Not only is the Intro great it really sets the stage for the rest of the song and it is seamless. Awesome job there for sure bro. Overall a strong track and I definitely enjoyed it.
Hi MrEvan,
Once more I have to repeat myself... very good track.
Brilliant arpeggio in the intro: very effective.
Then the song starts and it has a good drive: good solid rock. Liked
The first stop is very interesting: at 1:47 we have a "main" bass line which steals the show, good. The guitar work is good as well, but the bass is the "champion" here.
A second iteration of the first "verse": it really goes well. I like that you did not "overdo" it and you quickly go back to the "funkier" groove... and from here to the end.
Good song.
Ciao, Domenico
If you were repeating yourself saying "very bad track", then I would worry.
I wanted to get back to the bass guitar. Ever since I got the six-string, it's been my Sirenum Scopuli. I've been drawn to it every day, and the bass has been a bit neglected.
Glad to not have overdone it. I was right on the edge of that.
Hello Evan!
Superb intro...if you like, take a look at my Winter comes intro...nearly the same (in feeling surely)
Than 1.08: brilliant progy riff, first the lead guitar's tone was too sharp but than you won it...:-)
So groovy as usual and that analog sound is always unique...
I listened and compared intros and I totally hear what your saying. Yours has a better touch, I think, but I always think another's music is better than mine.
I thought the lead guitar's tone had too much bite to it as well. I'll be changing things around soon.
Thanks for the listen and the feedback. Always good to hear from you.
I've gotta get you to phonetically write your name so I know how to say it in my head.
Danke like Ankh?
Danke like Dan Key?
Danke like Frank?
Someone here did a rap once and used something of yours, and tried to say your name in the beginning, and gave a few options himself. I've just always wondered, and I've never come across that name in the states.
Hi MrEvan,
I really like this new song of yours!
The title is "ironic" and well fitting the track.
Not so fond of the synth sound starting at 1:49.
Some typical Evisma signature "riff" around 1:37 (very KingCrimson-ish ... liked it a lot!)
Not a big fan of the marimba, but it feels good on this track.
Lot of things going on for such a short track... but this is good!
Ciao, Domenico
hi. that bottlerina/ocarina flute sound from the intro stands out a bit from the following guitar solo (from 0:28). It's probably because of different ambiance/reverb and very different stylistic character.
Tempo change comes very unexpected (0:57). You might try to find some rational formula or use proportion in the tempo changes. For me the second section starts from 1:10. You might even automate the tempo from 98 to 120 on '0:57 - 1:10 interlude'(I think it's possible in StudioOne, I never tried it though, probably it will sound weird) or try to find some even smoother transition to the second section. Reversed cymbal sound definitely helps here.
I think the piece is a bit too short to make a tempo change - it is like a bunch of 2 ideas with some interlude and I will not change anything here too much. It is sounding good, I liked a kind of a happy vibe of the second part - reminded me of some music from danish band Analogik https://www.youtube.com/watch?v=EbbgZvSfQy0&index=5&list=PLCA74A53508495981.
Many interesting ideas here, maybe to many but that's a good thing and I enjoyed listening.
"try to find some rational formula or use proportion in the tempo changes"
I don't find the tempo change odd. I see "unexpected", but that is part of what I was going for. Never tried to automate the tempo track. Sounds like something I need to look into.
"I think the piece is a bit too short to make a tempo change"
I may add to this one, or expand parts that I already have.
Thanks for the feedback,... and the automated tempo thought.
ok, I tried many times and at least I played it in its entirety, unfortunately with some unexpected slience breaks between the 7/8 and 21/16 grooves. I couldn't get too much into that distortion gradation, probably because I am producing slightly different stuff at the moment but at some point I can hear some scottish influences in here. Experiments are good.
I can't see any significant variations in the volume range almost throughout, not a big insight though. I am sorry for a comment in negative, other than that's an interesting and unusual piece. Best, Alex
First off, never apologize for a negative review. You have a right to dislike anything you want. If I'm horrible, and nobody tells me, I will continue to be horrible. Your honesty helps.
"I tried many times and at least I played it in its entirety, unfortunately with some unexpected slience breaks between the 7/8 and 21/16 grooves."
I have no idea what this means. Is the music player here putting pauses in the track? I just listened to it here and there were no gaps.
Or, was the track so bad that it took several goes to finish without retching?
"I couldn't get too much into that distortion gradation, probably because I am producing slightly different stuff at the moment"
Right-on. Does that mean since you're doing very different music, you dislike what is unlike your present creations? I guess I don't understand. No matter how soft a track I'm doing, I still love Mudvayne's L.D.50.
"at some point I can hear some scottish influences in here"
I'm guessing that's the fiddle line. I've had several tracks that I wanted to use fiddle in, but this one seemed the most fitting.
