The random:
The way ya had the intro on this I had no idea which direction you were gonna take it. I also dig the strange numeric title (did the same thing on one of my first few songs as a way to abbreviate sayin- "A $20 for a 40 ounce" = 8-20-48-40, dropped down to 8:20)
The good:
I really love the bassline on this along with the way you cut the beat in and out (a mixing style/technique that I love doing too). And the hydraulic effect you've got here and there was pretty sweet as well.
The bad & suggestions:
Dunno really what the gun cocking & blast have to do with the song (though they were cool for the different intro). If it were my mix I'd think about swappin 'em out for a CD loading or putting the needle on the record sound bytes (to go better with the hydraulic lift SFX you have on the track (might wanna ditch the broken glass SFX, because it began to have a 'canned sound' quality to it- ie, you could tell it was a loop). I'd also consider fading out the end (possibly touching back on what you did at the intro) and also work on extending the mix out about a minute or so more. Beyond that decently done. Lates!
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Description : Feel free to check out the video on YT as well (Alan McLaren Project - Upside Down) of this 6min journey from electronic to rock with some psychedelic moments...
This is my latest, but also one of my earliest tracks.... any feedback is more than welcome, thanks :)
Description : 'The main point of this song is really about the frustrations of living in the overload of today's World of Tech. The consequences are impaired communication and that if you advance too far you end up diminishing what you had to start with, so you are way worse off.' Enjoy a 60s Rhythm with a modern deep Bass, a Sitar, a Piano from EvilPianist, a lost flute from UniverseHuston and some Oscillators :-)
If you like our work, please find us under kayos2 on Bandcamp
Description : A demo of one of my current projects. The chorus vocal sounds like "Aaaaraashe" to me. The song is in C# minor with a nod to C# pythagorean on the chorus. The beat on the verse was inspired by the Peter Gabriel song Intruder.
Description : This is one of my earliest productions that I did at the start of my recording career. I did not have a keyboard at the time I made this song, so I improvised and used my sister's iPad and a 5 dollar GarageBand application instead, and plugged the headset jack into into my PT6 rig and did my best to turn each individual track (which were mono and there were about 25 tracks or so) into a stereo image. Then recorded vocals over it. My computer was so old and slow that I had to mix my music and then BOUNCE it to a new session - four times. My computer (which had 512 MB RAM and an 80 GB hard drive) couldn't handle more than 8 tracks at a time or it'd stop working because the processor couldn't handle it. Took me FOREVER to do. But I got it done. Had a lot of fun doing it too, even if it isn't my "best" work. I'm still happy with it, considering I didn't have many tools to choose from at the time.
Description : Long time lurker first time poster, pretty new to production n stuff, this is my first track in Ableton Live.
was going for a darkwave/synthwave sound, reminiscent of Justice, Carpenter Brut, Perturbator, ect.
Looking for some feed back, constructive criticisms or even just your thoughts if you liked it or not. This is just a rough cut on this current WIP, just the bones of it if you will.. If you have some cool title suggestions, would love to hear those too.
Thanks for listening.
-B
The random:
The way ya had the intro on this I had no idea which direction you were gonna take it. I also dig the strange numeric title (did the same thing on one of my first few songs as a way to abbreviate sayin- "A $20 for a 40 ounce" = 8-20-48-40, dropped down to 8:20)
The good:
I really love the bassline on this along with the way you cut the beat in and out (a mixing style/technique that I love doing too). And the hydraulic effect you've got here and there was pretty sweet as well.
The bad & suggestions:
Dunno really what the gun cocking & blast have to do with the song (though they were cool for the different intro). If it were my mix I'd think about swappin 'em out for a CD loading or putting the needle on the record sound bytes (to go better with the hydraulic lift SFX you have on the track (might wanna ditch the broken glass SFX, because it began to have a 'canned sound' quality to it- ie, you could tell it was a loop). I'd also consider fading out the end (possibly touching back on what you did at the intro) and also work on extending the mix out about a minute or so more. Beyond that decently done. Lates!