you have your own brilliant style...this can be divisive, of course but I'm on the melancholy side...I love your compositions, little arts all the time...
Hey Danke,
It's definitely a melancholy track.But I didn't want it to be a depressing dirge. More of a pensive, romanticised reflection on mortality. Wait... I just realised how douchey that sounds.
You, of course, have a style which is all your own. At the same time, I can't help but dream up parallels with Matt Johnson/The The, even if such parallels are only in my head. It feels right to me, and is meant as a very high compliment. I might not be alive if it weren't for The The.
To create something like this in such a short moment in time is very impressive. It does not feel hurried to me in the performance either, so you should be proud.
Potent, thoughtful and engaging... loved it all the way through! Fave!
You hit the mark with this one! What can I say that hasn't already been said. Danny Elfman comes to mind instantly! Nice choice of instruments and production elements. Very cool!!
I love Danny Elfman! My track isn't nearly as manic and complex as his arrangements. But it does have that offbeat playfulness. I'm off to listen to some Elfman now. Perhaps I can steal something from him. hehe
Hi TA
I discover you last track and i found it extremely profesionnal (far away from what i can do myself lol). The instrumental part is awesome and your voice... your voice... so perfect! you're very talented
I'm always nervous about singing, yet I always end up doing just that. It's a good way to challenge myself. I'm glad that you liked the vocals here, I spent a lot of time mixing them. I didn't want to shoehorn them in and ruin the atmosphere.
Let me be the third one to say it ... WOW!
This is superb: everything at the right place.
Your voice, "telling a story". Sits perfectly in the mix and "dictates" the mood of the music. Again... let me repeat myself: superb.
I think this track is more than cinematic: it's just a great track.
Who cares if it's 3/4 ... I would like to hear something like this on the radio.
You sir, have a lot of talent.
And you seem to make good use of it.
Take care, Domenico
It's an interesting combination of styles and interests here! I could see this making a pretty cool music video/short film. A lot of music videos are expanded from the original song in recent times, to make it more of a visual work of art. This song would be good for that.
Definitely has a great audio impression throughout, and is recorded and composed well. This reminds me a bit of something Kate Bush could have done, if she had a man's voice (heh). It's meant as a compliment, as she is one of my favorites of her era.
Hey Spivkurl. I also enjoy the works of Kate Bush. So I gladly take your compliment. It's not something I intended to replicate, but it's cool that you get that vibe.
It's funny that you mention a music video, I often do lighting in music videos for friends and the odd commission. Never really thought about making a video for my own music. Might be worth having a think about.
Thanks for your thoughts.
Wow man...this is fabulous, outstanding...this is probably one of the best, if not the best cinematic tracks I've heard here. So much good taste from start to finish and the artistic balance between vocals and instrumentation is superb! Huge favourite !
Aww thanks man. I had some trepidation about adding the vocals. It's so hard to get the balance right and I didn't want them to detract from the music. I'm so glad that you feel they work. Thanks again for your positivity.
Wow.. cinematic music is so hard to create,I sample it more than make cos it damn near impossible to capture that power,you got it tho so fair play! Great vocals too! Great work
Thanks man. I've had a few of my tracks described as cinematic, but I haven't consciously attempted it until now. It took a lot of experimentation and I've learned a lot in creating it. Glad you feel it was a success.
Thank you for your high praise. I believe the track is recalling you to carnival music because it's in 3/4 (like a waltz) and has light pizzicato strings that go up on the off beat.
What a beautiful track. Very easy to listen to, but also interesting. This track shows your talent and what you can make in just a few hours! I hope you find a way to fix your audio interface or another way to let the creativity flow, just don't give it up. That would be a waste.
For my part I see a touch of gorillaz / radiohead in your voice (around the resonance) but you have your own signature: a grain and a tone voice which are really nice! At any rate it's a beautiful ballad which you propose us here!
One more time, i was expected for a longer track. The duration is too short, i'm quite sure you can make an extended version.