"I can't see any significant variations in the volume range almost throughout"
Agreed. I guess you don't like the lack of dynamics. The waveform looks like a flat-faced eel with a fish-tail. I didn't intend to give this one any room to breathe. That's partly why it is so short. My last track was slow and soft. I wanted the opposite in this one.
Thanks for the review! I hope all is well with you.
One Mother of a Mover this tune is. the complexities in this are brilliant. I was on the edge of my seat the whole way through and was sad when the fade out began at the end. Definitely Zappaesque. Your playing reminds me a bit of Mark King from Level 42, it's that good.
cru
Holy Thanks A Million, Batman! Hard to accept such kind words. I've been fixing the drum sounds in bursts and re-uploading. I think I'm getting closer.
That makes four Zappa references. I officially need to listen to some.
Alright. I got my HAZMAT suit back from the dry cleaners. I can do this now without spreading the death. But, I'm past the full on doom part of it, so it should be safe.
I'm really digging the hell out of this one. It's got a good strong energy to it. There's a lot happening, but it's never crowded. The Marimbas and the fiddles totally work.
You know what this is? This is what "rockin' country" would be if they actually had the rockin' balls they claim to have. It's almost borderline rock-a-billy. Which, honestly, there just isn't enough of on the ol' Looperman. Now that I think of it, I have never heard rock-a-billy on here. Hmm. Time for some electro-valve-a-billy.
No. No it isn't. It is not time for electro-valve-a-billy. That's a terrible idea. Stop it.
I think the only critique I have, and it's mostly just personal preference more than anything, is that the kicks stood out just a little more.
Overall, I thoroughly like this one. It's still exudes your trademark sound, but it's in a completely different arena than a good portion of your other songs.
A-A-Ron! Among the living! Past the contagious period! Happy for you.
Rock-a-billy? I guess the verse parts do seem like they could be taken in that direction, but I had no intention of doing that.
I was thinking recently of doing other genres like country and hip-hop, just to see if I even know enough about each to attempt it.
I decided not to. I'm not that bored,... yet.
I would like to do a whole track just piano, so I can get better at writing piano parts that sound natural and more like a real piano piece.
"It's still exudes your trademark sound, but it's in a completely different arena than a good portion of your other songs."
That is what I'm going for anymore. I've found my sound, it's keeping it fresh and not repeating myself, while not abandoning anything as well.
I figure, like most other heavy music, that my music will get less heavy over time. Less anger and frustrations in life. I just hope it keeps getting better. A few years ago, I would not have thought of writing a track like "Basso Continuo" or "Hangin Round Aceldama". Far too light and vaginal, but now I think that, whatever comes out is what needed to come out. So if it is an extension of myself, and I must be true to myself, then I will accept any change that comes about.
But I will try to steer the ship more towards the Lands Of Badassery.
Thanks for the feedback, Aaron. I'll work with the kick tonight. I got a lot of high-end in the cymbals too that I need to deal with.
Please not about Superior Drummer 2.0 - I don't know if any of you others had issues with SD2 but I had issues with my install. The software is glitchy and prone to crashing a session on my PT9 rig. Some of the drum presets didn't work either; if I changed to certain presets and activated the snare drum, for instance, it would "load" the sample but stay that way forever, eventually forcing me to have to close out of my session without being able to save. It just seems like a rushed piece of software in my opinion. But man, it does sound great when used right!
An exceptional piece, Evan. It does have a bit of a Zappa-esque feel to it. Even more so with the xylophone. I like the tempo and time signature changes (another Zappa trait.) All n all, Good job!
Wow, man. Right out of the gate this one is different than your usual approach. I like it.
I'll be back to do a proper review later. I want to be able to leave an accurate one. Can't do that when getting ready for the ol' boneyard shift, ya know?
Hey, I never mind the quick drop-ins. I'm fixing stuff in this track tonight so there will be a better version up soon. Hope you kicked the flu,... I'll be wearing my particle-mask next time.
Cool groove. I like the vibe. It sounds very much like Frank Zappa, I agree with Zank Frappa on Marimabs and general feel. That's a bit puzzling, I see some kind of connection of these two ... oh, maybe just a coincidence.
Pretty cool rock track. Certainly liked the tempo change, that is not an easy thing to do, I concur. I thought the marimba and the synth shared similar freqs or are close so I might suggest eq or something to separate those two sounds a bit, maybe panning would work?
The tune cranks and the bass really steals the show, your usual means of musical destruction. I wish you knew a singer in your parts that would lay down some cool vocals for you, it would really bring your tracks to a new level.
