Cool track, reminded me of early Ministry and INXS mixed together. I like the git work along side the keys, nice job so far with that. What EZ kit are you using?
I feel your vocals could be louder or more centered, they seem very wide to me in the mix. I actually decrease the width of my vocals to about 90%. This way they are centered and more narrow in my mix. By doing this it helps to keep it from messing with my featured instruments' freqs which I pan wide. Then I use a short delay and a bit of reverb to give me the additional width in the mix while keeping the vocals centered and narrow. Hopefully that makes some sense, he.
Yeah, I can hear the INXS thing. Was never a Ministry person but I will take your word on it. I will have to look and see what Kit I am using here. I took your advice and centered the vocals more and bumped them up in the mix. I went with a more Trippy delay on them to add to the Vibe. Still not sure if it works. Drums and Vocals are my weakest spots. I have worked hard to try and be able to do okay vocals. Never really happy with them, though. Thanks for the feedback. I truly appreciate it.
Hey this is sweet! Really remind me of a combination of fusion and blues jam bands around the eighties or nineties. I can totally get into that vibe, though I'm not a festival-goer. The vocals and guitar jams sound especially pristine, and I enjoy that. The bass is very groovy and deep! I'd say that the only thing that gets old is the EZ Drummer... it's really mostly personal preference though. People tend to get defensive when I talk to much about that sort of thing. Everything else including composition, performance, and lyrics is GREAT!
Hey my friend, thanks for the feedback. I agree with the EZ Drummer. Besides Vocals, it is my biggest weakness. I really need to spend some time working on getting a good drum sound. This was the result of needing to do something other than Rock. A pallet cleanser if you will. :)
Thanks for giving it a listen and for the feedback. Much appreciated.
(Ooops hit the send button by accident lol) Hey Topvega I made this track my fav because I can see the potential of this really being a great tune with some minor alterations. Plus I really enjoyed "The Liveliness" of the song. Great rhythm guitar playing and I liked the "panning of the guitar" on the track. The drum track gave the song a nice lively feel.
My only advice would be, 1. Come up with a solid hook, 2.write another verse in which you can alternate from and 3. Add at least one musical change to the song.(since this is a pop song it becomes a bit redundant without a change of some sort...just my opinion). Other than that I think you have a great tune on your hands.
Yeah I have had that happen before. :-)
I am working on another verse as well as a change or two to break up the monotony. Thanks for the feedback. I appreciate it.
Feels very real.
What I mean is that it doesn't smack you in the face with sounds that feel empty and cold but instead provides a familiar warmth.
It's rare for music to have that anymore.
Well done!
Great band to model a song after. The only album I have of them is their one with No One Knows on it and that is great from beginning to end.
This one comes out of the gate guns a blazin'! I love music like this, in your face rock and roll. This is great live bar room music. Mix sounds great!
Thanks Wayne. I have everything they and Josh Homme has ever released including the stuff with Kyuss and his latest with Iggy Pop. Awesome album by the way. It is like David Bowie sang on a Queens of the Stone Age album.
It's beyond me how such a splendid track can get only two
favs at almost 300 listens (well, now it's definitely getting the third)! Folks of Looperman, are you deaf or what??! This is a powerhouse of sheer rocking quality and those guitars sound so majestic ! The only thing which is bothering me is how could I have missed this gem before..:)
Thanks bro...those kind words mean a lot. I think this is probably my best and most complete track. Which is funny because all the lead guitar was done in One take and just kinda flowed from me at the time.
I appreciate the support. Thanks for the listen and the awesome comment.
Thanks. I often spend more time trying to get the tone I want then actually playing on the track. Great Tone is inspiring.
Thanks for the listen and the comment. It is appreciated.
No secrets. I will break it down as best I can. If you have other questions feel free to ask.
There are 10 active tracks. Two tracks are Addictive Drums. One is the Intro the other the rest of the Drums. There are 2 Guitar tracks. There are 2 Bass Tracks. Lastly 3 Keyboard tracks. All tracks have a 5 band EQ and Guitar Rig 5. Guitar Rig 5 on the drums is Deep and Wide setting. The guitar Rig settings on the guitars are Right side One May Left Billy Dual Grange. The bass is Precise Bottom and Wide Stereo, both panned to the middle. The 3 Keyboard parts are Izotope Iris 2, Massive, Vox V.
