15ludwicke

Thanks Rico. Agreed: ferryterry did a great job on guitars. He played 2 choruses then you can hear my el. piano improv also for 2 choruses and onece again the guitars. I was thinking if I can find someone to play over the last part which seems lack the solo but probably I leave the composition at this point for now.
Thanks for listening and some nice words. It is appreciated. Alex

Thanks, Rico! I had a lot of fun recording this track! Glad you liked! :P

See above

Thx! I sorta rushed this because I've been working on an album since August, so I just wanted to finish it up.

Hey Rico,

So glad you appreciate our work and chimed in and let us know. Many thanks for your time and effort.

Ciao,
M.

Thanks bro ill redo it

Hey thanks for the listening Rico...yeah I kind of like making weird and unique tracks. That kind of explains the robo voice in the background. Besides the robo voice and ambient synth the instruments are live so a can't do to much changing there. Thanks for the comments! Dan B-)

Thanks Rico! Appreciate the kind words :P

The motivated me - thank You Rico :)

-Riest

ps: i see too late that your track "paris" an raw mix is - sorry :)

keep it up and the track is great

Thank you!

I never got into Motorhead, but have heard some and can't imagine any being "Laid-back".

Thanks for giving my track a listen and I appreciate the feedback.

Evan

Hey thanks Rico for the comments! Glad you stop by to take a listen and the critiques. B-)

Thnks to high society for the piano loop

when i found that loop on here i was like o yea.. lol

ALRIGHT THANKS ALOT! i agree on the low piano key notes.

LOL i just visited your tack as well HAHA Thanks for dropping by i finished this track and will release it tomorrow to make up for me missing the NEW Years on this site rofl. Fun aside i hope you enjoy this track when it gets uploaded tomorrow :D take care

AD

I guess it already is sort of a collab as the bassline was written by Mr F. I just had the job of "painting" round it and it was fun to do.
Cheers for dropping by Rico.
FR

Thanks m8! You talking about dirty electro, I feel the same about it! It`s Skrillex`s fault! :)
Cheers!

Hey, thank you for the listen and comment! I'm usually about 3 weeks behind in replying lately, but I felt this needed a response right away during lunch. I found it interesting that you mention chip tune, analog synths, and sylenth all in the same comment. All of those things are totally different things. Real chip tune is made from digital sound producing chips which were included in old school games and toys. Analog synths are solid state circuits built with creative sound possibilities in mind. Sylenth is a software synthesizer. I definitely did not use Sylenth, in fact mentioned in the description that all sounds in this track come from the "Breaking Blue" synth which I recently built. No VST synths were used. The synth is built from a combination of digital logic, solid state devices, and passive components - So really doesn't fall into any of the categories you mentioned. Chip tune would be the closest because of the logic involved, and of course the sound of the track. Didn't mean to write a book here, just wanted to clarify. Thank you very much for checking out the track!

Nasty

Yo. Thanks for the high praise.

Slash and Hetfield are definitely better than me but then I'm no professional and don't really play live so don't get the practice in. I also do a hell of a lot of cheating with my playing through edits of the best bits so I assure you I'm not this good in a live situation.

I find it hard to do perfect runs and takes but, with editing, I can make it sound like that's what I actually played all in one go.

"guitar work at 1:40". I think you must mean 0:40 as that's where the guitar first enters. Pretty simple playing there though a bit more complex for end of bar fills.

I use wah here and there though often as a tone control rather than all-out wah. I have mixed feelings about it and it does need to be used carefully. But it's on quite a few guitar parts in this, especially your favourite Slash section.

Choirs in the background? I thought I made them more foreground as I really like their melodies so I'm not trying to use them as backing elements to add depth but more like as lead singers. They definitely do make it all more epic and their inclusion was the catalyst for driving the track forward and taking it into the epic territory I knew it must go into.

Guitar at 4:58 is the shortish harmonic wah funk section. That's just me doing a harmonic chord across just a few frets (no fretting of the actual strings) in my regular slide blues DADFshrpAD tuning and then strumming funkily away whilst operating the wah. And then editing all the best bits together. That's the funk to go along with all the metal and chillout stuff.

Good to hear what was your favourite section - that always interests me as I sort of have my own though I try hard to make every bit as a good as every other (very difficult).

No, I certainly don't have tabs to this as I don't write them (or sheet music). No one's ever asked for that but it's cool that you do as it shows additional interest. If you really want, I can just tell you how to play some sections (ie some of the main notes involved) as that should be enough to jam along.

Thanks again for the interest and let me know if you want to know how to play some sections.