mrwolf14

Thanks.

Hey Mrwolf

Thank you mate for the review of this one, glad you enjoyed track and contrasts...much Respect....Peace...Mosaic...

Thanx dude. Ill check out some cabinet emulators on line and c what happens. Its amazing though the difference in sound quality when recording from windows xp to windows 7. Actually two different computers as well so theres a few variables but in any case my frickin guitar kissed the tile floor so now its got a broken nut so ill have to handle that. Thank you Domenico, i appreciate your time and comment.

Thanks allot, Domenico. Glad you like it. Funny, I thought about Miles when I worked on the trumpet section, but didn't think anyone would reference it. The drums at the end is a technique I've heard on a few fusion tracks where you fade all the instruments out except one. Than fade that one out. I've used it with other instruments, but never with drums. It just seemed to feel right for that atmosphere.

Cheers,
Scott

Domenico...thank you so much for this delightful comment.:)

With much appreciation...

Ciao, orlando

Thanks for your feedback.
I really appreciate it
Paulo

many thnx for attention Domenico .
about the way this track was made I should describe that once I wanted to tell Mike about the way I felt those days & also about the way his guitar sounds(his guitar had a strange an unique sound if U remember) , so played this(I've named this piece Inanition) & sent for him , in reply Mike sent this vocal version & I haven't processed the words...all U hear about the words in what Mike has done & I haven't changed anything in it...just Mike(like U're like this too)always could felt & underestand my music very well and maybe that's the reason why U've thought the words process have my touches.anyway I was not supposed to share this with loopermates but this was the only collaboration of Mike with someone in looperman & the only & the best way I thought i can make the others remember Mike to appreciate what he had done for me in my bitter days ...hope we've made Mike feel good..thnx & thnx again Domenico for usefull feedback as usual.take care____B

Ahh
Grazie mille. Le tue parole significano il mondo per me
Steve

Thanks, Domenico. Yeah, I really dug Franco's raps, too. Originally, he didn't have this and I said he needed more vocals and he asked me to write some in English, so I did and when he sent them back to me, the rapping was added and it blew me away!

Cheers,
Scott

Thanks, Domenico. I found this pella the other day and laughed my ass off, so got to work on putting it together. I like the part where he says he never visits porno sites, but maybe when his girlfriend's away. Did you recognize Jeff Spicoli from the movie 'Ridgemont High.'

Cheers,
Scott

Hi MrWolf,
Thanks for your comment. I think I should spend some more time on the song. e.g. close the gaps between the guitar samples or play a solo guitar. But I got no patience.
Normaly I need to finish the song in one day, it's really difficult for me to get the same 'musical-mood'.
So I am very happy about your comment.

Such a nice review my friend! You made me happy yesterday when I read it! I was really putting myself into the recording process this time, so it's cool to get good reactions like this. I will be trying to play more guitar in the future, I've gotten away from it mostly. Being compared to Ian Curtis and Bowie is a real honor, they are some of my favorite singers and songwriters. Glad to hear that you noticed all the chord changes, show's that you have an ear for music for sure. I've liked the Pistols for a long time too, I guess I can't help but get a little inspiration from that. Thanks very much for your supportive comments!

Some good detail in your review, as normal. Yes, amazingly short for me. This has got a lot of comments for the number of plays. It was at something like 10 comments for 30 plays - the best ratio I've ever had.

First bass you hear in this at 0:20 is synth bass. Then at 0:40 it's my processed guitar thing that I do a lot of.

1:19 it moves to bass guitar. I will try to explain the uneasiness and dissonance. This track is made on the same DAW timeline as a whole bunch of other tracks. I took some bass from another track and stuck it in there at 1:19. But that bass playing is not playing to a shuffle groove so it shouldn't really be in time. But it works OK.

Depp synth notes you mention are that synth bass again, just with a cutoff filter sweep applied to make it sound more like a synth than a bass.

I know what you mean about the slightly nasal guitar solo parts and that's an interesting word to choose. Lots of beauty but also a slightly strange feel. Yes, a bit like Gilmour and probably also like thousands of other guitarists. I don't try to sound like anyone else and don't try not to sound like anyone. Musically, I don't really know what I'm doing - I just play as I feel along with the music, always trying to do interesting things with a lot of soul and passion and groove.

You totally understood what I was doing with the sitar. That instrument is sitting on the timeline (as it features in other tracks) so I thought I'd try augmenting the guitar solo in a few places. No my intention to turn the track into an eastern/Indian thing and I don't think I did. Unusual to have sitar under a guitar solo unless you're making it a full-on Indian track.

