Gorgeous - despite so much happening nothing at all seems superfluous or out of place and the balance between the elements and the changes/ transitions is just perfect as is the sound production.
Exceptional!
I test sounds against the rest of the mix. If I can't hear them, I don't use them. This helps me to keep things in relatively separate frequency ranges, without much mixing. Much of the ethereal stuff never repeats, which takes a lot of samples for a 5:45 track, especially when they are layered.
I also tend to use loops and samples that are already in the correct tempo or key, rather than having to do too much stretching and pitching. This is more for economy than sound quality, though sometimes you want that "stretched," or "contracted" sound.
Anyway food for thought. Thanks again. More to come.
Hey Bonez - great pop sensibility in this one and I agree sitting somewhat across the genres drawing on house, lofi and pop - really nice vox and sound production too.
(Again) Love that slacker indie vocal style and the rnb/ Motown influence in the overall sound - this is warm, melodic, beautifully produced and has a really gorgeous grove - excellent.
Thank you for the love. The instrumental is very nice. I consider myself lucky to have had the oppurtunity to lay down some vox. I think I did a good job writing the verses too.
Hey Cru - smooth indeed but plenty of interest with the transitions and playing with rhythms and all round very funky while show great precision with the instrumentation. Great sound production too. : )
Preciosos ritmos y lÃneas de sintetizador melódico hábilmente entrelazadas que se acumulan en grandes barridos de sonido hasta llegar a una pausa inteligente - ¿hay un indicio del famoso Phil Colins (en la baterÃa de esta noche de aire en esa primera pausa y en el outdo) : )
¡Muy buen trabajo Roberto!
Hola mi buen amigo IAN, tienes algo de razón con el ritmo, has nombrado a Phil Colins, y sà soy un gran admirador de su música, sobre todo de su sonido de baterÃa, de esas espectaculares reverb gates que utilizaba en los años 80. Gracias hermano por tus comentarios tan cálidos y positivos. Que tengas una buena tarde. Paz y salud.
Great track - missed it before - wonderful work on the synths - I can imagine that this would make a very good end credits track on some spine-tingling horror film!
I have no idea what she heard when she first recorded the vocals, I'm thinking I'm not too far off, but it really doesn't matter, her vocals kill me every time.
Jamming indeed - Lots of interesting African sounding rhythms combined with a rich palette of exotic backing vocals, some cool rap and other vox samoles a loose funk jazz rock structure - what's not to like : )
I embellished it a little bit but,
This is the kinda groove I used to
hear in church when I was little. There
were no Synths(there are now) but this was
the best part of church for me. Some of the
choirs really jammed.
Thanks for your listen and encouraging comments.
pseudoble, thanks for making the comparison. The mix was rough and really needed help but a tweak here and a change there makes a big difference. Your listen and feedback is greatly valued. Be safe.
M.T.
Very nice work (as usual) - i think at times some of the instruments are a little loud in the mix but I absolutely trust your ears (more than mine) to sort that out as you refine it. Another amazing track : )
Is this drum and bass - I have no idea with genre - to my mind its a great pop song built around some nice arpeggios, sweet melodies and solid beats . Also Love the sound of the vox and the switch up with the vox sound around half way through - almost a little punk interlude - well to my old ears. : )
Hey, pseudoble, it was originally meant to be drum n bass, but I guess in the end it became an electronic pop with a hint of drum n bass. Good call on the punk interlude comparison -- the switch uses a lot of techniques punkers used back in the day. Thanks for the kind comments and for stopping by, I appreciate it. :)
Nice work - I particular like when the guitar sounds come in around 40 seconds and then even better at around 60 seconds - great sound. Not seen keen on the runs on the toms with the drums but hey you never got to finish it so we are stuck with it now. Great vox! There's a lot more to like than to dislike in this one : )
Im a sucker for a lofi or alt country sound - this reminds me a little of the silver jews. I love everything about this sound and your voice too ... maybe given the few comments not everyone is a fan of this still but hey - cant please everyone. : )
Great track - reminds me a little of kraftwerk which is never a bad thing - wonderful intersecting synth sounds and melodic lines and cool electro beats. Im looking forward to hearing it with the vox too : )
Woo - that's intense - sounds like layers of modular synth but crafted with great attention to rhythm and cross rhythms and who different synth lines come in and out. It's an interesting listen for sure and worthwhile : )
Hey there - pretty nice hip hop beat and groove you have going there - easy to drop a vox into this one, always worth thinking about how to add more variety but rather cool as it is. : )
Pretty wild here -nice to hear something that has some history - but btw agree with Randomiser comment about the low pass filter - worth playing with.
Hopefully you will post some more : )
Very cool mate - kind of ed keupper meets martin phillipps sound but all your own. Love your voice, love the slacker guitar feel and the ambience and nice sound and mix up with the drums.
on The 4th Dimension by bringerofDOOM
Exceptional!
I test sounds against the rest of the mix. If I can't hear them, I don't use them. This helps me to keep things in relatively separate frequency ranges, without much mixing. Much of the ethereal stuff never repeats, which takes a lot of samples for a 5:45 track, especially when they are layered.
I also tend to use loops and samples that are already in the correct tempo or key, rather than having to do too much stretching and pitching. This is more for economy than sound quality, though sometimes you want that "stretched," or "contracted" sound.
Anyway food for thought. Thanks again. More to come.
on Lil baby by BONEZONMARZ
on Top Notch by JohnSmokey
Johnnie
on Chill Baby Chill by crucethus
on The fog by sirefox
¡Muy buen trabajo Roberto!
on Ninamoody Rock The Party - Remix by Hazemmm
on In Your House In Your Mind by ValveDriver
on I Keep Waking Up by TRAPDOC by ProdTRAPDOC
The lyric and vocal performance really nice too
Really nice work : )
Appreciate the feedback!
on Hide Me Featuring Patricia Edwards by doofus
on PeJotP Most ft Gusto Soja by PeJotPeProdukcja
on The Dark Ages by roglemorph
on Gospelish by Jynxz
Jamming indeed - Lots of interesting African sounding rhythms combined with a rich palette of exotic backing vocals, some cool rap and other vox samoles a loose funk jazz rock structure - what's not to like : )
I embellished it a little bit but,
This is the kinda groove I used to
hear in church when I was little. There
were no Synths(there are now) but this was
the best part of church for me. Some of the
choirs really jammed.
Thanks for your listen and encouraging comments.
PEACE...
on Daybreak Remastered by kingmt77
M.T.
on Hallow Thoughts Black by JoeyBonezSD1
on Bonfire by mudhoen
on Daybreak Remastered by kingmt77
M.T.
on Modnex - Twenty22 by Modnex
on You dont know me by beerling1970
on Better off on my own by randalld
on Workers magnetic dance tonight away remix by MagneticRecords
on KlOWN by Spivkurl
on LDChopp by eigenaar
on Heavy Metal Mollie by WARRIORDANIKA
Hopefully you will post some more : )
on adrift by Zootman
on Brindo Por ella by BajotierraRecords