love the clarity of this you have a dreamy touch going on and sympathetic elements which fit nicely. What Daw / vst are you using here ? nice work Robbie.
Hey Glenn sorry to hear about the fever i hope you are better now. This is an attention getter from the getgo nice edgy slighlty sppoky quality to it i could see it being on a spy movie or similar. Get well soon best regards Robbie.
i like the overall feel of the track and the way you reversed the piano loop is interesting in itself its seems to add the to feel of it whereas the piano going the normal way would take away from it. Thanks for reminding me to innovate with my own stuff. Regards Robbie.
They say music affects the emotions which i think is true . This track has for me a calming effect which is surprising as i am not a calm type of person perhaps i'm getting more calm the older i get, anyway thanks for the chill time regards Robbie.
Jamid those sneaky slinky playful wolves i had a friend who had one they are very trainable i can see them in this track you have done a nice job which is very apropos to the subject matter. The intro using the plucked strings is fab and the bass line really fits the whole ambience. Nice job my friend. Robbie.
Hey man you are not alone here at Looperman you are part of a musical family and what a super part you are this is COOL jazzed goodness. Been there too No Pain no gain you will come out stronger might not seen like it at the time. The pain produced this for instance and it is quality it is GOOD WORK thanks for sharing it. Regards Robbie.
Thank you so much, Robbie. It means a lot to hear something like that, and you're right! No pain, no gain. Lesson learned is something earned... or something like that lol :) This really makes me feel accepted and wanted in this amazing community. I'm glad you enjoyed it.
-Noah
Xunar love the intro and at 0.45 the big thumping bass hits me and im thinking oh yeh im likiing sweet singer who is she ? taking me into the second half 2.25 the riser into the nice beats behind her nicely mixed in she stands alone to the next riser and the super beats towards the outro and im thinking ELEGANT stuff and Fecking good job man . :) Robbie
I'm very proud of this piece, and it joys me to see comments like yours, Robbie :) Honestly man, I don't know who she is. She came with a loop pack that my father bought off of moon audio.com a while ago. (He used to have interest in FL studio himself lol) Thanks again Robbie, means a lot :)
-Noah
Reminds me of a David Gilmour pink Floyd number I really like your vocals. I am learning the process of dealing with vocals in my daw and would be very interested to learn from you on how you process that. Fantastic work you have done here best regards Robbie.
My set-up consists of a Rode nt1-a mic > DBX 286s vocal processor > Focusrite solo > Ableton. And the main softwares I tend to use for vocals are Izotope Nectar and Waves sonic enhancer, along with some extra compression and transient shaping.
After that, it's just a case of experimenting I guess.
Hi Joe nice one really nicely mixed and produced. Im still learning how to produce vocs do you double up the voc track and add reverb how do you go about that id love to hear your take on the vocs part of production. Its easy to hear how much work has gone into it bravo on a ganz toll track. Best regards Robbie.
Hallo Robbie
vielen Dank für deinen freundlichen Kommentar.
Das grösste Problem bei diesem Lied war nicht die Art wie der Gesang klingen sollte, sondern mehr das Timing. Aber natürlich hab ich etwas mit den Gesangsspuren gemacht. Und zwar folgendes
- eine Spur mit "normaler" Tonlage in Mono aufgenommen
und mit VoxengoRedunoise gesäubert (tolles Plugin)
- zwei Spuren mit "dunkler" Tonlage in Mono aufgenommen
und mit VoxengoRedunoise gesäubert (kostenlos)
- den Teil der "normalen" Spur, der ohne "dunkle" Spur im
Lied ist, kopiert und als extra Spur genommen.
- die beiden "dunklen" Stimmen haben einen "gedämpfter Raum" Hall
- die "normale" Spur einen Stereohall für Gitarre
- die kopierte Spur hat zusätzlich zum Hall noch etwas
Micro Pitching und etwas mehr Weite (mit UltraChannel
gemacht)(tolles Teil aber leider sehr teuer)
- die Lautstärken angepasst
- alle vier Spuren etwas EQ
Das war es eigentlich.
Ich singe oft viele Spuren ein und lege sie übereinander
Ich kopiere oft eine Spur und nehme dann verschiedene Effekte und Pan Positionen usw vor um vollere oder weitere oder wildere oder ungewöhnlichere Klänge zu produzieren.
Verteile oft verschiedene Hallsorten gleichzeitig und gerne nehme ich auch mal Plugins die für Gitarre oder sonst was gemacht sind.