Yes "good friends" is an accurate way of putting it.

3:08-3:10 is the best part of the solo.

Lots more to come from this one. Ending works OK here but that end fades perfectly into the start of the second half of the track and the continuation of the shuffle blues odyssey you will get to hear sometime soon.

Good to hear from you.

You win 10 bitcoins for your review:

()()()()()()()()()()

Thanks much Domenico, appreciate the support and the very kind words. Yeah I ran across the drum sample and it just felt like a Zeppish track needed to be done.

Thanks again

tv

Glad you liked it. It's my heaviest track ever though I'm sure I'll do something heavier in the future.

This currently has 13 favourites - the most for any of my tracks, along with Circular Motion (the one that I describe in my track description as maybe my best ever track).

This is almost my favourite ever title. See my very first reply to hear how I came up with such a title. In terms of words and linguistics, it's a very interesting arrangement of letters and thoughts.

Ah yes 4:24 it gets a bit more psychedelic. That's not my favourite section but I of course like them all. I'm sure you liked the walking bass guitar at 4:43.

My favourite section is probably 5:29-7:17. I see that all as one thing as I keep building it. Best bit 5:50 when that new heavy riffage enters.

7:48 to the end definitely needs some more work as it feels a bit rushed as I bring a new heavy guitar riff in. I can make it more fun and interesting so will go back and do that. But I'm working on some deep shuffle blues tracks right now so only feel like working on them for the time being.

I was really looking forward to finishing this track as I've been working on it for a long time, with big breaks inbetween, trying to decide what to do next, so I'm pleased to have almost finished it.

I know some people like to work quickly but I like to take ages and really get all the pleasure I can out of a track. And the exploration and experimentation is all the learning that I do. And I make many, many tracks out of one project.

I was stuck on one project a couple of months but then went and made two full, finished new tracks out of other sections sitting on the timeline. Now I'm returning to the problem section from before and I think know some of what I have to do.

Good to hear from you.

Thank you Friend. It's really a good idea to change that a little. Maybe i do that one day.

Thanks for stopping in to listen! I wasn't really thinking industrial when making this, I guess it must be the basses and the half time beats or something. That piano riff around 1:20 turned out nice, it's my favourite part of the song for sure. I was surprised how dark C# major could be. I appreciate the review!

I'm more pleased i can thank you in real time insted of me thanking people like a week later.

I hate that but sometimes i have to get on with paying bills,so i'm away from pc.!

But for today i can that people like your good self in real time,so thank you for your kind comments!

***bb***

Thanks! I gotta hand it to the people here posting all the awesome loops though

Yep...That's all it takes for my buddy. I've had allot of women in my life, but only my dogs have stuck with me in good and bad times. A wise man once said, if you really want to know who love you most, put your girlfriend or wife in your car trunk for 30 minutes. Than put your dog in the trunk for 30 minutes. Open the trunk and which one knocks the piss out of you and which one is happy to see you...But I digress!

Anyway, thanks for your kind words, Domenico. Glad you like it.

Cheers,
Scott

Hi. I made this a featured track for the first time because I don't have anything else in a good enough state to upload yet, though I am working on some spectacular new tracks. Not many had heard this one and it might be my best so I thought I'd "promote" it.

"it just works as a whole"

Yes, this might be more important than any single riff or cool sound or amazing solo - everything working perfectly together. Maybe that's what a masterpiece really is.

It seems CyberLiam disagrees and feels your and Danke's favourite guitar part should be removed (I suspect he just doesn't like that sort of guitar sound or playing). But I agree with you and also think that riff sounds much better because this track doesn't have much guitar in it so is a surprise. It's just me playing something like four simple chords but picking each note rather than strumming. But it's tight playing.

"Most people would have made a 4 minutes song just out of this single thing"

Yes, perhaps. I do lots of varied repetition in my tracks (so, the same or similar riff being played on different instruments at different times) but also like to include things that are only heard once or for a short section. Sometimes, there's no real reason (in terms of track structure) to hear a part again - even if it's really good.

That riff would probably be less disnctive or interesting in a rock song with lots of other guitar riffs and solos so is definitely more effective here.

I also like the harp solo after the killer guitar part. That's a strange combination!

Also, after a couple of minutes of the track, there is me making a fake didgeridoo sound (as the track chills out a bit) using my real-time voice through a vocoder that is modulating a synth clarinet sound. I still have that hardware vocoder but never use it. Maybe I should start again as that fake didg sound is pretty cool.

Good to hear from you again.