There is a Leonard Cohen quality about this one. In a good good way. Keep on it. Musically I want to hear a chorus sung an octave higher in it maybe with a quick explosion of emotion and back down to that draweld almost spoke-sung sound that reminds me of Mr Cohen.
Steve
Always good stuff from you. I dig the feel your music has and the thought you put into lyrics. Not many people making this kind of eclectic music. You have an edge there. It's a demo so I won't go into technical advice. I'll just say I dig it and dig what you do.
Haha, I wish I knew music theory to learn how to do some of this stuff you had done in this track. I'm taking theory 1 this year in highschool, and I had taken a test to see what I know so far. The teacher looked at the front page of my packet and had said, "well, now I know you play compose completely by ear". Hopefully by the end of this year I can at last do a fraction of some of the harmonies you had implemented here! Great work.
Hi. I'm glad you like the track. I just learnt to play chords on the piano and guitar, then messed about with them until I understood them better.
You've been given a massive head start by being able to compose by ear. And you will be able to make vastly more complex compositions if you understand the theory as well.
Good luck in your future studies. I look forward to hearing what you create.
I'm glad you enjoy the sound. Your criticism is fair. I had little time to record vocals and phrases like "Savour lacerations" and "hinders aspirations" aren't easy to enunciate when you're in a rush. I do intend to re-record the vocals when I have studio time/new audio interface, so I will keep this in mind on my next take.
Love that into. Your voice reminds me a little of David Sylvian on this one. 2:40 that sound section is brilliant. I can hear echoes of Bowie as well in this one and even a touch of Bauhaus. really cool stuff. great job
Steve
Great Job, I am one of those people who love those depressing songs so you got me at the start lol... If you don't mind would you check out my song The Pills They Kill? Thanks in advance.
It's not bad. I listen to a lot of Cradle of Filth and Opeth (seen both of them live a couple of times), so I appreciate dark melodic metal.
The ending's kinda cool. Loving the solo at 3.27 more :)
Cool but don't forget to answer your older track comments. You have loads that remain unanswered.
Great title.
Anyway: intro has changed and is unspectacular but effective. Still not sure about kick drum choice. Too much treble, not quite the right tone with that piano.
0:52 subtle guitar is quite cool. Before then it's all about your vocal.
1:12 start of a pleasant little refrain section. Sounds a bit like mandolin but I guess it's guitar.
2:34 and now drums take off properly.
2:59 vocal sounds quite different. Different reverb? Lots of good panning on it.
Overall: good, effective slightly melancholy music that sounds very acoustic.
All responses have been answered. I try to keep up with things as best I can, my phone doesn't always show things in order.
Glad you like the title. I "appropriated" it from a 60's underground art film I saw at uni. I can't remember anything about the film itself, but its title really stuck with me.
Thanks for your review. I'm still working on the drum sound. Was sort of going for David Bowie's Cat People for the intro. Will keep messing around with it.
on The Strangest Thing by toastedavalanche
TA
on Loves Fool by toastedavalanche
on Eat Seek Sleep Repeat by toastedavalanche
on Where the River Meets the Sea by toastedavalanche
handshake, Danke
It's definitely a melancholy track.But I didn't want it to be a depressing dirge. More of a pensive, romanticised reflection on mortality. Wait... I just realised how douchey that sounds.
Thanks for listening
TA
on Bruises by toastedavalanche
You, of course, have a style which is all your own. At the same time, I can't help but dream up parallels with Matt Johnson/The The, even if such parallels are only in my head. It feels right to me, and is meant as a very high compliment. I might not be alive if it weren't for The The.
To create something like this in such a short moment in time is very impressive. It does not feel hurried to me in the performance either, so you should be proud.
Potent, thoughtful and engaging... loved it all the way through! Fave!
on Loves Fool by toastedavalanche
Wayne
Thanks for listening,
TA
on Loves Fool by toastedavalanche
I discover you last track and i found it extremely profesionnal (far away from what i can do myself lol). The instrumental part is awesome and your voice... your voice... so perfect! you're very talented
With all my respect!