On the Master I have Izotope Ozone 5. The setting is 3 Band Master Instrumental with Slow Dynamics.
I hope that helps.
Good, crunchy guitar tone and bass is also powerful.
0:25 I hear a filter swept synth playing a very small role. More of that sort of thing could make this kind of track more interesting.
Good timing in your playing and I like the triplet stuff around 1 min for a while.
Drums are busy and pretty good.
This does sound like a well played live jam so could do with a bit more variation to break all that riffage up. Maybe drop the guitar for a bit and open up into a bass and drums section then perhaps bring guitar back in playing some subtler, gentler stuff. Build back up to the balls out riffage.
Thanks, Brother...will look into expanding the synth stuff. I have a solo or two that I laid down but I didn't like it enough to include it in the mix right now. Needs tweaking.
I like the idea of maybe dropping or minimizing the guitar for a bit and letting the bass shine. Thanks for the idea and for taking the time to give it a listen and comment. Much appreciated.
Great old school rock feel on this one T.V.
Guitars sound killer with the overdrive and tuned down a semitone.Those Asus4 chords open up the chorus nicely.
It sounds like you are playing the whole track live on the guitar which keeps the interest as your touch has a great loose feel giving variation to the hammer-on riffage.A sweet moment being at 3:30!
My only critique would be- maybe take the sting out of the cymbals.
Great job. Rhodesy
Thanks, Rhodesy, appreciate the feedback and you giving it a listen.
You are correct I did play the whole song live on both Guitar and bass. I also took your advice and went in and EQ'd the drums to try and take the sting out of the cymbals. Thanks for pointing that out.
Appreciate you giving it a listen.
How did you manage to escape? No worries, you wont stay free for long Muhahaha! I feel your pain, I worked in recieving at walmart for 3 years and coming up to the holidays was HELL! I love when artist have a distinct sound/style and you know right away for sure who it is. Keep these great jams coming :D \m/
Thank you my friend. Somehow this comment slipped through the cracks and I wanted to make sure you knew it is greatly appreciated. Probably one of the best compliments I have ever gotten.
Thanks Brosef...I think this is probably my best Track overall. Even the mix sounds pretty good. Wish The Crawling King Snake, Jim Morrison was still with us and could add some vocals. :)
This is a great track! I kept seeing comments about vocals. Personally, I don't think it's really set up for vocals. There's a lot of guitar in there! That's not a bad thing, either. Funny thing is, when it first started, my brain went to John Lennon, then to Iggy Pop, into Mick Jagger, and then finally Josh Homme. The music is such a perfect blend of all of them, that any of them could fit in perfectly.
I super appreciate the kind words...I wish I was buds with Josh and could get him to try and do something on here. :) I agree it can kind of stand on its own since it is guitar heavy. Thanks again for checking it out and for leaving the review. Much appreciated.
on Call It Compromise by topvega
I feel your vocals could be louder or more centered, they seem very wide to me in the mix. I actually decrease the width of my vocals to about 90%. This way they are centered and more narrow in my mix. By doing this it helps to keep it from messing with my featured instruments' freqs which I pan wide. Then I use a short delay and a bit of reverb to give me the additional width in the mix while keeping the vocals centered and narrow. Hopefully that makes some sense, he.
Wayne
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on Call It Compromise by topvega
Thanks for giving it a listen and for the feedback. Much appreciated.
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on Call It Compromise by topvega
I appreciate you giving it a listen and a comment.
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on Call It Compromise by topvega
My only advice would be, 1. Come up with a solid hook, 2.write another verse in which you can alternate from and 3. Add at least one musical change to the song.(since this is a pop song it becomes a bit redundant without a change of some sort...just my opinion). Other than that I think you have a great tune on your hands.
Best Regards
D
I am working on another verse as well as a change or two to break up the monotony. Thanks for the feedback. I appreciate it.
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on Call It Compromise by topvega
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on Call It Compromise by topvega
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on Cant keep a Good Man down by topvega
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on Hold On Tight by topvega
I love the blues!! Addicted to playing it on my cigar box guitars now B-)
Yeah I also love to step back into just heavy Blues feel from time to time. It is like a soul cleansing at times.
