Evisma

Evisma

Better Than You Since 82
Middle America, United States
Joined : 1st Apr 2013 - 13 years ago
Last Online : 4th Apr 2025 - 1 year ago
Comments on Evisma tracks

Other users have posted 521 comments on tracks by Evisma

Comments 301 - 325 of 521
topvega
topvega 17th Feb 2015 23:29 - 11 years ago

on So Long Bound by Evisma
Not only is the Intro great it really sets the stage for the rest of the song and it is seamless. Awesome job there for sure bro. Overall a strong track and I definitely enjoyed it.

tv
Evisma
Evisma replied 19th Feb 2015 - 11 years ago
Thank you for the encouragement and kind words! Good to hear from you again!

Evan
StaticNomad
StaticNomad 16th Feb 2015 23:33 - 11 years ago

on So Long Bound by Evisma
This comment is hidden.
mrwolf14
mrwolf14 16th Feb 2015 16:27 - 11 years ago

on So Long Bound by Evisma
Hi MrEvan,
Once more I have to repeat myself... very good track.
Brilliant arpeggio in the intro: very effective.
Then the song starts and it has a good drive: good solid rock. Liked
The first stop is very interesting: at 1:47 we have a "main" bass line which steals the show, good. The guitar work is good as well, but the bass is the "champion" here.
A second iteration of the first "verse": it really goes well. I like that you did not "overdo" it and you quickly go back to the "funkier" groove... and from here to the end.
Good song.
Ciao, Domenico
Evisma
Evisma replied 18th Feb 2015 - 11 years ago
Hey, Domenico.

If you were repeating yourself saying "very bad track", then I would worry.

I wanted to get back to the bass guitar. Ever since I got the six-string, it's been my Sirenum Scopuli. I've been drawn to it every day, and the bass has been a bit neglected.

Glad to not have overdone it. I was right on the edge of that.

Thanks for the listen and the kind words.

Evan
Danke
Danke 16th Feb 2015 11:53 - 11 years ago

on So Long Bound by Evisma
Hello Evan!
Superb intro...if you like, take a look at my Winter comes intro...nearly the same (in feeling surely)
Than 1.08: brilliant progy riff, first the lead guitar's tone was too sharp but than you won it...:-)
So groovy as usual and that analog sound is always unique...

Great track! Fav!

Danke
Evisma
Evisma replied 18th Feb 2015 - 11 years ago
The good man Danke!

I listened and compared intros and I totally hear what your saying. Yours has a better touch, I think, but I always think another's music is better than mine.

I thought the lead guitar's tone had too much bite to it as well. I'll be changing things around soon.

Thanks for the listen and the feedback. Always good to hear from you.

I've gotta get you to phonetically write your name so I know how to say it in my head.

Danke like Ankh?

Danke like Dan Key?

Danke like Frank?

Someone here did a rap once and used something of yours, and tried to say your name in the beginning, and gave a few options himself. I've just always wondered, and I've never come across that name in the states.

Evan
StaticNomad
StaticNomad 9th Feb 2015 02:40 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
This comment is hidden.
midiman007
midiman007 8th Feb 2015 18:57 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
I like it Crimson style for sure.
Evisma
Evisma replied 9th Feb 2015 - 11 years ago
Still haven't heard any, but get the reference a lot. Thanks!

Evan
StaticNomad
StaticNomad 8th Feb 2015 00:20 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
This comment is hidden.
Darkreine
Darkreine 7th Feb 2015 14:02 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
A great fusion of East meets West Evan. love it!!

K;)
Evisma
Evisma replied 7th Feb 2015 - 11 years ago
Inspired by a cheese-burger egg-roll.
StaticNomad
StaticNomad 6th Feb 2015 00:17 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
This comment is hidden.
ScottB55
ScottB55 5th Feb 2015 18:17 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
Excellent job here, Evan. Lot's of textures and styles going on. I can hear remnants of King Crimson, Mike Oldfield, and others.

Cheers,
Scott
Evisma
Evisma replied 6th Feb 2015 - 11 years ago
Hello, Scott.

I've had several references to King Crimson on my stuff. Never listened to any. I'll be getting on that.

Thanks for the listen and the feedback!

