Description : Vst instruments (drums, synths, sax, keys, vocal fx from exhale, bass) and multi tracked slightly random guitar (in A flat) and feat some cut up readings from the work of Kurt Vonnegut
This spoken word track was uploaded by pseudoble. They retain full copyright and you are only entitled to listen to or download. For further details on how you can use tracks see the terms and conditions and the tracks section of the help area.
Comments (17)
If you have time take a listen and give pseudoble some feedback.
Nice intro! I like spoken word.
Great sax! This guy at first sounded a little like Al Pacino. So this guy's a philosopher? Great melody the synth acidty sound is brilliant
Hey CC - Kurt Vonnegut was an american writer maybe best known for his fiction writing - he was an interesting guy and died about 15 years ago now - there's a newish documentary film called unstuck in time about his life and work - that was what made me revisit him and appropriate a few lines. Thanks for listening and the warm feedback
pseudoble, so this hits hard. Strong content spoken, every name mentioned made my ears stand on edge on top of that excellent instrumentation. You captured the essence of meaningful expression! Faved my friend.
What's up Ian, no matter how long I'm away I know where to get my avant-garde music fix. I think the loose but tight feel of this track is very satisfying. The informative spoken word is icing on the cake.
Hey Jynxz - Im crazy busy but not dead yet - hope you are doing well. Thanks for the warm feedback mate - hope to listen to your new one as soon as I can
I was born in Indiana. Vonnegut is required reading lol. Really though, nice choice. I'm a fan of your song construction and especially the mood of this one.
Go check out the new(ish)documentary film on Kurt - 'unstuck in time' - that was why he was in my mind - it was decades ago I read slaughter house five and breakfast of champions and Im not sure what else. He is an interesing character I enjoyed the film : )
In response to BOD's comment, I completely agree with you on your approach. My music theory prof used to say learn the rules, then break them all you want. As long you can explain why you did it and it makes musical sense. This makes musical sense, good work.
Thanks for listening mate and the warm feedback - and btw Ive equally learned a lot from your many posts and tips and willingness to share your knowledge and experience
i tell you, once there bookstores made to hear this in. kilgore was here. shoot me now. musing and really quite wroth you bookworm. i’ve been looking for a decent copy of r brautigan’s trout fishing in america, highly rec’d. and now i want to get my hands on kv’s non-fiction stuff, much of that i haven’t read for some reason. this stunning subversiveness gets in my blood, brother!
Super! The whole package just sounds mighty fine. I love your creativity, always so unique. I've read some Kurt back in the day, will have to check him again. I posted that track I sent you by the way, not featured, having trouble with the mix:(
I like the electricity sound, breaks the norms. You might consider rendering some of the MIDI to wavs. You can then stretch to twice or 4X the time (or the reverse) to get interesting sonic information (same with pitch transposition and stretching settings), or use them as an optional or additional layer with or without additional FX (or as a vocoding source, or as a sidechain information source).
Sometime I will write MIDI, render it as a wav, and then use another MIDI content as reference points to place chops or sweeteners, using the rendered wav.
Any combination of these kinds of tricks will exploit a larger palette without much effort or an increase in written content. In other words, efficient "tricks" for avant garde sounds.
You can also render the entire song, so that you have a choppable master handy if you want global FX for a small part (like tailored reverb during a pause), without having to wire a bunch of busses into a premaster channel.
Thanks Bod - I do like to try to find the boundary line and test it a little in the process of learning the software and crafting a track. I'm with you around bouncing the tracks to mostly bounce to audio and do + also double track usually more than half of my tracks, then treat them differently and pan them differently AND as I use mpc as daw I often use the half speed function - even doubled up which does as you suggest provide a quick pathway to alternative sounds that will fit with the original. I also like to add harmoniser, delay and or other effects, often on the last beat, hit or note of a phrase and blend them in a more or less subtle way. Thanks so much for your feedback to me and others I have found that your comments and ideas have been really helpful in my learning and experiments. In my other life my own work in therapy is based on building on what is already present and working and to try to pay attention to all of the elements that make up 'what works' and I think that attitude is helpful in tune craft too - whether it's for someone at your level of expertise or a relative novice like myself hey : ) Thanks Again
Oh so that's what Vonnegut sounds like! Cool. Not quite I expected. The e-piano and sax sounds are perfect for this track, gives it a very jazzy, smokey, atmosphere. I actually disagree with V, I don't think the bass synth is too much. Though panning it around might be a cool effect. The combination of that and the instrument voices create the effect which makes the song unique.