Thanks for the listen and the comment.
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on Hold On Tight by topvega
cru
Thanks for the listen and comment. Much appreciated.
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on Hold On Tight by topvega
What I mean is that it doesn't smack you in the face with sounds that feel empty and cold but instead provides a familiar warmth.
It's rare for music to have that anymore.
Well done!
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on Hold On Tight by topvega
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on When the Queens Come Marching Home by topvega
The guitars sound great and they have a very modern British feel with the 8th note phrasing.
I like the mix - it gives it a raw edge lots of people love.
Rhodesy :)
Thanks for the support.
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on When the Queens Come Marching Home by topvega
This one comes out of the gate guns a blazin'! I love music like this, in your face rock and roll. This is great live bar room music. Mix sounds great!
Wayne
Thanks for the listen and the feedback.
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on When the Queens Come Marching Home by topvega
favs at almost 300 listens (well, now it's definitely getting the third)! Folks of Looperman, are you deaf or what??! This is a powerhouse of sheer rocking quality and those guitars sound so majestic ! The only thing which is bothering me is how could I have missed this gem before..:)
Thumbs up - Hat's off______Orlando
I appreciate the support. Thanks for the listen and the awesome comment.
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on Punch Drunk by topvega
Thanks for the listen and the comment. It is appreciated.
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on Zep Step by topvega
thanks
Ben
There are 10 active tracks. Two tracks are Addictive Drums. One is the Intro the other the rest of the Drums. There are 2 Guitar tracks. There are 2 Bass Tracks. Lastly 3 Keyboard tracks. All tracks have a 5 band EQ and Guitar Rig 5. Guitar Rig 5 on the drums is Deep and Wide setting. The guitar Rig settings on the guitars are Right side One May Left Billy Dual Grange. The bass is Precise Bottom and Wide Stereo, both panned to the middle. The 3 Keyboard parts are Izotope Iris 2, Massive, Vox V.
On the Master I have Izotope Ozone 5. The setting is 3 Band Master Instrumental with Slow Dynamics.
I hope that helps.
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on Zep Step by topvega
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on Zep Step by topvega
Good, crunchy guitar tone and bass is also powerful.
0:25 I hear a filter swept synth playing a very small role. More of that sort of thing could make this kind of track more interesting.
Good timing in your playing and I like the triplet stuff around 1 min for a while.
Drums are busy and pretty good.
This does sound like a well played live jam so could do with a bit more variation to break all that riffage up. Maybe drop the guitar for a bit and open up into a bass and drums section then perhaps bring guitar back in playing some subtler, gentler stuff. Build back up to the balls out riffage.
Good stuff.
I like the idea of maybe dropping or minimizing the guitar for a bit and letting the bass shine. Thanks for the idea and for taking the time to give it a listen and comment. Much appreciated.
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on Zep Step by topvega
Guitars sound killer with the overdrive and tuned down a semitone.Those Asus4 chords open up the chorus nicely.
It sounds like you are playing the whole track live on the guitar which keeps the interest as your touch has a great loose feel giving variation to the hammer-on riffage.A sweet moment being at 3:30!
My only critique would be- maybe take the sting out of the cymbals.
Great job. Rhodesy
You are correct I did play the whole song live on both Guitar and bass. I also took your advice and went in and EQ'd the drums to try and take the sting out of the cymbals. Thanks for pointing that out.
Appreciate you giving it a listen.
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on Zep Step by topvega
Thanks for listening.
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on Zep Step by topvega
Your guitar is brutal good and the Addictive tone is very much connecting to the Zep tone...
Hats off, Danke
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on Back from the profundity of Hell by topvega
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on Cant keep a Good Man down by topvega
Cru
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on When the Queens Come Marching Home by topvega
This is a great track! I kept seeing comments about vocals. Personally, I don't think it's really set up for vocals. There's a lot of guitar in there! That's not a bad thing, either. Funny thing is, when it first started, my brain went to John Lennon, then to Iggy Pop, into Mick Jagger, and then finally Josh Homme. The music is such a perfect blend of all of them, that any of them could fit in perfectly.
Excellent work, man.
Take care.
Sloe.
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on Beggars Blues by topvega
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