countryside is making my day! I’m really digging this because it’s uniquely you. Plus at the risk of sounding redundant, I still cannot unhear Donald Fagan! Nothing technical is interfering with what you have shared musically. Great job Buddy:). Also I’ve got the .als project files and will be jumping on them soon. Peace.
Thank you so much!!
Great to hear your mom is ok, especially at that age. My mom is 81, so I feel you (brain is still fast, her legs not so much anymore ;)
Donald Fagen is a great name to be compared to. I'm happy :)
Rob! Pertinent application of S.D. ALL DAY LONG'S fire talent. The parts of your track that jumped at me was, 1.The Tension throughout the track which never seemed to be resolved. Which is definately a great thing and perfect set up for a sequel (hint hint). 2. That outstanding drum track which stands on its own, then 3.THOSE OUTRAGIOUS SYNTHS!!!!!! Hands down, unequivocally you be that SYNTH HERO! OK, MIKE DROPPED LOL! Peace.
I would love to take the credit
for writing the Drums on this track
but, I just arranged and modified some
samples off Loopcloud. Thanks for the mention tho:-)
You've given me a lot to think about in respect to resolution on a track. I generally put a track together in 1 min sections and I hear each section on its own, not thinking about someone listening, and hearing it all at once. Thank you for that insight. That's a game changer.
On the Synths I'm experimenting on high and low voices playing at the same time so they don't get in each others way while saying something completely different. If that makes sense:-)
Thank you for your listen, encouragement and for your insight on this track.
BaoBou The first note caught my attention right away. May I ask what are you using in your mastering chain/mix buss? The song has plenty of excitement. The arrangement is rock solid. What I noticed is that the overall mix needs a touch of compression. If I get some time, I would like to download and run it through some mix buss ideas. Your passion and drive is admirable, big time. I enjoyed what you've done here. Keep up the great and creative flow.
I usually don't concentrate very much on the mixing mastering as you know; I try to come to some balance where the vocals can be heard well and no individual instrument pops out unless they have the lead.
Then what I did was (all this in Ableton Live):
- the drums right now are midi (I used to have a practice room with actual real live drums but unfortunately I moved away so I don't have that right now). I use a drum buss for that; I played around a bit with teh settings to give it a bit of punch, but not too much, plus a bit of reverb on the kick and delay on the hats.
- a high pass filter on the bass and guitar (obviously more low on the bass)
- I also tried to shape the mids a bit to give space for the vocals, but as Manuela indicated, not enough
- then the keys again I think a low pass filter
- I added a "sustain" return for the keys
- for the vocals I went lazy and used Ozone Nectar
- finally for the master I used iZotope 10, both this and Nectar with the automatic functions. I find it's generally not worse than what I would do and I find mastering extremely tedious and frustrating :D
Yeah, I'll send you the stems, no worries! I'm in the middle of a house move, so hopefully somewhere next week, is that ok?
Yahwelle. C'est tellement luxuriant et riche. Les solos de guitare acoustique sont d'une douceur incroyable. Les voix méticuleusement placées ajoutent tellement de douceur au mélange. La piste de saxo est très impressionnante. Vous êtes sur une lancée. Facilement préféré. Excellent travail.
on my nipples are hard just thinking about it by bringerofDOOM
Mark
on Emperor Tritone by StaticNomad
Mark
on Roll around the world by Yahwelle
Mark
on chaotic elements by bringerofDOOM
Mark
https://www.looperman.com/tracks/detail/243530
I used samples from the 30s and 60s, and wrapped them in MIDI.
on Capucine by BLEEP
Mark
on EndLessLoop by Jynxz
Mark
Thank you for revisiting
this track and continuing
to give me the encouragement
to keep trying to convert/translate
my thoughts into sound/music.
I miss being on the LM grid.
I hope to be back soon.
on 1 - When you cant see the sun - KingMT remix by BaoBou
Mark
on Is It So Important by StarTravels
Mark
But I'm very happy that you like Robbie and I's old track. I don't know how close you are to him or whether you know about his current situation. In any case, we can't continue to work together musically at the moment, which really bothers me. I'm working on my personal tracks, but I've become so particular about them that it takes me months before I'm satisfied... LOL
I hope you're doing well and I'll hear from you again soon.
Love AND Peace
Micky
on Hope for a World on Fire by UncleErin
Mark
on Hot Dog by Micky
Mark
I didn't realize that you had already listened to this thing some time ago. So thank you for listening and the encouraging comment. It's always a great pleasure for me!
Cheers,
Micky
on Sax Tastic by blairrock957
Mark
on STEP IT OFF by T576
Mark
on Funkish by Jynxz
Mark
on SillyWilly by Jynxz
Mark
on suicide by saxophone by bringerofDOOM
Mark
on RUSH STREET BLUES by mjmusic1
Mark
on 4-19 - The Key To My Heart by BaoBou
Mark
Great to hear your mom is ok, especially at that age. My mom is 81, so I feel you (brain is still fast, her legs not so much anymore ;)
Donald Fagen is a great name to be compared to. I'm happy :)
on Qwerty1 by Jynxz
Mark
I would love to take the credit
for writing the Drums on this track
but, I just arranged and modified some
samples off Loopcloud. Thanks for the mention tho:-)
You've given me a lot to think about in respect to resolution on a track. I generally put a track together in 1 min sections and I hear each section on its own, not thinking about someone listening, and hearing it all at once. Thank you for that insight. That's a game changer.
On the Synths I'm experimenting on high and low voices playing at the same time so they don't get in each others way while saying something completely different. If that makes sense:-)
Thank you for your listen, encouragement and for your insight on this track.
PEACE. From the East... TTYL...
on Patiently Waiting Ronabo collab by FullCapicityMuzic
Mark
on MacBain feat Patricia Edwards Never Knew by MacBain
Mark
on 1 - When you cant see the sun - KingMT remix by BaoBou
Mark
on 1 - When you cant see the sun - KingMT remix by BaoBou
Mark
Then what I did was (all this in Ableton Live):
- the drums right now are midi (I used to have a practice room with actual real live drums but unfortunately I moved away so I don't have that right now). I use a drum buss for that; I played around a bit with teh settings to give it a bit of punch, but not too much, plus a bit of reverb on the kick and delay on the hats.
- a high pass filter on the bass and guitar (obviously more low on the bass)
- I also tried to shape the mids a bit to give space for the vocals, but as Manuela indicated, not enough
- then the keys again I think a low pass filter
- I added a "sustain" return for the keys
- for the vocals I went lazy and used Ozone Nectar
- finally for the master I used iZotope 10, both this and Nectar with the automatic functions. I find it's generally not worse than what I would do and I find mastering extremely tedious and frustrating :D
Yeah, I'll send you the stems, no worries! I'm in the middle of a house move, so hopefully somewhere next week, is that ok?
on FunkedAgain by ChrisSharpe
on My love by Yahwelle
Mark
on dabadadoomdadi by terryjmhitsong
Mark