Good to hear from you! Thank you very much! Last track was soft and this one is getting back to the heavier, though I'm really not very heavy in any of my tracks. Not as heavy as I'd like. Never learned the heavy stuff.
on So Long Bound by Evisma
tv
Evan
on So Long Bound by Evisma
on So Long Bound by Evisma
Once more I have to repeat myself... very good track.
Brilliant arpeggio in the intro: very effective.
Then the song starts and it has a good drive: good solid rock. Liked
The first stop is very interesting: at 1:47 we have a "main" bass line which steals the show, good. The guitar work is good as well, but the bass is the "champion" here.
A second iteration of the first "verse": it really goes well. I like that you did not "overdo" it and you quickly go back to the "funkier" groove... and from here to the end.
Good song.
Ciao, Domenico
If you were repeating yourself saying "very bad track", then I would worry.
I wanted to get back to the bass guitar. Ever since I got the six-string, it's been my Sirenum Scopuli. I've been drawn to it every day, and the bass has been a bit neglected.
Glad to not have overdone it. I was right on the edge of that.
Thanks for the listen and the kind words.
Evan
on So Long Bound by Evisma
Superb intro...if you like, take a look at my Winter comes intro...nearly the same (in feeling surely)
Than 1.08: brilliant progy riff, first the lead guitar's tone was too sharp but than you won it...:-)
So groovy as usual and that analog sound is always unique...
Great track! Fav!
Danke
I listened and compared intros and I totally hear what your saying. Yours has a better touch, I think, but I always think another's music is better than mine.
I thought the lead guitar's tone had too much bite to it as well. I'll be changing things around soon.
Thanks for the listen and the feedback. Always good to hear from you.
I've gotta get you to phonetically write your name so I know how to say it in my head.
Danke like Ankh?
Danke like Dan Key?
Danke like Frank?
Someone here did a rap once and used something of yours, and tried to say your name in the beginning, and gave a few options himself. I've just always wondered, and I've never come across that name in the states.
Evan
on The Farcical Aquatic Ceremony by Evisma
on The Farcical Aquatic Ceremony by Evisma
Evan
on The Farcical Aquatic Ceremony by Evisma
on The Farcical Aquatic Ceremony by Evisma
K;)
on The Farcical Aquatic Ceremony by Evisma
on The Farcical Aquatic Ceremony by Evisma
Cheers,
Scott
I've had several references to King Crimson on my stuff. Never listened to any. I'll be getting on that.
Thanks for the listen and the feedback!
Evan
on The Farcical Aquatic Ceremony by Evisma
on The Farcical Aquatic Ceremony by Evisma
I really like this new song of yours!
The title is "ironic" and well fitting the track.
Not so fond of the synth sound starting at 1:49.
Some typical Evisma signature "riff" around 1:37 (very KingCrimson-ish ... liked it a lot!)
Not a big fan of the marimba, but it feels good on this track.
Lot of things going on for such a short track... but this is good!
Ciao, Domenico
"Not so fond of the synth sound starting at 1:49"
I believe that is the accordion and marimba combo. I've wanted to use accordion for a while. Sorry, but I've been diggin the marimbas lately.
I appreciate the feedback. Hope all is well with you.
Evan
on The Farcical Aquatic Ceremony by Evisma
Tempo change comes very unexpected (0:57). You might try to find some rational formula or use proportion in the tempo changes. For me the second section starts from 1:10. You might even automate the tempo from 98 to 120 on '0:57 - 1:10 interlude'(I think it's possible in StudioOne, I never tried it though, probably it will sound weird) or try to find some even smoother transition to the second section. Reversed cymbal sound definitely helps here.
I think the piece is a bit too short to make a tempo change - it is like a bunch of 2 ideas with some interlude and I will not change anything here too much. It is sounding good, I liked a kind of a happy vibe of the second part - reminded me of some music from danish band Analogik https://www.youtube.com/watch?v=EbbgZvSfQy0&index=5&list=PLCA74A53508495981.
Many interesting ideas here, maybe to many but that's a good thing and I enjoyed listening.
Hope some of this was useful anyway.
Best, Alex
"try to find some rational formula or use proportion in the tempo changes"
I don't find the tempo change odd. I see "unexpected", but that is part of what I was going for. Never tried to automate the tempo track. Sounds like something I need to look into.
"I think the piece is a bit too short to make a tempo change"
I may add to this one, or expand parts that I already have.
Thanks for the feedback,... and the automated tempo thought.
Evan
on Scalpel Chowder by Evisma
I can't see any significant variations in the volume range almost throughout, not a big insight though. I am sorry for a comment in negative, other than that's an interesting and unusual piece. Best, Alex
First off, never apologize for a negative review. You have a right to dislike anything you want. If I'm horrible, and nobody tells me, I will continue to be horrible. Your honesty helps.