Hey Killick - thanks for the warm feedback - the electric piano is from Air - velvet - one of their presets then double tracked each track treated differently and panned left and right. The Vst sax is from decent sampler and there's lots of guitar in there too (with multitracked Neural DSP plugins on the guitars giving some lovely different sounds). The bass synth is from a modular synth present with some percs, there is another bass line using outlooks substance bass engine (as well as outlooks exhale) and then there is other percussion from Akai mpc drums ...
hey Ian, i really like this the spoken vocal is great the music and mix are delightful, i like the distorted bass, it adds texture to the melodic charm, but like ValveDriver its distracting playing right through i would also chop it up, 2-3 smaller sections maybe run a fade in and a fade out on the sample or an envelope to dampen it so its not in your face so much. but i love your creativity and always pushing the boundaries and delivering original material, you are becoming the DON on spoken too mate, just that tweak for me, but again personal choice only dictating my judgement, keep being you mate
I love the sax and the Rhodes in this! They definitely create a chilled atmosphere. Overall, it almost has a bit of an Angelo Badalamenti vibe.
I like it. I think, though, that the distorted bass synth in the background being played through the entire thing is a little distracting. It makes it difficult to hear the cymbals and tambourine. I would chop it up and place it in more strategic areas in the spaces between, ya know? Or, if not that, then bring it down in the mix and pan it back and forth. But, that's just my opinion. Take it for what it's worth. Either way, it's a piece to be proud of.
Hey - thanks for that - already played around with that sound a bit and wasnt happy with the result but I do agree. Part of the issue is that the track was built around it and its a modular synth that is constructed as a multi - so it has bass and perc's and a lot of the background rhythm goes when I cut it up - so I'd need to reconstruct that (pain in the arse) never mind hey - move on to the next experiment : )
You might also like these tracks
If you liked Trouts Truth by pseudoble you might also like these other Spoken Word tracks.
Description : Paul Dimestop told me to not care about my voice and rap.
So I made a little rap and this is just for fun only.
Everything made by me hope you like it :P
Description : HEY EVERYONE...BEEN A WHILE....HOPE ALL IS GOOD.....A CHILL TRACK WITH NICE MSG.....THATS HEMANIFEST ON VOX...AND A BEAT SOUPED UP BY REDOFFICIAL.....I PUT IT TOGETHER THIS WEEK,,,FEELS TO BE BACK...LIKE THE NEW SET UP
Description : Shades of HipnoSis is Sexy! Shades of HipnoSis is romantic, soulful, hip hop & R&B. It's also very poetical. He's talking about how this sensual female put him in a trance. After the initial lyrics,
Kamal let's the groove ride so you can ride with it. Enjoy the female neo soul voice on the hook as well.
Description : Retweaked the spoken word a litte April 2023 Also ADDED THE POEM in the lyrics section
My Guitar and Harmonica - both treated
Reading of Poem Softly by Aaron Kramer
Main beat is a drum loop, with a kick added and one sample - all manipulated
Other versions had more percussion but not needed I think
Description : Spoken Word with Rhythm. It's a song about dedication and being there for the one you love. People can easily say what they are going to do but not really mean any of the words. I learned a hard lesson in that today.
Description : I was writing another type of track and this "Spoken Word" I ran across kinda hi-jacked the track. At least I'll have the Genre right this time.
Description : Hi there! Well, this is a track for the phatkatz4's Halloween Track Challenge [https://www.looperman.com/forum/thread/183960/halloween-track-challenge]. It's not a music, but... it's a track :P . Sorry about my accent. My native language is spanish, my english is not perfect, so sorry for mistakes (grammar, pronunciation, etc). I hope you like it. Thanks! SUN & MOON... FIRE & ICE HEART... LIGHT & DARK FUSION...
Description : Having done a Robot Trilogy, maybe I’m now doing a Plant Trilogy, with this being number 2 following March of the Seedlings.
Samples used:
Rasputin - Krafty Bassline 2
Josee1969 - Drum And Bass 43 - Saluable Salt
xKingK420x - Tele 2
xKingK420x - Tele 1
lasse1011 - Dark Melodic Lofi Chords
ECKSjoe - Cymbal Roll
Schnatter - In A Cold Cold World There Is Someone
Arrant - Redpriest X Digicore Pluck Loop - Back Part 1
CelloCubano - Welcome Home Bongos
Ceezx - Triangle Ding
Great sax! This guy at first sounded a little like Al Pacino. So this guy's a philosopher? Great melody the synth acidty sound is brilliant
Mark
Great track. Faved..
PEACE...
Sometime I will write MIDI, render it as a wav, and then use another MIDI content as reference points to place chops or sweeteners, using the rendered wav.
Any combination of these kinds of tricks will exploit a larger palette without much effort or an increase in written content. In other words, efficient "tricks" for avant garde sounds.
You can also render the entire song, so that you have a choppable master handy if you want global FX for a small part (like tailored reverb during a pause), without having to wire a bunch of busses into a premaster channel.
Food for thought, faved, keep it up.
Nice work.
good job man!
Michael
: )
I like it. I think, though, that the distorted bass synth in the background being played through the entire thing is a little distracting. It makes it difficult to hear the cymbals and tambourine. I would chop it up and place it in more strategic areas in the spaces between, ya know? Or, if not that, then bring it down in the mix and pan it back and forth. But, that's just my opinion. Take it for what it's worth. Either way, it's a piece to be proud of.
Take care.
V.