Description : Following the wise advice of my friend Henry Pascal (Lovecraft), I modified the equalization of this song making it more impactful. On percussion I will still have to work, this song is evolving. Psychedelic piece dedicated to one of the most terrible Great Old Ones, fruit of the creative genius of H. P. L. Thus continues my series of music intended to celebrate the literary work of this great writer. I'd like to have your opinion, specially on the mix and the equalization of the song.
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Comments (7)
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Thanks Friend, I actually wanted to convey this feeling. I am very interested in your opinion, I consider you a very interesting and original musician, you carry out a refined and complex sound research.
Best wishes
I love the intro and how it builds. I'm ok with the percussion being static since the synths all around it are ever-changing. I think that was the right call for this particular tune (and you know I come from the school of diverse percussion). And I particularly like the way it crescendos and then leads to a denouement and slowly disperses itself. Masterful tune my friend.
Steven
Thank you very much for your nice words, this song is constantly evolving, it has not yet reached its definitive form and through your analyzes and your comments I can understand how to proceed. Best wishes and see you soon
Seriously, I like the suspension atmosphere, a little less the quality of the audio and even less the equalization of the volumes.
The percussion loop should have some variation and not always be the same, in its place, if you really want one always the same, you could use the one used in the soundtrack of The Matrix "Clubbed to death" which I think is good on this type of tracks.
It also tries to better equalize the sounds and make them more dynamic, as they are vintage (which is fine), but too flat.
Dear Friend, thank you very much for your valuable advice, I think I will get back to the song trying to improve it, unfortunately with the modest means at my disposal. Best wishes and see you soon
Again I enjoyed listening to a track of yours. I love the whole sound and the stereo effects. It is calm and somehow threatening at the same time in a pleasant way. You sure know your stuff well.
Here is a link to a track of this friend of mine I told you about (Thomas Fanger, berlin school), maybe you'll like it: https://www.youtube.com/watch?v=kmVZ0ZvRXYo
By the way - I did the cover design for his album with this track.
Dear Friend, thank you very much for your review, I really appreciated it. And thanks also for the link on Youtube, this is a very suggestive song, similar in some respects to some of the first works of the Tangerine Dream, there is an imprint of the great Krautrock school. I really like to see some of your drawings, I have a past as an illustrator and cartoonist, so I really appreciate these things. Best wishes and see you soon
By HPL are you referring to H. P. Lovecraft, of the double-diphthonged chthonic themologies? If so, well, that brings back memories from my ancient youth and all the paperbacks I consumed. I enjoyed your weird little piece!
Description : Feel free to check out the video on YT as well (Alan McLaren Project - Upside Down) of this 6min journey from electronic to rock with some psychedelic moments...
This is my latest, but also one of my earliest tracks.... any feedback is more than welcome, thanks :)
Description : A demo of one of my current projects. The chorus vocal sounds like "Aaaaraashe" to me. The song is in C# minor with a nod to C# pythagorean on the chorus. The beat on the verse was inspired by the Peter Gabriel song Intruder.
Description : This is one of my earliest productions that I did at the start of my recording career. I did not have a keyboard at the time I made this song, so I improvised and used my sister's iPad and a 5 dollar GarageBand application instead, and plugged the headset jack into into my PT6 rig and did my best to turn each individual track (which were mono and there were about 25 tracks or so) into a stereo image. Then recorded vocals over it. My computer was so old and slow that I had to mix my music and then BOUNCE it to a new session - four times. My computer (which had 512 MB RAM and an 80 GB hard drive) couldn't handle more than 8 tracks at a time or it'd stop working because the processor couldn't handle it. Took me FOREVER to do. But I got it done. Had a lot of fun doing it too, even if it isn't my "best" work. I'm still happy with it, considering I didn't have many tools to choose from at the time.
Description : Long time lurker first time poster, pretty new to production n stuff, this is my first track in Ableton Live.
was going for a darkwave/synthwave sound, reminiscent of Justice, Carpenter Brut, Perturbator, ect.
Looking for some feed back, constructive criticisms or even just your thoughts if you liked it or not. This is just a rough cut on this current WIP, just the bones of it if you will.. If you have some cool title suggestions, would love to hear those too.
Thanks for listening.
-B
Description : Far out mid-tempo fat beat deep chillout grooves with Eastern/Arabic and slightly menacing vibes, huge delayed synth bass and a great palette of psychedelic layered and intricate sounds (mostly synths) and a stirring, epic feel. Even has guitar solo section reminiscent of some 80s power rock which is then followed by a brief synth harp solo. I began making it straight after staying round the flat of the flute player from the legendary Ozric Tentacles - easily the greatest ever space rock band. I made this in about 2001 and still think it might be my best track (and it's nice and short, for a change). My production skills were much weaker in those days (no EQ, compression or mastering used here) but, somehow, this one turned out pretty much just right. Feel free to disagree. Now sit back and get ready to trip extremely far out. If you manage to return, let me know how that trip was...
Description : Got some spare time finally...just started on some random ideas basically (lets say kygo meets alan walker). A blend of dubstep,edm,downbeat,tropical etc.
It's still a work in progress, so i would appreciate your honest inputs. Thanks to all those whose loops I have used in here, sorry I don't have time to search them out.
Edit-added some more filthy sounds from my previous tracks and gave it some ending. Advice will be helpful.
I love the intro mate.
Brilliant track.
Well done
Majid
Best wishes
Steven
Seriously, I like the suspension atmosphere, a little less the quality of the audio and even less the equalization of the volumes.
The percussion loop should have some variation and not always be the same, in its place, if you really want one always the same, you could use the one used in the soundtrack of The Matrix "Clubbed to death" which I think is good on this type of tracks.
It also tries to better equalize the sounds and make them more dynamic, as they are vintage (which is fine), but too flat.
Here is a link to a track of this friend of mine I told you about (Thomas Fanger, berlin school), maybe you'll like it:
https://www.youtube.com/watch?v=kmVZ0ZvRXYo
By the way - I did the cover design for his album with this track.
Hope to hear from you soon,
stay well
Michael