Daher kommt es auch dass das erstellen der Gesangsspur die meiste Zeit in Anspruch nimmt. Zumindest bei mir :)
life is a constant struggle..no pain no gain :) cool track i like the super guitar work on it was that you ? also such a sweet and classy melody nice work faved regards Robbie
if this is practise i look forward to perfect. I'm glad to have found your material which resonates with me i thought i was in a club of one. :) ReGaRdS RoBbIe
they say bitcoin is the new gold who knows this track for sure is as good as gold i like the beat the beat the beat driving itself into my brain relentlessly driving into my brain. Edgy and clean solid work i really enjoyed this regards Robbie.
Hey Eric that is interesting regarding the track layering on the Enya vocals it is a very dark art to me dealing with vocals in general and in collaborating with others to integrate vocals into a mix. This is a very cinematic track fits perfectly into the scenario you have outlined. Thanks for sharing best regards Robbie.
Hi, Robbie. Yeah. Vocals are definitely still a dark art for me as well. I'm glad to hear that you thought the track fit the scenario. I suspect I've actually seen that scene in a movie some time, some place.
Well, got that cinematic thing out my system for a while. Working on a pop/R&B track right now. Need Luther Vandross to sing on it, though. Or George Michael. Or Sam Cooke. Or Roy Orbison. Some things just will never happen. :(
on Bounce by BeatzFactory
on And you don t Stop NEEDS VOCAL by Indieground
Appreciate
Who knows may be some vocalist will be intereted one of this days...
on SubCitizen - Get Deep by Spudsy
on Song for the drqagon rider by Zivonmusic
on Desert in the north by Zivonmusic
on Zivon - ILY by Zivonmusic
on Drake x Jhene aiko Type beat - Hew by theills312
on Heavily Medicated by neuromancer56
on Kurui by EXANofficial
on A Million Nights to Absinthe Venus by BlancFroid
on The Plight of the Wolves by DijamMusic
Sorry for the delay in response.
Thank you very much for your feedback my friends.
I'm really glad you liked it.
Thanks again.
Jamid
on Reeeee by Tinka0
The true source of this madness.
Thanks for stopping by Robbie :)
on Sciocchezza by MrSpookd
on Jolly Dance by Ludwigbroo
on i cry by bvssphvntom
-Noah
on Let it go by bvssphvntom
-Noah
on I Died A Little by mildperil
My set-up consists of a Rode nt1-a mic > DBX 286s vocal processor > Focusrite solo > Ableton. And the main softwares I tend to use for vocals are Izotope Nectar and Waves sonic enhancer, along with some extra compression and transient shaping.
After that, it's just a case of experimenting I guess.
Hope that helps, and thanks for listening :)
on halt mich - hold me by joecramer
vielen Dank für deinen freundlichen Kommentar.
Das grösste Problem bei diesem Lied war nicht die Art wie der Gesang klingen sollte, sondern mehr das Timing. Aber natürlich hab ich etwas mit den Gesangsspuren gemacht. Und zwar folgendes
- eine Spur mit "normaler" Tonlage in Mono aufgenommen
und mit VoxengoRedunoise gesäubert (tolles Plugin)
- zwei Spuren mit "dunkler" Tonlage in Mono aufgenommen
und mit VoxengoRedunoise gesäubert (kostenlos)
- den Teil der "normalen" Spur, der ohne "dunkle" Spur im
Lied ist, kopiert und als extra Spur genommen.
- die beiden "dunklen" Stimmen haben einen "gedämpfter Raum" Hall
- die "normale" Spur einen Stereohall für Gitarre
- die kopierte Spur hat zusätzlich zum Hall noch etwas
Micro Pitching und etwas mehr Weite (mit UltraChannel
gemacht)(tolles Teil aber leider sehr teuer)
- die Lautstärken angepasst
- alle vier Spuren etwas EQ
Das war es eigentlich.
Ich singe oft viele Spuren ein und lege sie übereinander
Ich kopiere oft eine Spur und nehme dann verschiedene Effekte und Pan Positionen usw vor um vollere oder weitere oder wildere oder ungewöhnlichere Klänge zu produzieren.
Verteile oft verschiedene Hallsorten gleichzeitig und gerne nehme ich auch mal Plugins die für Gitarre oder sonst was gemacht sind.
Daher kommt es auch dass das erstellen der Gesangsspur die meiste Zeit in Anspruch nimmt. Zumindest bei mir :)
Ich hoffe ich konnte dir irgendwie etwas helfen
stay tuned & guten rutsch
joe
on Wonder by GoldenOokami
on Juste Un Adieu by DivadyAlbum1
on We Struggle by musiclover38
on Ive COME 4 You by mike0112
on Vtown Rumble by HustleUnion
on 24kGOLD by HustleUnion
on Return of the Dead King by EricMilligan
Well, got that cinematic thing out my system for a while. Working on a pop/R&B track right now. Need Luther Vandross to sing on it, though. Or George Michael. Or Sam Cooke. Or Roy Orbison. Some things just will never happen. :(
Eric