Evan
StaticNomad
StaticNomad 5th Feb 2015 11:48 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
This comment is hidden.
mrwolf14
mrwolf14 5th Feb 2015 10:57 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
Hi MrEvan,
I really like this new song of yours!
The title is "ironic" and well fitting the track.
Not so fond of the synth sound starting at 1:49.
Some typical Evisma signature "riff" around 1:37 (very KingCrimson-ish ... liked it a lot!)
Not a big fan of the marimba, but it feels good on this track.
Lot of things going on for such a short track... but this is good!
Ciao, Domenico
Evisma
Evisma replied 5th Feb 2015 - 11 years ago
Greetings!

"Not so fond of the synth sound starting at 1:49"

I believe that is the accordion and marimba combo. I've wanted to use accordion for a while. Sorry, but I've been diggin the marimbas lately.

I appreciate the feedback. Hope all is well with you.

Evan
promenade2239
promenade2239 5th Feb 2015 09:01 - 11 years ago

on The Farcical Aquatic Ceremony by Evisma
hi. that bottlerina/ocarina flute sound from the intro stands out a bit from the following guitar solo (from 0:28). It's probably because of different ambiance/reverb and very different stylistic character.
Tempo change comes very unexpected (0:57). You might try to find some rational formula or use proportion in the tempo changes. For me the second section starts from 1:10. You might even automate the tempo from 98 to 120 on '0:57 - 1:10 interlude'(I think it's possible in StudioOne, I never tried it though, probably it will sound weird) or try to find some even smoother transition to the second section. Reversed cymbal sound definitely helps here.

I think the piece is a bit too short to make a tempo change - it is like a bunch of 2 ideas with some interlude and I will not change anything here too much. It is sounding good, I liked a kind of a happy vibe of the second part - reminded me of some music from danish band Analogik https://www.youtube.com/watch?v=EbbgZvSfQy0&index=5&list=PLCA74A53508495981.

Many interesting ideas here, maybe to many but that's a good thing and I enjoyed listening.

Hope some of this was useful anyway.

Best, Alex
Evisma
Evisma replied 5th Feb 2015 - 11 years ago
Hello again!

"try to find some rational formula or use proportion in the tempo changes"

I don't find the tempo change odd. I see "unexpected", but that is part of what I was going for. Never tried to automate the tempo track. Sounds like something I need to look into.

"I think the piece is a bit too short to make a tempo change"

I may add to this one, or expand parts that I already have.

Thanks for the feedback,... and the automated tempo thought.

Evan
promenade2239
promenade2239 26th Jan 2015 16:48 - 11 years ago

on Scalpel Chowder by Evisma
ok, I tried many times and at least I played it in its entirety, unfortunately with some unexpected slience breaks between the 7/8 and 21/16 grooves. I couldn't get too much into that distortion gradation, probably because I am producing slightly different stuff at the moment but at some point I can hear some scottish influences in here. Experiments are good.
I can't see any significant variations in the volume range almost throughout, not a big insight though. I am sorry for a comment in negative, other than that's an interesting and unusual piece. Best, Alex
Evisma
Evisma replied 27th Jan 2015 - 11 years ago
Greetings.

First off, never apologize for a negative review. You have a right to dislike anything you want. If I'm horrible, and nobody tells me, I will continue to be horrible. Your honesty helps.

"I tried many times and at least I played it in its entirety, unfortunately with some unexpected slience breaks between the 7/8 and 21/16 grooves."

I have no idea what this means. Is the music player here putting pauses in the track? I just listened to it here and there were no gaps.

Or, was the track so bad that it took several goes to finish without retching?

"I couldn't get too much into that distortion gradation, probably because I am producing slightly different stuff at the moment"

Right-on. Does that mean since you're doing very different music, you dislike what is unlike your present creations? I guess I don't understand. No matter how soft a track I'm doing, I still love Mudvayne's L.D.50.

"at some point I can hear some scottish influences in here"

I'm guessing that's the fiddle line. I've had several tracks that I wanted to use fiddle in, but this one seemed the most fitting.