Bleep
I'm always nervous about singing, yet I always end up doing just that. It's a good way to challenge myself. I'm glad that you liked the vocals here, I spent a lot of time mixing them. I didn't want to shoehorn them in and ruin the atmosphere.
Thanks again.
TA
on Loves Fool by toastedavalanche
This is superb: everything at the right place.
Your voice, "telling a story". Sits perfectly in the mix and "dictates" the mood of the music. Again... let me repeat myself: superb.
I think this track is more than cinematic: it's just a great track.
Who cares if it's 3/4 ... I would like to hear something like this on the radio.
You sir, have a lot of talent.
And you seem to make good use of it.
Take care, Domenico
Thank you for your kind words and possitivity. I really like making songs in 3/4, especially ballads. It gives songs a slow waltz feel.
TA
on Loves Fool by toastedavalanche
Definitely has a great audio impression throughout, and is recorded and composed well. This reminds me a bit of something Kate Bush could have done, if she had a man's voice (heh). It's meant as a compliment, as she is one of my favorites of her era.
Very creative and cunning! I dig it!
It's funny that you mention a music video, I often do lighting in music videos for friends and the odd commission. Never really thought about making a video for my own music. Might be worth having a think about.
Thanks for your thoughts.
TA
on Loves Fool by toastedavalanche
Compliments and respect____Orlando
TA
on Loves Fool by toastedavalanche
TA
on Loves Fool by toastedavalanche
somehow, this track flashed in feeling only...
https://www.youtube.com/watch?v=4yFAVdUrBLM
Danke
Cheers,
TA
on Loves Fool by toastedavalanche
In lot's of way
PLus your voici fit very well with all the backround music
Very refreshing
MORE !
TA
on Bruises by toastedavalanche
fantastic sad melodies with that great chorus...
handshake, Danke
on Bruises by toastedavalanche
on Bruises by toastedavalanche
For my part I see a touch of gorillaz / radiohead in your voice (around the resonance) but you have your own signature: a grain and a tone voice which are really nice! At any rate it's a beautiful ballad which you propose us here!
One more time, i was expected for a longer track. The duration is too short, i'm quite sure you can make an extended version.
really good work
Bleep
on Bruises by toastedavalanche
Steve
on Bruises by toastedavalanche
Take care.
Evan
on Bruises by toastedavalanche
You've been given a massive head start by being able to compose by ear. And you will be able to make vastly more complex compositions if you understand the theory as well.
Good luck in your future studies. I look forward to hearing what you create.
Thanks,
TA
on Bruises by toastedavalanche
Thanks for listening and your feedback.
TA
on Into the Blue by toastedavalanche
on Little Stabs at Happiness by toastedavalanche
Steve
on Little Stabs at Happiness by toastedavalanche
TA
on Little Stabs at Happiness by toastedavalanche
The ending's kinda cool. Loving the solo at 3.27 more :)
TA
on Little Stabs at Happiness by toastedavalanche
"Your input, however hurried, is highly valued"
Cool but don't forget to answer your older track comments. You have loads that remain unanswered.
Great title.
Anyway: intro has changed and is unspectacular but effective. Still not sure about kick drum choice. Too much treble, not quite the right tone with that piano.
0:52 subtle guitar is quite cool. Before then it's all about your vocal.
1:12 start of a pleasant little refrain section. Sounds a bit like mandolin but I guess it's guitar.
2:34 and now drums take off properly.
2:59 vocal sounds quite different. Different reverb? Lots of good panning on it.
Overall: good, effective slightly melancholy music that sounds very acoustic.
All responses have been answered. I try to keep up with things as best I can, my phone doesn't always show things in order.
Glad you like the title. I "appropriated" it from a 60's underground art film I saw at uni. I can't remember anything about the film itself, but its title really stuck with me.
Thanks for your review. I'm still working on the drum sound. Was sort of going for David Bowie's Cat People for the intro. Will keep messing around with it.
Thanks
TA