"I tried many times and at least I played it in its entirety, unfortunately with some unexpected slience breaks between the 7/8 and 21/16 grooves."
I have no idea what this means. Is the music player here putting pauses in the track? I just listened to it here and there were no gaps.
Or, was the track so bad that it took several goes to finish without retching?
"I couldn't get too much into that distortion gradation, probably because I am producing slightly different stuff at the moment"
Right-on. Does that mean since you're doing very different music, you dislike what is unlike your present creations? I guess I don't understand. No matter how soft a track I'm doing, I still love Mudvayne's L.D.50.
"at some point I can hear some scottish influences in here"
I'm guessing that's the fiddle line. I've had several tracks that I wanted to use fiddle in, but this one seemed the most fitting.
"I can't see any significant variations in the volume range almost throughout"
Agreed. I guess you don't like the lack of dynamics. The waveform looks like a flat-faced eel with a fish-tail. I didn't intend to give this one any room to breathe. That's partly why it is so short. My last track was slow and soft. I wanted the opposite in this one.
Thanks for the review! I hope all is well with you.
Evan
on Scalpel Chowder by Evisma
on Scalpel Chowder by Evisma
cru
That makes four Zappa references. I officially need to listen to some.
Thanks again for the kind words.
Evan
on Scalpel Chowder by Evisma
I'm really digging the hell out of this one. It's got a good strong energy to it. There's a lot happening, but it's never crowded. The Marimbas and the fiddles totally work.
You know what this is? This is what "rockin' country" would be if they actually had the rockin' balls they claim to have. It's almost borderline rock-a-billy. Which, honestly, there just isn't enough of on the ol' Looperman. Now that I think of it, I have never heard rock-a-billy on here. Hmm. Time for some electro-valve-a-billy.
No. No it isn't. It is not time for electro-valve-a-billy. That's a terrible idea. Stop it.
I think the only critique I have, and it's mostly just personal preference more than anything, is that the kicks stood out just a little more.
Overall, I thoroughly like this one. It's still exudes your trademark sound, but it's in a completely different arena than a good portion of your other songs.
Here, let me Lysol the place before I go.
Take care, man.
Aaron.
Rock-a-billy? I guess the verse parts do seem like they could be taken in that direction, but I had no intention of doing that.
I was thinking recently of doing other genres like country and hip-hop, just to see if I even know enough about each to attempt it.
I decided not to. I'm not that bored,... yet.
I would like to do a whole track just piano, so I can get better at writing piano parts that sound natural and more like a real piano piece.
"It's still exudes your trademark sound, but it's in a completely different arena than a good portion of your other songs."
That is what I'm going for anymore. I've found my sound, it's keeping it fresh and not repeating myself, while not abandoning anything as well.
I figure, like most other heavy music, that my music will get less heavy over time. Less anger and frustrations in life. I just hope it keeps getting better. A few years ago, I would not have thought of writing a track like "Basso Continuo" or "Hangin Round Aceldama". Far too light and vaginal, but now I think that, whatever comes out is what needed to come out. So if it is an extension of myself, and I must be true to myself, then I will accept any change that comes about.
But I will try to steer the ship more towards the Lands Of Badassery.
Thanks for the feedback, Aaron. I'll work with the kick tonight. I got a lot of high-end in the cymbals too that I need to deal with.
Take care.
Evan
on Scalpel Chowder by Evisma
My sampler will do that every now and then. I figure it's what we get for doing everything digital.
Evan
on Scalpel Chowder by Evisma
Rico L.
I never got into Motorhead, but have heard some and can't imagine any being "Laid-back".
Thanks for giving my track a listen and I appreciate the feedback.
Evan
on Scalpel Chowder by Evisma
Ciao,
M.
Thanks for the feedback and the kind words!
Evan
on Scalpel Chowder by Evisma
I'll be back to do a proper review later. I want to be able to leave an accurate one. Can't do that when getting ready for the ol' boneyard shift, ya know?
Take care, mister.
Aaron.
Evan
on Scalpel Chowder by Evisma
Thanks for the kind words!
Take care.
on Scalpel Chowder by Evisma
The tune cranks and the bass really steals the show, your usual means of musical destruction. I wish you knew a singer in your parts that would lay down some cool vocals for you, it would really bring your tracks to a new level.
Well done Evan!
Wayne
It doesn't help that I've got a distorted guitar line in there that is also pretty close. I'll be going in soon to fix stuff.
Thanks again! Always good to hear your thoughts.
on Scalpel Chowder by Evisma
Slick licks on the guitars, high powered groove hear this
and you've got to move...
Solid piece of work...I enjoyed it..
Peace...TG.
Thank you for the kind words. Have a good one!
Evan
on Scalpel Chowder by Evisma