"I can't see any significant variations in the volume range almost throughout"

Agreed. I guess you don't like the lack of dynamics. The waveform looks like a flat-faced eel with a fish-tail. I didn't intend to give this one any room to breathe. That's partly why it is so short. My last track was slow and soft. I wanted the opposite in this one.

Thanks for the review! I hope all is well with you.

Evan
crucethus
crucethus 26th Jan 2015 04:08 - 11 years ago

on Scalpel Chowder by Evisma
This comment is hidden.
crucethus
crucethus 26th Jan 2015 04:06 - 11 years ago

on Scalpel Chowder by Evisma
One Mother of a Mover this tune is. the complexities in this are brilliant. I was on the edge of my seat the whole way through and was sad when the fade out began at the end. Definitely Zappaesque. Your playing reminds me a bit of Mark King from Level 42, it's that good.
cru
Evisma
Evisma replied 26th Jan 2015 - 11 years ago
Holy Thanks A Million, Batman! Hard to accept such kind words. I've been fixing the drum sounds in bursts and re-uploading. I think I'm getting closer.

That makes four Zappa references. I officially need to listen to some.

Thanks again for the kind words.

Evan
ValveDriver
ValveDriver 25th Jan 2015 10:48 - 11 years ago

on Scalpel Chowder by Evisma
Alright. I got my HAZMAT suit back from the dry cleaners. I can do this now without spreading the death. But, I'm past the full on doom part of it, so it should be safe.

I'm really digging the hell out of this one. It's got a good strong energy to it. There's a lot happening, but it's never crowded. The Marimbas and the fiddles totally work.

You know what this is? This is what "rockin' country" would be if they actually had the rockin' balls they claim to have. It's almost borderline rock-a-billy. Which, honestly, there just isn't enough of on the ol' Looperman. Now that I think of it, I have never heard rock-a-billy on here. Hmm. Time for some electro-valve-a-billy.

No. No it isn't. It is not time for electro-valve-a-billy. That's a terrible idea. Stop it.

I think the only critique I have, and it's mostly just personal preference more than anything, is that the kicks stood out just a little more.

Overall, I thoroughly like this one. It's still exudes your trademark sound, but it's in a completely different arena than a good portion of your other songs.

Here, let me Lysol the place before I go.

Take care, man.
Aaron.
Evisma
Evisma replied 25th Jan 2015 - 11 years ago
A-A-Ron! Among the living! Past the contagious period! Happy for you.

Rock-a-billy? I guess the verse parts do seem like they could be taken in that direction, but I had no intention of doing that.

I was thinking recently of doing other genres like country and hip-hop, just to see if I even know enough about each to attempt it.

I decided not to. I'm not that bored,... yet.

I would like to do a whole track just piano, so I can get better at writing piano parts that sound natural and more like a real piano piece.

"It's still exudes your trademark sound, but it's in a completely different arena than a good portion of your other songs."

That is what I'm going for anymore. I've found my sound, it's keeping it fresh and not repeating myself, while not abandoning anything as well.

I figure, like most other heavy music, that my music will get less heavy over time. Less anger and frustrations in life. I just hope it keeps getting better. A few years ago, I would not have thought of writing a track like "Basso Continuo" or "Hangin Round Aceldama". Far too light and vaginal, but now I think that, whatever comes out is what needed to come out. So if it is an extension of myself, and I must be true to myself, then I will accept any change that comes about.

But I will try to steer the ship more towards the Lands Of Badassery.

Thanks for the feedback, Aaron. I'll work with the kick tonight. I got a lot of high-end in the cymbals too that I need to deal with.

Take care.

Evan
BradoSanz
BradoSanz 25th Jan 2015 05:22 - 11 years ago

on Scalpel Chowder by Evisma
Please not about Superior Drummer 2.0 - I don't know if any of you others had issues with SD2 but I had issues with my install. The software is glitchy and prone to crashing a session on my PT9 rig. Some of the drum presets didn't work either; if I changed to certain presets and activated the snare drum, for instance, it would "load" the sample but stay that way forever, eventually forcing me to have to close out of my session without being able to save. It just seems like a rushed piece of software in my opinion. But man, it does sound great when used right!
Evisma
Evisma replied 25th Jan 2015 - 11 years ago
Good to know. Thanks.

My sampler will do that every now and then. I figure it's what we get for doing everything digital.

Evan
15ludwicke
15ludwicke 24th Jan 2015 23:20 - 11 years ago

on Scalpel Chowder by Evisma
Hey man really cool song, sounds like something almost reminiscent of a more laid-back motörhead song!

Rico L.
Evisma
Evisma replied 25th Jan 2015 - 11 years ago
Thank you!

I never got into Motorhead, but have heard some and can't imagine any being "Laid-back".

Thanks for giving my track a listen and I appreciate the feedback.

Evan
Musicante
Musicante 24th Jan 2015 23:08 - 11 years ago

on Scalpel Chowder by Evisma
An exceptional piece, Evan. It does have a bit of a Zappa-esque feel to it. Even more so with the xylophone. I like the tempo and time signature changes (another Zappa trait.) All n all, Good job!

Ciao,
M.
Evisma
Evisma replied 25th Jan 2015 - 11 years ago
Zank, CosmicOscar and now you have compared it to Zappa so I guess I'll listen to some.

Thanks for the feedback and the kind words!

Evan
ValveDriver
ValveDriver 24th Jan 2015 00:55 - 11 years ago

on Scalpel Chowder by Evisma
Wow, man. Right out of the gate this one is different than your usual approach. I like it.

I'll be back to do a proper review later. I want to be able to leave an accurate one. Can't do that when getting ready for the ol' boneyard shift, ya know?

Take care, mister.
Aaron.
Evisma
Evisma replied 24th Jan 2015 - 11 years ago
Hey, I never mind the quick drop-ins. I'm fixing stuff in this track tonight so there will be a better version up soon. Hope you kicked the flu,... I'll be wearing my particle-mask next time.

Evan
CozmicOscar
CozmicOscar 23rd Jan 2015 20:11 - 11 years ago

on Scalpel Chowder by Evisma
Cool groove. I like the vibe. It sounds very much like Frank Zappa, I agree with Zank Frappa on Marimabs and general feel. That's a bit puzzling, I see some kind of connection of these two ... oh, maybe just a coincidence.
Evisma
Evisma replied 24th Jan 2015 - 11 years ago
Never really listened to Frank Zappa intentionally, maybe by proximity. Didn't know he had a marimba player either.

Thanks for the kind words!

Take care.
theHumps
theHumps 23rd Jan 2015 12:26 - 11 years ago

on Scalpel Chowder by Evisma
Pretty cool rock track. Certainly liked the tempo change, that is not an easy thing to do, I concur. I thought the marimba and the synth shared similar freqs or are close so I might suggest eq or something to separate those two sounds a bit, maybe panning would work?

The tune cranks and the bass really steals the show, your usual means of musical destruction. I wish you knew a singer in your parts that would lay down some cool vocals for you, it would really bring your tracks to a new level.

Well done Evan!

Wayne
Evisma
Evisma replied 24th Jan 2015 - 11 years ago
"marimba and the synth shared similar freqs or are close so I might suggest eq or something to separate those two sounds a bit"

It doesn't help that I've got a distorted guitar line in there that is also pretty close. I'll be going in soon to fix stuff.

Thanks again! Always good to hear your thoughts.
soundhound
soundhound 22nd Jan 2015 19:36 - 11 years ago

on Scalpel Chowder by Evisma
Some tough stuff, very well done I might add...
Slick licks on the guitars, high powered groove hear this
and you've got to move...

Solid piece of work...I enjoyed it..

Peace...TG.
Evisma
Evisma replied 23rd Jan 2015 - 11 years ago
Good to hear from you! Thank you very much! Last track was soft and this one is getting back to the heavier, though I'm really not very heavy in any of my tracks. Not as heavy as I'd like. Never learned the heavy stuff.

Thank you for the kind words. Have a good one!

Evan
ZankFrappa
ZankFrappa 22nd Jan 2015 14:23 - 11 years ago

on Scalpel Chowder by Evisma
Marimba - is that Ruth Underwood?
Evisma
Evisma replied 23rd Jan 2015 - 11 years ago
No, but we can hit both with sticks! Or sausage.
Comments 301 - 325 of 521